(From The Nutcracker). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by John...(+)
(From The Nutcracker). By
Peter Ilyich Tchaikovsky
(1840-1893). Arranged by
John Caponegro. For
string orchestra (88555)
with optional 3rd
violin/viola TC (1) and
piano. Playground String
Orchestra Series. Grade
1.5. Score and set of
parts. Duration 2
minutes. Published by
Kendor Music Inc
Come Back to Sorrento Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schott
8 Popular String Quartets Score & Parts. By Various Composers. Arranged by Barri...(+)
8 Popular String Quartets
Score & Parts. By Various
Composers. Arranged by
Barrie Carson Turner.
(String Quartet). Schott.
Book only. Size 9x12
inches. 68 pages.
Published by Schott.
Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wi...(+)
Composed by Miguel
Llobet.
Edited by Stefano
Grondona.
This edition: Saddle-wire
stitching. Sheet music.
1048
pages. MDS (Music
Distribution
Services) #GHE 900.
Published
by MDS (Music
Distribution
Services)
Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orc...(+)
Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk. Score. 12 pages.
Duration 1:30. Alfred
Music #00-45825S.
Published by Alfred Music
(AP.45825S).
Cello and piano (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.CB-215 Or...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 2.0.0.0 -
str)
SKU:
BR.CB-215
Original
Version. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Thomas Kohlhase. Solo
instruments; Softcover.
Variations; Solo
concerto; Romantic. Piano
reduction. 48 pages.
Duration 18'. Breitkopf
and Haertel #CB 215.
Published by Breitkopf
and Haertel (BR.CB-215).
ISBN 9790001157223. 9
x 12 inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
stapled. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Part.
Duration 18'. Breitkopf
and Haertel #EOS 1900-19.
Published by Breitkopf
and Haertel
(BR.EOS-1900-19).
ISBN
9790004789391. 9 x 12
inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
stapled. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Part.
8 pages. Duration 18'.
Breitkopf and Haertel
#EOS 1900-27. Published
by Breitkopf and Haertel
(BR.EOS-1900-27).
ISBN
9790004789414. 9 x 12
inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
stapled. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Part.
8 pages. Duration 18'.
Breitkopf and Haertel
#EOS 1900-23. Published
by Breitkopf and Haertel
(BR.EOS-1900-23).
ISBN
9790004789407. 9 x 12
inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
Wind
set. Composed by
Pjotr Iljitsch
Tschaikowsky. Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Set of parts. 78 pages.
Duration 32'. Breitkopf
and Haertel #OB 4960-30.
Published by Breitkopf
and Haertel
(BR.OB-4960-30).
ISBN
9790004326848. 10 x 12.5
inches.
The roller
coaster of opinions -
worthless, absolutely
unplayable (claims
Nikolaj Rubinstein,
basically Tchaikovsky's
desired pianist for his
Concerto in B flat
minor); brilliant,
magnificent (Hans von
Bulow, then first
performer and dedicatee
of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2. - 4.2.3.0. -
timp - str)
SKU:
BR.PB-4960
Composed
by Pjotr Iljitsch
Tschaikowsky. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Full
score. 120 pages.
Duration 32'. Breitkopf
and Haertel #PB 4960.
Published by Breitkopf
and Haertel (BR.PB-4960).
ISBN 9790004207451. 10
x 12.5 inches.
The
roller coaster of
opinions - worthless,
absolutely unplayable
(claims Nikolaj
Rubinstein, basically
Tchaikovsky's desired
pianist for his Concerto
in B flat minor);
brilliant, magnificent
(Hans von Bulow, then
first performer and
dedicatee of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Orchestra - Grade 2.5 SKU: AP.38405S Composed by Peter Ilyich Tchaikovsky...(+)
Orchestra - Grade 2.5
SKU: AP.38405S
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Michael Story.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Orchestra Expressions.
Form: Overture.
Masterwork Arrangement;
Romantic. Score. 8 pages.
Alfred Music #00-38405S.
Published by Alfred Music
(AP.38405S).
UPC:
038081437378.
English.
200 years
after the event it
commemorates, let's
celebrate Tchaikovsky
with a very playable
reduction of his great
overture. Perfect for
festival or contest---or
just for fun, using paper
bags for the canon
effect!
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Composed by Pjotr
Iljitsch Tschaikowsky.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 4960-23.
Published by Breitkopf
and Haertel
(BR.OB-4960-23).
ISBN
9790004326824. 10 x 12.5
inches.
The roller
coaster of opinions -
worthless, absolutely
unplayable (claims
Nikolaj Rubinstein,
basically Tchaikovsky's
desired pianist for his
Concerto in B flat
minor); brilliant,
magnificent (Hans von
Bulow, then first
performer and dedicatee
of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Composed by Pjotr
Iljitsch Tschaikowsky.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 4960-27.
Published by Breitkopf
and Haertel
(BR.OB-4960-27).
ISBN
9790004326831. 10 x 12.5
inches.
The roller
coaster of opinions -
worthless, absolutely
unplayable (claims
Nikolaj Rubinstein,
basically Tchaikovsky's
desired pianist for his
Concerto in B flat
minor); brilliant,
magnificent (Hans von
Bulow, then first
performer and dedicatee
of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Concert Band; Orchestra
2+Picc.2.2.2: 4.2.3.0:
Timp: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A001401
Arranged by Peter Ilyich
Tchaikovsky and ed./arr.
by William Ryden. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A001401.
Published by
LudwigMasters
Publications
(AP.36-A001401).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2.2.2: 4.2.3.0:
Timp: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A001490
Arranged by Peter Ilyich
Tchaikovsky and ed./arr.
by William Ryden. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A001490.
Published by
LudwigMasters
Publications
(AP.36-A001490).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Easy Piano - Easy SKU: SP.TS180 Composed by Jonathon Robbins. Arranged by...(+)
Easy Piano - Easy
SKU:
SP.TS180
Composed by
Jonathon Robbins.
Arranged by Jonathon
Robbins. Collection;
Popular. Book and CD.
Santorella Publications
#TS180. Published by
Santorella Publications
(SP.TS180).
ISBN
9781585604623. UPC:
649571101800.
Varie
ty lies at the core of 83
Classified Piano Solos
published by Santorella
Publications. It combines
eighty-three songs from
seven different genres to
form an incredibly unique
product. From Hymns to
Marches, Waltzes to Folk
songs and Classics to
Boogie, 83 Classified
Piano Solos has
everything that a
beginning piano student
needs. Boredom is a major
obstacle to learning
which students and
teachers have
encountered. They have
found it extremely
difficult to maintain
interest when using a
single resource. Often,
supplemental materials
are needed to keep study
interesting and exciting
since it is nearly
impossible to find
adequately diverse books.
This adds a significant
and unnecessary financial
burden on both parties.
83 Classified Piano Solos
from Santorella
Publications is
different. This
best-selling easy piano
title eliminates the need
for costly supplemental
materials while exploring
many composers in varied
genres and keeping study
fun and interesting. To
take full advantage of
the variety, we strongly
urge that you jump around
from section to section
and explore all that 83
Classified Piano Solos
has to offer. This
Jonathon Robbins best
seller from Santorella
Publications includes a
performance CD which
serves as a great tool
for the beginning
student. He or she can
listen to a performance
of each piece performed
at the appropriate
tempos, dynamics and
stylings, then emulate
this during their own
performance, practice or
study sessions. Just take
a look at the incredibly
diverse range of titles
found in this great
Santorella title: WALTZES
- WALTZ (From, The
Sleeping Beauty) -
Tchaikovsky - EMPEROR
WALTZ - Strauss - WALTZ
IN A MINOR - Chopin,
WALTZ IN Bb - Schubert -
WALTZ IN C - Schubert -
WALTZ IN C - Brahms -
WAVES OF THE DANUBE -
Ivanovici - WALTZ OF THE
FLOWERS (From, The
Nutcracker) - Tchaikovsky
COWBOY MUSIC RED RIVER
VALLEY - HOME ON THE
RANGE - POOR, LONESOME
COWBOY - GOOD BYE OLD
PAINT - BIG ROCK CANDY
MOUNTAIN - I'D LIKE TO BE
IN TEXAS - THE COLORADO
TRAIL - TO BURY ME NOT ON
THE LONE PRAIRIE -
WHOOPIE TI-YI-YO! (Git
Along Little Dogies!)
HYMNS ABIDE WITH ME - I
NEED THEE EVERY HOUR -
WHAT A FRIEND WE HAVE IN
JESUS - ETERNAL FATHER -
STRONG TO SAVE - HEAR OUR
PRAYER - O LORD - I LOVE
TO TELL THE STORY - ROCK
OF AGES - COME, THOU
ALMIGHTY KING - MY FAITH
LOOKS UP TO THEE -
NEARER, MY GOD TO THEE -
HE LEADETH ME - ALL HAIL
THE POWER OF JESUS' NAME
- HOLY, HOLY, HOLY -
SWEET HOUR OF PRAYER - IN
THE SWEET BYE AND BYE -
FAITH OF OUR FATHERS FOLK
MUSIC BILLYBOY - ALOUETTE
- ON TOP OF OLD SMOKY -
CRAWDAD SONG - TURKEY IN
THE STRAW - THE FARMER IN
THE DELL - SKIP TO MY LOU
- SHE'LL BE COMIN''ROUND
THE MOUNTAIN - PUT YOUR
LITTLE FOOT - JOHN PEEL -
OH, WHERE HAS MY LITTLE
DOG GONE - MARY HAD A
LITTLE LAMB - FOR HE'S A
JOLLY GOOD FELLOW - POLLY
WOLLY DOODLE MARCHES THE
STARS AND STRIPES FOREVER
- AMERICAN PATROL - MARCH
OF THE PRIESTS (From,
Athalia) - GRAND MARCH
(From the Opera, Aida) -
DIXIE - THE MARINES' HYMN
- SOLDIER'S CHORUS (From
the Opera, Faust) - HAIL
TO THE CHIEF - ANCHORS
AWEIGH - THE THUNDERER
CLASSICS CRADLE SONG -
Brahms - TURKISH MARCH
(From, The Ruins of
Athens) - Beethoven,
NOCTURNE IN F - Chopin -
MINUET IN G - Bach -
MUSETTE - Bach - FANTASIE
IMPROMTU - Chopin - GAITE
PARISIENNE (Can Can) -
Offenbach - THEME FROM
SURPRISE SYMPHONY - Haydn
- MARCHE MILITAIRE -
Schubert - UNFINISHED
SYMPHONY THEME - Schubert
- LARGO (From the Opera,
Xerxes) - Handel -
TOREADOR SONG (From the
Opera, Carmen) - Bizet -
JUNE - Tchaikovsky -
BRIDAL CHORUS (From the
Opera, Lohengrin) -
Wagner - BARCAROLLE
(From, The Tales of
Hoffman) - Offenbach,
HALLELUJAH CHORUS (From,
The Messiah) - Handel -
LA DONNA E MOBILE (From
the Opera, Rigoletto) -
Verdi. BOOGIE WOOGIES
(Jonathon Robbins) BOOGIE
WOOGIE BLUES - DOODLIN'-
RIDE THE BOOGIE WOOGIE
TRAIN - THE LAZY BOOGIE
WOOGIE - ONE NOTE BOOGIE
- MR. BOOGIE WOOGIE - THE
NON-STOP BOOGIE - THE
HORSE BACK BOOGIE.
Composed by Pjotr
Iljitsch Tschaikowsky.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 4960-19.
Published by Breitkopf
and Haertel
(BR.OB-4960-19).
ISBN
9790004326817. 10 x 12.5
inches.
The roller
coaster of opinions -
worthless, absolutely
unplayable (claims
Nikolaj Rubinstein,
basically Tchaikovsky's
desired pianist for his
Concerto in B flat
minor); brilliant,
magnificent (Hans von
Bulow, then first
performer and dedicatee
of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
With a Yo Heave Ho. Arranged by Sandra Dackow. Performance Music Ensemble...(+)
With a Yo Heave
Ho. Arranged by
Sandra Dackow.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk. Score. 12 pages.
Duration 2:25. Alfred
Music #00-44789S.
Published by Alfred Music
(AP.44789S).
Concert Band - Grade 2 SKU: AP.38340S With apologies to Peter Tchaikov...(+)
Concert Band - Grade 2
SKU: AP.38340S
With apologies to
Peter Tchaikovsky.
Arranged by Michael
Story. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Christmas; Secular;
Winter. Score. 24 pages.
Belwin Music #00-38340S.
Published by Belwin Music
(AP.38340S).
UPC:
038081434483.
English.
Good King
Nutcracker is based on
the popular holiday carol
Good King Wenceslas, set
in four variations
mimicking the style and
setting of four scenes
from Tchaikovsky's
ballet, The Nutcracker.
Have all your holiday
bases covered with this
creative and inspiring
work.
Festival Overture -
Urtext. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Polina Vajdman. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czar's Hymn. Overture;
Romantic. Set of parts.
168 pages. Duration 16'.
Breitkopf and Haertel #OB
5528-30. Published by
Breitkopf and Haertel
(BR.OB-5528-30).
ISBN
9790004341100. 10 x 12.5
inches.
A
Tchaikovsky Urtext is no
longer a rarity in
Breitkopfs orchestral
catalogue. Polina Vajdman
has edited a very popular
repertoire work that the
composer personally did
not think very highly of.
He even confessed to
having written the work
without the warmth of
love. Nevertheless, the
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czars Hymn. The work was
written for the
consecration of the
Christ the Savior
Cathedral in Moscow,
which was erected in
memory of the victory
over Napoleon in 1812.
The first edition of the
score, which was
carefully corrected three
times by Tchaikovsky, is
the principal source for
this Urtext edition. The
wording of the title The
Year 1812 corresponds to
the composers words, but
was oddly never included
in the first edition.
Festival Overture -
Urtext. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Polina Vajdman. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czar's Hymn. Overture;
Romantic. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5528-15.
Published by Breitkopf
and Haertel
(BR.OB-5528-15).
ISBN
9790004341056. 10 x 12.5
inches.
A
Tchaikovsky Urtext is no
longer a rarity in
Breitkopfs orchestral
catalogue. Polina Vajdman
has edited a very popular
repertoire work that the
composer personally did
not think very highly of.
He even confessed to
having written the work
without the warmth of
love. Nevertheless, the
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czars Hymn. The work was
written for the
consecration of the
Christ the Savior
Cathedral in Moscow,
which was erected in
memory of the victory
over Napoleon in 1812.
The first edition of the
score, which was
carefully corrected three
times by Tchaikovsky, is
the principal source for
this Urtext edition. The
wording of the title The
Year 1812 corresponds to
the composers words, but
was oddly never included
in the first edition.
Piano SKU: HL.49047096 Suite-Fantasy on Themes from Tchaikovsky's Suit...(+)
Piano
SKU:
HL.49047096
Suite-Fantasy on
Themes from Tchaikovsky's
Suite Op. 71a Piano.
Composed by Alexander
Rosenblatt. Piano Solo.
Classical, Jazz.
Softcover. Schott Music
#ED23678. Published by
Schott Music
(HL.49047096).
UPC:
196288120735.
Suite
-fantasy in six movements
on the most popular
melodies from
Tchaikovsky's
Nutcracker.