Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527919
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf. Set
of Orchestra Parts.
Composed 1713. HWV 279.
Duration 17 minutes.
Carus Verlag #5527900.
Published by Carus Verlag
(CA.5527919).
ISBN
9790007293062.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this edition.
The chorus is mainly
scored in four parts, and
is in eight parts in just
one short movement. In
two other movements the
soprano part divides. The
second alto solo part can
also be sung by a high
tenor. Score and parts
available separately -
see item CA.5527900.
Woodwinds (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-30
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Set
of parts. 168 pages.
Duration 30'. Breitkopf
and Haertel #OB 5581-30.
Published by Breitkopf
and Haertel
(BR.OB-5581-30).
ISBN
9790004343258. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Kneipenhocker Ligne De Mélodie, (Paroles) et Accords [Partition]
Melody, Lyrics and Chords SKU: BT.MVH10001031 230 Lumpenlieder, SpaÃ...(+)
Melody, Lyrics and Chords
SKU:
BT.MVH10001031
230
Lumpenlieder,
Spaßlieder,
Trinklieder and frivole
Lieder für die
fröhliche
Runde. Arranged by
Gerhard Hildner. Book
with CD. 303 pages.
Musikverlag Monika
Hildner #MVH10001031.
Published by Musikverlag
Monika Hildner
(BT.MVH10001031).
ISBN
9783932839597.
230
songs to sing in the pub,
or at a party or other
social gathering. This
songbook contains a
selection of traditional
German songs that are
joyful and fun to play.
All songs are arranged in
a melody line, lyrics and
chords format. This book
is accompanied by 3 CDs
that contain the first
verse and the chorus of
every title to enable the
player to become
acquainted with them.
Die 230 besten
Lumpenlieder,
Spaßlieder,
Trinklieder und frivolen
Lieder für die
gesellige Runde und
fürs
Wirtshaus-Singen. Dank
des besonderen Formats
DIN A5 maxi ( 20 %) ist
die Schrift sehr gut
lesbar. Die einzelnen
Titel sind jeweils
arrangiert mit
Melodiezeile, den
Akkorden und Text zum
Spielen mit Keyboard und
Gitarre sowie zur
Gesangsbegleitung. Als
Begleitung zum Buch
erhalten Sie 3 CDs zum
Kennenlernen aller im
Buch enthaltenen Lieder
und zum Mitsingen. Der 1.
Vers und der Refrain
werden dabei angespielt,
Gesangsbegleitung
inklusive.
Violin 1 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-15
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-15. Published by
Breitkopf and Haertel
(BR.OB-5581-15).
ISBN
9790004343203. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
2014 Edition.
Composed by The Royal
Conservatory. This
edition: 2014 edition.
Official Syllabi of The
Royal Conservatory of
Music. Book. The
Frederick Harris Music
Company #S40. Published
by The Frederick Harris
Music Company (FH.S40).
ISBN
978-1-55440-658-6.
The Official Syllabi of
The Royal Conservatory
are essential for
teachers preparing
students for
examinations. Students
and their parents will
also benefit from the
information presented in
these helpful resource
books. The syllabi
include information about
application procedures
and marking systems for
The Royal Conservatory
Examinations, technical
requirements and listings
of a wide range of
repertoire for each level
of study, and
comprehensive
bibliographies of music
texts and reference
books.
(For Strings - Cello Book). By Larry Clark. Arranged by Doris Gazda Larry Clark....(+)
(For Strings - Cello
Book). By Larry Clark.
Arranged by Doris Gazda
Larry Clark. For 2 Cello,
Compatible with Bf50,
Bf51, Bf53. 32 pages.
Published by Carl Fischer
Concert Band Concert Band - Grade 1; Grade 1.5; Grade 2; Grade 2.5 SKU: FJ.B1...(+)
Concert Band Concert Band
- Grade 1; Grade 1.5;
Grade 2; Grade 2.5
SKU: FJ.B1363S
Score Only.
Composed by Brian
Balmages. Concert Band;
Concert Band Resources;
Warm-Ups. FJH Developing
Band. Score. The FJH
Music Company Inc
#98-B1363S. Published by
The FJH Music Company Inc
(FJ.B1363S).
English.
This
set of chorales was
written to embrace a wide
range of musical
concepts, allowing
directors multiple
opportunities for working
on ensemble sound,
intonation, and phrasing.
Each chorale includes
various tempo and dynamic
markings, while
additional elements (such
as fermatas) are
introduced throughout.
These chorales will work
in a variety of
situations - from
beginning band (the first
chorales use only 6
notes) to accomplished
middle school band. Two
mallet parts are included
- an easier part and a
more advanced part that
includes multiple notes
and rolls. In addition,
an auxiliary percussion
part is included so
students may secure
proper techniques on
triangle, suspended
cymbal, and crash
cymbals. Finally, the
piano part is useful for
directors wishing to
either supplement the
ensemble or assist during
singing.
Teachin
g suggestions are
included for each
chorale. Several
applications and
techniques are provided,
along with further
possibilities for more
advanced groups.
Certainly, varying
techniques may be applied
to each chorale.
Directors are encouraged
to diversify for fresh
and interesting
rehearsals.
Score
only. Full set (score and
parts) also available:
B1363.
About FJH
Developing
Band
Sligh
tly more advanced than
beginning band. Clarinet
1 begins to play over the
break. Rhythms and ranges
are expanded to
accommodate the end of
first-year as well as
second-year instruction.
Grade 1.5
(Very First Adventures in Piano Playing). By Joanna MacGregor. For Piano. Book; ...(+)
(Very First Adventures in
Piano Playing). By Joanna
MacGregor. For Piano.
Book; CD;
Method/Instruction; Piano
Method. Faber Edition:
PianoWorld. 32 pages.
Published by Faber Music
For Trombone. Composed by O. Blume, Johann Sebastian Bach (1685-1750), Muzio Cle...(+)
For Trombone. Composed by
O. Blume, Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907). SWS.
Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF109. Published
by Carl Fischer Music
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo
SKU:
PR.114418820
For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820).
ISBN
9781491113998. UPC:
680160667697.
Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018.
For Trumpet in Bb. Composed by Johann Sebastian Bach (1685-1750), Muzio Clementi...(+)
For Trumpet in Bb.
Composed by Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF107. Published
by Carl Fischer Music
G minor, G major; Op. 49. Composed by Ludwig van Beethoven (1770-1827). E...(+)
G minor, G major; Op.
49. Composed by
Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, anthology. Opus
49. Baerenreiter Verlag
#BA10858. Published by
Baerenreiter Verlag
(BA.BA10858).
For Horn in F. Composed by O. Blume, Johann Sebastian Bach (1685-1750), Muzio Cl...(+)
For Horn in F. Composed
by O. Blume, Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF108. Published
by Carl Fischer Music
SSAATB choir, piano reduction - Intermediate SKU: GI.G-8360 Composed by G...(+)
SSAATB choir, piano
reduction - Intermediate
SKU: GI.G-8360
Composed by Giovanni
Gabrieli. Edited by
Dennis Shrock. GIA
Historical Music. Music
Education. Octavo. 8
pages. GIA Publications
#8360. Published by GIA
Publications (GI.G-8360).
UPC: 785147836001.
Italian.
Giovanni
Gabrieli's Se cantano
gl'augelli comes from a
collection of madrigals
entitled Il trionfo di
Dori. Each madrigal is
scored for six voices and
each ends with the text
Viva la bella Dori (Long
live fair Dori). This
late sixteenth-century
collection of madrigals
enjoyed great success and
was the model of the
famous English collection
of madrigals entitled,
The Triumphes of Oriana.
The GIA Historical Music
Series edited by Dennis
Shrock, presents
repertoire suitable for
performance by public
school, college and
university, church, and
community ensembles, with
the purpose of making
available to
today’s conductors
lesser-known and
previously
difficult-to-procure
historical masterpieces.
The music, drawn from the
Renaissance through the
Romantic eras, is in
performance editions
based on the most current
and rigorous scholarly
research. The musical
scores reflect original
intent of notation, with
all editorial markings
and emendations clearly
identified as such. In
addition, preface
material accompanying the
music contains literal
translations of foreign
language texts and
information regarding the
lives of the composers,
genres, and relevant
performance practices.
Dennis Shrock is Director
of Choral Activities at
Texas Christian
University. He has been
called one of the top
choral scholars in the
United States and has
received a number of
awards for his work. He
received a bachelor's
degree in music education
from Westminster Choir
College and both master's
and doctoral degrees in
choral conducting from
Indiana
University. .
Horn and piano (Original scoring: hn,orch) SKU: BR.EB-7435 Piano Reduc...(+)
Horn and piano (Original
scoring: hn,orch)
SKU:
BR.EB-7435
Piano
Reductions. Composed
by Wolfgang Amadeus
Mozart. Edited by P Damm
/ R Weber. Arranged by P
Damm and R Weber. Solo
instruments; stapled.
Edition Breitkopf. Solo
concerto; Classical.
Piano reduction. 44
pages. Breitkopf and
Haertel #EB 7435.
Published by Breitkopf
and Haertel (BR.EB-7435).
ISBN 9790004173961. 9
x 12 inches.
The
French-born horn player
Henri Kling edited
Mozart's horn concertos
for Breitkopf & Hartel.
He prepared the piano
reductions himself and
set markings in the solo
parts. In subsequent
printings the editions
were supplemented by a
part for horn in F, thus
making them ideally
suited for the
performance practice.
Simply Opera Piano seul [Partition] - Facile Alfred Publishing
21 Selections from the Greatest Operas. Arranged by Tom Gerou. For Piano. Piano ...(+)
21 Selections from the
Greatest Operas. Arranged
by Tom Gerou. For Piano.
Piano Collection. Simply
Series. Masterwork;
Opera. Level: Easy Piano.
Book. 80 pages. Published
by Alfred Publishing.
Chamber Music Violin SKU: CF.BF118 29 Duets That Can Be Played by Any ...(+)
Chamber Music Violin
SKU: CF.BF118
29 Duets That Can Be
Played by Any Combination
of String
Instruments. Composed
by Adolphe-Charles Adam,
Chauncey Olcott, Claude
Rouget de Lisle, George
Frideric Handel, Giuseppe
Concone, Giuseppe
Gariboldi, Henri Kling,
Hughie Cannon, Larry
Clark, Richard Shuebruk,
Scottish Folk Song,
Traditional, Wilhelm
Wurm, Wolfgang Amadeus
Mozart, and etc. Arranged
by Doris Gazda Larry
Clark. SWS. Collection.
With Standard notation.
48 pages. Carl Fischer
Music #BF118. Published
by Carl Fischer Music
(CF.BF118).
ISBN
9781491149812. UPC:
680160907311. 9 x 12
inches.
Continuing
on the success of the
popular Compatible
series,Compatible Duets
for Strings, Volume II
contains 29 duets in
avariety of styles
(classical, folk music,
new original pieces)
thatcan be played with
any combination of two
string
instruments.Students can
develop their chamber
ensemble skills
whileplaying with their
friends, no matter what
string instrumentthey
play. Ranging from grade
levels 2–3,
Compatible Duetsfor
Strings, Volume II is
perfect for orchestra
directors to buyfor use
in the classroom, and its
flexibility makes it a
musthavefor any string
player. Having
students play in small
chamber music groups is a
very beneficial exercise
to improvethe
student’s overall
musicianship. The
simplest form of chamber
music is the duet. It is
anopportunity for the
student to play with a
teacher or to play with
another student of
similarabilities. Aspects
of playing such as tone
quality, intonation,
technique and ensemble
skillscan be developed
during the process of
studying duets.These
duets are different in
that they have many
different performance
options since all ofthe
books in this series are
compatible. As former
long time music educators
we alwayshad student that
wanted to come to the
music room during lunch
or after school and
theyjust wanted to play
with their friends. That
was not possible since
there is very little
duetmaterial available
that is compatible with
all of the string
instruments. This book
and thefirst volume in
the series takes care of
that. A student can now
grab their friend no
matterwhat instrument
they play and have hours
of fun playing duets
together. Most
importantthey will learn
something in the
process.The duets have
been generally placed in
the book in order of
difficulty and cover a
rangeof keys that are
appropriate for this
ability level. Special
care was given to making
surethat both of the duet
parts were on a similar
ability level and that
each line was givenan
opportunity to play a
lead role at some point
during the arrangement.
Also, most ofthe musical
markings are attached to
both systems and the
point size of the music
wasconsidered for ease of
reading.It is our hope
that this collection will
help to stimulate and
enhance the musicianship
of theperformers. It was
a pleasure for me to have
the opportunity to put
together this
collection.We hope it is
a useful tool for you for
years to come.