Composed by Johann Kuhnau (1660-1722). Masterworks; Organ - Method or Collection...(+)
Composed by Johann Kuhnau
(1660-1722). Masterworks;
Organ - Method or
Collection. Kalmus
Edition. Form: Fugue;
Prelude. Baroque;
Masterwork. Book. 20
pages. Kalmus Classic
Edition #00-K09085.
Published by Kalmus
Classic Edition
Organ SKU: BR.OB-32108-11 With Insertion Movements for Performances ov...(+)
Organ
SKU:
BR.OB-32108-11
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 24
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-11. Published by
Breitkopf and Haertel
(BR.OB-32108-11).
ISBN
9790004343050. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Violin 2 SKU: BR.OB-32108-16 With Insertion Movements for Performances...(+)
Violin 2
SKU:
BR.OB-32108-16
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-16. Published by
Breitkopf and Haertel
(BR.OB-32108-16).
ISBN
9790004343081. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Chorus (with soloists) and orchestra SKU: BR.PB-32108 With Insertion M...(+)
Chorus (with soloists)
and orchestra
SKU:
BR.PB-32108
With
Insertion Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Baroque. Full score. 116
pages. Duration 30'.
Breitkopf and Haertel #PB
32108. Published by
Breitkopf and Haertel
(BR.PB-32108).
ISBN
9790004215814. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Woodwinds SKU: BR.OB-32108-30 With Insertion Movements for Performance...(+)
Woodwinds
SKU:
BR.OB-32108-30
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Set of
parts. 24 pages. Duration
30'. Breitkopf and
Haertel #OB 32108-30.
Published by Breitkopf
and Haertel
(BR.OB-32108-30).
ISBN
9790004343128. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Viola 2 SKU: BR.OB-32108-20 With Insertion Movements for Performances ...(+)
Viola 2
SKU:
BR.OB-32108-20
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-20. Published by
Breitkopf and Haertel
(BR.OB-32108-20).
ISBN
9790004343104. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Violin 1 SKU: BR.OB-32108-15 With Insertion Movements for Performances...(+)
Violin 1
SKU:
BR.OB-32108-15
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-15. Published by
Breitkopf and Haertel
(BR.OB-32108-15).
ISBN
9790004343074. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Basso (cello/double bass) SKU: BR.OB-32108-26 With Insertion Movements...(+)
Basso (cello/double bass)
SKU:
BR.OB-32108-26
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 16
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-26. Published by
Breitkopf and Haertel
(BR.OB-32108-26).
ISBN
9790004343111. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Viola 1 SKU: BR.OB-32108-19 With Insertion Movements for Performances ...(+)
Viola 1
SKU:
BR.OB-32108-19
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-19. Published by
Breitkopf and Haertel
(BR.OB-32108-19).
ISBN
9790004343098. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Composed
by Anonymous and Johann
Kuhnau. Edited by
Diethard Hellmann.
Arranged by Johann
Sebastian Bach. German
title: Der Gerechte kommt
um. Sacred vocal music,
Lent and Passiontide,
Holy Week. Set of
Orchestra Parts. Carus
Verlag #CV 35.001/19.
Published by Carus Verlag
(CA.3500119).
ISBN
9790007139049. Language:
German/English.
Ada
ptation of the motet
Tristis est anima mea,
attributed to Johann
Kuhnau. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. According to
the research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was adapted -
most likely by Bach -
with a new text and the
addition of instrumental
parts. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. From the
research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was
adapted--most likely by
Bach--with a new text and
the addition of
insturmental parts. Score
and parts available
separately - see item
CA.3500100.
Coro SSATB, 2 Ob, 2 Vl, Va, Bc SKU: CA.3500149 Composed by Anonymous and ...(+)
Coro SSATB, 2 Ob, 2 Vl,
Va, Bc
SKU:
CA.3500149
Composed
by Anonymous and Johann
Kuhnau. Edited by
Diethard Hellmann.
Arranged by Johann
Sebastian Bach. Organ.
Sacred vocal music, Lent
and Passiontide, Holy
Week. Single Part, Organ.
4 pages. Carus Verlag #CV
35.001/49. Published by
Carus Verlag
(CA.3500149).
ISBN
9790007245061. Language:
German/English.
Ada
ptation of the motet
Tristis est anima mea,
attributed to Johann
Kuhnau. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. According to
the research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was adapted -
most likely by Bach -
with a new text and the
addition of instrumental
parts. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. From the
research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was
adapted--most likely by
Bach--with a new text and
the addition of
insturmental parts. Score
and part available
separately - see item
CA.3500100.
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
Erler. David. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 4
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-15. Published by
Breitkopf and Haertel
(BR.OB-32090-15).
ISBN
9790004350409. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 4
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-20. Published by
Breitkopf and Haertel
(BR.OB-32090-20).
ISBN
9790004350430. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 8
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-26. Published by
Breitkopf and Haertel
(BR.OB-32090-26).
ISBN
9790004350447. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Chorus (with soloists) and piano (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) <...(+)
Chorus (with soloists)
and piano (SSATB -
0.2.0.1 - 2.0.0.0 - timp
- str - bc)
SKU:
BR.EB-32090
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Choir;
stapled. Edition
Breitkopf. Cantata;
Baroque;
Renaissance/early
Baroque. Piano/Vocal
Score. 24 pages. Duration
12'. Breitkopf and
Haertel #EB 32090.
Published by Breitkopf
and Haertel
(BR.EB-32090).
ISBN
9790004186688. 7.5 x 10.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Organ (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-11 <...(+)
Organ (SSATB - 0.2.0.1 -
2.0.0.0 - timp - str -
bc)
SKU:
BR.OB-32090-11
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 12
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-11. Published by
Breitkopf and Haertel
(BR.OB-32090-11).
ISBN
9790004350393. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 4
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-16. Published by
Breitkopf and Haertel
(BR.OB-32090-16).
ISBN
9790004350416. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Chorus (with soloists) and orchestra (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - b...(+)
Chorus (with soloists)
and orchestra (SSATB -
0.2.0.1 - 2.0.0.0 - timp
- str - bc)
SKU:
BR.PB-32090
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque;
Renaissance/early
Baroque. Full score. 60
pages. Duration 12'.
Breitkopf and Haertel #PB
32090. Published by
Breitkopf and Haertel
(BR.PB-32090).
ISBN
9790004215708. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.
Audio samples: Opella
Musica, camerata
lipsiensis, cond. Gregor
Meyer (cpo, 2013).
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 4
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-19. Published by
Breitkopf and Haertel
(BR.OB-32090-19).
ISBN
9790004350423. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Wind parts (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-30<...(+)
Wind parts (SSATB -
0.2.0.1 - 2.0.0.0 - timp
- str - bc)
SKU:
BR.OB-32090-30
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 24
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-30. Published by
Breitkopf and Haertel
(BR.OB-32090-30).
ISBN
9790004350454. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Part. 8 pages.
Duration 15'. Breitkopf
and Haertel #OB 32119-19.
Published by Breitkopf
and Haertel
(BR.OB-32119-19).
ISBN
9790004349489. 10 x 12.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Part. 8 pages.
Duration 15'. Breitkopf
and Haertel #OB 32119-26.
Published by Breitkopf
and Haertel
(BR.OB-32119-26).
ISBN
9790004349502. 10 x 12.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
Chorus (with soloists) and piano (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) (+)
Chorus (with soloists)
and piano (solos: SATB -
0.0.0.0 - 0.0.0.0 - str -
bc)
SKU:
BR.EB-32119
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled. Edition
Breitkopf. Cantata;
Baroque;
Renaissance/early
Baroque. Piano vocal
score. 32 pages. Duration
15'. Breitkopf and
Haertel #EB 32119.
Published by Breitkopf
and Haertel
(BR.EB-32119).
ISBN
9790004187265. 7.5 x 10.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Part. 8 pages.
Duration 15'. Breitkopf
and Haertel #OB 32119-15.
Published by Breitkopf
and Haertel
(BR.OB-32119-15).
ISBN
9790004349465. 10 x 12.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Part. 8 pages.
Duration 15'. Breitkopf
and Haertel #OB 32119-16.
Published by Breitkopf
and Haertel
(BR.OB-32119-16).
ISBN
9790004349472. 10 x 12.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Part. 12 pages.
Duration 15'. Breitkopf
and Haertel #OB 32119-11.
Published by Breitkopf
and Haertel
(BR.OB-32119-11).
ISBN
9790004349458. 10 x 12.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Part. 8 pages.
Duration 15'. Breitkopf
and Haertel #OB 32119-20.
Published by Breitkopf
and Haertel
(BR.OB-32119-20).
ISBN
9790004349496. 10 x 12.5
inches.
The cantata
O heilige Zeit [O Holy
Time] of the former St.
Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.
Cantata for Christmas
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque;
Renaissance/early
Baroque. Full score. 44
pages. Duration 15'.
Breitkopf and Haertel #PB
32119. Published by
Breitkopf and Haertel
(BR.PB-32119).
ISBN
9790004215852. 10 x 12.5
inches. German.
The
cantata O heilige Zeit [O
Holy Time] of the former
St. Thomas cantor Johann
Kuhnau is the ideal
baroque festive music for
small scorings. Even
though this is the larger
of two cantatas with this
text underlay, it can be
performed by four
soloists (SATB), single
or double strings, and
continuo organ. The
participation of a choir
in non-soloistic passages
is optional, for
historically unproven.
The cantata was composed
in the years 1704/05 and
can therefore be placed
in Kuhnau's term as St.
Thomas cantor in Leipzig.
A contemporary text by
Erdmann Neumeister is
fitted with a modern
musical garb here while
keeping unconditional
adherence to it. Using a
structural artifice as
simple as it is
effective, he provides a
ritornello-like musical
equivalent to the
repeatedly recurring line
of text O heilige Zeit!.
This edition continues
the series of works by
Kuhnau started in the
Pfefferkorn Musikverlag.
Another festive music by
Kuhnau with larger
scoring is found in the
Magnificat in C major,
deemed a direct
predecessor of Bach's
Magnificat.