Piano, Voix et Guitare [Feuillet] - Intermédiaire Hal Leonard
Composed by Ben Homer, Bud Green, Les Brown. For voice, piano and guitar chords....(+)
Composed by Ben Homer,
Bud Green, Les Brown. For
voice, piano and guitar
chords. Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Big band
and standards. C Major. 4
pages. 9x12 inches.
Published by Hal Leonard.
Keyboard (SCHULE+CD) - intermediate SKU: HL.49032436 School for Keyboa...(+)
Keyboard (SCHULE+CD) -
intermediate
SKU:
HL.49032436
School
for Keyboard &
Synthesizer. Composed
by Waldram Hollfelder.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Edition
with CD. 64 pages. Schott
Music #ED 7663-50.
Published by Schott Music
(HL.49032436).
ISBN
9790001126762.
Es
gibt kaum eine
Pop-Produktion, in der
der Synthesizer nicht die
erste Geige spielt, kaum
eine Band, die auf
elektronische Keyboards
life on stage verzichtet.
Von der modernsten
Digitaltechnik profitiert
auch das Schlagzeug
(Drum-Set): Mit dem
Drum-Computer, der
digital gespeicherte
Schlagzeugklange enthalt,
lasst sich jeder
beliebige Rhythmus
programmieren. Die
harmonische und
rhythmische Verknupfung
von Drum-Set, Bass-,
Akkord- und Melodiestimme
bildet das Grundgerust
eines Popsongs. Auf
dieser Basis ist die
Rock-Pop-Keyboard-Schule
aufgebaut. Die
band-orientierten
Kompositionen lassen sich
in der Gruppe oder allein
zur Cassette bzw. CD
spielen und mit einem
Homerecording-Equipment
selbst aufnehmen und
abmischen. Neben
musikalischem und
spieltechnischem Know-how
enthalt jeder Band auch
grundlegende Tipps fur
den umgang mit
Synthesizer,
Drum-Computer und
Homerecording-Equipment
(nicht produktbezogen).
Geeignet fur den Einzel-
und
Gruppenunterricht.
Keyboard & synthesizers - very easy SKU: HL.49015352 School for Keyboa...(+)
Keyboard & synthesizers -
very easy
SKU:
HL.49015352
School
for Keyboard &
Synthesizer. Composed
by Achim von Bassen,
Maria Swoboda, and
Matthias Schmitt. This
edition: Saddle
stitching. Sheet music
with cassette. Edition
Schott. Classical.
Edition with Cassette. 64
pages. Schott Music #ED
7661. Published by Schott
Music (HL.49015352).
ISBN
9790001125895.
Es
gibt kaum eine
Pop-Produktion, in der
der Synthesizer nicht die
erste Geige spielt. Von
der modernsten
Digitaltechnik profitiert
auch das Schlagzeug
(Drum-Set): Mit dem
Drum-Computer, der
digital gespeicherte
Schlagzeugklange enthalt,
lasst sich jeder
beliebige Rhythmus
programmieren. Die
harmonische und
rhythmische Verknupfung
von Drum-Set, Bass-,
Akkord- und Melodiestimme
bildet das Grundgerust
eines Popsongs. Auf
dieser Basis ist die
Rock-Pop-Keyboard-Schule
aufgebaut. Die
band-orientierten
Kompositionen lassen sich
in der Gruppe oder allein
zur Cassette bzw. CD
spielen und mit einem
Homerecording-Equipment
selbst aufnehmen und
abmischen. Neben
musikalischem und
spieltechnischem Know-how
enthalt jeder Band auch
grundlegende Tipps fur
den umgang mit
Synthesizer,
Drum-Computer und
Homerecording-Equipment
(nicht produktbezogen).
Geeignet fur den Einzel-
und
Gruppenunterricht.
Composed by Kathleen Thomerson. Arranged by Richard Proulx. For SAB choir, piano...(+)
Composed by Kathleen
Thomerson. Arranged by
Richard Proulx. For SAB
choir, piano reduction.
Easy/Medium. Octavo.
Language: English. 16
pages. Published by GIA
Publications
Keyboard & Synthesizers (SCHULE+CD) SKU: HL.49032435 School for Keyboa...(+)
Keyboard & Synthesizers
(SCHULE+CD)
SKU:
HL.49032435
School
for Keyboard &
Synthesizer. Composed
by Waldram Hollfelder.
Sheet music with CD.
Edition Schott. Edition
with CD. 64 pages. Schott
Music #ED 7662-50.
Published by Schott Music
(HL.49032435).
ISBN
9790001125918.
Es
gibt kaum eine
Pop-Produktion, in der
der Synthesizer nicht die
erste Geige spielt. Von
der modernsten
Digitaltechnik profitiert
auch das Schlagzeug
(Drum-Set): Mit dem
Drum-Computer, der
digital gespeicherte
Schlagzeugklange enthalt,
lasst sich jeder
beliebige Rhythmus
programmieren. Die
harmonische und
rhythmische Verknupfung
von Drum-Set, Bass-,
Akkord- und Melodiestimme
bildet das Grundgerust
eines Popsongs. Auf
dieser Basis ist die
Rock-Pop-Keyboard-Schule
aufgebaut. Die
band-orientierten
Kompositionen lassen sich
in der Gruppe oder allein
zur Cassette bzw. CD
spielen und mit einem
Homerecording-Equipment
selbst aufnehmen und
abmischen. Neben
musikalischem und
spieltechnischem Know-how
enthalt jeder Band auch
grundlegende Tipps fur
den umgang mit
Synthesizer,
Drum-Computer und
Homerecording-Equipment
(nicht produktbezogen).
Geeignet fur den Einzel-
und
Gruppenunterricht.
Keyboard & Synthesizer - intermediate SKU: HL.49015354 School for keyb...(+)
Keyboard & Synthesizer -
intermediate
SKU:
HL.49015354
School
for keyboard &
Synthesizer. Composed
by Achim von Bassen,
Maria Swoboda, and
Matthias Schmitt. This
edition: Saddle
stitching. Sheet music
with cassette. Edition
Schott. Classical.
Edition with Cassette. 64
pages. Schott Music #ED
7663. Published by Schott
Music (HL.49015354).
ISBN
9790001125925.
Es
gibt kaum eine
Pop-Produktion, in der
der Synthesizer nicht die
erste Geige spielt, kaum
eine Band, die auf
elektronische Keyboards
life on stage verzichtet.
Von der modernsten
Digitaltechnik profitiert
auch das Schlagzeug
(Drum-Set): Mit dem
Drum-Computer, der
digital gespeicherte
Schlagzeugklange enthalt,
lasst sich jeder
beliebige Rhythmus
programmieren. Die
harmonische und
rhythmische Verknupfung
von Drum-Set, Bass-,
Akkord- und Melodiestimme
bildet das Grundgerust
eines Popsongs. Auf
dieser Basis ist die
Rock-Pop-Keyboard-Schule
aufgebaut. Die
band-orientierten
Kompositionen lassen sich
in der Gruppe oder allein
zur Cassette bzw. CD
spielen und mit einem
Homerecording-Equipment
selbst aufnehmen und
abmischen. Neben
musikalischem und
spieltechnischem Know-how
enthalt jeder Band auch
grundlegende Tipps fur
den umgang mit
Synthesizer,
Drum-Computer und
Homerecording-Equipment
(nicht produktbezogen).
Geeignet fur den Einzel-
und
Gruppenunterricht.
Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series. Composed by ...(+)
Judith Clurman Rejoice:
Honoring the Jewish
Spirit
Choral Series. Composed
by
Judith Clurman. Arranged
by
Ryan Nowlin. Rejoice
Honoring
Jewish Spirit. Concert,
Festival, Jewish. Octavo.
16
pages. Published by G.
Schirmer
200 B.C. Orchestre d'harmonie - Intermédiaire/avancé Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531.
Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum.
Recorded by Doris Day with Les Brown. Edited by Myles Collins. Arranged b...(+)
Recorded by Doris Day
with Les Brown.
Edited by Myles Collins.
Arranged by Ben Homer.
Jazz Vocal. Swing. Full
score and set of parts.
Published by Lush Life
(JL.LL-2171).
Boca Toccata Orchestre d'harmonie - Intermédiaire/avancé Kjos Music Company
Band concert band - Grade 4 SKU: KJ.B345 Composed by Homer Lagassey. Scor...(+)
Band concert band - Grade
4
SKU: KJ.B345
Composed by Homer
Lagassey. Score and set
of parts. Neil A. Kjos
Music Company #B345.
Published by Neil A. Kjos
Music Company (KJ.B345).
This piece,
written in ternary form,
is an intriguing blend of
chromatic melody and
dynamic rhythmic effects.
The faster A sections are
in 6/8 time, with 9/8
time and lots of duplets
featured in the sostenuto
B section. A unique,
challenging work for your
next concert!
By Bob Dylan. By Bob Dylan. Arranged by Don Giller and Ed Lozano. Music Sales Am...(+)
By Bob Dylan. By Bob
Dylan. Arranged by Don
Giller and Ed Lozano.
Music Sales America.
Folk, Pop, Rock.
Softcover. Composed 2016.
788 pages. Music Sales
#AM978923. Published by
Music Sale
By Alf Clausen, Danny Elfman. Piano/Vocal/Chords Songbook (Arrangements for pian...(+)
By Alf Clausen, Danny
Elfman.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 104 pages.
Published by Hal Leonard.
Odysseus and the Sirens Orchestre d'harmonie [Conducteur et Parties séparées] American Composers Forum
Commissioned by American Composers Forum. Composed by Dana Wilson. Score and ful...(+)
Commissioned by American
Composers Forum. Composed
by Dana Wilson. Score and
full set of parts.
BandQuest. Concert.
Published by American
Composers Forum
Troja (Troy) Fake Book [Conducteur] - Facile Hal Leonard
Fanfare Band (Score) - Grade 2 SKU: HL.4008028 For Fanfare Band. C...(+)
Fanfare Band (Score) -
Grade 2
SKU:
HL.4008028
For
Fanfare Band.
Composed by Otto M.
Schwarz. Duration 135
seconds. Hal Leonard
#SDP129-22-101. Published
by Hal Leonard
(HL.4008028).
The Greek poet
Homer wrote about Troy
and the Trojan War -
which probably took place
in what is now Asia Minor
- in his Iliad in the 8th
century B.C. Nowadays,
the term 'Trojan'
generally refers to a
malware program that is
used to gain unauthorized
access to computers. This
use comes from the
legendary Trojan Horse,
which saw the turning
poing in the battle
between Greeks and
Trojans through the
cunning of Odysseus. Let
us return to the
beginning of the story:
Paris, son of the king of
Troy, is tasked by Zeus
with judging the beauty
of the three goddesses
Aphrodite, Pallas Athena,
and Hera. Aphrodite, the
goddess of love, flatters
Paris by promising him
the most beautiful woman
in the world. Soon
afterwards, on a journey
to Greece, Paris meets
the beautiful Helen, who
immediately falls in love
with him. Since however
she is the wife of
Spartan king Menelaus,
she eventually lets
herself be kidnapped by
Paris voluntarily. The
Greeks then form a large
army and go to war
against Troy to retrieve
Helen, leading to a
ten-year siege of the
city. The city is
eventually conquered not
through combat, however,
but through Odysseus'
cunning ploy. He has the
idea of building an
enormous wooden horse
with warriors hidden
inside. The horse is
placed at the gates of
the city. Thus, the
Trojans are tricked into
giving up the siege when,
despite various warnings,
they bring the horse into
the city to dedicate it
to the goddess Athena. At
night, the soldiers climb
out of the horse and open
the gate for the Greek
army. The troops storm
the city and raze it to
the ground. The royal
family and all the Trojan
warriors are killed -
only Aeneas, the son of
Aphrodite, escapes.
Later, following many
years' wanderings he and
his acolytes will become
known as the founders of
the Roman people.
Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
By George Frideric Handel. Arranged by Homer Whitford. For SSA Choir, Organ. (W...(+)
By George Frideric
Handel. Arranged by Homer
Whitford. For SSA Choir,
Organ. (Women's Voices).
Easter, Christmas,
General. Choral. 8 pages.
Published by ECS
Publishing.
Sea Portrait Orchestre d'harmonie - Intermédiaire Kjos Music Company
Band concert band - Grade 3 SKU: KJ.B209 Composed by Homer Lagassey. Scor...(+)
Band concert band - Grade
3
SKU: KJ.B209
Composed by Homer
Lagassey. Score and set
of parts. Neil A. Kjos
Music Company #B209.
Published by Neil A. Kjos
Music Company (KJ.B209).
This tone
painting captures the sea
in all its guises, from
calm contemplation to
tempestuous rage, from a
dark stormy night to the
hopeful rays of the
rising sun. An
unforgettable concert
selection!
By Bud Green, Les Brown, Ben Homer. Arranged by Audrey Oakley. Female barbershop...(+)
By Bud Green, Les Brown,
Ben Homer. Arranged by
Audrey Oakley. Female
barbershop choir. (Young
womens voices, a
cappella). Barbershop,
Swing Ballad. Published
by Sweet Adelines.
Level: medium.
Low Voice and
Piano. Composed by
Alexander Goehr. This
edition: Saddle
stitching. Sheet music.
Vocal. Classical.
Softcover. Composed 2004.
Op. 76. 60 pages.
Duration 25'. Schott
Music #ED13074. Published
by Schott Music
(HL.49019219).
ISBN
9790220127427. UPC:
884088918569.
9.0x12.0x0.235 inches.
English.
Eight
songs on texts by Greek
poets Hesiod and Homer in
English translation. c.
25 minutes.