Double Bass and Piano Reduction. Composed by Serge Koussevitzky (1874-1951). ...(+)
Double Bass and Piano
Reduction. Composed by
Serge
Koussevitzky (1874-1951).
Edited by ckler and
Tobias
Glö. Henle Music Folios.
Classical. Softcover. 88
pages. G. Henle #HN1451.
Published by G. Henle
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra
(STUDY SCORE)
SKU:
HL.51487451
Study
Score. Composed by
Serge Koussevitzky.
Edited by Tobias Glö
and ckler. Henle Study
Scores. Classical.
Softcover. 92 pages. G.
Henle #HN7451. Published
by G. Henle
(HL.51487451).
UPC:
196288158110.
6.75x9.5x0.294
inches.
Thanks to
its skilful combination
of Romantic melody and
sparkling virtuosity,
KoussevitzkyÂ’s Double
Bass Concerto op. 3 has
been one of the most
popular works of its
genre since its Moscow
premiere in 1905. No
wonder, for the virtuoso
double bass player
Koussevitzky had composed
it for his very own
instrument. As early as
1906/07 a first piano
reduction was published
in Moscow, followed by a
second in 1910 in
Leipzig. However, both
contain so many mistakes
in the solo part that
there is still
uncertainty about the
correct musical text in
many passages to this
day. The double bass
player Tobias Glöckler
has therefore prepared
his Urtext edition using
several sources: as well
as the manuscript
performance material and
the piano reductions
published during the
composer's lifetime, he
has also studied
recordings with
Koussevitzky as soloist -
thereby finally producing
a
thoroughly-researchedUrte
xt edition of the
orchestral score and
piano reduction of this
classic of the double
bass literature. As with
all double bass concertos
published by Henle
Publishers, this edition
also contains the piano
reduction by Christoph
Sobanski in two keys (E
minor and F sharp minor)
for performance with solo
or orchestral tuning.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Angel of Dusk Contrebasse, Piano (duo) Fennica Gehrman
Double Bass; Piano Accompaniment (Double Bass) SKU: HL.48024778 Solo D...(+)
Double Bass; Piano
Accompaniment (Double
Bass)
SKU:
HL.48024778
Solo
Double Bass and Piano
Reducation. Composed
by Einojuhani Rautavaara.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Fennica
Gehrman #M550112650.
Published by Fennica
Gehrman (HL.48024778).
UPC: 888680966331.
10.5x14.0x0.35
inches.
Angel of
Dusk for double bass, two
pianos and percussion is
a chamber ensemble
version of Einojuhani
Rautavaara's double bass
concerto dating from
1980/1993. The work is
dedicated to Olga
Koussevitzky, the widow
of Sergey Koussevitzky.
The Koussevitzky
foundation sent
Einojuhani Rautavaara to
study with Aaron Copland
in Tanglewood, and it was
Sibelius who chose
Rautavaara as the
recipient of this
scholarship. The solo
part has been corrected
by the composer in the
summer of 2015.
Double bass, orchestra SKU: HF.FH-8072 Partitur. Composed by Serge...(+)
Double bass, orchestra
SKU: HF.FH-8072
Partitur. Composed
by Serge Koussevitzky.
Score. Friedrich
Hofmeister Musikverlag
#FH 8072. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-8072).
Song Of Songs Conducteur de poche, d'étude [Conducteur] Carl Fischer
Biblical Solo Cantata for Soprano (or Mezzo) and Orcestra - Study Score. By Luka...(+)
Biblical Solo Cantata for
Soprano (or Mezzo) and
Orcestra - Study Score.
By Lukas Foss. Text:
Anonymous. Orchestra. For
Piccolo, Flute I, Flute
II, Oboe I, Oboe II,
English Horn, Clarinet I,
Clarinet II, Bass
Clarinet, Bassoon I,
Bassoon II, Contra
Bassoon, Horn I, Horn II,
Horn III, Horn IV,
Trumpet in C I, Trumpet
in C II, Trumpet in C
III, Tenor I, Tenor II,
Timpani, Percussion,
Harp, Violin I, Violin
II, Viola, Cello,
Contrabass. Carl Fiscer
Study Score Series:
Orchestra Works - Chamber
Music. Premiered March 7,
1947 - The Boston
Symphony Orchestra, Serge
Koussevitzky conducting,
Ellabelle Davis, soloist.
Full Score - Study. 98
pages. Published by Carl
Fischer.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
Chinese Folk Dance Suite Saxophone Soprano et Piano [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano,
soprano Saxophone
SKU:
PR.114419290
Composed
by Chen Yi. Edited by
Chen Yi. Arranged by Wong
Tak Chiu. Sws. Score and
parts. 44 pages. Duration
20 minutes. Theodore
Presser Company
#114-41929. Published by
Theodore Presser Company
(PR.114419290).
ISBN
9781491135235. UPC:
680160676118. 9 x 12
inches.
Supported
by a major commissioning
award from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, my Chinese
Folk Dance Suite is
written for violin solo
and orchestra, and
premiered by The Women's
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San Francisco.
Inspired by various
Chinese traditional folk
dances, I've composed
three movements in the
suite: 1) Lion Dance.
Traditionally, people
dance with richly
decorated hand made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In the composition, I use
Chinese drum and other
percussion instruments in
the background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
traditional Guangdong
Music tune and Chaozhou
Music tune ; 2) YangKo.
Originated in northern
China, it's a major folk
dance form in mass
performance popularized
in the country. In YangKo
performance, people
always play rhythmic
patterns on the drums
hung around their waists
while singing and
dancing. In my second
movement, I have imagined
a warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members in the
orchestra sing the
non-pitch syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever going pulse. 3)
Muqam. It is a large
scale traditional music
and dance form from Uygur
nationality in Xinjiang
province, originated in
the 15th century. In my
third movement, I keep
the meter of seven eight
and the melodic style of
Muqam music. The fiery
dancing gesture cumulates
the sustained climax
section at the end of the
work, after a colorful
violin cadenza in both
improvisational singing
style and polyphonic
writing with woven lines.
Scored for 2 flutes (2nd
doubling piccolo), 2
oboes, 2 clarinets in Bb,
2 bassoons, 4 French
horns in F, 2 trumpets in
Bb, 3 trombones,
percussion 1 (3 congas,
low tom-tom, temple
block, paddle castanets),
percussion 2 (snare drum,
6 small Beijing opera
gong, 12 big Beijing
opera gong, crotales,
tambourine), percussion 3
(suspended cymbal, a pair
of 6 Chinese cymbals,
bass drum), solo violin,
violins I, violins II,
violas, cellos and double
basses. Duration is about
16 minutes. The work is
recorded on Bis [CD-1352]
and released in 2003,
performed by Cho-Liang
Lin and the Singapore
Symphony Orchestra, cond.
by Lan Shui. Reduction
for B-flat soprano
saxophone and piano by
Wong Tak Chiu (2017) and
edited by Chen Yi (2018)
The second movement
YangKo is premiered by
Dr. Wong and Korak
Lerpibulchai at the
Singapore Saxophone
Symposium on 8/13/2017.
The American premiere of
the saxophone and piano
reduction version of
Chinese Folk Dance Suite
is given by Chi Him Chik
and Hao Yin at the
Society for American
Music National Conference
in Kansas City, MO on
3/2/2018.
Score Orchestra SKU: HL.14028045 Symphony and Transformation Score...(+)
Score Orchestra
SKU:
HL.14028045
Symphony and
Transformation Score.
Composed by Poul Ruders.
Music Sales America.
Classical. Score.
Composed 2002. 186 pages.
Edition Wilhelm Hansen
#WH30496. Published by
Edition Wilhelm Hansen
(HL.14028045).
ISBN
9788759872574. UPC:
884088434403.
11.75x16.5x0.475
inches.
A second
Symphony by Ruders,
commissioned by the Serge
Koussevitzky Music
Foundation in the Library
of Congress for the New
York City based chamber
orchestra, Riverside
Symphony. The piece is
subtitled Symphony And
Transformation to express
the formal symphonic
nature of a piece that is
otherwise in a state of
constant musical and
textural
transformation.
8 Stucke fur Kontrabass und Klavier. Composed by Reinhold Moritzevic Gliere,...(+)
8 Stucke fur Kontrabass
und
Klavier. Composed by
Reinhold Moritzevic
Gliere,
Sergei Aleksandrovich
Koussevitzky, Joseph
Schillinger, and Peter
Ilyich Tchaikovsky
(1840-
1893). String Solo.
Classical. Book with
Part.
Composed 2019. 81 pages.
Forberg Edition #F 95087.
Published by Forberg
Edition