Piano/Vocal/Guitar Artist Songbook. Softcover. 104 pages. Published by Hal Leonard

(Expanding Rock Guitar Vocabulary). Instructional/Guitar/DVD. DVD. Guitar tablature. Published by Hal Leonard

Piano

SKU: BT.BWH004910

Composed by Joseph Jongen. Studies & Exercises. Book Only. 12 pages. Bosworth & Co. #BWH004910. Published by Bosworth & Co. (BT.BWH004910).

English.

Premiere Etude De Concert in B minor was the first of three works for solo Piano, published in 1920 as the composer’s Opus 65. The suite was dedicated to the Ukrainian pianist Alexander Brailowsky, who is bestremembered for his virtuosic interpretation of Chopin’s complete works.

Joseph Jongen (1873-1953) was a Belgian organist and composer. A precocious talent, he was admitted to the Liege Conservatory at the age of 7,studying Fugue, Piano, Composition and Organ. He began writing music at the age of 13 and eventually composed over 200 works, though some were later destroyed. His Symphonie Concertante is considered by many to beamongthe greatest works ever written for Organ and Orchestra.

Guitar Play-Along Volume 195. By Metallica. Guitar Play-Along. Softcover Audio Online. With guitar tablature. 88 pages. Published by Hal Leonard

By Felix Bartholdy Mendelssohn. Teaching Singer: Catherine Hedberg. For Alto voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:35:50. Published by Rehearsal Arts, LLC.

(12 Solo Arrangements with CD Accompaniment). By Metallica. For French Horn (Horn). Instrumental. Softcover with CD. 16 pages. Published by Cherry Lane Music

Orchestra

SKU: BT.MUSM570366699

Composed by Ed Hughes. Score Only. 62 pages. University of York Music Press #MUSM570366699. Published by University of York Music Press (BT.MUSM570366699).

English.

Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902), written and directed by the pioneering French film-maker, Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries, as well as the science fiction of Jules Verne. At the same time his work seems fantastic, surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide to launch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon’s face) and then encounter a strange race of aliens, whom they battle and destroy. The return to earth involves a dramatic descent, a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space, and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score, which is by turns abrupt, smooth, lyrical and violent, and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted, reflecting the violent encounters with the moon’s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers’ return from their adventuring. The music could be considered to be a surreal mini-opera without voices, voicing instead the characters of the silent screen. - Ed Hughes.

By Frank Ticheli. Concert band. Suitable for high school, community, and college bands. Conductor Full Score. Duration 9:00. Published by Manhattan Beach Music.
Level: Grade 4.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113613

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1723. BWV 136. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.136/13. Published by Carus Verlag (CA.3113613).

ISBN 9790007208134. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

By Tomaso Giovanni Albinoni (1671-1751). Arranged by Sean F. Biehn. For Trombone and String Quartet. Baroque. Advanced. Score and parts. Published by Cherry Classics

Further Adventures for the Intermediate Drummer. Performed by Metallica. Instructional. Softcover with CD. Size 9x12 inches. 72 pages. Published by CHERRY LANE MUSIC.

(Cantata for a penitential service). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. This edition: Paperbound. A-Moll (A minor). Stuttgart Urtext Edition. . full score. Cantatas; Special days.

By Dvorak Antonin. Czech title: Smy covy kvartet 4 e moll (B 19). Published by Praha (Czech import).

A Step-by-Step Breakdown of Metallica's Guitar Styles and Techniques. Performed by Metallica. By Doug Boduch. Video. DVD (Digital Video Disc). Size 5.3x7.5 inches. Published by Cherry Lane Music.

Performed by Metallica. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Metal and hard rock. 88 pages. 9x12 inches. Published by Cherry Lane Music.

By Felix Bartholdy Mendelssohn. Teaching Singer: Don Wilkinson. For Bass voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:28:11. Published by Rehearsal Arts, LLC.

Band concert band - Grade 3

SKU: KJ.WB188

Composed by Quincy C. Hilliard. Bandworks. Score and set of parts. Neil A. Kjos Music Company #WB188. Published by Neil A. Kjos Music Company (KJ.WB188).

This Multi-Movement Programmatic Work Is Based Upon the Legend of Acapulco. The Five Movements Are Entitled the Warrior. Grade 3.

By Steven R. Janco. Mass. Includes guitar chord names. Sacred. Level: easy. 52 pages. Published by GIA Publications.

By Mack Wilberg. For Satb And Piano Four-hands Or Orchestra. Published by Oxford University Press.

Choir

SKU: CA.2708305

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Chorus 1 and 4. Sacred vocal music, Masses, Latin. Choral Score. FWV. Duration 23 minutes. Carus Verlag #CV 27.083/05. Published by Carus Verlag (CA.2708305).

ISBN 9790007164171. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score available separately - see item CA.2708300.

An Inside Look at the Bass Styles of Metallica. Performed by Metallica. By James A. Rota. Hal Leonard Guitar Method. Book and CD package. With notes and tablature. Size 9x12 inches. 64 pages

Viola (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str)

SKU: BR.OB-5328-19

Urtext. Composed by Cesar Auguste Franck. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. Symphony; Romantic. Part. 16 pages. Duration 37'. Breitkopf and Haertel #OB 5328-19. Published by Breitkopf and Haertel (BR.OB-5328-19).

ISBN 9790004333846. 10 x 12.5 inches.

Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.

A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1186064-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2018. 19 pages. De Haske Publications #DHP 1186064-140. Published by De Haske Publications (BT.DHP-1186064-140).

English-German-French- Dutch.

Filadelfia is a small town in the province of Vibo Valentia in the southern Italian region of Calabria. In 1783 the town suffered a devastating earthquake. This work depicts the events before and after the disaster, and starts peacefully, with dance-like music sounding in the streets. After this the earthquake destroys everything, causing deep despair. In the end, the town is being rebuilt, which calls for a festive celebration!

Filadelfia is een klein stadje in de provincie Vibo Valentia in de Zuid-Italiaanse regio Calabrië. In 1783 vond hier een verwoestende aardbeving plaats. Dit werk beschrijft de situatie voor en na deze ramp: eerst horen we dansrijke melodieën in de straten, maar daarna vaagt de aardbeving alles weg en klinkt er wanhoop door in de muziek. Uiteindelijk wordt het plaatsje herbouwd en dat is dan weer reden voor feestelijke klanken!

Filadelfia ist eine kleine Stadt in der Provinz Vibo Valentia in der süditalienischen Region Kalabrien. 1783 gab es in der Stadt ein verheerendes Erdbeben. Das Werk beschreibt die Ereignisse vor und nach der Katastrophe. Es beginnt mit einer tanzartigen Musik, die in den Straßen dieses friedlichen Ortes erklingen. Das Erdbeben zerstört alles und verursacht eine große Verzweiflung. Schließlich wird die Stadt wiederaufgebaut und feiert ein fröhliches Fest!

Filadelfia est une petite ville dans la province de Vibo Valentia dans la région de Calabre en Italie méridionale. En 1783 un séisme dévastateur frappe la ville. Cette œuvre met en musique les différences de la ville avant et après le désastre, en commençant par une musique dansante que l’on entendait dans les rues de cet endroit paisible, suivi du tremblement de terre destructif qui entraîne un sentiment de désespoir. Pour finir, la reconstruction de la ville donne une raison pour célébrer !

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

And His No-Good, Nefarious Plot to Destroy L.A.. Composed by J.H. Bell. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR395). Score and set of parts. Composed 2018. Duration 2 minutes, 19 seconds. Published by C.L. Barnhouse