For Strings. By Johann Strauss, Jr. Edited by Peter Totzauer. Chamber Music (Strings). For 2 violins, viola and cello (keyboard). Score and set of parts. Op. 117. 9 pages. Published by Doblinger (Austrian import).

Violin 1 (2.2.2.2 - 4.2.3.0 - timp.perc - hp - str)

SKU: BR.OB-4966-15

Composed by Johann Strauss Jr. Stapled. Orchester-Bibliothek (Orchestral Library). Dances/marches; Romantic. Part. 4 pages. Duration 11'. Breitkopf and Haertel #OB 4966-15. Published by Breitkopf and Haertel (BR.OB-4966-15).

ISBN 9790004327159. 10 x 12.5 inches.

(Walzer, formixed choir, orchestra or piano). By Johann Strauss, Jr. (1825-1899). Edited by Hans Schemitsch. Various Sacred. For mixed choir. Choral score. Op. 314. 11 pages

2-part with piano. By Johann Strauss, Jr. Edited by Lange. Various Sacred. For choir of high voices. Soprano choral part. Op. 202. Published by Doblinger (Austrian import).

By Johann Strauss, Sr. Piano. For piano. Level: 3. Op. 228. 3 pages. Published by Doblinger (Austrian import).

SKU: TM.06776XPC

Composed by Johann Strauss Sr. Piano/Conductor Score. Lucks Music Library #A5998. Published by Lucks Music Library (TM.06776XPC).

By Johann Strauss, Jr. (1825-1899). For 1121/111/Perc., Piano & Strings. This edition: Score & Parts. Duration 15:00. Published by Trillenium Music Company

Piano

SKU: HL.50415700

Piano Solo. Composed by Johann Strauss. Piano Large Works. Classical. 104 pages. Editions Salabert #SEAS5708X. Published by Editions Salabert (HL.50415700).

9.5x12.5x0.311 inches.

SKU: TM.06769XPC

Composed by Johann Strauss Jr. Piano/Conductor Score. Lucks Music Library #A6608. Published by Lucks Music Library (TM.06769XPC).

Transposed: Cl 1&2, Hn 1-4, Tpt 1&2, Tbn 1&2.

(gem Choir, Orchestra (Piano)). By Johann Strauss, Jr. (1825-1899). Arranged by V. Korda. For SATB choir and piano. Choral music. Secular. Piano score. Op. 328. Published by Doblinger Music Publishers

Composed by Johann Strauss. Arranged by Lawrence David Eden. Published by Cimarron Music Press (BV.2423).

Accordion orchestra

SKU: M7.VHR-2609-01

Composed by Johann Strauss Jr. Arranged by Curt Herold. Sheet music. Set of parts. Holzschuh Musikverlag #VHR 2609-01. Published by Holzschuh Musikverlag (M7.VHR-2609-01).

ISBN 9790201305448.

(1+1.1.2.2/4.2.1.0,timp,p erc,str)

SKU: TM.08048SET

Composed by Johann Strauss Jr. Set Type: D. Set of parts. Lucks Music Library #A6643. Published by Lucks Music Library (TM.08048SET).

P/C in set.

(2D1.2.2.2/4.3.3.1,timp,p erc,hp,str,zither solo)

SKU: TM.06782SET

Composed by Johann Strauss Jr. Set Type: D. Set of parts. Lucks Music Library #A2102. Published by Lucks Music Library (TM.06782SET).

Transposed: cl, tpt.

(1+1.1.1(+D).1/4.2.0.1,ti mp,str)

SKU: TM.07993SET

Composed by Johann Strauss Jr. Set Type: D. Set of parts. Lucks Music Library #A6554. Published by Lucks Music Library (TM.07993SET).

P/C in set.

(Polka schnell (I 13/5)). By Johann Strauss, Jr. (1825-1899). Various concert music. For strings ([Piccolo.1.2.2.2-4.2.1.1 ], Drum, Percussion, Strings). Cello part. Op. 214

SKU: TM.08055XPC

Composed by Johann Strauss Jr. Piano/Conductor Score. Lucks Music Library #A6586. Published by Lucks Music Library (TM.08055XPC).

By Johann Strauss, Jr. Brass Ensemble. For brass quintet. Swiss import. Level: 4. Score and parts. Published by Editions Marc Reift. (EMR 5070)

Piano - intermediate

SKU: BT.WA-4145-401

Composed by Johann Strauss Sr. Arranged by Thomas A. Johnson. The Walsh Collection. Educational Tool. Book Only. 8 pages. The Walsh Collection #WA 4145-401. Published by The Walsh Collection (BT.WA-4145-401).

English.

A wonderful arrangement of this waltz for piano.

Concert band - Grade 3

SKU: RM.STRA01473-CO

Composed by Johann Strauss Jr. Arranged by Desire Dondeyne. Classical music. Orchestra. Conductor's score. Editions Robert Martin #STRA01473-CO. Published by Editions Robert Martin (RM.STRA01473-CO).

Piano

SKU: BT.HEER925

Composed by Strauss. Book Only. Johannes de Heer #HEER925. Published by Johannes de Heer (BT.HEER925).

Piano Solo - SMP Level 7 (Late Intermediate)

SKU: BU.EBR-A045

Composed by Johannes Brahms. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A045. Published by Editions Bourges (BU.EBR-A045).

ISBN 9790560151168. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



L’opus 39 est composé de seize valses. La version d’origine publiée en 1865 est à quatre mains, mais Brahms en crée une version simplifiée à deux mains qui parait en 1867. Le compositeur signe avec ses seize valses exquises son unique témoignage de la tradition viennoise.
L'écritu re de ces valses est d'une grande simplicité. Leurs structures sont différentes de celles des valses viennoises de Strauss. Elles ne présentent ni introduction lente, ni trio, ni coda mais s'apparentent plutôt à un ländler par la sobriété de la pièce. Toutes ces valses sont de formes ABA où deux motifs thématiques s'entremêlent et se lient l’un à l’autre.
La valse n°10 se caractérise par sa grande simplicité d'écriture au niveau rythmique par l'alternance de mesures à six croches et à trois noires. Une plaisante mélodie se balade naïvement à travers un accompagnement facile et accessible pour tous pianistes.
Contraireme nt à la Valse n°10, la Valse n°11 se distingue par sa difficulté rythmique. L'emploi d'appoggiatures répétitifs et de rythmes fantasques donne un côté tzigane à cette valse.Ces deux valses à la suite révèlent un aspect versatile dans leur interprétation. La valse n°10 tangue tranquillement sur les rives du Danube jusqu'à l'arrivée de la valse n°11 où s'exaltent sur les berges des musiciens tziganes.
Une vague de douceur et de fantaisie enveloppera les pianistes de valses viennoises à travers ces valses de Brahms qui finalement les laissera libres à la danse.

About SMP Level 7 (Late Intermediate)

4 to 5-note chords in both hands and scales in octaves in both hands.

Piano Solo - Moderately Easy

SKU: BU.EBR-A017

Composed by Johannes Brahms. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A017. Published by Editions Bourges (BU.EBR-A017).

ISBN 9790560151038. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



L’opus 39 est composé de seize valses. Sa version d’origine publiée en 1865 est à quatre mains, mais Brahms crée une version simplifiée à deux mains qui parait en 1867.
Le compositeur signe avec ces seize valses exquises son unique témoignage à la tradition viennoise. La valse n°3 opus 39, aussi délicieuse que la célèbre valse n°15 opus 39, nous enivre dans une mélodie tourbillonnante qui s’abandonne au va et vient du rythme ternaire. Ce balancement est une invitation à la danse. Cette valse est construite dans une forme simple : ABA. Cela signifie que le premier thème est repris dans la partie finale et que le thème central est différent. Les trois temps de cette valse sont bien définis au seconda de ses phrases nostalgiques.
Pianiste s amateurs de valses viennoises et de Strauss seront séduits par la vague harmonieuse et mélancolique de cette pièce pour finalement laisser libre court à la danse.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.