By The Doors. Guitar Chord Songbook. Softcover. 128 pages. Published by Hal Leonard.

Performed by The Doors. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, introductory text and black and white photos. Classic rock and psychedelic rock. 412 pages. 9x12 inches. Published by Hal Leonard.

Performed by Santana. Edited by Aaron Stang. Guitar songbook (Guitar tablature). Published by Warner Brothers.

Composed by Lei Liang. This edition: Saddle stitching. Sheet music. String. Score and parts. Composed 2014. 48 pages. Duration 11'. Schott Music #ED 30141. Published by Schott Music

By Gary Kulesha. (SATB divisi). Conductor's Choice. 42 pages. Published by Boosey & Hawkes.

For Solo Flute. By Michael Colgrass. For Flute. Classical. Solo part. 12 pages. Published by Carl Fischer/Colgrass Music.

Harp

SKU: FG.55011-912-3

Composed by Tauno Marttinen. Classical, contemporary. Score. Fennica Gehrman #55011-912-3. Published by Fennica Gehrman (FG.55011-912-3).

ISBN 9790550119123.

Luon nonjumala (God of Nature) is Tauno Marttinen’s adaption for harp of his piano suite Taara op. 34. The manuscript for harp was found in January 2024 by Rauno Marttinen, composer’s son.

Duration: c. 15’
Movements:
1. Virran ääniä | The Voices of the Stream
2. Luonnonjumalan lähde | The Spring of God of Nature
3. Metsässä tuulee |The Wind Blows through the Forest

Tauno Marttinen (1912–2008) studied in Viipuri and later in Helsinki at the Helsinki Conservatoire. His piano teachers were Ilmari Hannikainen and Selim Palmgren, but he soon became increasingly interested in composing. Marttinen was also the conductor of the Hämeenlinna City Orchestra in 1949−1958 and the founder and principal of the Hämeenlinna Music Institute.

Marttin en started his composing career in late Romantic vein. However, his first concerts in the 1940s met with criticism since the winds of Modernism had already landed in Finland. He then became interested in Dodecaphony and studied under Vladimir Vogel in Ascona but later abandoned strict dodecaphony and found his own, personal style incorporating elements from Neo-classicism and free-tonality with a hint of mysticism – he was called the Shaman of Hämeenlinna (his hometown).

Tauno Marttinen was an incredibly productive composer; he wrote around four hundred works with opus numbers as well as a wealth of other pieces. His oeuvre includes 10 symphonies, concertos for various solo instruments, operas as well as vocal, chamber and instrumental works. Many of Marttinen’s pieces have become popular standard repertoire, such as the piano piece Kimalluksia (Gleams).

Clarinet, piano

SKU: FG.55011-832-4

Composed by Lars Karlsson. Classical, contemporary. Piano score & solo part. Fennica Gehrman #55011-832-4. Published by Fennica Gehrman (FG.55011-832-4).

ISBN 9790550118324.

Roma ntic modernist - or modern romanticist - Lars Karlsson (b. 1953) composed his Clarinet concerto (2013-2015) for Christoffer Sundqvist. Connections with Nordic mythology and clarinettist as a shaman turned to a more traditional concerto concept in three movements. Harmonic and melodic use of fourths and fifths forms an important basis for the musical material.

This product includes a solo part and a piano reduction (B4 sized).

Orchestral material available on hire from the publisher.

Instrum entation:
1(+picc).1.1 (+cl picc).1−1.2.1.0∠’1.2−str
Percu ssion: Timpani, gong, piatto sospeso, tamburo piccolo, silofono, campanelli.

Chamber Music Piano

SKU: PO.PE161

Composed by Vincent Ho. Saddle stitch. Performance Score. Promethean Editions #PE161. Published by Promethean Editions (PO.PE161).

ISBN 9781877564567. 30.5 x 22 cm inches.

Nostalgia was originally intended as an encore piece for Ho's percussion concerto The Shaman. Now it is available as a stand-alone arrangement for solo piano. The evocative and lyrical lines of the original work for vibraphone also lends well to the sustained resonance of the piano. Ho expresses a sense of nostalgia throughout the work with simple melody lines and ebbing accompaniment. The work also has virtuosic flare with fast cascading lines and textural flourishes. Nostalgia is an excellent work for creating a beautiful and thoughtful point within recital programmes. Nostalgia also exists in a version for solo vibraphone.

Alto Flute (Flute), Cor Anglais (Oboe), Bass clarinet in B flat, Horn in F, Percussion (Marimba, 5 Temple Blocks, 4 medium Tom-Toms, 1 Floor Tom, Snare Drum, Bass Drum, Tam-Tam), Harp, Violin, Viola, Cello, Double Bass

SKU: AP.12-0571539327

Concerto for Piano and Ten Players. Composed by Tansy Davies. 5 or More; Masterworks; Mixed Instruments - Miscellaneous Ensemble; Solo Small Ensembles. Faber Edition. Form: Concerto. 20th Century; Masterwork. Score. Faber Music #12-0571539327. Published by Faber Music (AP.12-0571539327).

ISBN 9780571539321. English.

Nature, Tansy Davies' gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as 'part moth, part Maenad'. There is a feral quality to much of the tumultuous solo writing---all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld.

Guitar

SKU: FG.55011-326-8

Composed by Kai Nieminen. Fennica Gehrman #55011-326-8. Published by Fennica Gehrman (FG.55011-326-8).

ISBN 9790550113268.

I met for the first time the refined Finnish composer Kai Nieminen in Milan (Italy), although we had been in touch for a while before. It was that very trip which provided the inspiration for this composition dedicated to Bruno Munari, one of the most renowned XXI century Italian artists, who lived and worked in Milan. In particular, the work that inspired this composition, displayed at Museo del Novecento in Milan and characterised by swirling lines enveloping torn-out music scores, suggested the mysterious atmosphere of this piece and the subheading Un telegramma dal paese dei sogni (A telegram from dreamland).
The composition can be divided into four sections and displays a wide variety of harmonics, cleverly enhancing the polyphonic resources of the guitar.
The very first bars introduce the main themes of the composition: particularly, at bar 7 it is possible to recognize a Bach quote from Das wohltemperierte Clavier (II book, ndeg24) recurring frequently in the piece and appearing also in the painting.
Meno mosso (bar 51) opens with a ghostly song accompanied by drum-like effects that recall the primitive sound of the shamanic Finnish drum.
Fast sixteenth cascades dotted by harmonic sounds open the fourth and last section at bar 66 (Capriccioso, movendo), alluding to a mysterious telegram sent from another dimension.

Cello, orchestra

SKU: FG.55009-636-3

Composed by Uuno Klami. Score. Published by Fennica Gehrman (FG.55009-636-3).

ISBN 979-0-55009-636-3.

The stylistic starting point for Cheremissian Fantasy (1931) for solo cello and orchestra were folk melodies of the Cheremis that inspired Uuno Klami. In this work there are shamanistic rhythms and scintillating music for the solo cello which breaks out with a mighty burst into the final, most virtuosic section of the piece.

Orchestra

SKU: FG.706334-27-1

Composed by Harri Vuori. Score. Published by Fennica Gehrman (FG.706334-27-1).

ISBN 979-0-706334-27-1.

A commission from the Finnish Radio Symphony Orchestra completed in 2003 and premiered in December 2004. This is music constructed in broad arches culminating in shamanistic rhythms in the closing movement. Lasting 40 minutes, it is Vuori's biggest work and rests on two simple kernels. In his striving to develop his material he confesses to be a Sibelian symphonist.