Arranged by Ludwig Minkus
and ed./arr. by William
McDermott/ Libretto by
Sergei Khudekov. Full
Orchestra, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A888801.
Published by
LudwigMasters
Publications
(AP.36-A888801).
ISBN
9798888529911. UPC:
659359989490.
English.
The ballet
La Bayadère (The
Temple Dancer or The
Temple Maiden) was
created in 1877 for famed
French choreographer
Marius Petipa to music by
Ludwig Minkus
(1826-1917). In four act
and seven tableaux, the
ballet tells the story of
the bayadère Nikiya
and the warrior Solor,
lovers who are beset by
jealous rivals, arranged
marriages beyond their
control, murder, an
opium-fueled
hallucination of the
afterlife, and a vengeful
god that destroys the
temple and everybody in
it as revenge for
Nikiya's murder. It was
first performed on
February 4, 1877, by the
Imperial Ballet in St.
Petersburg, Russia. It
was hailed as a success
and masterpiece
immediately after the
premiere, particularly
The Kingdom of the Shades
scene in Act II, an
excerpt which remains a
major standalone work for
the ballet repertoire.
Modern performances of La
Bayadère are almost
always derived from a
1941 version sated for
the Kirov/Mariinsky
Ballet by Vladimir
Ponomarev and Vakhtang
Chabukiani, which
incorporates additional
music by Minkus, Drigo,
and Pugni. Act II takes
place after Nikiya is
killed by a concealed
venomous snake. A
depressed Solor smokes
opium, resulting in a
vision of Nikiya's spirit
dwelling in the Kingdom
of the Shades, a nirvana
in the Himalayas. The two
lovers reconcile among
the shades of other
bayadères in a Pas de
deux, then Solor is
awakened just in time for
his arranged marriage to
another woman. This
orchestration of Act II
has been completed by
William McDermott.
Instrumentation: 2.2.2.2:
4.2.3.0: Timp.Perc(2):
Harp: Str (4-4-3-3-3 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra SKU: LO.30-2871L Based on Pat-a-Pan. Composed by Mary Mc...(+)
Orchestra
SKU:
LO.30-2871L
Based
on Pat-a-Pan.
Composed by Mary
McDonald. Choral. Sacred
Anthem, Christmas.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/2871L. Published by
Lorenz Publishing Company
(LO.30-2871L).
UPC:
000308132496.
Based
upon the popular
seventeenth-century carol
Pat-a-Pan, this exciting
arrangement by Mary
McDonald tells the story
of the shepherds who,
awakened by an angel in
brilliant starlight, run
to Bethlehem to see the
Child who is born the
Lamb for all mankind.
Easy to prepare and sing,
it has several equally
effective accompaniment
options. (From the
cantata Celebrate His
Name! Proclaim His
Birth!, SATB--65/2032L;
SAB--65/2033L)
Instrumentation: 2
Fl/Piccolo, 2 Cl, Hn, 2
Tpt, Tbn, Tuba, 2 Perc,
Pno, 2 Vln, Vla, Cello,
Bass, Digital String
Reduction.
Composed by Gregory
Singer. SWS FS. Young
String Orchestra. Set of
Score and Parts. With
Standard notation.
16+16+4+10+10+10+3+12
pages. Duration 2
minutes, 44 seconds. Carl
Fischer Music #YAS174.
Published by Carl Fischer
Music (CF.YAS174).
ISBN 9781491146545.
UPC: 680160904044. 9 x 12
inches. Key: G
major.
Composer
Gregory Singer's waltz
depicting the calm oasis
of Central Park is fresh
and new, but somehow
immediately recognizable.
Students and audiences
alike will be taken by
this piece from the very
first note. It is an
excellent piece to teach
young string players
about waltz style. As
a child, I enjoyed roller
skating at an amusement
park in Portland Oregon
named Oaks Park. I
remember the waltz music
playing as the
announcement came Couples
only, or All skate. Years
later in New York City, I
awakened from sleep one
morning with the theme of
this waltz in my ears. It
was so cheerful and corny
that I asked myself
You’ve got to be
kidding me, where did
this melody come from? I
realized it was my
original. I notated it
immediately, and a few
weeks later I added the
second musical theme and
named it Central Park
Waltz. It reminds me of
the skating rinks that I
have enjoyed over the
years.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Mid.voices, piano (Medium voice, Piano) SKU: BA.BA07787 Arioso for med...(+)
Mid.voices, piano (Medium
voice, Piano)
SKU:
BA.BA07787
Arioso
for medium voice and
piano. Poem by Peter
Härtling. Composed
by Giselher Klebe.
Singing Score. Opus 125.
Duration 9 minutes.
Baerenreiter Verlag
#BA07787_00. Published by
Baerenreiter Verlag
(BA.BA07787).
ISBN
9790006506996. 34 x 28.2
cm inches. Language:
German. Text:
Härtling,
Peter.
For many,
the title will awaken
memories of the
demonstrations against
the clearance of the
Flörsheim Forest to
allow for a new runway at
the Frankfurt Airport.
Both the poem,
which extends beyond this
local incident to remind
us of the seriousness of
our global situation, and
the music join together
to form an expressive,
universally valid call
for the conservation of
our core values, our
future together:
“Die Erde jedoch
wird sich wehren. Sie
wird uns, am Ende, nichts
mehr geben als den Staub,
in dem wir
aufgehn.†(The
earth, however, will
resist. She will, in the
end, not give us any more
than dust, into which we
will submerge.) It is up
to us, to prevent the
situation from advancing
so far: “Wir, die
wir zu ihren Schülern
wurden, sollten die Lehre
der Bäume
verbreiten.†(We,
the students, should
spread the teachings of
the trees.â€
Concert Band - Grade 2.5 SKU: AP.47412S Featuring: Traveling to Hogwar...(+)
Concert Band - Grade 2.5
SKU: AP.47412S
Featuring: Traveling
to Hogwarts / Newt and
Leta / The Kelpie /
Dumbledore / Wands Into
the Earth / Fantastic
Beasts: The Crimes of
Grindelwald. Composed
by James Newton Howard.
Arranged by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Form:
Medley. Movie; Pop.
Score. 24 pages. Duration
4:00. Alfred Music
#00-47412S. Published by
Alfred Music (AP.47412S).
UPC: 038081548241.
English.
J. K.
Rowling's Wizarding World
is awakened again in this
emotionally charged,
action-packed medley that
includes six musical
moments drawn from the
stunning James Newton
Howard soundtrack of the
second film in the
Fantastic Beasts trilogy.
(4:00).
Nexus Fanfare Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4940-01 Composed by Benson. Young Concert Band. Extra...(+)
Grade 2
SKU:
CL.011-4940-01
Composed by Benson. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4940-01. Published
by C.L. Barnhouse
(CL.011-4940-01).
This inspired
piece of music will bring
an excitement and spark
to your next concert as
an opener or a
celebratory closer.
Written with education in
mind, this selection will
awaken your developing
bands’ curiosity
around 6/8- and 3/4-time
and relationships.
Driving percussion
propels this work forward
with excitement. Packed
with teachable moments,
fun to play, and exciting
to listen to, Nexus
Fanfare really
connects!
Piano Solos That Celebrate American Jazz. Composed by Wynn-Anne Rossi. Other; ...(+)
Piano Solos That
Celebrate
American Jazz. Composed
by
Wynn-Anne Rossi. Other;
Piano Supplemental;
Promotional Packet.
Jazzin'
Americana. Jazz.
Published
by Alfred Music
Nexus Fanfare Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4940-00 Composed by Benson. Young Concert Band. Score...(+)
Grade 2
SKU:
CL.011-4940-00
Composed by Benson. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #011-4940-00.
Published by C.L.
Barnhouse
(CL.011-4940-00).
This inspired
piece of music will bring
an excitement and spark
to your next concert as
an opener or a
celebratory closer.
Written with education in
mind, this selection will
awaken your developing
bands’ curiosity
around 6/8- and 3/4-time
and relationships.
Driving percussion
propels this work forward
with excitement. Packed
with teachable moments,
fun to play, and exciting
to listen to, Nexus
Fanfare really
connects!
A musical journey through Celtic and Gaelic Prayers. Composed by Margaret...(+)
A musical journey
through Celtic and Gaelic
Prayers. Composed by
Margaret Rizza. Royal
School of Church Music.
Sacred. Book and CD. 100
pages. Published by GIA
Publications
(GI.G-9438BKCD).