SKU: CA.9000600 Composed by Johann Ernst Rieck. This edition: Paperbound....(+)
SKU: CA.9000600
Composed by Johann Ernst
Rieck. This edition:
Paperbound. Complete
editions / Selected
works: Monument editions.
German title: Neue
Allemanden, Giques,
Balletten. Collection. 88
pages. Carus Verlag #CV
90.006/00. Published by
Carus Verlag
(CA.9000600).
SKU: HL.49005953 Ballet in ten Scenes. Composed by Werner Egk. Thi...(+)
SKU: HL.49005953
Ballet in ten
Scenes. Composed by
Werner Egk. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Piano
reduction. Composed
1966-1968. 124 pages.
Duration 80'. Schott
Music #ED 6017. Published
by Schott Music
(HL.49005953).
Arranged by Ludwig Minkus
and ed./arr. by William
McDermott/ Libretto by
Sergei Khudekov. Full
Orchestra, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A888801.
Published by
LudwigMasters
Publications
(AP.36-A888801).
ISBN
9798888529911. UPC:
659359989490.
English.
The ballet
La Bayadère (The
Temple Dancer or The
Temple Maiden) was
created in 1877 for famed
French choreographer
Marius Petipa to music by
Ludwig Minkus
(1826-1917). In four act
and seven tableaux, the
ballet tells the story of
the bayadère Nikiya
and the warrior Solor,
lovers who are beset by
jealous rivals, arranged
marriages beyond their
control, murder, an
opium-fueled
hallucination of the
afterlife, and a vengeful
god that destroys the
temple and everybody in
it as revenge for
Nikiya's murder. It was
first performed on
February 4, 1877, by the
Imperial Ballet in St.
Petersburg, Russia. It
was hailed as a success
and masterpiece
immediately after the
premiere, particularly
The Kingdom of the Shades
scene in Act II, an
excerpt which remains a
major standalone work for
the ballet repertoire.
Modern performances of La
Bayadère are almost
always derived from a
1941 version sated for
the Kirov/Mariinsky
Ballet by Vladimir
Ponomarev and Vakhtang
Chabukiani, which
incorporates additional
music by Minkus, Drigo,
and Pugni. Act II takes
place after Nikiya is
killed by a concealed
venomous snake. A
depressed Solor smokes
opium, resulting in a
vision of Nikiya's spirit
dwelling in the Kingdom
of the Shades, a nirvana
in the Himalayas. The two
lovers reconcile among
the shades of other
bayadères in a Pas de
deux, then Solor is
awakened just in time for
his arranged marriage to
another woman. This
orchestration of Act II
has been completed by
William McDermott.
Instrumentation: 2.2.2.2:
4.2.3.0: Timp.Perc(2):
Harp: Str (4-4-3-3-3 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra (Orchestra) SKU: HL.49013027 Ballet in two scenes by Peter C...(+)
Orchestra (Orchestra)
SKU: HL.49013027
Ballet in two scenes
by Peter Csobadi.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1964. 140
pages. Duration 50'.
Schott Music #ED 9420.
Published by Schott Music
(HL.49013027).
Male Chorus Parts Choral - difficult SKU: HL.49005880 Aus dem Ballett ...(+)
Male Chorus Parts Choral
- difficult
SKU:
HL.49005880
Aus
dem Ballett Joan von
Zarissa. Composed by
Werner Egk. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Choral Score.
20 pages. Duration 6'.
Schott Music #ED 5846-02.
Published by Schott Music
(HL.49005880).
ISBN
9790001063579. UPC:
073999569933.
8.25x11.75x0.063 inches.
French.
Female Chorus Parts Choral - difficult SKU: HL.49005879 Aus dem Ballet...(+)
Female Chorus Parts
Choral - difficult
SKU: HL.49005879
Aus dem Ballett Joan
von Zarissa. Composed
by Werner Egk. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Choral Score.
20 pages. Duration 6'.
Schott Music #ED 5846-01.
Published by Schott Music
(HL.49005879).
ISBN
9790001063562. UPC:
073999569773.
8.25x11.75x0.066 inches.
French.
Composed by Various. Arranged by Carol Klose, Christopher Norton, and Hywel Davi...(+)
Composed by Various.
Arranged by Carol Klose,
Christopher Norton, and
Hywel Davies. BH Piano.
Ballet, Classical.
Softcover. 96 pages.
Boosey and Hawkes
#M060123917. Published by
Boosey and Hawkes
2 pianos (4 hands) SKU: HL.49005256 Music of an imaginary ballet. ...(+)
2 pianos (4 hands)
SKU: HL.49005256
Music of an imaginary
ballet. Composed by
Bernd Alois Zimmermann.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed
1955-1956. 30 pages.
Duration 15'. Schott
Music #ED 4910. Published
by Schott Music
(HL.49005256).
Choral (SATB) - difficult SKU: HL.49005878 From the ballet Joan von Za...(+)
Choral (SATB) - difficult
SKU: HL.49005878
From the ballet Joan
von Zarissa. Composed
by Werner Egk. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score.
Composed 1940. 48 pages.
Duration 6'. Schott Music
#ED 5846. Published by
Schott Music
(HL.49005878).
ISBN
9790001063555. UPC:
073999346923.
9.25x12.0x0.145 inches.
French.
(Orchestra) SKU: HL.49013040 Ballett Gesamtwerk im Schuber. Compos...(+)
(Orchestra)
SKU:
HL.49013040
Ballett Gesamtwerk im
Schuber. Composed by
Hans Werner Henze. This
edition:
Slipcase/Cassette. Sheet
music. Edition Schott.
Classical. Study score.
1733 pages. Schott Music
#ED 9500. Published by
Schott Music
(HL.49013040).
Large orchestra (Orchestra) SKU: HL.49012995 Choreographic poem. C...(+)
Large orchestra
(Orchestra)
SKU:
HL.49012995
Choreographic
poem. Composed by
Hans Werner Henze. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1949/1992. 72
pages. Duration 16'.
Schott Music #ED 8955.
Published by Schott Music
(HL.49012995).
ISBN
9790001125246.
One
of my earliest works for
orchestra, this piece was
strongly influenced by
the aural and visual
impressions left by the
London Sadler's Wells
Ballett's visit to
Hamburg in 1949.- Hans
Werner Henze.
Orchestra SKU: BA.BA05822-01 Composed by Christoph Willibald Von Gluck. E...(+)
Orchestra
SKU:
BA.BA05822-01
Composed by Christoph
Willibald Von Gluck.
Edited by Irene
Brandenburg. Arranged by
Carlo Bernardi and
Gasparo Angiolini. This
edition: complete
edition, urtext edition.
Linen. Complete edition,
Score. Baerenreiter
Verlag #BA05822-01.
Published by Baerenreiter
Verlag (BA.BA05822-01).
ISBN 9790006567454. 33
x 26 cm inches. Preface:
Brown, Bruce
Alan.
To conclude
Series II (Dance Dramas)
from the Gluck Complete
Edition (GGA), this
volume of Christoph
Willibald Gluck's
earliest contributions to
the genre comprises six
ballet scores from 1759
(La Promenade, Les
Jardiniers, Les Turcs,
Les Savoiards, Les Amours
de Flore et Zphire, and
Le Suisse) as well as the
ballet music for Les
Vendanges, which dates
from 1761. These works
belong to the
compositions â also
called Krumau ballets
because of their musical
transmission â which
Gluck created in Vienna
between 1759 and 1765 for
the court theatres in
Laxenburg and
Schönbrunn as well as
the
Kärntnertortheater,
and which are to be
attributed to him as a
ballet composer around
the middle of the 18th
century in Viennese
theatre life based on the
considerations presented
in the general
preface.
Together
with volumes II/3 to
II/5, ballet music by
Gluck is available whose
sources come from the
former Schwarzenberg
court archive in Ceský
Krumlov, Czech Republic,
and which until the
Velvet Revolution of
1989, lay behind the Iron
Curtain remaining largely
inaccessible and
unexplored by Western
scholars. These volumes
reflect two fundamental
developments in Gluck
research: on the one
hand, they provide a
significantly expanded,
historically more
accurate idea of what it
meant to compose for the
ballet in the 18th
century; on the other
hand, they bring to light
an immense treasure trove
of sources formerly of
Viennese
provenance.
In
addition to the detailed
introduction by this
volumeâs editor on
the ballet choreographies
of Gasparo Angiolini and
Carlo Bernardi, on the
formation of the ballet
troupes of the Viennese
theatres in Gluck's early
years there, on ballet
types and genres, as well
as a detailed account of
the individual titles,
the volume includes a
general preface to
volumes II/3 through II/5
by Bruce Alan Brown,
which discusses Gluck's
ballet music in Vienna in
general as well as the
development of research
into this genre.
Extensive illustrations
(partly from the
so-called Durazzo
Collection) with
reference to the
choreographies enrich the
discussions. The ballet
works, which have
survived in only one
source each, appear in
print for the first time
in this volume of the
Gluck Complete
Edition.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Ballettmusik zur Pantomime KV Anh.10 (299b), Gavotte KV 300, Ballettmusik zur O...(+)
(Ballettmusik zur
Pantomime KV Anh.10
(299b), Gavotte KV 300,
Ballettmusik zur Oper
Idomeneo KV 367.
Anhange.). By Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Harald Heckmann. For
Orchestra. Neue
Mozart-Ausgabe. Serie II,
Werkgruppe 6/2. Urtext
Language: German. Tanz,
Oper, Musikhandschriften,
Musikwissenschaft (Dance,
Opera, Music Theory).
Critical Commentary;
Complete Edition
(paperbound)
Romeo and Juliet Orchestre d'harmonie - Intermédiaire Molenaar Edition
Concert Band - Grade 5 SKU: ML.013759100 The Complete Trilogy. Com...(+)
Concert Band - Grade 5
SKU: ML.013759100
The Complete
Trilogy. Composed by
Sergei Prokofiev.
Arranged by Johan De
Meij. Full set. Molenaar
Edition #013759100.
Published by Molenaar
Edition (ML.013759100).
In this suite
for symphonic band the
arranger did not use the
existing orchestral
suites, but composed
another suite of his own
with those parts of the
ballet music that suited
well for a transcription.
Romeo &
Juliet - Part
I I. Introduction
– The Duke’s
Command II. The
Street Awakens III.
Morning Dance IV.
Romeo at Friar
Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
In deze suite voor
harmonieorkest is Johan
de Meij niet uitgegaan
van de bestaande
orkestsuites maar heeft
hij een eigen suite
samengesteld uit delen
van het ballet die zich
goed lenen voor een
bewerking.
Ro
meo & Juliet - Part
I I. Introduction
– The Duke’s
Command II. The
Street Awakens III.
Morning Dance IV.
Romeo at Friar
Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
Pour cette suite pour
orchestre d'harmonie,
l'arrangeur Johan de Meij
ne s'est pas basé sur
les suites d'orchestres
existantes, mais il a
composé une nouvelle
suite en choisissant ces
morceaux du ballet qui se
prêtent bien à la
transcription.
<
b>Romeo & Juliet -
Part I I.
Introduction – The
Duke’s Command II.
The Street
Awakens III. Morning
Dance IV. Romeo at
Friar Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
In dieser Suite für
Blasorchester ist Johan
de Meij nicht von den
bestehenden
Orchestersuiten
ausgegangen, sondern hat
er mit welchen Teilen des
Balletts, die für ein
Arrangement gut geeignet
sind, eine eigene Suite
zusammengestellt.
Romeo & Juliet -
Part I I.
Introduction – The
Duke’s Command II.
The Street
Awakens III. Morning
Dance IV. Romeo at
Friar Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
(Violin and Cello Volume 1, Performance Score). By J�¶rg Widmann and J. For...(+)
(Violin and Cello Volume
1, Performance Score). By
J�¶rg Widmann and J.
For Cello, Violin, String
Duet (Score). G Schirmer
String Ensemble.
Softcover. 36 pages.
Schott Music #ED20526.
Published by Schott Music
(Movements I and II Arranged for Clarinet in Bb and Piano). Composed by Igor Fyo...(+)
(Movements I and II
Arranged for Clarinet in
Bb and Piano). Composed
by Igor Fyodorovich
Stravinsky. Arranged by
David Dutkanicz. For Bb
clarinet, piano. 8 2
pages. Duration 7
minutes. Published by
Carl Fischer
Concert
Band, Grade 3.5 3:30
Score. Composed by
Peter Ilyich Tchaikovsky.
Arranged by Gerald
Oswald. Symphonic
Dimensions. Concert,
Concert Band. Softcover.
Duration 210 seconds. Hal
Leonard #SDP282-24-01.
Published by Hal Leonard
(HL.4008980).
UPC:
196288283744.
Panor
ama from the Ballet
“Sleeping Beauty”.
Pyotr Ilyich
Tchaikovsky's ballet
suite “Sleeping
Beauty” premiered in
St. Petersburg in 1890.
To this day, “Sleeping
Beauty” remains one of
the most popular ballets
and is a staple in the
classical ballet
repertoire. The panorama
from the 2nd act of the
ballet suite depicts the
joint journey of the
young, enamored Prince
Désiré with the Lilac
Fairy through an
enchanted forest to his
beloved Aurora, whom he
wishes to marry.
Throughout this
enchanting scene, a
magical and mysterious
music unfolds.
I. March, II. Dance of the Reed Flutes, III. Russian Dance (Trepak). Comp...(+)
I. March, II. Dance of
the Reed Flutes, III.
Russian Dance
(Trepak). Composed by
Peter Ilyich Tchaikovsky
(1840-1893). Arranged by
Michael Story. Concert
Band; Masterworks;
Part(s); Score. Belwin
Beginning Band. Form:
Suite. Christmas;
Masterwork Arrangement;
Romantic; Secular;
Winter. 272 pages.
Published by Belwin Music
(AP.44889).
High Voice and Orchestra SKU: HL.14020965 Composed by Sir Peter Maxwell D...(+)
High Voice and Orchestra
SKU: HL.14020965
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 92 pages. Chester
Music #CH60950. Published
by Chester Music
(HL.14020965).
ISBN
9780711936959.
The
story centres on the
English princess Caroline
Mathilde (1751-1775),
sister of George III, who
at the age of 15 was sent
to Denmark to marry the
17-year-old eccentric and
schizophrenic Danish
King, Christian VII. The
ballet portrays her
unhappy marriage, the
King's growing madness
and her fatal love-affair
with Struensee, the
King's influential
physician, which leads to
their arrest, his
execution and her exile,
at the age of 20,
separated from her two
young children. This
suite begins with the
act's opening number: a
boisterous, stamping
dance to which the people
rudely mock Queen
Caroline Mathilde and her
lover Struensee. After
this comes a dark Adagio,
The Conspiracy, in which
the theme passes like
persuasion from mouth to
mouth, its variations
suggesting the different
attitudes of the
conspirators, firmly
controlled by the
brass-driven gestures of
the Queen Dowager. The
conspiracy then works
itself out at a court
masked ball, from which
the suite includes two
dances: a gavotte, and a
slow, lubricious
passacaglia that is a pas
de deux for Caroline
Mathilde and Struensee.
The Arrest comes with a
gathering rush of music
that envelops the King,
the Queen and Struensee,
leading to a vociferous
climax in which they are
held apart. In The
Execution, slow white
music for wordless female
voices, harp and low
strings is interrupted by
pathetic, alienated
outbursts from the King.
The suite ends, as does
the ballet, with a quiet
adagio lament for
clarinets and alto flute
as the Queen goes into
exile. Score. Duration c.
33mins.
(From the Ballet Solitaire, for Symphonic Band (Full Score and Parts)). By Mal...(+)
(From the Ballet
Solitaire, for Symphonic
Band (Full Score and
Parts)). By Malcolm
Arnold (1921-). Arranged
by John P. Paynter.
Concert Band. For
Piccolo, Flute I, Flute
II, Alto Flute, Oboe I,
Oboe II, English Horn,
Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Contralto Clarninet,
Contrabass Clarinet,
Bassoon I, Bassoon II,
Contra Bassoon, Soprano
Saxophon. Carl Fischer
Classic Band Editions.
Score and Set of Parts.
Standard notation. 16
pages
(From the Ballet Solitaire - for Symphonic Band - Full Score). By Malcolm Arno...(+)
(From the Ballet
Solitaire - for
Symphonic Band - Full
Score). By Malcolm Arnold
(1921-). Arranged by John
P. Paynter. Concert Band.
For Piccolo, Flute I,
Flute II, Alto Flute,
Oboe I, Oboe II, English
Horn, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Contralto Clarninet,
Contrabass Clarinet,
Bassoon I, Bassoon II,
Contra Bassoon, Soprano
Saxophon. Carl Fischer
Classic Band Editions.
Full Score. Standard
notation. 16 pages
Two pieces from the score of the full-length ballet Edward II. The ballet iteslf...(+)
Two pieces from the score
of the full-length ballet
Edward II. The ballet
iteslf was commissioned
by the Stuttgart Ballet,
and completed in 1995.
The first performance
took place in Stuttgart
in April 1995, and in the
same year this
arrangement for 2 Pianos
of two scenes was
commissioned by the Port
Fairy Festival of
Australia. The first
pieces represents one of
the lighter moments of
the ballet, and is based
upon a set of dances at
the French Court The
second piece is a
reminder of the darker
nature of the ballet as a
whole, expressing the
lust for power as the
Barons opposed to Edward
II unite in anger at his
behaviour
Composed by Gustav Holst.
Score. Published by Lucks
Music Library
(TM.13330SC).
Comic opera The
Perfect Fool in 1918-22,
which begins with a
ballet danced by Spirits
of Earth, Water, and
Fire. Optional
instruments: Flute II,
Oboe II, Trumpets III-IV,
Xylophone, and
Celeste.