Early One Morning Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By English Folk Song. Arranged by Virginia Croft. For Full Score, Violin I, Viol...(+)
By English Folk Song.
Arranged by Virginia
Croft. For Full Score,
Violin I, Violin II,
Violin III (Viola Tc),
Viola, Cello, Bass,
Piano. Carl Fischer Young
String Orchestra Series.
Grade 2-2.5. Score and
parts. Published by Carl
Fischer
(A Suite of English Carols with Optional Narrator). By Andrew H. Dabczynski. Orc...(+)
(A Suite of English
Carols with Optional
Narrator). By Andrew H.
Dabczynski. Orchestra.
Score; String Orchestra.
HighlandåÊString
Explorer. Form: Suite.
Christmas; Light Concert;
Winter. Grade 2.5. 36
pages. Published by
Alfred Music Publishing
(A Suite of English Carols with Optional Narrator). By Andrew H. Dabczynski. Or...(+)
(A Suite of English
Carols with Optional
Narrator). By Andrew H.
Dabczynski. Orchestra.
For string w/ vln3, pno
acc, Bells, optional
Chimes, Wind Chimes,
Triangle, Suspended
Cymbal, Bass Drum or Low
Hand Drum, Chains.
Part(s); Score; String
Orchestra. Highland
String Explorer. Form:
Suite. Christmas; Light
Concert; Winter. Grade
2.5. 308 pages. Published
by Alfred Music
Publishing
An English Carol, "Humility," for String Orchestra. Composed by Edward Caswal...(+)
An English Carol,
"Humility," for String
Orchestra. Composed by
Edward Caswall. Part(s);
Score; String Orchestra.
Belwin Concert String
Orchestra. Christmas;
Light
Concert; Winter. 136
pages.
Published by Belwin Music
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18).
ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major.
A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
By Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, And John...(+)
By Antony Holborne,
William Brade, Claude
Gervaise, Thomas
Ravenscroft, And John
Dowland. Arranged by
Andrew Dabczynski. Music
by Antony Holborne,
William Brade, Claude
Gervaise, Thomas
Ravenscroft, and John
Dowland / arr. Andrew
Dabczynski. For String
Orchestra. String
Orchestra. String
Explorer. Level: 2 (grade
2). Conductor Score and
Parts. Published by
Alfred Publishing.
Score Only.
Arranged by William
Owens. Series; String
Orchestra. FJH Developing
Strings. Christmas;
Holiday Pops. Score.
Duration 2:00. The FJH
Music Company Inc
#98-ST6388S. Published by
The FJH Music Company Inc
(FJ.ST6388S).
Score Only.
Composed by Traditional.
Arranged by Erik Morales.
Series; String Orchestra.
FJH String Orchestra.
This arrangement is a
setting of Londonderry
Air, the popular anthem
from northern Ireland.
The tune was given lyrics
in 1913 by an English
lawyer named Frederick
Edward Weatherly, and
would then become known
as Danny Boy. Score.
Duration 3:30. The FJH
Music Company Inc
#98-ST6189S. Published by
The FJH Music Company Inc
(FJ.ST6189S).
English.
The
magical setting of this
cherished melody combines
exquisite orchestration
with dramatic harmonies.
At times, the arrangement
is quite plaintive
sounding, which is
balanced with more
contemporary harmonies
and powerful
countermelodies. Endless
opportunities for music
making abound, and there
certainly will not be a
dry eye in the house when
the group plays the final
chord after a haunting
violin solo.
Inspirational!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
(For English Horn, Marimba, And Strings). Composed by Elliott Carter (1908-). Fo...(+)
(For English Horn,
Marimba, And Strings).
Composed by Elliott
Carter (1908-). For
string orchestra (english
horn, marimba, strings).
Contemporary. Full score
- large. Standard
notation. Composed
October 31 1987. 30
pages. Duration 10
minutes. Theodore Presser
Company #446-41295L.
Published by Theodore
Presser Company
With a Yo Heave Ho. Arranged by Sandra Dackow. Performance Music Ensemble...(+)
With a Yo Heave
Ho. Arranged by
Sandra Dackow.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk. Score. 12 pages.
Duration 2:25. Alfred
Music #00-44789S.
Published by Alfred Music
(AP.44789S).
Score Only.
Arranged by Bob Lipton.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement.
Score. Duration 3:15. The
FJH Music Company Inc
#98-ST6341S. Published by
The FJH Music Company Inc
(FJ.ST6341S).
English.
A slow
and starkly beautiful
Adagio is followed by a
riot of joyous
counterpoint in this
example of English
Baroque writing at its
finest. Paying tribute to
Saint Cecilia (patron
Saint of Musicians), this
wonderful music comes
from the introduction of
the original and features
a trio of 2 violins and
cello.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score Only.
Arranged by Carrie Lane
Grusell. Series; String
Orchestra. FJH Developing
Strings. Multicultural.
Score. Duration 2:45. The
FJH Music Company Inc
#98-ST6335S. Published by
The FJH Music Company Inc
(FJ.ST6335S).
English.
This
tender and enduring
traditional English
melody is arranged to
help your students learn
to be independent in
their parts, to be
comfortable in A minor
and C major, and to
refine their legato
technique, slurs and
dotted rhythms. A
bittersweet beauty with a
wealth of teaching and
musical
opportunities!
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
A French Noel Orchestre à Cordes [Conducteur] - Débutant Alfred Publishing
Arranged by Mark Williams. Traditional. For String Orchestra. String Orchestra. ...(+)
Arranged by Mark
Williams. Traditional.
For String Orchestra.
String Orchestra.
Strictly Strings Series.
Level: 1 (grade 1).
Conductor Score.
Published by Alfred
Publishing.
(For English Horn, Marimba, And Strings). Composed by Elliott Carter (1908-). Fo...(+)
(For English Horn,
Marimba, And Strings).
Composed by Elliott
Carter (1908-). For
string orchestra (english
horn, marimba, strings).
Contemporary. Full score
- study. Standard
notation. Composed
October 31 1987. 30
pages. Duration 10
minutes. Theodore Presser
Company #446-41295.
Published by Theodore
Presser Company
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Score Only.
Composed by Ludwig van
Beethoven. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH String Orchestra. In
Beethoven's words, The
Pastoral Symphony is more
an expression of feeling
than painting... pleasant
feelings which awaken in
men on arriving in the
countryside. A perfect
introduction to
Beethoven's major works,
the music is exquisitely
orchestrated. Masterwork
Arrangement. Score.
Duration 6:00. The FJH
Music Company Inc
#98-ST6443S. Published by
The FJH Music Company Inc
(FJ.ST6443S).
English.
In
Beethoven's words, The
Pastoral Symphony is more
an expression of feeling
than painting... pleasant
feelings which awaken in
men on arriving in the
countryside. A perfect
introduction to
Beethoven's major works,
the music is exquisitely
orchestrated to retain
the true nature of
Beethoven's original
masterpiece.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Symphony No 6 Orchestre à Cordes - Intermédiaire FJH
Orchestra String Orchestra - Grade 3.5 SKU: FJ.ST6443 Composed by Ludwig ...(+)
Orchestra String
Orchestra - Grade 3.5
SKU: FJ.ST6443
Composed by Ludwig van
Beethoven. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH String Orchestra. In
Beethoven's words, The
Pastoral Symphony is more
an expression of feeling
than painting... pleasant
feelings which awaken in
men on arriving in the
countryside. A perfect
introduction to
Beethoven's major works,
the music is exquisitely
orchestrated. Masterwork
Arrangement. Score and
Part(s). Duration 6:00.
The FJH Music Company Inc
#98-ST6443. Published by
The FJH Music Company Inc
(FJ.ST6443).
UPC:
241444384824.
English.
In
Beethoven's words, The
Pastoral Symphony is more
an expression of feeling
than painting... pleasant
feelings which awaken in
men on arriving in the
countryside. A perfect
introduction to
Beethoven's major works,
the music is exquisitely
orchestrated to retain
the true nature of
Beethoven's original
masterpiece.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH String
Orchestra. Score. The FJH
Music Company Inc
#98-ST6488S. Published by
The FJH Music Company Inc
(FJ.ST6488S).
English.
Commiss
ioned by the National
String Project
Consortium, this gorgeous
lyrical work can be
performed alone as an
intermediate level piece,
or with multi-level
supplemental parts
(available separately)
for beginning and
developing string
students. Orchestrated to
celebrate inclusion and
diversity, the
multi-level option is
designed to sound far
greater than the
intermediate version
alone. Not your
traditional festival
orchestra piece by any
means.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6340 Composed by Franz Sch...(+)
Orchestra String
Orchestra - Grade 3
SKU: FJ.ST6340
Composed by Franz
Schubert. Arranged by
Robert D McCashin.
MakeMusic Cloud; String
Orchestra. FJH String
Orchestra. Masterwork
Arrangement. Score and
Part(s). Duration 5:30.
The FJH Music Company Inc
#98-ST6340. Published by
The FJH Music Company Inc
(FJ.ST6340).
UPC:
674398232581.
English.
This
light-hearted and
cheerful movement from
Schubert's Symphony No. 3
is orchestrated in a
manner extraordinarily
true to the original.
Highlighting the entire
form of the original
movement, this
arrangement is a
wonderful way to expose
your string students to
this wonderful music
without the need of the
winds!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
March from Suite No. 1 Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Belwin
Composed by Gustav Holst (1874-1934). Arranged by Michael Story. Orchestra. Mast...(+)
Composed by Gustav Holst
(1874-1934). Arranged by
Michael Story. Orchestra.
Masterworks; Part(s);
Score; String Orchestra.
Belwin Beginning String
Orchestra. Form: March.
20th Century; Masterwork
Arrangement; Romantic.
Grade 1.5. 76 pages.
Published by Belwin Music