Run, Shepherds! Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Victor C Johnson. For SATB choir, piano. Sacred Anthem, Christmas. O...(+)
Composed by Victor C
Johnson. For SATB choir,
piano. Sacred Anthem,
Christmas. Octavo. Lorenz
Publishing Company
#10/4790L. Published by
Lorenz Publishing Company
SATB choir - Grade 3 SKU: KJ.GC179 Composed by Christopher Wiggins. Colle...(+)
SATB choir - Grade 3
SKU: KJ.GC179
Composed by Christopher
Wiggins. Collection.
Sacred, Choral. Choral
octavo. Neil A. Kjos
Music Company #GC179.
Published by Neil A. Kjos
Music Company (KJ.GC179).
The Simple
Message Of Peace &
Goodwill Is As Beautiful
Today As It Was To The
Shepherds Long Ago,
Especially This Choral
Setting. The Audience
Will Leave Humming This
Lovely Melody. Grade
3.
Hey, Shepherds! Orchestre à Cordes [Conducteur] - Débutant Alfred Publishing
By Richard Meyer. For String Orchestra. String Orchestra. String Explorer. Level...(+)
By Richard Meyer. For
String Orchestra. String
Orchestra. String
Explorer. Level: 1 (grade
1). Conductor Score. 12
pages. Published by
Alfred Publishing.
Run, Shepherds! Chorale 3 parties SAB, Piano Lorenz Publishing Company
Composed by Victor C Johnson. Choral. Sacred Anthem, Christmas. Octavo. Lorenz ...(+)
Composed by Victor C
Johnson. Choral. Sacred
Anthem, Christmas.
Octavo. Lorenz Publishing
Company #10/4791L.
Published by Lorenz
Publishing Company
(LO.10-4791L).
Shepherd Song Chorale Unison Unison/2-parties, Piano Lorenz Publishing Company
Composed by Molly Ijames. Arranged by Eileen Berry. Choral. Singable Solutions...(+)
Composed by Molly Ijames.
Arranged by Eileen Berry.
Choral. Singable
Solutions.
Sacred Anthem. Octavo.
Lorenz Publishing Company
#10/5188L. Published by
Lorenz Publishing Company
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Arranged by Shelley Helzerman Houser. For Piano. The FJH Sacred Piano Library. T...(+)
Arranged by Shelley
Helzerman Houser. For
Piano. The FJH Sacred
Piano Library. Titles
include: Open My Eyes,
That I May See; On
Jordan's Stormy Banks;
Poor Wayfaring Stranger;
Sweet By and By; Savior,
Like a Shepherd Lead Us;
Nearer, My God, to Thee;
Nothing but the Blood;
and It Came Upon the
Midnight Clear; as well
as some rare arrangements
of specialized hymns like
The King Shall Come;
Prayer Is the Soul's
Sincere Desire; Ring Out,
Wild Bells and Into the
Woods My Master Went.
Spiritual. Level: Late
Intermediate. Book.
Published by The FJH
Music Company Inc.
The Lord Is My Shepherd by Howard Goodall. For Voice and Piano. Sheet; Solo; Son...(+)
The Lord Is My Shepherd
by Howard Goodall. For
Voice and Piano. Sheet;
Solo; Song - Sacred;
Vocal; Worship Resources.
Faber Edition. Sacred.
Published by Faber Music
Piano, Vocal and Guitar - Grade 2 SKU: HL.14029939 Composed by Julie Stan...(+)
Piano, Vocal and Guitar -
Grade 2
SKU:
HL.14029939
Composed
by Julie Stanley. Music
Sales America. Musical
Education. Book and CD.
Composed 2013. 40 pages.
Music Sales #GA11116.
Published by Music Sales
(HL.14029939).
ISBN
9780711979277. UPC:
884088436810. 9x12
inches. English.
A
fun Nativity containing
10 new songs and an
original script
re-telling the timeless
Biblical story by Julie
Stanley and Mary Green.
The (Pupil's Book -
GA11117) contains the
play and song words. This
(Teacher's Book) contains
the piano score with
vocal line, chord symbols
and production notes,
with matching CD. Script
available in student
book. If you need to
license a school/youth
theatre performance of
this product, please use
the online application
form.
Choral (Cd 10-Pak) SKU: HL.226459 A Ceremony of Song. Arranged by ...(+)
Choral (Cd 10-Pak)
SKU: HL.226459
A Ceremony of
Song. Arranged by
John Leavitt. Brookfield
Choral Series. Cantata,
Collection, General
Worship, Hymns, Sacred,
Thanksgiving. CD.
Published by Brookfield
Press (HL.226459).
ISBN 9781495091643.
UPC: 888680674816.
5.0x5.0x0.933
inches.
This
thoughtful and needful
work is a stellar
collection of hymn
classics appropriate for
every time of year.
Touching the heart with
expressive harmonies and
masterfully arranged for
success, your choir will
sound their very best as
they explore this
essential sacred
repertoire. When used
with the inspiring
narration, this gathering
of beloved hymns becomes
a festival of song with a
timeless message for both
singers and listeners. An
excellent choice for
Thanksgiving, as well!
Songs include: This Is My
Father's World; Speak, O
Lord, Your Servant
Listens; The King of Love
My Shepherd Is; My Faith
Looks Up to Thee;
Beautiful Savior; When
Peace Like a River. Score
and Parts (fl 1-2, ob, cl
1-2, bn, perc 1-2, hp, vn
1-2, va, vc, db)
available as a Printed
Edition and as a digital
download.
Smart PianoSoft. Performed by Enya. Arranged by Jarrod Radnich. Pianosoft Sync ...(+)
Smart PianoSoft.
Performed by Enya.
Arranged by Jarrod
Radnich. Pianosoft Sync
(this is NOT sheet
music). Floppy disk. Size
5x5.5 inches. Published
by Yamaha.
Rise Up, Shepherd Chorale 3 parties SAB - Intermédiaire Lorenz Publishing Company
SAB choir - Intermediate SKU: LO.10-1475L Composed by David Paxton. Chora...(+)
SAB choir - Intermediate
SKU: LO.10-1475L
Composed by David Paxton.
Choral. Exaltation
Series. Sacred Anthem,
Christmas. Octavo. Lorenz
Publishing Company
#10/1475L. Published by
Lorenz Publishing Company
(LO.10-1475L).
Composed by Daniel Burton. For cello and organ. General, Good Shepherd Sunday. M...(+)
Composed by Daniel
Burton. For cello and
organ. General, Good
Shepherd Sunday.
Moderately Easy. Score
and part. Published by
MorningStar Music
Publishers
SATB choir, piano SKU: LO.10-5617L Composed by Lloyd Larson. Choral. Sacr...(+)
SATB choir, piano
SKU:
LO.10-5617L
Composed
by Lloyd Larson. Choral.
Sacred Anthem, Christmas.
Octavo. Lorenz Publishing
Company #10/5617L.
Published by Lorenz
Publishing Company
(LO.10-5617L).
ISBN
9780787775254.
Joy
abounds in this creative
pairing of Rise Up,
Shepherd and Go! Tell It
On the Mountain. Full of
vocal energy, and
accompanied by a fun
piano part, your choir is
going to love this one!
It is also available as a
two-part version in our
popular Singable Solution
series.