By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Grades 2-3). Published by ABRSM (Associated Board of the Royal Schools of Music).

Cello; Piano Accompaniment

SKU: HL.49018486

Cello and Piano. Composed by Paul Bazelaire. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Op. 125. 12 pages. Schott Music #SF8821. Published by Schott Music (HL.49018486).

ISBN 9790543501416. 9.0x12.0x0.057 inches.

For Violoncello and Piano. By Paul Bazelaire. Schott. Size 9x12 inches. 26 pages. Published by Schott Freres.

Cello and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 19 pages. Published by Schott.

Cello and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 10 pages. Published by Schott.

Cello and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 37 pages. Published by Schott.

Violoncello and Piano. By Georg Goltermann. Arranged by Paul Hindemith. (Cello). Schott. Book only. Size 9x12 inches. 30 pages. Published by Schott.

Cello and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 35 pages. Published by Schott.

Sur des airs populaires. Composed by Paul Bazelaire. Arranged by Mathieu Crickboom and Jean-Marie Londeix. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Op. 114. 36 pages. Schott Music #SF 7936. Published by Schott Music

Reduction. By Paul Hindemith. Schott. Size 9x12 inches. 66 pages. Published by Schott.

Cello (cello part and piano score)

SKU: HL.48180232

Composed by Luigi Boccherini. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL16769. Published by Alphonse Leduc (HL.48180232).

UPC: 888680795016. 9.0x12.0x0.04 inches.

As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day. Known for his courtly, gallant style, Rondo, originally composed for violin and harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the cello repertoire. In addition, the clear print of separate cello and piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.

Composed by Maurice Ravel (1875-1937). Leduc. Post- 1900. Softcover. 8 pages. Alphonse Leduc #AL24862. Published by Alphonse Leduc

By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Grades 1-2). Published by ABRSM (Associated Board of the Royal Schools of Music).

By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Grades 3-4). Published by ABRSM (Associated Board of the Royal Schools of Music).

SST(A)TTB vocal soli or choir, ST(A)TB voices, 2 flutes, 2 oboes, 2 violins, 2 violas, cello, piano

SKU: CA.2100700

Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: Paperbound. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Full score. 68 pages. Duration 26 minutes. Carus Verlag #CV 21.007/00. Published by Carus Verlag (CA.2100700).

ISBN 9790007142179. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.