Violoncello & Piano SKU: SU.27000390 For Violoncello & Piano. Comp...(+)
Violoncello & Piano
SKU: SU.27000390
For Violoncello &
Piano. Composed by
Roger Stubblefield.
Strings, Cello.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#27000390. Published by
Subito Music Corporation
(SU.27000390).
This
publication consists of 2
works. Three
Attitudes for Solo
Violoncello, and Attitude
Adjustment for
Violoncello &
PianoVioloncello & Piano
Composed: 2019 Published
by: Distributed
Composer.
Book/Online Audio Piano/Keyboard SKU: HL.697293 Fast Track Music Instruct...(+)
Book/Online Audio
Piano/Keyboard
SKU:
HL.697293
Fast Track
Music Instruction.
Instructional and Play
Along. Softcover Audio
Online. With chord names,
instructional text and
introductory text. 48
pages. Published by Hal
Leonard (HL.697293).
ISBN 9780793575459.
UPC: 073999972931.
9.0x12.0x0.13 inches.
Blake Neely and Gary
Meisner.
Keyboard 2
takes over where Keyboard
1 left off, with more
rhythms and techniques,
chord substitution, rock,
blues, and shuffle
styles, intros and
outros, and 95 songs and
examples which are
demonstrated on the audio
tracks. The audio is
accessed online using the
unique code in each book
and includes PLAYBACK
tools such as tempo
adjustment, looping,
changing keys, panning,
and more.
About Fast
Track Music
Instruction
<
p>FastTrack is (you
guessed it!) a fast way
for beginners to learn to
play that instrument they
just bought. FastTrack is
different from other
method books: we've made
them user-friendly with
plenty of cool songs that
make it easy and fun for
players to teach
themselves. Plus, the
last section of all the
FastTracks books have the
same songs so that
students can form a band
and jam together.
Solo piano SKU: B9.478-PNO Fantfare for the Tigers. Composed by Mi...(+)
Solo piano
SKU:
B9.478-PNO
Fantfare for the
Tigers. Composed by
Michael Torke. Version
for solo piano. Score. 12
pages. Duration ca. 2
minutes. Adjustable Music
#478-pno. Published by
Adjustable Music
(B9.478-PNO).
EAST SOUND RESEARCH.
Guitar Pedal. Duration
240 seconds. Hal Leonard
#CM0230. Published by Hal
Leonard (HL.911071).
UPC: 852940000981.
10.0x5.5x3.0
inches.
The world
of music has changed and
the world of guitar
playing has changed along
with it. It is becoming
normal to not see the
full guitar rigs of the
'70s, '80s, and '90s, and
instead just see guitar
players with minimal
systems to achieve their
signature sounds.
Introducing the Carl
Martin Ampster ... from
the company that has
shone the single analog
light down that deep
digital tunnel. The
Ampster, a single tube
driven amp/speaker
simulator that can either
supplement your amp, or
replace it. A fully
analog unit with controls
that are the same as your
amplifier with the
addition of a mute
switch, a speaker
selection switch and a
voicing switch. What's
more important, the
Ampster reacts to your
playing in the same way
your full size amp does,
giving you the same
organic feel with zero
latency! The Ampster is
housed in a solid metal
box with the standard EQ
(Bass Middle Treble), pre
and post volume/gain
controls (Master &
Gain) plus a Presence
Control. There is a Mute
Switch for obvious
reasons and a Cabinet
Switch with an LED
Indicator light ( Red for
a 2x12 Open Backed Cab,
and Green for a 4x12
Closed Back Cab). On the
back of the pedal you
will find a Ground Lift
and a Voicing Switch (a
subtle low end cap
controlled voicing
adjustment). Input, Link
(output to your amp or
powered speaker) Balanced
DI (XLR output to go to a
mixing or recording
console), a Send and
Return for those specific
effects that shouldn't be
in front of the amp, a
Remote Input for use with
digital or analog effect
controllers like the Carl
Martin Octaswitch
“The Strip,â€
and your standard 9v 1A
power input. It couldn't
be simpler! Plug your
guitar straight in, or
plug your pedal board
into the input jack,
choose your output and
open your ears to a
surprisingly big round
clean sound, or by
adjusting the Gain, that
decidedly British
Overdrive sound for which
Carl Martin has become so
well known. Our test
players have fallen in
love, telling us the
Ampster reacts just like
their standard amps,
organic and responsive to
your playing style or
attack. In fact, the
Ampster sounds just like
a full size amp, but it
fits on your pedalboard.
Take a look at the videos
... we are certain you
will want to take the
Ampster for a test
drive!
SKU: HL.1117962 Lewitt Audio. Microphone. Hal Leonard #LCT1040US. Publish...(+)
SKU: HL.1117962
Lewitt Audio. Microphone.
Hal Leonard #LCT1040US.
Published by Hal Leonard
(HL.1117962).
UPC:
847986002228.
9.5x20.0x17.5
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Imagine
getting the perfect sound
every time. Like a
painter who uses his
color palette, the LCT
1040 gives you the power
to create the sound you
envision. •Record
with premium sound from
high-end components and
1″ true condenser
capsule •Create the
perfect sound for
different vocalists and
instruments using 4
all-analog tube
characteristics and a
crystal-clear FET circuit
•Adjust all
settings from your
sweetspot via the remote
control A wide range of
outstanding tube tones
developed in close
cooperation with
world-renowned engineers
and producers.
•Clear - Tube works
at technical optimum
•Warm - Smooth and
pleasant high-end
•Dark - Tamed highs
for bright sources
•Saturated - Rich
harmonics and subtle
compression Together,
these 100% all-analog
tube characteristics are
designed to cover all
applications and styles
recorded in the studio -
from the finest violin to
roaring Rock voices. They
are the result of
LEWITT's close
cooperation with industry
professionals and the
global audio community.
Extra punch and precision
with the blendable FET
circuit. Tweak your sound
to perfection. You can
dial in the FET circuit
via the Circuit control
whenever you're looking
for that extra punch or
precision for your voice
or instrument. Tweak all
settings from your
sweetspot via the remote
control Set up the LCT
1040 in the recording
room where the artist
performs. Detach the
remote control from the
PSU and connect them via
your standard 3-pin XLR
cable. Now you can
finetune your sound from
your sweetspot via the
remote control, ensuring
a smooth-running session.
Seamless polar pattern
control to get exactly
what you want. Set the
directivity with the
seamless polar pattern
control of the LCT 1040,
giving you exactly what
you were looking for.
Additionally, you can
also freely define the
front of the mic
depending on your
recording scenario using
the Default/Reverse flip
switch. Two XLR outputs
for full flexibility in
post-production. To
prepare you for all
possible scenarios, the
LCT 1040 features two XLR
outputs with Neutrik
connectors. •The
Mix output delivers the
ratio set with the
Circuit control, a
combination of the tube
and FET circuit.
•The FET output
delivers 100% pure FET
independent from the
Circuit control. Shock
mount with carbon fiber
elements and quick
release mechanism
•Quick release
mechanisms for the
microphone and the
adjustment of the angle.
•Carbon fiber
elements support
efficient decoupling of
the microphone.
•The microphone can
be turned by 360 degrees
when inside the shock
mount. Dual-layer
magnetic pop filter for
clean recordings. The
high-performance magnetic
pop filter of the LCT
1040 protects your
capsule from unwanted
plosives and moisture.
Its double-layer
desig.
Volume Expression Wah
Pedal. Hotone Pedals.
Guitar Pedal. Hal Leonard
#SP-20. Published by Hal
Leonard (HL.374733).
UPC: 888506040061.
4.0x7.75x3.0
inches.
The Next
Gen of a Classic Soul
Press II is a next-gen
product in the Hotone
Press series pedal line.
It's new-designed upgrade
based on the popular
concepts of both the Soul
Press and Vow Press. It
integrates up to four
function modes (volume,
wah, volume/wah,
expression), taking
playability to new
heights. The pedal
position indicator shows
the pedal position in
real time. The TONE mode
selection and Q value
adjustment represent an
absolute improvement in
tone and functionality.
Multiple I/O options
provide more diverse
access. The reimagined
pedal size maintains
portability while
delivering an optimal
ergonomic experience.
Soul Press II is a truly
versatile wah pedal.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Performed by Hank Williams Jr.. For guitar and voice. Format: guitar tablature s...(+)
Performed by Hank
Williams Jr.. For guitar
and voice. Format: guitar
tablature songbook. With
leadsheet notation
(chords and melody),
lyrics, chord names,
guitar chord diagrams and
strum and pick patterns.
Country and honky tonk.
Series: Strum It
(guitar). 64 pages. 9x12
inches. Published by Hal
Leonard.