By Various. Edited by Joseph Diermaier. Arranged by James Rae. For Violin, Piano...(+)
By Various. Edited by
Joseph Diermaier.
Arranged by James Rae.
For Violin, Piano. Play
Along - World Music.
Includes Scotland the
Brave, My Love is Like a
Red, Red Rose, The Skye
Boat Song, Mhairi's
Wedding, and 100 Pipers..
Play along; world music.
Solo part, accompaniment
part, and play along CD.
Composed 2001/2008
(A Method Book for Beginning Recorder Students). By Timothy Adams. For Recorder....(+)
(A Method Book for
Beginning Recorder
Students). By Timothy
Adams. For Recorder. Book
with
performance/accompaniment
CD. Published by Heritage
Music Press
(Playing with Children and Mother Goose). By Peggy D. Bennett. Classroom/Pre-Sch...(+)
(Playing with Children
and Mother Goose). By
Peggy D. Bennett.
Classroom/Pre-School;
Other Classroom;
Reproducible; Song and
Activity Book. Children.
Book. 96 pages. Published
by Alfred Music
Publishing
By Alison Street; Linda Bance. For Children's Voices. Song Book. Voiceworks. Voi...(+)
By Alison Street; Linda
Bance. For Children's
Voices. Song Book.
Voiceworks. Voiceworks.
Children's book. 24
pages. Published by
Oxford University Press
. Children's book.
Voiceworks.
March/April 2018. By Emily Bear. By Andrew Lloyd Webber, Benj Pasek, Glen...(+)
March/April 2018.
By Emily Bear. By Andrew
Lloyd Webber, Benj Pasek,
Glenn Slater, John
Jacobson, Justin Paul,
Roger Emerson, Zoltan
Kodaly. Arranged by Emily
Crocker, John Higgins.
Music Express. Classroom
Resources, Choreography,
Young Choir, Children's
Choir, Elementary,
Children,
Cross-Curricular.
Softcover Media Online.
Published by Hal Leonard
(HL.234102).
(Easy Guitar Play-Along Volume 14). By Jimi Hendrix. For Guitar. Easy Guitar ...(+)
(Easy Guitar Play-Along
Volume 14). By Jimi
Hendrix.
For Guitar. Easy Guitar
Play-Along. Softcover
Audio
Online. Guitar tablature.
Published by Hal Leonard
Deluxe Guitar Play-Along
Volume 24. By Jimi
Hendrix.
Deluxe Guitar Play-Along.
Rock. Softcover Audio
Online.
With guitar tablature.
160
pages. Published by Hal
Leonard
Play like Jimi Hendrix Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
The Ultimate Guitar Lesson Book with Online Audio Tracks. By Jimi Hendrix. Pl...(+)
The Ultimate Guitar
Lesson
Book with Online Audio
Tracks. By Jimi Hendrix.
Play Like. Softcover
Audio
Online. With guitar
tablature. 136 pages.
Published by Hal Leonard
Guitar Play-Along Volume 122. By Crosby Stills and Nash. Guitar Play-Along. Rock...(+)
Guitar Play-Along Volume
122. By Crosby Stills and
Nash. Guitar Play-Along.
Rock. Softcover Audio
Online. With guitar
tablature. 72 pages.
Published by Hal Leonard
(Best-of-the-Best Creative Extensions Arranged for Voices and Orff Instruments)....(+)
(Best-of-the-Best
Creative Extensions
Arranged for Voices and
Orff Instruments).
Arranged by David
Asplund. TEACHER ED.
Expressive Art (Choral).
48 pages
Clarinet SKU: PR.494031980 Beginner Duets & Trios. Composed by Kar...(+)
Clarinet
SKU:
PR.494031980
Beginner Duets &
Trios. Composed by
Karen North. Theodore
Presser Company
#494-03198. Published by
Theodore Presser Company
(PR.494031980).
UPC:
680160686162.
Young
players who are just
starting to read music
can find it difficult to
follow a duet or trio.
This book solves the
problem with color coded
music, making it easy for
clarinet beginners to
follow their ensemble
part.Students only need
to know 4 or 5 notes to
play the first duets in
this book, which covers
Beginner and Preliminary
levels.The music spans a
wide range of composers,
as well as traditional
tunes from around the
world. There is a
selection of festive
music, a section of
rounds, plus there are
warm up exercises, each
focusing on one aspect of
ensemble technique. The
arrangements by Karen
North have been prepared
in consultation with
clarinet specialist Sally
Lucas.The arrangements
work well for two players
up to a large clarinet
ensemble. Many pieces
offer maximum flexibility
as they can be played as
a Duet (use the two upper
parts) or as a Trio.Free
recordings of all the
duets & trios:
https://www.youtube.com/c
hannel/UCh0MBwKcJUR75_3wX
RyYj5QPreview pages:
https://www.theyoungflute
player.com/clarinet-music
Specifications:•
Beginner-Preliminary
level• 32
pages• 29 duets and
trios• 8 warm-up
exercises• 9
rounds• Keys up to
one sharp or flat•
Time signatures: 2/4,
3/4, 4/4, C, 6/8,
2/2.
Composed
by Peter Schickele. Full
score. Duration 26
minutes. Theodore Presser
Company #114-42131S.
Published by Theodore
Presser Company
(PR.11442131S).
UPC:
680160681006.
A lot
of chamber music playing
went on in Fargo, North
Dakota during my teenage
years. The participants
included both high school
friend - my brother, who
plays viola, was an is an
inveterate chamber music
player - and members of
parents' generation. The
latter included not only
professional musicians
(the conductor of the
Fargo-Moorhead Community
Orchestra, who also
played cello and was my
first composition
teacher, his wife, who
was the orchestra's
concert mistress, and
others) but also people
from various other walks
of life. Although I don't
play a string instrument,
I was almost always in
attendance, with score in
hand. (One summer, all
the young cellists we
played with went to the
Interlochen Music Camp,
so I got to play the
cello parts on the
bassoon.) Mostly it was
string quartets that were
played, but one of the
larger pieces I remember
being done more than once
was the Brahms Sextet in
G Major, and I think that
the idea for utilizing
that combination had been
lurking in the back of my
mind since then. In the
middle 1980's, ideas for
a string sextet began
appearing in my
sketchbooks; one movement
(the fourth) was actually
completed in one of the
sketchbooks. But without
a deadline, it's hard for
me to finish a major
work, since there are
always other pieces (with
deadlines) waiting to be
completed. So when the
Composers Showcase at
Lincoln Center asked me
to put together a
retrospective of my work,
I knew I wanted to have a
premiere on the program,
and May 7, 1990 became
the deadline that I got
the piece done. The work
is in six movements, with
a symmetrical key
pattern; the movements
range from the very
dramatic to the very
easy-going. I had
contacted the Lark
Quartet, who had
commissioned my String
Quartet No.2, about
forming the core of the
sextet. Unfortunately,
one of the Larks had a
scheduling conflict, but
the other three rounded
up three more players,
and the six of them gave
the piece a rousing
performance, in spite of
the limited rehearsal
time. The players were
Eva Gruesser, Genovia
Cummins, Anna Kruger,
Mary Hamman, Astrid
Schween and Julia
Lichten. A lot of
chamber music playing
went on in Fargo, North
Dakota during my teenage
years. The participants
included both high school
friend – my
brother, who plays viola,
was an is an inveterate
chamber music player
– and members of
parents’
generation. The latter
included not only
professional musicians
(the conductor of the
Fargo-Moorhead Community
Orchestra, who also
played cello and was my
first composition
teacher, his wife, who
was the
orchestra’s
concert mistress, and
others) but also people
from various other walks
of life. Although I
don’t play a
string instrument, I was
almost always in
attendance, with score in
hand. (One summer, all
the young cellists we
played with went to the
Interlochen Music Camp,
so I got to play the
cello parts on the
bassoon.)Mostly it was
string quartets that were
played, but one of the
larger pieces I remember
being done more than once
was the Brahms Sextet in
G Major, and I think that
the idea for utilizing
that combination had been
lurking in the back of my
mind since then. In the
middle 1980’s,
ideas for a string sextet
began appearing in my
sketchbooks; one movement
(the fourth) was actually
completed in one of the
sketchbooks. But without
a deadline, it’s
hard for me to finish a
major work, since there
are always other pieces
(with deadlines) waiting
to be completed. So when
the Composers Showcase at
Lincoln Center asked me
to put together a
retrospective of my work,
I knew I wanted to have a
premiere on the program,
and May 7, 1990 became
the deadline that I got
the piece done.The work
is in six movements, with
a symmetrical key
pattern; the movements
range from the very
dramatic to the very
easy-going.I had
contacted the Lark
Quartet, who had
commissioned my String
Quartet No.2, about
forming the core of the
sextet. Unfortunately,
one of the Larks had a
scheduling conflict, but
the other three rounded
up three more players,
and the six of them gave
the piece a rousing
performance, in spite of
the limited rehearsal
time. The players were
Eva Gruesser, Genovia
Cummins, Anna Kruger,
Mary Hamman, Astrid
Schween and Julia
Lichten.
Daily tone and articulation studies from the flutistas repertoire. Arranged by...(+)
Daily tone and
articulation
studies from the
flutistas
repertoire. Arranged by
Daniel Dorff. Sws.
Theodore
Presser Company
#114-41983.
Published by Theodore
Presser Company
Play It Cool [Conducteur et Parties séparées] - Facile Heritage Music Press
Jazz ensemble jazz band - Grade 2 SKU: LO.60-1128H Composed by Robert Woo...(+)
Jazz ensemble jazz band -
Grade 2
SKU:
LO.60-1128H
Composed
by Robert Woods. Jazz.
Score and set of parts.
Heritage Music Press
#60/1128H. Published by
Heritage Music Press
(LO.60-1128H).
UPC:
000308066579.
Here'
s a straight-ahead chart
reminiscent of Miles
Davis' modal playing and
writing during the late
1950s. It takes the
typical AABA form and
compresses it, so the
band won't be stranded on
one chord for 16 to 24
measures. This, along
with the focus on
ensemble playing and the
excellent suggestions in
the IDEAS FOR IMPROV
section of the score,
makes Play It Cool an
excellent vehicle to
introduce this important
style to your young
ensemble. By the way, it
does sound cool too!
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company