For Bassoon. Classical (chamber). Includes a high-quality printed music score an...(+)
For Bassoon. Classical
(chamber). Includes a
high-quality printed
music score and a compact
disc containing
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One.
By Benedetto Marcello (1686-1739). For Alto Recorder and Basso Continuo. Baroque...(+)
By Benedetto Marcello
(1686-1739). For Alto
Recorder and Basso
Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts,
and 2 Play-Along CDs.
Published by Recorder JP
Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Bancalari. For...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Robert Bancalari. For
mandolin. Squareback
saddle stitch.
Intermediate. Book and
online audio. Published
by Mel Bay Publications,
Inc
Composed by Ludwig van Beethoven (1770-1827). Arranged by Louis F. P. Drouet. Wi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Louis F. P.
Drouet. With Standard
notation. Universal
Edition #UE18028.
Published by Universal
Edition (PR.UE018028).
Composed by Georg Philipp Telemann (1681-1767). This edition: Saddle stitching. ...(+)
Composed by Georg Philipp
Telemann (1681-1767).
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 48 pages.
Schott Music #ED 4690.
Published by Schott Music
Organ SKU: CA.5027200 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ
SKU:
CA.5027200
Composed
by Josef Gabriel
Rheinberger. Edited by
Martin Weyer. Carus
digital: Extra digital
products. Full Score.
Composed 1898. WoO 26.
Carus Verlag #5027200.
Published by Carus Verlag
(CA.5027200).
ISBN
9790007298371.
As
well as 20 organ sonatas
and seven collections of
stand-alone organ pieces
with opus numbers,
Rheinberger composed a
whole range of smaller
works for organ methods
or organ collections for
his favorite instrument,
mainly at the request of
colleagues and
friends.
In 1897,
at the request of the
English publisher
Novello, Rheinberger
compiled a collection of
six pieces for the series
“Village
Organist†and had
these published as
“Six Short
Piecesâ€. He drew
largely on older pieces
for this, but also
composed three new
pieces. What resulted is
a delightful group of
little gems for worship
or organ teaching,
including a short
character piece,
“Consolationâ€
.
Separate edition
from Supplementary Volume
3 of the Rheinberger
Complete Edition
By Jean Baptiste Loeillet de Gant. For Alto Recorder and Basso Continuo. Baroque...(+)
By Jean Baptiste Loeillet
de Gant. For Alto
Recorder and Basso
Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts,
and 2 Play-Along CDs.
Published by Recorder JP
Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. For flute ...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Alfred Durr. For flute
and cello (basso
continuo). Includes set
of performance parts
(includes separate
pull-out flute and cello
parts). With solo part,
basso continuo part,
keyboard realization,
performance notes and
introductory text.
Baroque. 64 pages. 9x12
inches. Published by
Baerenreiter-Ausgaben.
(No. 7-9). Composed by Georg Philipp Telemann (1681-1767). Edited by Winfried Mi...(+)
(No. 7-9). Composed by
Georg Philipp Telemann
(1681-1767). Edited by
Winfried Michel. For
flute (violin) and basso
continuo. Score and
parts. Published by
Amadeus Verlag
By Johann Sebastian Bach. For viola da g (violoncello), piano (cembalo). Print m...(+)
By Johann Sebastian Bach.
For viola da g
(violoncello), piano
(cembalo). Print music
available separately
(PE.P09853).
BWV1027-1029.Harpsichord
accompaniment to the
Viola da Gamba (Cello)
part recorded on compact
disc. Play Along.
Published by Music
Partner.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
By Johann Sebastian Bach. Edited by Schleifer, Stiehler(Urt.). For violin, piano...(+)
By Johann Sebastian Bach.
Edited by Schleifer,
Stiehler(Urt.). For
violin, piano
(violoncello da G ad
lib). Nos.4-6(c,f,G)(BWV
1017-1019). Published by
C.F. Peters.
Sonata in A minor TWV 41:a2; Sonata in G major TWV 41:G4. By Georg Philipp Telem...(+)
Sonata in A minor TWV
41:a2; Sonata in G major
TWV 41:G4. By Georg
Philipp Telemann. Edited
by Max Seiffert. For
Violin/Flute, Basso
Continuo. Playing Score;
Set of Parts; Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
By Johann Anton Filtz. Edited by Alessandro Bares. For cello and basso continuo....(+)
By Johann Anton Filtz.
Edited by Alessandro
Bares. For cello and
basso continuo. This
edition: Paperback.
Minghen dal Viulunzel.
Galant. Score and set of
parts. Published by
Musedita Edizioni
Musicali