Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For voice and piano. Includes piano/vocal songbook and instructional book. With vocal melody, lyrics and piano accompaniment. Sacred and Instructional. Series: Alfred's Basic Piano Library. 64 pages. 9x12 inches. Published by Alfred Publishing.

For voice and piano. Format: Easy piano/vocal songbook (simplified piano/vocal arrangements). With vocal melody, piano accompaniment, lyrics and chord names. Gospel and southern gospel. 64 pages. 9x12 inches. Published by Hal Leonard.

For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Series: Easy Piano. 104 pages. 9x12 inches. Published by Hal Leonard.

Composed by Lloyd Larson. For SATB choir, piano (with optional organ). Sacred Anthem. Octavo. Published by Lorenz Publishing Company

(Powerful piano solos with optional rhythm section). By Mark Hayes. For piano. Sacred. Advanced. Collection and performance/accompaniment CD. Published by Lorenz Publishing Company

Composed by Jerry Ray. For voice and piano. Format: piano/vocal songbook. With vocal melody, lyrics, chord names and piano accompaniment. Hymn. 144 pages. 9x12 inches. Published by Alfred.

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Contemporary christian and inspirational. 176 pages. 9x12 inches. Published by Hal Leonard.

(253 of the finest praise and worship songs). Composed by Various. For voice, piano and guitar (chords only). Sacred Folio. Gospel and Worship. Difficulty: medium. Songbook (spiral bound). Vocal melody, piano accompaniment, lyrics and chord names. 420 pages. Hal Leonard #080689006395. Published by Hal Leonard

Hymns Re-Harmonized (Creative Chords For The Church Accompanist). Arranged by Carol Tornquist. For Piano/Vocal/Guitar. Sacred Folio. Hymns. Difficulty: medium. Songbook. Vocal melody, piano accompaniment, lyrics, chord names and modulation chart. 120 pages. Word Music #080689315381. Published by Word Music

By Susan Borwick (1946-). For Two-Part Mixed Voices and Piano. General. Sacred. Easy. Octavo. 8 pages

Composed by Antonio Vivaldi (1678-1741). Arranged by Victor C Johnson. For 2-part voices and piano accompaniment. Octavo. Heritage Music Press #15/3252H. Published by Heritage Music Press

(15 Embellished Piano Accompaniments). Arranged by James Koerts. For Piano. Shawnee Press. Softcover. 32 pages. Published by Shawnee Press

SATB choir and piano (with optional brass and percussion)

SKU: BP.1795CD

Composed by Lloyd Larson. Full performace/accompaniment compact disc. Beckenhorst Press #BP1795CD. Published by Beckenhorst Press (BP.1795CD).

SATB choir - An anthem for general worship that features brass and percussion, particularly effective as an introit.

(Leaning on the Everlasting Arms/Sweet By and By/Shall We Gather at the River/The Church in the Wildwood). By Mary Mcdonald. For SATB choir, piano (with optional rhythm). Sacred Anthem, All Saints' Day, Christian Life, General. Octavo. Published by Lorenz Publishing Company

(25 Classic Hymn Favorites). Arranged by Carol Tornquist. For Piano/Keyboard (Piano). Songbook. Softcover with CD. 64 pages. Word Music #080689450389. Published by Word Music

SATB choir, piano

SKU: LO.10-5552L

Composed by Marianne Kim. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5552L. Published by Lorenz Publishing Company (LO.10-5552L).

ISBN 9780787772543.

One of America's favorite Gospel songs is given an upbeat jazz treatment in this delightful new arrangement by Marianne Kim. The cheerful nature of this arrangement is perfect for expressing the optimism of the text, and your pianist will love the swinging accompaniment!

Arranged by James E. Green and Valerie Crescenz. Text: Isaiah 40:28-31. For SATB Choir. (Accompaniment: Piano). Sacred. Level: Medium Adult. 16 pages. Duration 3 min, 5 sec. Published by Hinshaw Music Inc.

SATB Choir, Piano - Level 2

SKU: CA.926000

Composed by Charles Francois Gounod. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Composed 1870. CG 449. Duration 3 minutes. Carus Verlag #CV 09.260/00. Published by Carus Verlag (CA.926000).

ISBN 9790007249229. Key: F major. Language: French. Text: Barbier, Jules.

The three verses of Aimons-nous, separated by piano interludes, are cheerful and amorous, an invitation to everlasting mutual love. The text portrays this almost as a law of nature: rivers and streams combine, the sun embraces the earth, and the birds snuggle close to each other in their nest. Light, rippling syncopations in the piano accompany Gounod's typical catchy melodic writing in the vocal parts. The writer Jules Barbier was Gounod's favored opera librettist (Faust, Romeo et Juliette), but many other 19th century opera composers also set his texts, including Camille Saint-Saens, Giacomo Meyerbeer, and Jacques Offenbach. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

Piano (SATB) SKU: HU.F0571533825 Composed by Morten Lauridsen. Choral. Choral Programme Series. Nocturnes. Softcover Book. 32 pages. Faber Music #F0571533825. Published by Faber Music

Composed by Benjamin Harlan. Sacred choral - mixed voices. Festival Voices. Sacred. Vocal score. 12 pages. Duration 4.5'. Oxford University Press #9780193527980. Published by Oxford University Press

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.