Concert Band; Orchestra - Grade 2.5 SKU: AP.49123 Composed by Steve Hodge...(+)
Concert Band; Orchestra -
Grade 2.5
SKU:
AP.49123
Composed by
Steve Hodges. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Young Symphonic. Latin.
Score and Part(s). 153
pages. Duration 2:18.
Alfred Music #00-49123.
Published by Alfred Music
(AP.49123).
UPC:
038081563817.
English.
This
version of Flamingo Road
by Steve Hodges is part
of our Alfred FLEX
offerings and is designed
with maximum flexibility
for use by any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
Flamingo Road is
a Latin-inspired piece
that starts in the fast
lane and never lets up!
Featuring an active
percussion section and
some catchy themes, each
section of the band will
take a turn in the
driver's seat. Stay in
your lane!
(2:18)
Percussion
Accompaniment Track
Downloads: with click without
click This title is
available in MakeMusic
Cloud.
Trumpet 1 in C, trumpet 1 in B-flat, trumpet 2 in C, trumpet 2 in B-flat, trombo...(+)
Trumpet 1 in C, trumpet 1
in B-flat, trumpet 2 in
C, trumpet 2 in B-flat,
trombone 1, trombone 2,
timpani, solo trumpet in
B-flat, solo trumpet in C
SKU: GI.G-8764INST
Revised Order of Mass
2010. Composed by
Norah Duncan, IV. This
edition: Instrument
edition. Mass. Sacred.
Instrumental part(s). 4
pages. GIA Publications
#8764INST. Published by
GIA Publications
(GI.G-8764INST).
This mass
setting includes
Duncan’s highly
favored through-composed
Gloria of the same name,
and it does not
disappoint. Beautiful in
their simplicity, the
congregational melodies
of the Alleluia and
eucharistic acclamations
can be complemented by an
optional soprano descant
and B-flat or C trumpet
part. The penitential
act, Gloria, and Lamb of
God also include SATB
choral writing. Overall,
this mass setting is
bright, joyful, and
uplifting. It will truly
inspire your singing
assembly. This item
includes ONLY parts for
Solo Trumpet in Bb and C.
Parts for Brass Quartet
and Timpani are available
in edition G-8764BR.Â
These parts may not be
used with the G-8764BR
parts.
Composed by
Vince Gassi. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Challenger Band Series.
Score and Part(s). 155
pages. Duration 2:35.
Alfred Music #00-49119.
Published by Alfred Music
(AP.49119).
UPC:
038081563497.
English.
This
version of Where Stand
the Dauntless by Vince
Gassi is part of our
Alfred FLEX offerings and
is designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
A
fanfare, a lyrical theme,
and driving energy embody
the spirit of the
dauntless---the brave and
amazing young musicians
of Dolphin Senior Public
School in Mississauga,
Ontario, Canada. Where
Stand the Dauntless by
Vince Gassi is an
exciting work---and a
perfect concert opener
and contest piece. (2:35)
Flamingo Road Orchestre [Conducteur] - Facile Alfred Publishing
Concert Band; Orchestra - Grade 2.5 SKU: AP.49123S Composed by Steve Hodg...(+)
Concert Band; Orchestra -
Grade 2.5
SKU:
AP.49123S
Composed by
Steve Hodges. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Young Symphonic. Latin.
Score. 20 pages. Duration
2:18. Alfred Music
#00-49123S. Published by
Alfred Music (AP.49123S).
UPC: 038081563824.
English.
This
version of Flamingo Road
by Steve Hodges is part
of our Alfred FLEX
offerings and is designed
with maximum flexibility
for use by any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
Flamingo Road is
a Latin-inspired piece
that starts in the fast
lane and never lets up!
Featuring an active
percussion section and
some catchy themes, each
section of the band will
take a turn in the
driver's seat. Stay in
your lane!
(2:18)
Percussion
Accompaniment Track
Downloads: with click without
click This title is
available in MakeMusic
Cloud.
Composed by
Vince Gassi. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Challenger Band Series.
Score. 20 pages. Duration
2:35. Alfred Music
#00-49119S. Published by
Alfred Music (AP.49119S).
UPC: 038081563503.
English.
This
version of Where Stand
the Dauntless by Vince
Gassi is part of our
Alfred FLEX offerings and
is designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
A
fanfare, a lyrical theme,
and driving energy embody
the spirit of the
dauntless---the brave and
amazing young musicians
of Dolphin Senior Public
School in Mississauga,
Ontario, Canada. Where
Stand the Dauntless by
Vince Gassi is an
exciting work---and a
perfect concert opener
and contest piece. (2:35)
Astronomica Orchestre d'harmonie [Conducteur] - Facile Belwin
Concert Band; Orchestra - Grade 2 SKU: AP.49170S Composed by Michael Stor...(+)
Concert Band; Orchestra -
Grade 2
SKU:
AP.49170S
Composed by
Michael Story. 5 or More;
MakeMusic Cloud; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Belwin Young Band. Score.
16 pages. Duration 2:30.
Belwin Music #00-49170S.
Published by Belwin Music
(AP.49170S).
UPC:
038081563749.
English.
This
version of Astronomica by
Michael Story is part of
our Belwin FLEX offerings
and is designed with
maximum flexibility for
use by any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
Musically
depicting the earliest
recorded writings on
astrology, Story's
original composition
begins with a hauntingly
beautiful introduction
transitioning to a
forceful exploration with
a dynamic conclusion.
Enjoy this astrological
journey that reinforces
fermatas, caesuras, and
contrasting
articulations.
(2:30)
Percussion
Accompaniment Track
Downloads: with click. without
click. This title
available in MakeMusic
Cloud.
Orchestra Soli Voices,
SATB Choir, Soprano in
ripieno
(Cantus-firmus-Chor fur
Sopran), 2 Orchester: I:
2 Blfl, 2 Fl, 2 Ob /2
Obda, 2 Obca, 2 Vl, Va,
Vc/Cb, Vg, Org obl.; II:
2 Fl, 2 Ob /2 Obda, 2 Vl,
Va, Vg, Vc/Cb, Org obl
SKU: CA.3124494
Composed by Johann
Sebastian Bach. Carus CD
series: Carus Choir
Coach; Passions. Carus
Choir Coach.
Matthauspassion.Ccc.
Passions. Compact Disc.
BWV 244. Duration 175
minutes. Carus Verlag #CV
31.244/94. Published by
Carus Verlag
(CA.3124494).
Language:
German.
Practical
performing Urtext edition
based on the latest state
of Bach research. Every
era hears and interprets
Bach anew, and every era
also evaluates the
sources afresh and with
new eyes. 40 years after
the publication of the
St. Matthew Passion in
the New Bach Edition,
Klaus Hofmann, Director
of the Johann Sebastian
Bach Institute Gottingen
for many years and a
contributing editor to
the New Bach Edition,
presents a new edition.
Hofmann has placed the
study of the sources at
the service of musical
practice and the detailed
investigation of Bach's
intentions. Bach scholars
are well aware that
Bach's original score and
performance parts,
running to almost 500
pages of music, are full
of ambiguities and
contradictions,
particularly regarding
articulation, which
constantly challenge
performers to new
interpretations. Hofmann
discusses these and other
problems in a concise
critical report,
frequently arriving at
new conclusions in the
process. Extensive notes
about parallel passages
offer valuable help for
interpretation. Special
attention was devoted to
the performance material
with regard to practical
needs. Thus, for example
the text incipits are
also printed in the
instrumental parts
(including tacet
passages). In short - an
Urtext edition for
practical performance
based on the latest
findings in Bach
research. Score available
separately - see item
CA.3124400.
Full
Score and Parts.
Composed by Henry
Fillmore. Edited by
Robert E. Foster. This
edition: An Authentic
Fillmore Edition. SWS FS.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Score
and Set of Parts. With
Standard notation.
16+4+2+8+8+8+4+4+4+4+4+4+
4+6+6+6+6+2+2+2+2+4+4+4+4
+4+8+1+2+24 pages. Carl
Fischer Music #CB121.
Published by Carl Fischer
Music (CF.CB121).
ISBN
9780825843785. UPC:
798408043780. 9 X 12
inches. Key: Eb
major.
Brilliant
and invigorating, Noble
Men is one of Fillmore's
most delightful marches.
The 1st strain is witty,
and its continuation
features a sparkling
trumpet fanfare. The trio
offers a suave tune as an
effective contrast and
the fortissimo repeat
adds witty commentary
from the high woodwinds
to bring matters to a
typically rousing
conclusion. In this
authentic edition by
Robert Foster, Noble Men
will be a delight to
perform and enjoy.
Duration: 2' 30.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Gunter
Graulich. This edition:
urtext. 1x 40.185/21 oboe
1, 1x 40.185/22 oboe 2,
1x 40.185/23 clarinet 1,
1x 40.185/24 clarinet 2,
1x 40.185/25 bassoon 1,
1x 40.185/26 bassoon 2,
1x 40.185/31 horn 1, 1x
40.185/32 horn 2, 1x
40.185/33 trumpet 1, 1x
40.185/34 trumpet 2, 1x
40.185/41 timpani. Hymns
by Martin Luther: Ach
Gott, vom Himmel sieh
darein; Stuttgart Urtext
Edition: Mendelssohn.
German title: Ach Gott,
vom Himmel sieh darein
11. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1832. MWV A 13. 38 pages.
Duration 14 minutes.
Carus Verlag #CV
40.185/09. Published by
Carus Verlag
(CA.4018509).
ISBN
9790007064297. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and parts
available separately -
see item CA.4018500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. This
edition: urtext. 1x
40.689/21 flute 1, 1x
40.689/22 flute 2, 1x
40.689/23 oboe 1, 1x
40.689/24 oboe 2, 1x
40.689/25 clarinet 1, 1x
40.689/26 clarinet 2, 1x
40.689/27 bassoon 1, 1x
40.689/28 bassoon 2, 1x
40.689/29 double bassoon,
1x 40.689/31 horn 1, 1x
40.689/32 horn 2, .
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. German title:
Missa Solemnis In D Op.
123. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
1817/23. Op. 123. 352
pages. Duration 90
minutes. Carus Verlag #CV
40.689/09. Published by
Carus Verlag
(CA.4068909).
ISBN
9790007220389. Key: D
major. Language:
Latin.
Beethoven
described his Missa
solemnis as his greatest
work several times, a
work which, coming from
the heart, was to touch
and move audiences. The
surviving sources enable
us to recognize how
intensively and how long
he worked on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings, and the
premiere took place, for
good reason, in a concert
hall. The chorus plays a
key structural role in
the work, and in the
process has to master
some extremely demanding
sections. The leading
Beethoven expert Ernst
Herttrich has produced an
Urtext edition based on
the available sources,
and reflecting the latest
state of scholarship.
Score and parts available
separately - see item
CA.4068900.
ISBN
9790007201272. Key: F
minor. Language:
Latin.
In 1856, the
year in which Mozart's
one-hundredth birthday
was elaborately
celebrated, Franz Lachner
composed the Requiem in F
minor op. 146. It became
his most well-known and
most important work.
Lachner's intensive study
of Mozart's music on the
occasion of the
commemorative year lends
credence to that fact
that it was not inspired
by a personal loss, such
as a death in the family
or among his friends.
Although closer
examination proves that
his music differed
essentially from
Mozart's, Lachner's work
shows a clear expression
of his admiration for
him. The parallels
between the two Requiems
range from the
characteristics of the
organization of the text
and the formal structure,
to the similar treatment
of individual sections,
themes and motives. Score
and parts available
separately - see item
CA.2730100.
Florentiner
Sinfonie. Composed by
Josef Gabriel
Rheinberger. Edited by
Werner Aderhold. This
edition: Complete
edition. 1x 50.087/21
piccolo, 1x 50.087/22
flute 1, 1x 50.087/23
flute 2, 1x 50.087/24
oboe 1, 1x 50.087/25 oboe
2, 1x 50.087/26 clarinet
1, 1x 50.087/27 clarinet
2, 1x 50.087/28 bassoon
1, 1x 50.087/29 bassoon
2, 1x 50.087/30 horn 1,
1x 50.087/31 horn 2, 1x
50.0. Josef Gabriel
Rheinberger - Complete
Works. German title:
Sinfonie In F 20. Set of
Orchestra Parts. Composed
1875. Op. 87. 212 pages.
Duration 53 minutes.
Carus Verlag #CV
50.087/09. Published by
Carus Verlag
(CA.5008709).
ISBN
9790007079376. Key: F
major. Language: all
languages.
Rheinber
ger began work on his
second Symphony during
his visit to Italy with
his wife in 1874. He was
commissioned to write it
by an orchestral society
in Florence - an
indication that his
reputation had already
spread throughout Europe.
The autograph score
contains a poem by his
wife Fanny, which in four
sections expressed the
moods of impressions of
the visit which seem to
underlie the symphony.
Contemporaries praised
particularly the beauty
of the Adagio. The work
is here presented for the
first time in an edition
based critically on the
sources. Score and parts
available separately -
see item CA.5008700.
Requiem. Composed
by Franz von Suppe. 1x
40.085/21 flute 1, 1x
40.085/22 flute 2, 1x
40.085/23 oboe 1, 1x
40.085/24 oboe 2, 1x
40.085/25 clarinet 1, 1x
40.085/26 clarinet 2, 1x
40.085/27 bassoon 1, 1x
40.085/28 bassoon 2, 1x
40.085/31 horn 1, 1x
40.085/32 horn 2, 1x
40.085/33 horn 3, 1x
40.08. Missa Pro
Defunctis (Requiem).
Sacred vocal music,
Requiem. Set of Orchestra
Parts. Composed 1855. 206
pages. Duration 70
minutes. Carus Verlag #CV
40.085/09. Published by
Carus Verlag
(CA.4008509).
ISBN
9790007217396. Language:
Latin.
Franz Suppe
wrote his Requiem not as
a humanistic or
pantheistic lament for
the dead, but as a work
created on the basis of
firm Christian and
Catholic faith. The fact
that Suppe succeeded in
writing a Requiem which
remains within the
theological-liturgical
bounds without
sacrificing the values of
an autonomous work of art
is perhaps the greatest -
although hitherto
unrecognized- achievement
of this work. Score and
parts available
separately - see item
CA.4008500.
Non nobis Domine /
Nicht unserm Namen,
Herr. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext. 1x 40.071/21
flute 1, 1x 40.071/22
flute 2, 1x 40.071/23
oboe 1, 1x 40.071/24 oboe
2, 1x 40.071/25 clarinet
1, 1x 40.071/26 clarinet
2, 1x 40.071/27 bassoon
1, 1x 40.071/28 bassoon
2, 1x 40.071/31 horn 1,
1x 40.071/32 horn 2.
Stuttgart Urtext Edition:
Mendelssohn. Der
115.Psalm (Dt/Lat).
Sacred vocal music,
Psalms, German, Psalms,
Latin, Wedding, Psalms.
Set of Orchestra Parts.
Composed 1830. Op. 31,
MWV A 9. 36 pages.
Duration 16 minutes.
Carus Verlag #CV
40.071/09. Published by
Carus Verlag
(CA.4007109).
ISBN
9790007060565. Language:
German/Latin.
The
Psalms inspired
Mendelssohn throughout
his working life, and,
aside from a cappella
settings, he left behind
five great orchestral
Psalms. Score and parts
available separately -
see item CA.4007100.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. 1x 40.055/21
flute 1, 1x 40.055/22
flute 2, 1x 40.055/23
oboe 1, 1x 40.055/24 oboe
2, 1x 40.055/31 horn 1,
1x 40.055/32 horn 2, 1x
40.055/33 clarino 1, 1x
40.055/34 clarino 2, 1x
40.055/35 trombone 1, 1x
40.055/36 trombone 2, 1x
40.055/37 trombone 3.
Stuttgart Urtext Edition:
Mozart. German title:
Litaniae De Venerabili
Altaris Rev.2002.
Litanies, Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1772. KV
125. 68 pages. Duration
32 minutes. Carus Verlag
#CV 40.055/09. Published
by Carus Verlag
(CA.4005509).
ISBN
9790007059361. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
parts available
separately - see item
CA.4005500.
Die
Sieben Worte.
Composed by Cesar Auguste
Franck. Edited by
Wolfgang Hochstein. 1x
40.095/21 flute 1, 1x
40.095/22 flute 2, 1x
40.095/23 oboe 1, 1x
40.095/24 oboe 2, 1x
40.095/25 bassoon 1, 1x
40.095/26 bassoon 2, 1x
40.095/31 horn 1, 1x
40.095/32 horn 2, 1x
40.095/33 trumpet 1, 1x
40.095/34 trumpet 2, 1x
40.095/35 trombone 1, 1x
40. French Sacred Music.
Die Sieben Worte (Kart)
(Lat/Engl). Sacred vocal
music, Oratorios, Holy
Week, Stations of the
cross (Seven Words). Set
of Orchestra Parts. FWV.
86 pages. Duration 45
minutes. Carus Verlag #CV
40.095/09. Published by
Carus Verlag
(CA.4009509).
ISBN
9790007061463. Language:
Latin/English.
Unli
ke the well-known
settings of the Seven
Last Words by Schutz or
Haydn, in his opulently
scored composition Franck
provides commentary to
the words of Jesus with
excerpts from the Old and
New Testaments as well as
from portions of the
Stabat Mater. In his
transposition of the
Latin text into music
Franck reveals a rich
palette of compositional
parameters:
different-sized
ensembles, exciting
orchestration, formal
variety and sophisticated
harmony. Laments, simple
passages for the choir in
unison, passages with
great drama, melodic
shapes filled with
sweetness convey to the
listener a multi-layered
impression of a
composition stamped by a
strongly personal will to
expression.
Wurttembergische Blatter
fur Kirchenmusik 1/1991.
Score and parts available
separately - see item
CA.4009500.
Full Score and
Parts. Composed by
Andrew Balent.
Insert-SWS. Carl Fischer
Young Band Series. Score
and Set of Parts. With
Standard notation.
20+2+16+16+2+8+4+2+12+12+
8+4+8+4+8+6+2+28 pages.
Duration 2 minutes, 4
seconds. Carl Fischer
Music #YBS119. Published
by Carl Fischer Music
(CF.YBS119).
ISBN
9780825836879. UPC:
798408036874. 9 X 12
inches.
This fine
original march features
bold scoring and nice
contrasts between marcato
style and legato playing.
The trio strain in Eb
(which is foreshadowed in
the introduction)
features the clarinets
and saxophones on a tune
just made for whistling!
This march has all the
makings of a concert
classic. Duration:
2'.
Pauken-Messe.
Composed by Franz Joseph
Haydn. Edited by Wolfgang
Hochstein. This edition:
urtext. 1x 40.607/21
flute, 1x 40.607/22 oboe
1, 1x 40.607/23 oboe 2,
1x 40.607/24 clarinet 1,
1x 40.607/25 clarinet 2,
1x 40.607/26 bassoon 1,
1x 40.607/27 bassoon 2,
1x 40.607/31 horn 1, 1x
40.607/32 horn 2, 1x
40.607/33 clarino 1, 1x
40.607/34 clarino 2, 1x
40. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
Haydn: Paukenmesse In C
Xxii:9. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1796.
Hob. XXII:9. 98 pages.
Duration 40 minutes.
Carus Verlag #CV
40.607/09. Published by
Carus Verlag
(CA.4060709).
ISBN
9790007073176. Key: C
major. Language:
Latin.
The Missa in
tempore belli by Joseph
Haydn is an interesting
work in several respecst.
Firstly this setting of
the Mass provides
pointers to the situation
of Austrian church music
as it had been affected
by imperial decrees.
Secondly the political
situation, with the
imminent invasion of
Austria by Napoleon's
troops, had reached a
crisis point which is
reflected in the
description of this
composition as a Mass in
time of war. Last but not
least, this work is the
first of the group of six
settings of the Latin
Mass which, together with
the oratorios The
Creation and The Seasons,
form the body of Haydn's
last period vocal works,
and which unquestionably
belong among his supreme
creative achievements.
This work is now
available in carus music,
the choir app! Score and
parts available
separately - see item
CA.4060700.
Mass in A flat major (Messe in As) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Messe
in As. Composed by
Franz Schubert. Edited by
Michael Heinemann. This
edition: urtext. 1x
40.659/21 flute, 1x
40.659/22 oboe 1, 1x
40.659/23 oboe 2, 1x
40.659/24 clarinet 1, 1x
40.659/25 clarinet 2, 1x
40.659/26 bassoon 1, 1x
40.659/27 bassoon 2, 1x
40.659/31 horn 1, 1x
40.659/32 horn 2, 1x
40.659/33 trumpet 1, 1x
40.659/34 trumpet 2, 1x
40. Stuttgart Urtext
Edition: Schubert. Messe
In As Rev.2000.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. D 678.
144 pages. Duration 50
minutes. Carus Verlag #CV
40.659/09. Published by
Carus Verlag
(CA.4065909).
ISBN
9790007085445. Key: A
flat major. Language:
Latin.
Franz
Schubert's Mass in A-flat
major: A work that time
and again occupied the
composer anew, with which
he, in his words, strived
towards the highest in
art - and perhaps only
wished to receive a court
appointment in Vienna.
His efforts to present a
new, individual mass led,
at any rate, to
unconventional solutions
(and an unusual key), a
renunciation of plain
acclamation, a reduction
of pathos in favor of an
exceptionally elaborate
composition, particularly
the first part - a
brilliant missa solemnis
for the ceremonious
organization of the court
church service and, at
the same time, the public
presentation of an
ambitious composer's
artistic competence.
Score and parts available
separately - see item
CA.4065900.
Violin 2 (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str) <...(+)
Violin 2 (3(3.picc).2.cor
ang.2.2.dble bsn -
4.3.3.1 - timp - perc -
hp - str)
SKU:
BR.OB-5709-16
Tone
Poem for Large Orchestra
after N. Lenau -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphonic poem; Early
modern. Part. 12 pages.
Duration 19'. Breitkopf
and Haertel #OB 5709-16.
Published by Breitkopf
and Haertel
(BR.OB-5709-16).
ISBN
9790004348338. 10 x 12.5
inches.
Strauss
third tone poem Don Juan
was composed in spring
1888. This work is
already an impressive
demonstration of the
composer's newly acquired
confidence in mastering
the orchestral apparatus.
Already completed in the
fall, it took over a year
until its premiere in
Weimar on November 11,
1889. Breitkopf &
Hartel's new Urtext
edition assesses not only
the autograph and the
first edition, but also
for the first time the
parts used under the
composer's direction,
resulting in some
surprisingly new
readings. An extensive
preface, facsimile pages,
and a detailed critical
report round off this
authoritative Urtext
edition.
First
Urtext edition since the
first edition. Evaluation
of all available sources,
including some orchestral
parts used by Strauss. A
detailed critical report.
Complete orchestral
material available for
purchase.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This handsome urtext
edition from Breitkopf is
edited by Henrik Wiese
and comprises the
complete suit of full
score, orchestral parts,
oboe copy and piano
accompaniment. (Double
Reed News). Solo
concerto; Classical.
Part. 8 pages. Duration
20'. Breitkopf and
Haertel #OB 5309-15.
Published by Breitkopf
and Haertel
(BR.OB-5309-15).
ISBN
9790004340073. 10 x 12.5
inches.
Mozart is
believed to have written
an oboe concerto for the
Salzburg virtuoso
Giuseppe Ferlendis in
1777. The work was
considered lost until
1920, when Bernhard
Paumgartner discovered a
copy of the parts that
must have been written
shortly before Mozart's
death. Nevertheless, this
copy proved to be much
more unreliable than the
copy of the parts of the
flute concerto. Every
source-critical edition
must take these parts
into consideration, as
there is otherwise no
extant source material
aside from a brief
autograph sketch. Henrik
Wiese's new edition
consistently
distinguishes between
what can be regarded as
Urtext and what the
informed player must
interpret himself. To
this end, the edition for
oboe and piano also
contains a study part in
which the solo parts for
flute and oboe are placed
synoptically opposite
each other.,,This
handsome urtext edition
from Breitkopf is edited
by Henrik Wiese and
comprises the complete
suit of full score,
orchestral parts, oboe
copy and piano
accompaniment. (Double
Reed News).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This handsome urtext
edition from Breitkopf is
edited by Henrik Wiese
and comprises the
complete suit of full
score, orchestral parts,
oboe copy and piano
accompaniment. (Double
Reed News). Solo
concerto; Classical.
Part. 8 pages. Duration
20'. Breitkopf and
Haertel #OB 5309-26.
Published by Breitkopf
and Haertel
(BR.OB-5309-26).
ISBN
9790004340103. 10 x 12.5
inches.
Mozart is
believed to have written
an oboe concerto for the
Salzburg virtuoso
Giuseppe Ferlendis in
1777. The work was
considered lost until
1920, when Bernhard
Paumgartner discovered a
copy of the parts that
must have been written
shortly before Mozart's
death. Nevertheless, this
copy proved to be much
more unreliable than the
copy of the parts of the
flute concerto. Every
source-critical edition
must take these parts
into consideration, as
there is otherwise no
extant source material
aside from a brief
autograph sketch. Henrik
Wiese's new edition
consistently
distinguishes between
what can be regarded as
Urtext and what the
informed player must
interpret himself. To
this end, the edition for
oboe and piano also
contains a study part in
which the solo parts for
flute and oboe are placed
synoptically opposite
each other.,,This
handsome urtext edition
from Breitkopf is edited
by Henrik Wiese and
comprises the complete
suit of full score,
orchestral parts, oboe
copy and piano
accompaniment. (Double
Reed News).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This handsome urtext
edition from Breitkopf is
edited by Henrik Wiese
and comprises the
complete suit of full
score, orchestral parts,
oboe copy and piano
accompaniment. (Double
Reed News). Solo
concerto; Classical.
Part. 8 pages. Duration
20'. Breitkopf and
Haertel #OB 5309-19.
Published by Breitkopf
and Haertel
(BR.OB-5309-19).
ISBN
9790004340097. 10 x 12.5
inches.
Mozart is
believed to have written
an oboe concerto for the
Salzburg virtuoso
Giuseppe Ferlendis in
1777. The work was
considered lost until
1920, when Bernhard
Paumgartner discovered a
copy of the parts that
must have been written
shortly before Mozart's
death. Nevertheless, this
copy proved to be much
more unreliable than the
copy of the parts of the
flute concerto. Every
source-critical edition
must take these parts
into consideration, as
there is otherwise no
extant source material
aside from a brief
autograph sketch. Henrik
Wiese's new edition
consistently
distinguishes between
what can be regarded as
Urtext and what the
informed player must
interpret himself. To
this end, the edition for
oboe and piano also
contains a study part in
which the solo parts for
flute and oboe are placed
synoptically opposite
each other.,,This
handsome urtext edition
from Breitkopf is edited
by Henrik Wiese and
comprises the complete
suit of full score,
orchestral parts, oboe
copy and piano
accompaniment. (Double
Reed News).
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext. 1x
40.057/21 flute 1, 1x
40.057/22 flute 2, 1x
40.057/23 oboe 1, 1x
40.057/24 oboe 2, 1x
40.057/25 bassoon 1, 1x
40.057/26 bassoon 2, 1x
40.057/31 horn 1, 1x
40.057/32 horn 1, 1x
40.057/33 trombone 1, 1x
40.057/34 trombone 2, 1x
40.057/35 trombone 3.
Stuttgart Urtext Edition:
Mozart. Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1776. KV
243. 54 pages. Duration
33 minutes. Carus Verlag
#CV 40.057/09. Published
by Carus Verlag
(CA.4005709).
ISBN
9790007059521. Key: E
flat major. Language:
Latin.
This Litany
consists of six movements
divided into nine
different, distinguished
sections. Clearly, Mozart
used as models for his
work the sacramental
litanies of his Salzburg
predecessors and
contemporaries. Score and
parts available
separately - see item
CA.4005700.
Version 1: SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 2 violins,
viola, 2 cellos,
contrabass; version 2 :
SATB choir, organ - Level
2
SKU: CA.4048109
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
This edition: urtext. 1x
40.481/21 flute 1, 1x
40.481/22 flute 2, 1x
40.481/23 clarinet 1, 1x
40.481/24 clarinet 2, 1x
40.481/25 bassoon 1, 1x
40.481/26 bassoon 2.
Hymns by Martin Luther:
Verleih uns Frieden
gnadiglich; Stuttgart
Urtext Edition:
Mendelssohn. German
title: Verleih uns
Frieden 6. Sacred vocal
music, Cantatas, Peace
and justice. Set of
Orchestra Parts. Composed
1831. MWV A 11. 12 pages.
Duration 6 minutes. Carus
Verlag #CV 40.481/09.
Published by Carus Verlag
(CA.4048109).
ISBN
9790007069964. Key: E
flat major. Language:
German/Latin. Text:
Luther, Martin. Text:
Martin Luther.
Also
contains an arrangement
for organ. In 1840
Schumann remarked: The
small piece deserves to
be world famous and will
become so in the future;
the Madonnas of Raphael
and Murillo cannot remain
hidden for long. Together
with the orchestral
version an version for
choir and organ is
available. Score and
parts available
separately - see item
CA.4048100.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext. 1x
54.838/21 oboe 1, 1x
54.838/22 oboe 2, 1x
54.838/23 bassoon 1, 1x
54.838/24 bassoon 2, 1x
54.838/31 horn 1, 1x
54.838/32 horn 2, 1x
54.838/33 trumpet 1, 1x
54.838/34 trumpet 2, 1x
54.838/35 trombone 1, 1x
54.838/36 trombone 2, 1x
54.838/37 trombone 3, .
Stuttgart Urtext Edition:
Johann Michael Haydn.
Requiem In B Mh 838.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
MH 838. 192 pages.
Duration 55 minutes.
Carus Verlag #CV
54.838/09. Published by
Carus Verlag
(CA.5483809).
ISBN
9790007226336. Key: B
flat major. Language:
Latin.
The Requiem
in B flat major is Johann
Michael Haydn's second
setting of the liturgical
text of the Mass of the
dead (another Requiem, MH
599, has since been
identified as the work of
Father Georg Pasterwiz)
and it is also his last
work, his Opus ultimum.
On commission from
Empress Maria Theresia he
began the composition in
1805, but due to a
serious illness he made
only slow progress with
the work. Like W. A.
Mozart, he could not
complete this Requiem. In
1839 Father Gunther
Kronecker, Benedictine
Father in the monastery
of Kremsmunster in Upper
Austria, completed the
torso in the spirit and
style of Haydn. During
his student days in
Vienna Father Gunther
belonged to the circle of
friends who were
associated with Franz
Schubert. Score and parts
available separately -
see item CA.5483800.