Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1001910-015

Composed by Traditional. Arranged by Jacob De Haan. Christmas Collection. Christmas. Set (Score & Parts). Composed 2000. De Haske Publications #DHP 1001910-015. Published by De Haske Publications (BT.DHP-1001910-015).

Jacob de Haan arranged four Christmas carols in the suite Four Shepherd Songs. In the four-part instrumentation, creating the possibility to play the piece with a large number of varied strengths, he successively arranged Als ich bei meinen Schafen wacht, Inmitten der Nacht, Kommet ihr Hirten, and Ihr Hirten, erwacht. The arrangement was skillfully replenished with suitable percussion instruments. All of the carols can be performed with a choir (German text). Four Shepherd Songs beautifully enriches the Christmas repertoire.

Jacob de Haan bewerkte vier kerstliederen in de suite Four Shepherd Songs. In een vierstemmige instrumentatie, die de mogelijkheid biedt om het werk met een groot scala aan gevarieerde bezettingen te spelen, bewerkte hij achtereenvolgens:Als ich bei meinen Schafen wacht, Inmitten der Nacht, Kommet ihr Hirten en Ihr Hirten, erwacht. De vierstemmige instrumentatie werd vakkundig aangvuld met gepast slagwerk. Daarnaast kunnen alle liederenmet koor (Duitse tekst) uitgevoerd worden. De Four Shepherd Songs vormen hierdoor een verrijking van het kerstrepertoire.

J acob de Haan hat vier Weihnachtslieder bearbeitet und zu der Suite Four Shepherd Songs (Vier Hirtenlieder) zusammengefügt. Die vierstimmige Bearbeitung, die eine Aufführung mit vielen und unterschiedlich großen Besetzungen erlaubt, wurde mit Schlagzeug effektvoll angereichert. Alle vier Lieder können zudem mit einem Chor (deutscher Text) aufgeführt werden uns sind somit eine echte Bereicherung des weihnachtlichen Repertoires.

Four Shepherd Songs (“Quatre chants de bergers”) est une suite de quatre noëls traditionnels allemands. L’harmonisation quatre voix avec percussion offre un vaste choix de combinaisons instrumentales. Pour réaliser cet arrangement brillant, Jacob de Haan a rassemblé les chants Als ich bei meinen Schafen wacht, Inmitten der Nacht, Kommet Ihr Hirten et Ihr Hirten, erwacht. Cette pièce peut également être interprétée avec un Chœur mixte (SATB). Le set chœur [texte en allemand] est vendu séparément (réf. : DHP 1012653-050).

Nell a suite Four Shepherd Songs (Quattro canti di pastori), Jacob de Haan ha arrangiato per banda quattro canti natalizi tedeschi, Als ich bei meinen Schafen wacht, Inmitten der Nacht, Kommet Ihr Hirten e Ihr Hirten, erwacht, con la possibilit di eseguirli con una qualsiasi strumentazione variabile. La strumentazione a quattro parti è stata arrangiata abilmente e completata con le percussioni. Inoltre, tutti i canti possono essere eseguiti assieme ad un coro (con testo in lingua tedesca). Four Shepherd Songs è senza dubbio un valido arricchimento del repertorio natalizio.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-1001910-216

Composed by Traditional. Arranged by Jacob De Haan. Christmas Collection. Concert Piece. Score Only. Composed 2000. De Haske Publications #DHP 1001910-216. Published by De Haske Publications (BT.DHP-1001910-216).

Für dieses Werk nahm sich Jacob de Haan die Hirten, welche die Geburt Jesu in Bethlehem bezeugten, zum Thema. Heraus kam eine hervorragend gesetzte Suite aus den Hirtenliedern.

Four Shepherd Songs (“Quatre chants de bergers”) est une suite de quatre noëls traditionnels allemands. L’harmonisation quatre voix avec percussion offre un vaste choix de combinaisons instrumentales. Pour réaliser cet arrangement brillant, Jacob de Haan a rassemblé les chants Als ich bei meinen Schafen wacht, Inmitten der Nacht, Kommet Ihr Hirten et Ihr Hirten, erwacht. Cette pièce peut également être interprétée avec un Chœur mixte (SATB). Le set chœur [texte en allemand] est vendu séparément (réf. : DHP 1012653-050).

(from Amahl and the Night Visitors). By Gian Carlo Menotti. Arranged by Johnnie Vinson. Schirmer Concert Band. 20 pages. Published by G SCHIRMER, INC.

Arranged by John Moss. (Score & Parts). Discovery Concert Band Plus. Grade 2. Score and full set of parts. Published by Hal Leonard.

Grade 3

SKU: CL.013-0335-00

Composed by Bortuiansky. Arranged by Lewis and Wolfgang Amadeus Mozart. Band. Score and set of parts. Composed 1905. C.L. Barnhouse #013-0335-00. Published by C.L. Barnhouse (CL.013-0335-00).

This product contains two titles on one sheet of music: Israel's Shepherd Prayer Note: This is a reprint from a vintage publication of 1905. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Grade 3 - Score Only. Composed by Traditional. Arranged by Philip Sparke. Anglo Music Concert Band. Christmas. Score Only. Composed 2001. Anglo Music Press #AMP012. Published by Anglo Music Press

Grade 2

SKU: CL.011-4979-01

Besancon Carol. Arranged by Longfield. Young Concert Band. Extra full score. C.L. Barnhouse #011-4979-01. Published by C.L. Barnhouse (CL.011-4979-01).

The Shepherds’ Carol is a beautifully lyric French Advent/Christmas hymn. Every section of the band is featured in this increasingly popular, colorfully scored traditional carol.

Grade 2

SKU: CL.011-4979-00

Besancon Carol. Arranged by Longfield. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4979-00. Published by C.L. Barnhouse (CL.011-4979-00).

The Shepherds’ Carol is a beautifully lyric French Advent/Christmas hymn. Every section of the band is featured in this increasingly popular, colorfully scored traditional carol.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2 and more. - Grade 4

SKU: CF.SPS82F

Composed by Ed Kiefer. Symphonic Band (SPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #SPS82F. Published by Carl Fischer Music (CF.SPS82F).

ISBN 9781491153277. UPC: 680160910779.

Resig nation was composed in memory of one of Ed Kiefer's best friends. Evoking the struggle of coming to grips with the loss of a dear friend, the piece is based on the hymn, My Shepherd Will Supply My Need. It is dramatic, heartfelt, and overwhelmingly beautiful. As Hans Christian Andersen once said, When words fail, music speaks..
Dr. David S. Kirby Commission Consortium Phillip Riggs, Commission CoordinatorNorthwest District Bandmasters AssociationRodney Workman, Past-Chair Andrew Jimeson, ChairWestern North Carolina Bandmasters AssociationAllen Klaes, ChairNorth Carolina School of Science and MathPhillip Riggs, DirectorA.C. Reynolds High School BandSean Smith, DirectorSouth Caldwell High School BandJason Childers, DirectorJay M. Robinson Symphonic BandAndrew Carter, DirectorApex High School BandDaniel Jarvis, DirectorPanther Creek High School BandDavid Robinson, DirectorEastern Randolph High School BandCarolina Perez, DirectorStanley County Concert Band/Pfeiffer University Concert BandCarmella Hedrick, Tim Hedrick and Frank Poolos, DirectorsLenoir Rhyne University Wind SymphonyDr. Daniel Kiser, ConductorDr. Christopher NegrelliNumerous colleagues, fellow teachers, and former studentsProgram NotesThere is no possible way I could compose a piece of music worthy of the memory of my close friend, Dr. David Kirby, who died very suddenly at an early age. Neither could I write a piece that could come close to reflecting his kind spirit, wit, personality or talent. In fact, it was almost impossible for me to write anything at all. My own grief and the stages of my grief kept getting in the way. I ended up with a setting of the hymn-tune, Resignation. Resigned.  To the fact that he is no longer with us. I know he is in a better place, but we are not. We miss him very much. And so, My Shepherd Will Supply My Need seems to speak to those of us he left behind. I apologize if this piece does not reflect your special feelings for him or help you celebrate his moving on. Unfortunately, I could only put down what I have come to accept and hope in some way it may speak to any of you that knew him or to others of you who have also lost a close friend. My Shepherd Will Supply My Need. That is my hope and my hope for you.Although technically very easy, this composition requires a maturity of musicianship to be performed properly. The Bb contrabass clarinet part is integral to the composition, but there are cues in the tuba part if you need them.  Make sure you bring horns to the fore at m. 53 and the low brass at m. 59 so the melody can be heard without effort. Exaggerate dynamics to bring more emotion to the piece. Be careful not to diminuendo too soon near the end or it will be difficult to diminish even further at the very end, where the lone clarinetist holds over a couple of measures, fading into nothing. I hope your students will enjoy this piece and take from it a greater appreciation for the way making music can express feelings.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2 and more. - Grade 4

SKU: CF.SPS82

Composed by Ed Kiefer. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 4+4+2+4+8+8+2+1+2+2+2+2+2 +2+3+6+6+9+2+2+3+3+3+3+4+ 1+1+1+1+1+16+2 pages. Duration 2 minutes, 58 seconds. Carl Fischer Music #SPS82. Published by Carl Fischer Music (CF.SPS82).

ISBN 9781491152591. UPC: 680160910090. Key: Bb major.

Resignation� � was composed in memory of one of Ed Kiefer's best friends. Evoking the struggle of coming to grips with the loss of a dear friend, the piece is based on the hymn, My Shepherd Will Supply My Need. It is dramatic, heartfelt, and overwhelmingly beautiful. As Hans Christian Andersen once said, When words fail, music speaks..
Dr. David S. Kirby Commission Consortium Phillip Riggs, Commission CoordinatorNorthwest District Bandmasters AssociationRodney Workman, Past-Chair Andrew Jimeson, ChairWestern North Carolina Bandmasters AssociationAllen Klaes, ChairNorth Carolina School of Science and MathPhillip Riggs, DirectorA.C. Reynolds High School BandSean Smith, DirectorSouth Caldwell High School BandJason Childers, DirectorJay M. Robinson Symphonic BandAndrew Carter, DirectorApex High School BandDaniel Jarvis, DirectorPanther Creek High School BandDavid Robinson, DirectorEastern Randolph High School BandCarolina Perez, DirectorStanley County Concert Band/Pfeiffer University Concert BandCarmella Hedrick, Tim Hedrick and Frank Poolos, DirectorsLenoir Rhyne University Wind SymphonyDr. Daniel Kiser, ConductorDr. Christopher NegrelliNumerous colleagues, fellow teachers, and former studentsProgram NotesThere is no possible way I could compose a piece of music worthy of the memory of my close friend, Dr. David Kirby, who died very suddenly at an early age. Neither could I write a piece that could come close to reflecting his kind spirit, wit, personality or talent. In fact, it was almost impossible for me to write anything at all. My own grief and the stages of my grief kept getting in the way. I ended up with a setting of the hymn-tune, Resignation. Resigned.  To the fact that he is no longer with us. I know he is in a better place, but we are not. We miss him very much. And so, My Shepherd Will Supply My Need seems to speak to those of us he left behind. I apologize if this piece does not reflect your special feelings for him or help you celebrate his moving on. Unfortunately, I could only put down what I have come to accept and hope in some way it may speak to any of you that knew him or to others of you who have also lost a close friend. My Shepherd Will Supply My Need. That is my hope and my hope for you.Although technically very easy, this composition requires a maturity of musicianship to be performed properly. The Bb contrabass clarinet part is integral to the composition, but there are cues in the tuba part if you need them.  Make sure you bring horns to the fore at m. 53 and the low brass at m. 59 so the melody can be heard without effort. Exaggerate dynamics to bring more emotion to the piece. Be careful not to diminuendo too soon near the end or it will be difficult to diminish even further at the very end, where the lone clarinetist holds over a couple of measures, fading into nothing. I hope your students will enjoy this piece and take from it a greater appreciation for the way making music can express feelings.

Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 2

SKU: HL.44001742

Composed by Traditional. Arranged by Herman Oldenstijl. De Haske Concert Band. Festive and Solemn Music. Score Only. Composed 1991. Hal Leonard #910325. Published by Hal Leonard (HL.44001742).

UPC: 073999138429. 6.75x10.5 inches.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Falschlicherweise zunachst einem Geschaftsmann und Amateurmusiker zugeschrieben, stellte sich spater heraus, dass die Musik tatsachlich von Jessie Irvine, der Tochter eines Kusters, komponiert worden war. Die schone Melodie der sonst unbekannten Komponistin gelangte 1929 schliesslich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

Concert Band

SKU: HL.44002038

De Haske Concert Band CD. Christmas. CD. De Haske Publications #030353. Published by De Haske Publications (HL.44002038).

UPC: 073999791105.

(Score with CD). By Johan De Meij. Score. Amstel Music. Grade 5-6. Book with CD. Amstel Music #AM06. Published by Amstel Music

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115227-140

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Hymns & Chorals. Score Only. Composed 2012. 20 pages. De Haske Publications #DHP 1115227-140. Published by De Haske Publications (BT.DHP-1115227-140).

9x12 inches. English-German-French-Dut ch.

2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor at Fukushima only increased the misery: a black day in the country’s history…One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments. It will take a long time before the damage suffered is repaired—and it will take great effort to overcome thepsychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers for a simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This piece immediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!

2011 was een rampzalig jaar voor Japan: op 11 maart teisterde een hevige aardbeving het noordoosten van het land, bracht een enorme tsunami teweeg en veroorzaakte zeer grote schade aan mens en natuur. De daaruit voortvloeiende problemenmet de kernreactor van Fukushima maakten de ellende nog groter: een zwarte pagina in het bestaan van het land ... Dat in dergelijke dramatische omstandigheden ook (en vooral) het culturele bestel een flinke knauw krijgt, ishelaas een haast onvermijdelijke consequentie. Zo ook in Japan: verschillende high school bands in de getroffen regio verloren hun repetitieruimte en/of instrumenten: het zal lang duren voordat de geleden schade is hersteld - enhet zal ook moeite kosten om er mentaal weer bovenop te geraken. Met het oog op dat laatste aspect verzocht Yutaka Nishida (samensteller van het radioprogramma The Bandwagon) een paar componisten om een eenvoudig werkje te schrijvendat speelbaar is door een groot aantal orkesten. Als bij toeval kwam een dergelijk verzoek eveneens van de kant van de OSAKAN Philharmonic Winds, waarmee Jan Van der Roost op 25 september een concert dirigeerde, uitsluitend gewijdaan eigen werken. Daar werd Song of Hope dan ook ten doop gehouden en het werkje sloeg meteen aan bij uitvoerders en publiek: na een tamelijk donkere start in het lage register evolueert het tot een optimistischer en opener slot.Er is inderdaad hoop op betere tijden!

Am 11. März 2011 löste ein heftiges Erdbeben in Japan einen riesigen Tsunami mit desaströsen Folgen für Mensch, Natur auch das kulturelle Leben. Yutaka Nishida vom Radioprogramm The Bandwagon bat daher einige Komponisten, darunter Jan Van der Roost, ein einfaches, für viele Orchester spielbares Werk zu schreiben. Song of Hope beginnt düster im tiefen Register, um sich dann zu einem optimistischeren Schluss hin zu entwickeln. Es gibt sie, die Hoffnung auf bessere Zeiten... !

2011 fut une année tragique pour le Japon : le 11 mars, le nord-est du pays connut un violent tremblement de terre qui entraîna un gigantesque tsunami, occasionnant de nombreuses pertes humaines et de gros dég ts environnementaux. La catastrophe du réacteur nucléaire de Fukushima ajouta encore ces malheurs : une période bien sombre de l’histoire du pays…Des événements aussi dramatiques ont souvent un impact négatif sur les arts culturels. Ce fut le cas au Japon : plusieurs orchestres d’harmonie des collèges des régions affectées perdirent leurs locaux de répétition et/ou leurs instruments. Il faudra beaucoup de temps pour que les choses reviennent la normale - et pour estomperles cicatrices psychologiques. S’intéressant particulièrement celles-ci, Yutada Nishida (directeur du programme radiophonique The Bandwagon) demanda quelques compositeurs d’écrire une œuvre simple pouvant être interprétée par de nombreux orchestres.Il se trouva que l’Harmonie Philharmonique d’Osaka (que Jan Van der Roost avait dirigée lors d’un concert exclusivement composé de ses œuvres, le 25 septembre) avait eu la même idée. Ce concert vit la création mondiale de Song of Hope, qui interpella immédiatement les musiciens et l’auditoire. Cette pièce débute sombrement dans le registre grave avant d’évoluer vers une conclusion plus pétillante, plus optimiste. Il est assurément permis d’espérer des temps meilleurs !

Il 2011 è stato un anno tragico per il Giappone; al devastante terremoto e al non meno catastrofico tsunami dell’11 marzo, sono seguiti i gravi problemi al reattore nucleare di Fukushima. Il settore della cultura in generale, e quello della musica in particolare hanno sofferto immensamente a causa di questi nefasti eventi naturali. Song of Hope è un brano che ha profondamente commosso esecutori e pubblico.Song of Hope inizia nel registro acuto con suoni oscuri e melanconici, ma si sviluppa in un clima di ottimismo, come a voler simboleggiare un futuro più sereno.

Concert Band/Harmonie - Grade 6

SKU: BT.DHP-1114234-140

Op. 14. Composed by Hector Berlioz. Great Classics. Transcription. Score Only. Composed 2011. De Haske Publications #DHP 1114234-140. Published by De Haske Publications (BT.DHP-1114234-140).

9x12 inches. English-German-French-Dut ch.

Symphonie Fantastique, composed by Hector Berlioz, is a symphony in five movements based upon Berlioz's own experiences of disappointment in love. Tohru Takahashi's arrangement fully exploits the capabilities of the concert band whilst staying true to the tonal colour and textures of the original. Movements include: Reveries - Passions, Un Bal, Scène aux champs, Marche au supplice and Songe d'une nuit de sabbat.

Hector Berlioz was nogal teleurgesteld in de liefde. Met de nog steeds modern klinkende Symphonie Fantastique gaf hij hieraan uiting. Tohru Takahashi verwerkte de originele partituur voor deze transcriptie. Hij wil hiermee de mogelijkhedenvan een modern blaasorkest optimaal benutten, maar verliest daarbij de originele klankkleuren nooit uit het oog. De optionele solopartij voor de cornet verschijnt in het tweede deel. Oorspronkelijk werd deze voor de beroemdekornettist Jean-Baptiste Arban geschreven.Mooi en meeslepend!Symphonie Fantastique bestaat uit de vijf delen Rêveries-Passions (Mijmeringen), Un bal (Een bal), Scène aux champs (Scène op de velden), Marche au supplice (Gangnaar het schavot) en Songe d'une nuit de sabbat (Droom van een heksensabbat).

Berlioz' einzigartige instrumentale und musikalische Herangehensweise klingt auch im 21. Jahrhundert noch neu. Für diese neue Transkription für Blasorchester schöpfte Tohru Takahashi unter bestmöglicher Ausnutzung der originalen Klangfarben die Möglichkeiten eines modernen Blasorchesters voll aus. Die Sinfonie besteht aus den fünf Sätzen Rêveries-Passions, Un bal, Scène aux champs, Marche au supplice und Songe d'une nuit de sabbat.

L'originalité instrumentale et musicale de Berlioz apparaît encore au XXIe siècle avec la même fraîcheur, que celle qui présida lors de la création de l'oeuvre. Pour cette nouvelle transcription pour orchestre vent, Tohru Takahashi a revisité la partition de Berlioz en respectant l'orchestration originale, afin d'exploiter pleinement le vaste potentiel d'un orchestre vent. La Symphony Fantastique se compose de cinq ensembles Rêveries-Passions, Un bal, Scène aux champs, Marche au supplice et Songe d'une nuit de Sabbat.

L'orig inalit strumentale e musicale di Berlioz è attuale anche nel XXI secolo. Per questa nuova trascrizione per banda, Tohru Takahashi ha rivisitato lo spartito di Berlioz rispettando l'orchestrazione originale per sfruttare al meglio il vasto potenziale delle formazioni di fiati moderni. La Symphonie Fantastique si compone di cinque movimenti: Reveries-Passions, Un Bal, Scène aux champs, Marche au supplice e Songe d'une nuit de Sabbat.

Concert Band/Harmonie - Grade 6

SKU: BT.DHP-1114234-010

Op. 14. Composed by Hector Berlioz. Great Classics. Transcription. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1114234-010. Published by De Haske Publications (BT.DHP-1114234-010).

9x12 inches. English-German-French-Dut ch.

Symphonie Fantastique, composed by Hector Berlioz, is a symphony in five movements based upon Berlioz's own experiences of disappointment in love. Tohru Takahashi's arrangement fully exploits the capabilities of the concert band whilst staying true to the tonal colour and textures of the original. Movements include: Reveries - Passions, Un Bal, Scène aux champs, Marche au supplice and Songe d'une nuit de sabbat.

Hector Berlioz was nogal teleurgesteld in de liefde. Met de nog steeds modern klinkende Symphonie Fantastique gaf hij hieraan uiting. Tohru Takahashi verwerkte de originele partituur voor deze transcriptie. Hij wil hiermee de mogelijkhedenvan een modern blaasorkest optimaal benutten, maar verliest daarbij de originele klankkleuren nooit uit het oog. De optionele solopartij voor de cornet verschijnt in het tweede deel. Oorspronkelijk werd deze voor de beroemdekornettist Jean-Baptiste Arban geschreven.Mooi en meeslepend!Symphonie Fantastique bestaat uit de vijf delen Rêveries-Passions (Mijmeringen), Un bal (Een bal), Scène aux champs (Scène op de velden), Marche au supplice (Gangnaar het schavot) en Songe d'une nuit de sabbat (Droom van een heksensabbat).

Berlioz' einzigartige instrumentale und musikalische Herangehensweise klingt auch im 21. Jahrhundert noch neu. Für diese neue Transkription für Blasorchester schöpfte Tohru Takahashi unter bestmöglicher Ausnutzung der originalen Klangfarben die Möglichkeiten eines modernen Blasorchesters voll aus. Die Sinfonie besteht aus den fünf Sätzen Rêveries-Passions, Un bal, Scène aux champs, Marche au supplice und Songe d'une nuit de sabbat.

L'originalité instrumentale et musicale de Berlioz apparaît encore au XXIe siècle avec la même fraîcheur, que celle qui présida lors de la création de l'oeuvre. Pour cette nouvelle transcription pour orchestre vent, Tohru Takahashi a revisité la partition de Berlioz en respectant l'orchestration originale, afin d'exploiter pleinement le vaste potentiel d'un orchestre vent. La Symphony Fantastique se compose de cinq ensembles Rêveries-Passions, Un bal, Scène aux champs, Marche au supplice et Songe d'une nuit de Sabbat.

L'orig inalit strumentale e musicale di Berlioz è attuale anche nel XXI secolo. Per questa nuova trascrizione per banda, Tohru Takahashi ha rivisitato lo spartito di Berlioz rispettando l'orchestrazione originale per sfruttare al meglio il vasto potenziale delle formazioni di fiati moderni. La Symphonie Fantastique si compone di cinque movimenti: Reveries-Passions, Un Bal, Scène aux champs, Marche au supplice e Songe d'une nuit de Sabbat.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1175792-010

Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Opening Pieces. Set (Score & Parts). Composed 2017. De Haske Publications #DHP 1175792-010. Published by De Haske Publications (BT.DHP-1175792-010).

English-German-French- Dutch.

This work was composed as a commission by the Aikodai Meiden High School Symphonic Band, for the 50th anniversary of their annual concert; the title A Golden Jubilation is a reference to this. The close friendship between Hiroki Ito, theconductor of the band, and Satoshi Yagisawa resulted in this brilliant and exhilarating fanfare of approximately two minutes in length; the piece is ideal to use as a concert opener. The original composition was arranged for an extremely wide rangeof instruments and a band of 200 musicians, including a separate ‘banda’, harp and a variety of special instruments. This new version has been rescored for standard band instrumentation by the composer himself.

Dit werk is geschreven in opdracht van de Aikodai Meiden High School Symphonic Band, ter gelegenheid van het vijftigste jaarconcert dat door het orkest werd uitgevoerd een feit waar de titel naar verwijst. De hechte vriendschap tussen Hiroki Ito(de dirigent van het orkest) en Satoshi Yagisawa leidde ertoe dat Yagisawa op uitnodiging deze schitterende, boeiende fanfare van circa twee minuten lang schreef: een werk dat ideaal is als opening van een concert. De oorspronkelijke compositie werdgearrangeerd voor een extreem omvangrijke instrumentatie, waaronder een afzonderlijke banda, harp en diverse speciale instrumenten, maar deze nieuwe versie is door de componist zelf opnieuw georkestreerd voor een standaard harmonieorkest.

Di eses Werk wurde von der Aikodai Meiden High School Symphonic Band anlässlich ihres 50-jährigen Konzertjubiläums, auf das sich der Titel des Werkes bezieht, in Auftrag gegeben. Die enge Freundschaft zwischen Hiroki Ito, dem Leiter des Orchesters,und Satoshi Yagisawa führte zur Komposition dieser brillanten und hinreißenden Fanfare von etwa zwei Minuten Dauer, die sich bestens als Eröffnungsstück eignet. Die Originalkomposition wurde für eine extrem große Besetzung inklusive einer separatenBanda“, Harfe und einigen Spezialinstrumenten komponiert. Diese neue Version hat der Komponist für eine Standardbesetzung neu instrumentiert.

Ce tte œuvre a été composée en commande de l’Aikodai Meiden High School Symphonic Band l’occasion de son 50e concert annuel, ce qui a inspiré le titre. L’amitié profonde entre Hiroki Ito le chef d’orchestre et Satoshi Yagisawa est l’origine decette fanfare jubilatoire d’une durée approximative de deux minutes, pièce d’ouverture idéale pour votre concert. La composition originale était pour un orchestre extrêmement grand de 200 musiciens, comprenant aussi une banda séparée, uneharpe et d’autres instruments spéciaux. Cette nouvelle version a été réarrangée pour formation standard par le compositeur lui-même.

Quest a fanfara brillante della durata di circa 2 minuti, ispirata dall’amicizia tra Hiroki Ito il direttore della banda e Satoshi Yagisawa, è ideale come apertura di un concerto. L’opera originale venne arrangiata per una strumentazione molto ampia e una banda di 200 musicisti, inclusa una sezione separata, con un’arpa e una variet di strumenti speciali. Questa nuova versione è stata riarrangiata per banda con strumentazione standard dallo stesso compositore.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1175792-140

Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Opening Pieces. Score Only. Composed 2017. 13 pages. De Haske Publications #DHP 1175792-140. Published by De Haske Publications (BT.DHP-1175792-140).

English-German-French- Dutch.

This work was composed as a commission by the Aikodai Meiden High School Symphonic Band, for the 50th anniversary of their annual concert; the title A Golden Jubilation is a reference to this. The close friendship between Hiroki Ito, theconductor of the band, and Satoshi Yagisawa resulted in this brilliant and exhilarating fanfare of approximately two minutes in length; the piece is ideal to use as a concert opener. The original composition was arranged for an extremely wide rangeof instruments and a band of 200 musicians, including a separate ‘banda’, harp and a variety of special instruments. This new version has been rescored for standard band instrumentation by the composer himself.

Dit werk is geschreven in opdracht van de Aikodai Meiden High School Symphonic Band, ter gelegenheid van het vijftigste jaarconcert dat door het orkest werd uitgevoerd een feit waar de titel naar verwijst. De hechte vriendschap tussen Hiroki Ito(de dirigent van het orkest) en Satoshi Yagisawa leidde ertoe dat Yagisawa op uitnodiging deze schitterende, boeiende fanfare van circa twee minuten lang schreef: een werk dat ideaal is als opening van een concert. De oorspronkelijke compositie werdgearrangeerd voor een extreem omvangrijke instrumentatie, waaronder een afzonderlijke banda, harp en diverse speciale instrumenten, maar deze nieuwe versie is door de componist zelf opnieuw georkestreerd voor een standaard harmonieorkest.

Di eses Werk wurde von der Aikodai Meiden High School Symphonic Band anlässlich ihres 50-jährigen Konzertjubiläums, auf das sich der Titel des Werkes bezieht, in Auftrag gegeben. Die enge Freundschaft zwischen Hiroki Ito, dem Leiter des Orchesters,und Satoshi Yagisawa führte zur Komposition dieser brillanten und hinreißenden Fanfare von etwa zwei Minuten Dauer, die sich bestens als Eröffnungsstück eignet. Die Originalkomposition wurde für eine extrem große Besetzung inklusive einer separatenBanda“, Harfe und einigen Spezialinstrumenten komponiert. Diese neue Version hat der Komponist für eine Standardbesetzung neu instrumentiert.

Ce tte œuvre a été composée en commande de l’Aikodai Meiden High School Symphonic Band l’occasion de son 50e concert annuel, ce qui a inspiré le titre. L’amitié profonde entre Hiroki Ito le chef d’orchestre et Satoshi Yagisawa est l’origine decette fanfare jubilatoire d’une durée approximative de deux minutes, pièce d’ouverture idéale pour votre concert. La composition originale était pour un orchestre extrêmement grand de 200 musiciens, comprenant aussi une banda séparée, uneharpe et d’autres instruments spéciaux. Cette nouvelle version a été réarrangée pour formation standard par le compositeur lui-même.

Quest a fanfara brillante della durata di circa 2 minuti, ispirata dall’amicizia tra Hiroki Ito il direttore della banda e Satoshi Yagisawa, è ideale come apertura di un concerto. L’opera originale venne arrangiata per una strumentazione molto ampia e una banda di 200 musicisti, inclusa una sezione separata, con un’arpa e una variet di strumenti speciali. Questa nuova versione è stata riarrangiata per banda con strumentazione standard dallo stesso compositore.

Concert Band/Harmonie/Fanfare/Bra ss Band (Score) - Grade 2

SKU: HL.44001743

Composed by Traditional. Arranged by Herman Oldenstijl. De Haske Concert Band. Festive and Solemn Music. Score Only. Composed 1991. De Haske Publications #910325. Published by De Haske Publications (HL.44001743).

UPC: 073999257281. 6.75x10.5 inches.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Falschlicherweise zunachst einem Geschaftsmann und Amateurmusiker zugeschrieben, stellte sich spater heraus, dass die Musik tatsachlich von Jessie Irvine, der Tochter eines Kusters, komponiert worden war. Die schone Melodie der sonst unbekannten Komponistin gelangte 1929 schliesslich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-0910325-216

Composed by Traditional. Arranged by Herman Oldenstijl. Musica Sacra. Festive and Solemn Music. Score Only. Composed 1991. De Haske Publications #DHP 0910325-216. Published by De Haske Publications (BT.DHP-0910325-216).

This lovely Scottish hymn, also known as The Lord’s My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Fälschlicherweise zunächst einem Geschäftsmann und Amateurmusiker zugeschrieben, stellte sich später heraus, dass die Musik tatsächlich von Jessie Irvine, der Tochter eines Küsters, komponiert worden war. Die schöne Melodie der sonst unbekannten Komponistin gelangte 1929 schließlich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

(My Father Will Supply My Need). Composed by Traditional. Arranged by Randall D. Standridge. Concert Band. Concert Band Series. Grade 3. Full set. Published by Wingert-Jones Publications

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115227-010

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Hymns & Chorals. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1115227-010. Published by De Haske Publications (BT.DHP-1115227-010).

9x12 inches. English-German-French-Dut ch.

2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor atFukushima only increased the misery: a black day in the country's history...
One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments.It will take a long time before the damage suffered is repaired - and it will take great effort to overcome the psychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers fora simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This pieceimmediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!

2011 was een rampzalig jaar voor Japan: op 11 maart teisterde een hevige aardbeving het noordoosten van het land, bracht een enorme tsunami teweeg en veroorzaakte zeer grote schade aan mens en natuur. De daaruit voortvloeiende problemenmet dekernreactor van Fukushima maakten de ellende nog groter: een zwarte pagina in het bestaan van het land ...
Dat in dergelijke dramatische omstandigheden ook (en vooral) het culturele bestel een flinke knauw krijgt, ishelaas een haastonvermijdelijke consequentie. Zo ook in Japan: verschillende high school bands in de getroffen regio verloren hun repetitieruimte en/of instrumenten: het zal lang duren voordat de geleden schade is hersteld - enhet zal ook moeite kosten om er mentaalweer bovenop te geraken. Met het oog op dat laatste aspect verzocht Yutaka Nishida (samensteller van het radioprogramma The Bandwagon) een paar componisten om een eenvoudig werkje te schrijvendat speelbaar is door een groot aantal orkesten.
Alsbij toeval kwam een dergelijk verzoek eveneens van de kant van de OSAKAN Philharmonic Winds, waarmee Jan Van der Roost op 25 september een concert dirigeerde, uitsluitend gewijdaan eigen werken. Daar werd Song of Hope dan ook ten doop gehoudenen het werkje sloeg meteen aan bij uitvoerders en publiek: na een tamelijk donkere start in het lage register evolueert het tot een optimistischer en opener slot.Er is inderdaad hoop op betere tijden!

Am 11. März 2011 löste ein heftiges Erdbeben in Japan einen riesigen Tsunami mit desaströsen Folgen für Mensch, Natur auch das kulturelle Leben. Yutaka Nishida vom Radioprogramm The Bandwagon bat daher einige Komponisten, darunter Jan Van derRoost, ein einfaches, für viele Orchester spielbares Werk zu schreiben. Song of Hope beginnt düster im tiefen Register, um sich dann zu einem optimistischeren Schluss hin zu entwickeln. Es gibt sie, die Hoffnung auf bessere Zeiten... !

Le 11 mars 2011, un violent tremblement de terre secoua le Japon et déclencha un tsunami gigantesque, avec des conséquences désastreuses pour la population et l’environnement. Yutaka Nishida, animateur radio de lémission, The Bandwagon a doncdemandé plusieurs compositeurs, y compris Jan Van der Roost, d’écrire des pièces faciles interpréter, pour les orchestres locaux. Song of Hope (Chant de lespoir) s’ouvre par une ligne mélodique dans le registre grave, qui évoluera tout aulong de la pièce afin d’aboutir une conclusion pétillante d’optimisme. Des jours meilleurs se profilent l’horizon !

Il 2011 é stato un anno tragico per il Giappone, al devastante terremoto e al non meno catastrofico tsunami dell'11 marzo, sono seguiti i gravi problemi al reattore nucleare di Fukushima. Il settore della cultura in generale, e quellodella musica in particolare hanno sofferto immensamente a causa di questi nefasti eventi naturali. Song of Hope é un brano che ha profondamente commosso esecutori e pubblico.
Song of Hope inizia nel registro acuto con suoni oscuri e melanconici, ma si sviluppa in un clima di ottimismo, come a voler simboleggiare un futuro pié sereno.