A Great Big World - Is There Anybody Out There? by A Great Big World. For Piano/...(+)
A Great Big World - Is
There Anybody Out There?
by A Great Big World. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 82
pages.
ISBN 1480384577. 9x12
inches.
Published by Hal Leonard
Big Book Of Swing Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Swing.
320 pages. 9x12 inches.
Published by Hal Leonard.
The Complete Resource for Every Guitar Player!. By Various. Guitar Collection. S...(+)
The Complete Resource for
Every Guitar Player!. By
Various. Guitar
Collection. Softcover.
With notes and tablature.
240 pages. Published by
Hal Leonard.
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010060
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010060. Published by
Subito Music Corporation
(SU.96010060).
Instrumentation
: SATB Chorus, &
Piano Duration:
3:30' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010061
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010061. Published by
Subito Music Corporation
(SU.96010061).
Instrumentation
: SATB Chorus, &
Piano Duration:
5' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.T
As a
matter of practicality,
when I was first asked to
write a piece for the New
York Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Massthat I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.
Like a bolt of
lightning, divine
intervention interceded
whereupon I instantly
realized that he needed a
piece to wake up the
audience, not another
Kyrie. I took a breath
and spontaneously began
to talk through and
improvise the concept of
a piece that became the
basis for Taxi.
At that moment I was
clueless as to what kind
of piece I would write
but it appeared to be a
good idea at the time.
David's reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and ... as a matter
of practicality, I
happily agreed.
-- Joe Gianono
Note: Taxi, Noise, and
Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
(The Essential Patterns That All the Pros Know and Use) Written by Bob Applebaum...(+)
(The Essential Patterns
That All the Pros Know
and Use) Written by Bob
Applebaum, Fred Sokolow.
Instructional Book and CD
Package for mandolin.
With chord names,
fingerings, easy
notation, chord diagrams,
tablature, illustrations,
instructional text and
musical examples. Series:
Fretboard Roadmaps. 61
pages. Published by Hal
Leonard.
Saddle-stitched.
Technique. Book. Mel Bay
Publications, Inc #31154.
Published by Mel Bay
Publications, Inc
(MB.31154).
ISBN
9781513473888. 8.75X11.75
inches.
Practicing
scales is essential to
building and maintaining
strength, technique,
tone, and agility on the
viola, but it is easy to
slip into the habit of
playing scales
automatically, without
paying attention to
tonality or sound
production. The 29
single-page studies in
this book focus the
attention of violists on
the beauty of sound, with
a particular concern for
the way different keys
resonate on the viola.The
first 24 studies address
all minor and relative
major keys and proceed
through the circle of
fifths; the last 5 pieces
are individually
conceived, i.e., apart
from the circle of
fifths. No metronome
indications are given, so
the etudes can be played
at individually
comfortable tempos.The
names of the etudes refer
to various animals that
have scales, including
insects, fish, birds,
reptiles, and a few
species of mammals. The
author hopes that in
addition to experiencing
more enjoyable scale
practice, students will
be inspired to learn more
about these amazing
creatures and write scale
studies of their own.
Working on the
Railway. Composed by
Irish Folk Song. Arranged
by Virginia Croft.
Collate - FS SWS. Young
String Orchestra. Set of
Score and Parts. With
Standard notation.
12+16+16+4+10+10+10+3
pages. Duration 2
minutes, 4 seconds. Carl
Fischer Music #YAS90.
Published by Carl Fischer
Music (CF.YAS90).
ISBN
9780825884009. UPC:
798408084004. 8.5 x 11
inches. Key: G
major.
Fiddle-me-oo
-re-i-re-a is a purely
gleeful fiddling piece in
the Celtic style, and
Virginia Croft’s
arrangement makes it
downright infectious. We
guarantee no complaints
from your students when
you say Okay, from the
top!. Virginia Croft
holds Bachelor of Science
and Master of Education
degrees in Music
Education from the
Pennsylvania State
University. Long active
in public school and
church music, she has
conducted large and small
instrumental and vocal
ensembles in
Pennsylvania, Oregon,
Vermont, and Ontario,
Canada. For the past
thirty-one years, she has
directed a large,
award-winning elementary
school band which she
initially began as a
“mother
volunteer†in
Houston, Texas; but as a
violinist and mother of a
fine cellist, her real
love is the orchestra.She
is the recipient of
letters of commendation
from her United States
Congressman, Mayors of
Houston, and the Governor
of Texas, and was three
times chosen
“Teacher of the
Year†by her fellow
faculty members. She is
listed in the fifth
through eleventh
Southwestern editions of
“Who’s Who
Among America’s
Teachers,†has been
named “Teacher of
the Year†by her
local Rotary Club, was
honored by MiraMax Films
with their “Music
of the Heart†Award
in recognition of her
strong commitment and
support of community
music education, and is a
2005 recipient of the
Goldin Award for
Excellence in
Education.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels