By C. 1710 From Oude En Nieuwe Hollantse Boerenlities En Contradanseu Dutch Melody. Arranged by Richard Proulx. For Voices: SATB, assembly. Instruments: Brass quintet: 2 trumpets (Bb or C), horn in F (or trombone substitute), trombone, tuba; and timpani. Organ. *Restricted reprint box for "Christ has called." only; no reprint box for "Lord, whose love." (see Worship 3, #?). Chamber Music Sacred. 14 pages. Published by GIA Publications.
Level: easy/medium.

Soloists, Choir, Orchestra (singing voice, choir, Orchestra)

SKU: BA.BA10506-01

Commedia in due atti (comedy in two acts). Composed by Gioachino Rossini. Edited by Patricia B. Brauner. This edition: Edition of selected works, Urtext edition. Linen. Works of Gioachino Rossini, Volume 2. Edition of selected works, Score. Baerenreiter Verlag #BA10506_01. Published by Baerenreiter Verlag (BA.BA10506-01).

ISBN 9790006552009. 33 x 26 cm inches. Text Language: Italian. Text: Sterbini, Cesare.

Barenreiter 's publication of a new volume of theWorks of Gioachino Rossini, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the operaIl barbiere di Sivigliawhich meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted.

A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume.

A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini's ,,Barber of Sevillewith the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009.

Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again.

Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'.

Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi.

Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Potter, Doreen. Arranged by John Carter. (SATB). American Folk Tune, Dedication, Hymntune, Love, Mission, Outreach, Service, Hymntune, Thanksgiving and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

SATB choir, congregation, cantor, organ - Intermediate

SKU: MN.80-853

Composed by Richard Proulx. Cathedral Series. Catholic Year A Solemnity of the Most Holy Trinity; Catholic Year C Most Holy Body & Blood of Christ. 20th Century, Communion. Octavo. MorningStar Music Publishers #80-853. Published by MorningStar Music Publishers (MN.80-853).

UPC: 688670808531.

Welco med service music for communion services. Singable congregational part with well written choir parts. Flowing lines. Reproducible congregational part included.

By Eugene Mccluskey. For organ. Lent, Eastertide. Sacred Organ. Published by Lorenz Publishing Company.
Level: 2-staff.

SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2

SKU: CA.4019606

Composed by Heinrich von Herzogenberg. Children's choir. Sacred vocal music, Oratorios, Christmas. Choral Score. Op. 90. 4 pages. Carus Verlag #CV 40.196/06. Published by Carus Verlag (CA.4019606).

ISBN 9790007181482. Language: German.

The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score available separately - see item CA.4019600.

SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2

SKU: CA.4019619

Composed by Heinrich von Herzogenberg. Complete orchestral parts. Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. Op. 90. Carus Verlag #CV 40.196/19. Published by Carus Verlag (CA.4019619).

ISBN 9790007133146. Language: German.

The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score and parts available separately - see item CA.4019600.

SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2

SKU: CA.4019608

Composed by Heinrich von Herzogenberg. Congregation. Sacred vocal music, Oratorios, Christmas. Single Part, Gemeinde. Op. 90. 4 pages. Carus Verlag #CV 40.196/08. Published by Carus Verlag (CA.4019608).

ISBN 9790007076221. Language: German.

The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score and part available separately - see item CA.4019600.

SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2

SKU: CA.4019605

Composed by Heinrich von Herzogenberg. Sacred vocal music, Oratorios, Christmas. Choral Score. Op. 90. 40 pages. Carus Verlag #CV 40.196/05. Published by Carus Verlag (CA.4019605).

ISBN 9790007064877. Language: German.

The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score available separately - see item CA.4019600.

Choral; Tenor (Choral Score)

SKU: HL.49045282

Choral Score. Composed by Alvin Singleton. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, General Worship, Sacred. Softcover. Composed 2016. 44 pages. Duration 21'. Schott Music #ED30159. Published by Schott Music (HL.49045282).

ISBN 9781495078996. UPC: 888680651473. 9.0x12.0x0.138 inches. English.

Prayer is one of the composer's most original and sophisticated works. The typical African-American church service seems to be a source for this piece with its interplay of sections and colors, yet the work in form and rhythmic choices is clearly 'classical' and never breaks out into easy imitations of, for example, gospel music.The work opens with the choir singing the spiritual 'My Lord, What a Mornin'' in octaves, sung flat-out a cappella, as might happen in church. The instrumental section following this opening feels very much like a thoughtful response by the congregation. Instruments seem to behave like individual churchgoers, colorfully dressed and answering various episodes with individual thoughts. As for any fears that the mighty organ might drown out the proceedings, Singleton puts that to rest by employing it almost like another choir or section of the choir. The trumpet soloist does not blast us into heaven, it tends to sing and, we find out later, is preparing us for the spiritual 'Where Shall I Be When the Firs' Trumpet Soun'?' Even the tenor soloist behaves much like just another (but still important) instrument.The composer has chosen to not only feature spirituals, but also to set a poetic text called A Christian Prayer, whose main message, almost like some modern-day Kyrie, calls out 'save us teach us ' and extols the importance of humility and the defeat of violence. Singleton has always been a composer who has simultaneously answered the call to carry out what he feels is his duty to his fellow humans while using the finest of his art to do so, and Prayer finds him at the top of his game.- Carman Moore.

Composed by Sean Osborn. Score and part(s). With Standard notation. 32 pages. Duration 17 minutes. Theodore Presser Company #114-41866. Published by Theodore Presser Company (PR.114418660).

SKU: WD.080689542176

Composed by Tony Wood. Choral, cantatas. Patriotic. Book. Word Music #080689542176. Published by Word Music (WD.080689542176).

UPC: 080689542176.

Ameri ca! The sound of that name inspires and emboldens us; it emboldens us as we follow in the footsteps of those who’ve gone before, and inspires us to do even greater things still…to build better, be stronger, reach farther, dream bigger, and trust God to lead us to new frontiers and scale new heights. We are a country both built and sustained by dreamers. Dreamers who became doers. Dreamers who didn’t listen when others said “impossible.” Dreamers who dared to make dreams come true…American Dreamers!

The creative team of Tony Wood and Cliff Duren have joined forces with Word Music to bring you this new, inspirational patriotic musical called American Dreamers. This inaugural release in Word’s God & Country Series fuses iconic patriotic songs such as “America, the Beautiful” and “My Country, ‘Tis of Thee”; new patriotic songs by Tony Wood; hymn favorites such as “Great Is Thy Faithfulness” and “O God, Our Help in Ages Past”; songs of Praise and Worship, along with two well-known country music hits, “Arlington” (made popular by Trace Adkins) and “American Flag on the Moon” (popularized by Brad Paisley) — songs about freedom, liberty, Biblical foundations, faith, American life…God & Country!

Written for Choir, Rhythm Section, Orchestra, Soloists, and Narrator, American Dreamers sets a new standard for patriotic, God-and-Country musical experiences. Employ the use of the visually-compelling DVD Accompaniment Track for a memory-making patriotic service!

Composed by David Maslanka. Percussion ensemble. For glockenspiel, vibraphone I, vibraphone II, marimba I (4-octave), marimba II (4.3-octave), marimba III (4.3-octave), marimba IV (4.3-octave), bass marimba (5-octave) (8 players). Difficulty: Difficult. Duration 14:00. Published by C. Alan Publications

11 Piano Arrangements of Traditional Christian Favorites. Arranged by Bernadine Johnson. Piano Collection; Piano Supplemental. Sacred Performer Collections. Communion; Hymn; Sacred; Spring. Book. 40 pages. Alfred Music #00-46211. Published by Alfred Music

(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3

SKU: CA.1025009

Composed by Henry Purcell. Edited by Julia Rosemeyer. Set of Orchestra Parts. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025009. Published by Carus Verlag (CA.1025009).

ISBN 9790007329815. Key: D major. English.

“Hail ! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.

A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia’s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander’s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia’s Day, HWV 76 (Carus 55.076).

Purcell⠀™s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the “Orpheus Britannicus”, as Purcell was admiringly called by contemporaries.

- Festive, rousing ode to music
- Highlight of the choral ode genre in the 17th century
. Score and parts available separately - see item CA.1025000.

Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Grade 3

SKU: CA.1025000

Composed by Henry Purcell. Edited by Julia Rosemeyer. Carus digital: Extra digital products. Full Score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025000. Published by Carus Verlag (CA.1025000).

ISBN 9790007251826. Key: D major. English.

â??Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!â? â?? this exclamation opens the final chorus of Henry Purcellâ??s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time. A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Ceciliaâ??s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexanderâ??s Feast, HWV 75 (Carus 55.075), and his Ode for St. Ceciliaâ??s Day, HWV 76 (Carus 55.076).Purcellâ ??s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the â??Orpheus Britannicusâ?, as Purcell was admiringly called by contemporaries.- Festive, rousing ode to music- Highlight of the choral ode genre in the 17th century

(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3

SKU: CA.1025003

Composed by Henry Purcell. Edited by Julia Rosemeyer. Vocal score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025003. Published by Carus Verlag (CA.1025003).

ISBN 9790007251833. Key: D major. English.

“Hail ! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.

A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia’s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander’s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia’s Day, HWV 76 (Carus 55.076).

Purcell⠀™s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the “Orpheus Britannicus”, as Purcell was admiringly called by contemporaries.

- Festive, rousing ode to music
- Highlight of the choral ode genre in the 17th century
. Score available separately - see item CA.1025000.

(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3

SKU: CA.1025014

Composed by Henry Purcell. Edited by Julia Rosemeyer. Single Part, basso continuo. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025014. Published by Carus Verlag (CA.1025014).

ISBN 9790007329792. Key: D major. English.

�Hail ! bright Cecilia, hail to thee. Great patroness of us and harmony!� � this exclamation opens the final chorus of Henry Purcell�s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.

A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia�s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander�s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia�s Day, HWV 76 (Carus 55.076).

Purcellï ¿½s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the �Orpheus Britannicus�, as Purcell was admiringly called by contemporaries.

- Festive, rousing ode to music
- Highlight of the choral ode genre in the 17th century
. Score and part available separately - see item CA.1025000.

Organ (Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3

SKU: CA.1025049

Composed by Henry Purcell. Edited by Julia Rosemeyer. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025049. Published by Carus Verlag (CA.1025049).

ISBN 9790007329808. Key: D major. English.

“Hail ! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.

A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia’s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander’s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia’s Day, HWV 76 (Carus 55.076).

Purcell⠀™s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the “Orpheus Britannicus”, as Purcell was admiringly called by contemporaries.

- Festive, rousing ode to music
- Highlight of the choral ode genre in the 17th century
. Score and part available separately - see item CA.1025000.