Concert band - Grade 2 SKU: CL.024-4552-01 Based on Dona Nobis Pacem(+)
Concert band - Grade 2
SKU:
CL.024-4552-01
Based on Dona Nobis
Pacem. Arranged by
Neeck. Young Concert
Band. Rising Band Series
for Developing Bands!
Extra full score.
Composed 2017. Duration 2
minutes, 41 seconds. C.L.
Barnhouse #024-4552-01.
Published by C.L.
Barnhouse
(CL.024-4552-01).
Perfect for
that reflective moment in
your holiday concert, On
A Peaceful Night is based
on the traditional melody
Dona Nobis Pacem (Grant
Us Peace.) After a
fully-scored
introduction, this theme
is presented as a canon,
and the work evolves into
a stunning, lyrical
showcase for your band.
Great teaching moments
abound, and everyone gets
to play the beautiful
melody. Convey a warm
message of peace and hope
for the holiday season
with On A Peaceful
Night..
On A Peaceful Night Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.024-4552-00 Based on Dona Nobis Pacem(+)
Concert band - Grade 2
SKU:
CL.024-4552-00
Based on Dona Nobis
Pacem. Arranged by
Neeck. Young Concert
Band. Rising Band Series
for Developing Bands!
Score and set of parts.
Composed 2017. Duration 2
minutes, 41 seconds. C.L.
Barnhouse #024-4552-00.
Published by C.L.
Barnhouse
(CL.024-4552-00).
Perfect for
that reflective moment in
your holiday concert, On
A Peaceful Night is based
on the traditional melody
Dona Nobis Pacem (Grant
Us Peace.) After a
fully-scored
introduction, this theme
is presented as a canon,
and the work evolves into
a stunning, lyrical
showcase for your band.
Great teaching moments
abound, and everyone gets
to play the beautiful
melody. Convey a warm
message of peace and hope
for the holiday season
with On A Peaceful
Night..
Choral (3-Part Mixed choir) SKU: HL.35032548 Composed by Jerry Estes. Sha...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.35032548
Composed
by Jerry Estes. Shawnee
Press. Christmas,
Concert. Octavo. 12
pages. Published by
Shawnee Press
(HL.35032548).
ISBN
9781540041319. UPC:
888680899660. 6.75x10.5
inches.
Quoting
Franz Gruber's
“Silent
Night,” this
original work of lyric
and music is a beautiful
ballad that will fit
nicely in any holiday or
Christmas program.
“On this silent
peaceful night, you can
feel the love inside.
Hope is shining like a
light, all is calm and
bright...” A simple
and contemporary lullaby
for young and developing
choirs.
Piano Solo - Easy-Intermediate SKU: FP.FBS02 Composed by Sarah Baker. She...(+)
Piano Solo -
Easy-Intermediate
SKU:
FP.FBS02
Composed by
Sarah Baker. Sheet Music
and Books. Eight pieces
on a night theme for solo
piano, by Sarah Baker.
Suggested grade 4-5.
Classical. Collection.
Forsyths Publications
#FBS02. Published by
Forsyths Publications
(FP.FBS02).
ISBN
9790570500192.
Sara
h Baker is Vocal Composer
in Residence at Education
Music Services, an ABRSM
examiner and a well known
composer of songs and
musicals for primary
schools and massed-choral
events.
All this
experience has come
together in the creation
of this first published
album of piano pieces,
inspired by the sounds
heard at night from the
woodland just beyond
Sarah’s childhood
home.
Suitable for
players of around grade
4-5 standard, her
evocative sound pieces
begin at the tranquillity
of dusk and end with the
exuberant dawn
chorus.
The
composer
writes:
'I grew up
with woods behind my
house, and the nocturnal
noises and images that I
remember were the
inspiration for these
eight short sound
pictures on the theme of
night. The music moves
first from the
tranquility of dusk and
evening mists, to the
emerging starlight of
twilight. As night falls
it takes on on a darker
quality with shadows and
dreams disturbing peace
and calm.The night birds
and bats swoop and flit
past as they seek their
prey, but gradually dawn
approaches and peaceful
sleep is restored. The
morning is heralded in
the joyful exuberance of
the dawn chorus.'.
(Over 80 Holiday Favorites). For Ukulele. This edition: Ukulele TAB. Book; S...(+)
(Over 80 Holiday
Favorites).
For Ukulele. This
edition:
Ukulele TAB. Book;
Sing-Along;
Ukulele Mixed Folio.
Christmas; Winter. 152
pages.
Published by Alfred Music
Discovery Level 2.
Composed by Audrey
Snyder. Discovery Choral.
Concert, Festival,
Holiday, Winter. CD.
Duration 195 seconds.
Published by Hal Leonard
(HL.265885).
UPC:
888680732721.
5.0x5.0x0.15
inches.
This is a
song that celebrates the
magical mood of the first
snowfall of the season.
Set on a cold winter
evening, it is peaceful
and serene and contrasts
the brilliant snow
against the dark night.
Detailed and pedagogical
page two notes and
carefully written voice
parts make this perfect
for the developing
choir.
This very short work, written in 1997, is for unaccompanied viola. It is intende...(+)
This very short work,
written in 1997, is for
unaccompanied viola. It
is intended as a moment
of peaceful contemplation
after the day's
activities cease
SKU: LO.99-3510H Composed by Greg Gilpin. Choral. Performance/accompanime...(+)
SKU: LO.99-3510H
Composed by Greg Gilpin.
Choral.
Performance/accompaniment
CD. Heritage Music Press
#99/3510H. Published by
Heritage Music Press
(LO.99-3510H).
UPC:
000308140323.
This
peaceful setting features
Bach's gorgeous Bist du
Bei Mir partnered with a
gentle original melody
and Greg Gilpin's
descriptive winter text.
Their simple beauty
combines to provide an
excellent vehicle for
musical expression and
interpretation.
Silent Night Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Intermédiaire Eighth Note Publications
By Franz Xaver Gruber. Arranged by J. Scott Irvine. For Brass Quintet. Brass Ens...(+)
By Franz Xaver Gruber.
Arranged by J. Scott
Irvine. For Brass
Quintet. Brass Ensemble -
Quintet. Sacred,
Christmas. Level:
Medium-Difficult.
Published by Eighth Note
Publications.
Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Handbells (3-6 octaves) - Level 2 SKU: LO.20-2073L Composed by Michael He...(+)
Handbells (3-6 octaves) -
Level 2
SKU:
LO.20-2073L
Composed
by Michael Helman.
Christmas. Handbell
score. Lorenz Publishing
Company #20/2073L.
Published by Lorenz
Publishing Company
(LO.20-2073L).
ISBN
9780787763060.
Mich
ael Helman captures the
peacefulness of the night
Christ was born in this
lovely medley perfect for
Christmas Eve services.
Including “Away in
a Manger†(both
CRADLE SONG and MUELLER),
“Silent
Night,†and
“Infant Holy,
Infant Lowly,†this
expressive piece
incorporates flowing LV
accompaniments, echoes,
and chimes. Holy Night,
Holy Child is sure to be
a favorite of ringers and
listeners alike.
(62 Songs -- Rock, Pop, Jazz, and Holiday Favorites!). For Guitar. This edition:...(+)
(62 Songs -- Rock, Pop,
Jazz, and Holiday
Favorites!). For Guitar.
This edition: Easy Guitar
TAB. Book; Guitar Mixed
Folio; Guitar TAB; Solo
Guitar TAB (EZ/Int).
Jazz; Pop; Rock. 224
pages. Published by
Alfred Music Publishing
(62 Songs -- Rock, Pop, Jazz, and Holiday Favorites!). For Ukulele. This edition...(+)
(62 Songs -- Rock, Pop,
Jazz, and Holiday
Favorites!). For Ukulele.
This edition: Easy
Ukulele TAB. Book;
Ukulele Method or
Supplement. Jazz; Pop;
Rock. 216 pages.
Published by Alfred Music
Publishing
Composed
by Traditional. Arranged
by Erica Donahoe. Carl
Fischer Young String
Orchestra Series. Full
score. 8 pages. Carl
Fischer Music #YAS216F.
Published by Carl Fischer
Music (CF.YAS216F).
ISBN 9781491160763.
UPC:
680160919369.
This
elegant arrangement
blends the familiar
Christmas carols It Came
Upon a Midnight Clear and
The First Noel. The
melody is passed to all
sections of the orchestra
with delicate pizzicato
accompaniments, giving
developing players the
opportunity to work on
slurs, dotted rhythms,
legato phrasing, and tone
production in the key of
C major. A peaceful
interlude builds toward a
restatement of the
opening First Noel theme
that crescendos toward a
triumphant finale. A
wonderful selection sure
to be a joy to perform in
your winter
concert. This elegant
arrangement blends the
familiar Christmas carols
It Came Upon a Midnight
Clear and The First Noel.
The melody is passed to
all sections of the
orchestra with delicate
pizzicato accompaniments,
giving developing players
the opportunity to work
on slurs, dotted rhythms,
legato phrasing, and tone
production in the key of
C major. A peaceful
interlude builds toward a
restatement of the
opening First
Noel theme that
crescendos toward a
triumphant finale. A
wonderful selection sure
to be a joy to perform in
your winter concert.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels