Edited by Jerome Goldstein and arranged by Denes Agay. Book. Published by Music...(+)
Edited by Jerome
Goldstein and arranged by
Denes Agay. Book.
Published by Music Sales.
(YK21616)
Easy, familiar solos for
flute, from baroque to
boogie.
By Vicki Hancock Wright; Jeff Reeves. For unison choir, piano and performance/ac...(+)
By Vicki Hancock Wright;
Jeff Reeves. For unison
choir, piano and
performance/accompaniment
CD. Advent, Christmas,
Eastertide, Palm Sunday,
General, Thanksgiving,
Sacred. Choral
collection. Published by
Chorister's Guild.
Ji-Dong-Nuo Piano seul [Partie seule] Theodore Presser Co.
For Piano. By Chen Yi. Solo piano. For Piano. World premiere at Birmingham Symph...(+)
For Piano. By Chen Yi.
Solo piano. For Piano.
World premiere at
Birmingham Symphony Hall,
England, November 13,
2005. US premiere at
Isaac Stern Auditorium,
Carnegie Hall, December
4, 2005. Solo part. 8
pages. Published by
Theodore Presser Company.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Concert Band - Grade 1.5 SKU: AP.31700S Composed by Larry Henry. Concert ...(+)
Concert Band - Grade 1.5
SKU: AP.31700S
Composed by Larry Henry.
Concert Band; Performance
Music Ensemble; Single
Titles. Alfred Debut
Series. Latin; Light
Concert. Score. 16 pages.
Alfred Music #00-31700S.
Published by Alfred Music
(AP.31700S).
UPC:
038081350912.
English.
Imagine a
warm tropical island
resort, sailboats in the
distance and palm trees
swaying along the beach .
. .
(Do You Want)
Salsa with That? is a
lighthearted Latin tune
that features your star
player. The solo, written
for almost every
instrument, makes this a
flexible selection for
any group that gives
students a chance to get
in front of the band.
Your audience will love
the Latin percussion
instruments playing a
mambo rhythm that will
bring a smile to
everyone's face. You can
enhance the rhythm
section to include almost
any number of Latin
instruments.
Solid scoring and
little technical demand
make this piece reachable
for the youngest of
bands, but the rich
harmonies, beautiful
melody and syncopated
rhythms make it sound
sophisticated for the
more mature player. This
is a timeless selection
your audience will enjoy
for years to come.
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Piano SKU: BR.EB-8946 40 German and European Children's Songs for Pian...(+)
Piano
SKU:
BR.EB-8946
40
German and European
Children's Songs for
Piano in Very Easy to
Easy Settings.
Composed by Kerstin
Strecke. Solo
instruments; stapled.
Edition Breitkopf. Music
pedagogy. Score. 44
pages. Breitkopf and
Haertel #EB 8946.
Published by Breitkopf
and Haertel (BR.EB-8946).
ISBN 9790004186152. 9
x 12 inches. German /
English.
For
several years, Tio, The
Little Keyboard Man , has
been looking over the
shoulders of younger and
older piano beginners as
hero and helper. Used to
complement schoolwork,
the little Tio pieces
help to recreate and
deepen what has been
learned in other
contexts. Whether now as
a single player or paired
as a duet, whether
relaxed at Christmas or
bold in an expanded tonal
space - Tio is always on
the spot and has packed
the appropriate music.
After five volumes, a
sixth and final volume
will complete the piano
series. A Goodbye Song
For the sixth and closing
volume of her Tio series,
the piano pedagogue and
artist Kerstin Strecke
has compiled a selection
of German and European
children's songs.
Presented primarily as
supplementary literature
from the first piano
lesson, the volume even
includes several pieces
in two levels of
difficulty and for
four-hand playing. Song
texts are given in German
or in their original
language and freely
translated into German. A
table of contents of the
songs, in English, can be
found at the end of the
volume, lovingly
illustrated by the author
herself. Small,
interspersed additional
assignments also support
a first understanding of
music theory in the young
keyboard artists.
Orchestra - Grade 0.5 SKU: AP.45867S Composed by Andrew H. Dabczynski. Ma...(+)
Orchestra - Grade 0.5
SKU: AP.45867S
Composed by Andrew H.
Dabczynski. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Folk; Light
Concert. Score. 12 pages.
Duration 2:40.
Highland/Etling
#00-45867S. Published by
Highland/Etling
(AP.45867S).
UPC:
038081525594.
English.
Everyone
loves to sing around a
campfire, and here's a
collection of favorite
Campfire Songs set in the
range of a one-octave D
Major scale with many
parts doubled! This
medley of easy, familiar
tunes---including This
Old Man, In a Cabin in a
Wood, Bingo, Kumbaya,
Wheels on the Bus, and
This Little Light of
Mine---gives everyone a
chance to play a melody
or two, and to join in
with an upbeat
accompaniment. An
optional sing-along part
invites audience
participation and makes
this arrangement by
Andrew H. Dabczynski the
perfect piece for a
first-year concert,
school assembly, or
summer program. (2:40)
This title is available
in MakeMusic Cloud.
Orchestra - Grade 0.5 SKU: AP.45867 Composed by Andrew H. Dabczynski. Mak...(+)
Orchestra - Grade 0.5
SKU: AP.45867
Composed by Andrew H.
Dabczynski. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Folk; Light
Concert. Score and
Part(s). 144 pages.
Duration 2:40.
Highland/Etling
#00-45867. Published by
Highland/Etling
(AP.45867).
UPC:
038081525587.
English.
Everyone
loves to sing around a
campfire, and here's a
collection of favorite
Campfire Songs set in the
range of a one-octave D
major scale with many
parts doubled! This
medley of easy, familiar
tunes---including This
Old Man, In a Cabin in a
Wood, Bingo, Kumbaya,
Wheels on the Bus, and
This Little Light of
Mine---gives everyone a
chance to play a melody
or two, and to join in
with an upbeat
accompaniment. An
optional sing-along part
invites audience
participation and makes
this arrangement by
Andrew H. Dabczynski the
perfect piece for a
first-year concert,
school assembly, or
summer program. (2:40)
This title is available
in MakeMusic Cloud.
Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01).
ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English.
Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
Guitar; Unison Choir (Guitar) SKU: HL.49046729 For Guitar German. ...(+)
Guitar; Unison Choir
(Guitar)
SKU:
HL.49046729
For
Guitar German.
Guitar. Classical, German
Edition. Softcover Audio
Online. 72 pages. Schott
Music #ED23486. Published
by Schott Music
(HL.49046729).
UPC:
196288021063.
Child
ren love exciting stories
with familiar songs. The
10 mini musicals in this
booklet are fun for
everyone! Traditional
Martin songs like I go
with my lantern, Lantern,
lantern or Saint Martin
rode through snow and
wind are embedded in
beautiful storiesabout
St. Martin's Day. All
people walk with a light
and We want to run a
lantern address the
lantern running of young
and old. In the magic
land of the lanterns, the
black magician tries to
transform the bright
colors of the lanterns
into black. The ghost
Husch lights lanterns and
is smeared with soot. And
little Aquarius Nick also
wants to run the lantern.
The mini musicals bring
beautiful stories and
traditional melodies
together. The stories can
be freely adapted to the
age of the children. For
each song there is a
picture card for
narrative theater as a
PDF and an MP3 playback
for download. Chords for
classical guitar and
JelGi numbers are given.
Simple songs can be
accompanied by children
on guitars, or ff
instruments and
boomwhackers. German
Edition.
Composed by Doris Gazda.
SWS. Carl Fischer Primer
String Orchestra Series.
Full score. With Standard
notation. 8 pages. Carl
Fischer Music #PAS1F.
Published by Carl Fischer
Music (CF.PAS1F).
ISBN
9780825888649. UPC:
798408088644. 8.5 x 11
inches. Key: G
major.
For the
youngest of string
players with as little as
ten weeks of study, Doris
Gazda has given us a
delightful setting of the
ever-popular classical
piece Chopsticks in a
theme-as-variation
format. This piece uses
no more than the first
three fingers on all
strings and features very
easy rhythmic patterns.
For extra color, there is
a pizzicato section.
Parents will love this
one!
