Fantasia Nova Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5
SKU:
MH.1-59913-082-3
Composed by Bob Margolis.
Suitable for community
bands, high school bands,
and college bands. 14
minutes duration if
played as a suite; or
movements 1 or 3 may be
performed separately.
Conductor score and set
of parts. Duration 14:00.
Published by Manhattan
Beach Music
(MH.1-59913-082-3).
ISBN
9781599130828.
Fant
asia Nova is a suite
comprising two concert
marches and a slow,
middle movement that
derives its themes from
both marches. Ragtime
(composed in early
September, 1978) is a new
from old sort of piece.
Although its tunefulness
and harmonies have an
old-fashioned character,
its structure,
development, and
orchestration are unusual
for a march. In the
chorale section (measures
111 - 148) the band
director must be very
careful in balancing, for
each of the elements must
come through. More
important is that the
audience be brought up by
this section -- filled
with a joyous exaltation;
great attention must be
paid to sonority and the
band must play earnestly.
Ragtime stands on its own
and may be performed
separately. Dreams
(composed in late
September, 1978) is the
traditional march of the
two. It is very closely
modeled (in structure
only) to Sousa's Stars
and Stripes Forever. It
even includes a tricky
piccolo solo, although
the accompaniment has a
chorale texture, almost
like a school alma mater.
This march has a
patriotic, inspirational
sound, because it was
composed for the town of
Irondequoit, New York --
for a Town March contest
held by the town's
community concert band.
It did not, so far as I
know, become the town's
march; one can hear the
name, Irondequoit,
throughout the Trio, for
every turn of the melody
(in fact, each group of
four notes) fits the
accent pattern
(Ih-RON-dih-kwoit) of the
town's name. Parade
stands on its own as a
complete work and may be
performed separately.
Ensemble instrumentation:
1 Piccolo, 6 Flutes, 2
1st & 2nd Oboes, 1
English Horn, 1 Eb
Clarinet, 3 1st Bb
Clarinet, 3 2nd Bb
Clarinet, 3 3rd Bb
Clarinet, 1 Eb Alto
Clarinet, 2 Bb Bass
Clarinet, 1 Eb Contrabass
Clarinet (optional), 2
1st & 2nd Bassoons, 1
Contrabassoon (optional),
1 1st Eb Alto Saxophone,
1 2nd Eb Alto Saxophone,
1 Bb Tenor Saxophone, 1
Eb Baritone Saxophone, 3
1st Bb Cornets, 3 2nd Bb
Cornets, 3 3rd Bb
Cornets, 1 1st Horn in F,
1 2nd Horn in F, 2 3rd
and 4th Horns in F, 2 1st
Trombones, 2 2nd
Trombones, 2 3rd
Trombones, 1 Euphonium
(Treble Clef), 2
Euphonium (Bass Clef), 4
Tuba, 1 String Bass, 1
Timpani (Triangle), 5
Percussion.
(From the Ballet Solitaire - for Symphonic Band - Full Score). By Malcolm Arno...(+)
(From the Ballet
Solitaire - for
Symphonic Band - Full
Score). By Malcolm Arnold
(1921-). Arranged by John
P. Paynter. Concert Band.
For Piccolo, Flute I,
Flute II, Alto Flute,
Oboe I, Oboe II, English
Horn, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Contralto Clarninet,
Contrabass Clarinet,
Bassoon I, Bassoon II,
Contra Bassoon, Soprano
Saxophon. Carl Fischer
Classic Band Editions.
Full Score. Standard
notation. 16 pages
(For SATB divisi Choir, Solo Quartet, and opt. Full or Chamber Orchestra). By Ma...(+)
(For SATB divisi Choir,
Solo Quartet, and opt.
Full or Chamber
Orchestra). By Mark
Hayes. Orchestra. For
orchestra (with optional
orchestra: Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Score and Parts.
Published by Roger Dean
Publishing
(Cantata for the 2nd day of Pentecost). Composed by Johann Sebastian Bach (1685-...(+)
(Cantata for the 2nd day
of Pentecost). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SB
vocal soli, SATB choir, 2
oboes, taille (english
horn), horn, cornet, 3
trombones, 2 violins,
viola, cello piccolo,
basso continuo. This
edition: Paperbound.
D-Moll (D minor). German
title: Also hat Gott die
Welt geliebt. Cantatas,
Whitsun. Level 3. Full
score. Language:
German/English. Composed
1725. BWV 68. Duration 20
minutes. Published by
Carus Verlag
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Kantate zum 27. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Hor...(+)
Kantate zum 27. Sonntag
nach Trinitatis. By
Johann Sebastian Bach.
Edited by Horn, Paul.
Arranged by Paul Horn.
For Soli STB, SATB Choir,
[Cor], 2 Oboes, Taille
(English Horn), Vl pic,
Strings, Bassoon, Organ.
BWV 140. Cantatas;
Stuttgart Urtext
editions; Occasions:
Mourning, Death; Use
during church year:
Advent, End of the church
year. Score. Language:
German/English. Composed
1731. 80 pages. Duration
31 min. Published by
Carus Verlag (German
import).
(from the opera La Traviata Opera Miniature for 2 Melodic Instruments and Guitar...(+)
(from the opera La
Traviata Opera Miniature
for 2 Melodic Instruments
and Guitar). Composed by
Giuseppe Verdi
(1813-1901). Arranged by
Siegfried Schwab. For
Flute, Guitar, Viola
(Score and Parts).
Ensemble. Softcover.
Schott Music #ED21412.
Published by Schott Music
Composed by
Bruce Fraser. Band Music,
closer. Score and parts.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.R10203).
Freedom's Sword
tells the tale of battle
and reconciliation
between two lands,
deriving themes from the
well-known Scottish song
Ca' the yowes. Horn calls
and pounding drums set
the tone for the battle
scenes while a dreamy
alto saxophone solo
creates an air of
optimism.
This
work was originally
commissioned by Nigel
Boddice for the West
Lothian Schools Brass
Band to play at the
European Youth Brass Band
Championships in 1997
entitled Devolution to
celebrate the setting up
of the new Scottish
Parliament. It appears in
this revised version for
Concert Band with the
title Freedom's Sword.
The opening section
recalls days gone by when
the Scots and English
fought many a battle. The
themes are derived from
the well-known haunting
song Ca' the yowes. The
horn calls and off-stage
percussion sound of a
distant battle and it
gradually comes closer.
The centre section
creates a mood of
reconciliation with a
dreamy Alto Saxophone
solo. The last section
now looks ahead with
optimism and various
bright dance themes
appear based on
traditional Scottish reel
tunes, one of which is a
two-part vocal scat
section The piece then
heads for its conclusion
including a full
statement of the main
theme.
Composed by
Bruce Fraser. Band Music,
closer. Score only.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.S11203).
Freedom's Sword
tells the tale of battle
and reconciliation
between two lands,
deriving themes from the
well-known Scottish song
Ca' the yowes. Horn calls
and pounding drums set
the tone for the battle
scenes while a dreamy
alto saxophone solo
creates an air of
optimism.
This
work was originally
commissioned by Nigel
Boddice for the West
Lothian Schools Brass
Band to play at the
European Youth Brass Band
Championships in 1997
entitled Devolution to
celebrate the setting up
of the new Scottish
Parliament. It appears in
this revised version for
Concert Band with the
title Freedom's Sword.
The opening section
recalls days gone by when
the Scots and English
fought many a battle. The
themes are derived from
the well-known haunting
song Ca' the yowes. The
horn calls and off-stage
percussion sound of a
distant battle and it
gradually comes closer.
The centre section
creates a mood of
reconciliation with a
dreamy Alto Saxophone
solo. The last section
now looks ahead with
optimism and various
bright dance themes
appear based on
traditional Scottish reel
tunes, one of which is a
two-part vocal scat
section The piece then
heads for its conclusion
including a full
statement of the main
theme.
An English Christmas Orchestre d'harmonie [Conducteur et Parties séparées] Anglo Music
A Festival of Carols for Band with optional SATB Choir. Arranged by Philip Spark...(+)
A Festival of Carols for
Band with optional SATB
Choir. Arranged by Philip
Sparke. (Score and
Parts). This edition:
AMP225. Anglo Music
Press. Published by Anglo
Music.
Mandala 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Conducteur] University Of York Music Press
Wind Quintet SKU: BT.MUSM570200436 Composed by David Lumsdaine. Classical...(+)
Wind Quintet
SKU:
BT.MUSM570200436
Composed by David
Lumsdaine. Classical.
Score Only. University of
York Music Press
#MUSM570200436. Published
by University of York
Music Press
(BT.MUSM570200436).
English.
Mandala
1 by David Lumsdaine.
15'; for wind quintet.
First performance: London
Sinfonietta, conductor
David Atherton, Durham
1970.
Mandala 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor University Of York Music Press
Wind Quintet SKU: BT.MUSM570200443 Composed by David Lumsdaine. Classical...(+)
Wind Quintet
SKU:
BT.MUSM570200443
Composed by David
Lumsdaine. Classical. Set
of Parts. University of
York Music Press
#MUSM570200443. Published
by University of York
Music Press
(BT.MUSM570200443).
English.
Wind
quintet parts for Mandala
1 by David Lumsdaine.