Belvedere Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 2 SKU: BT.DHP-1165682-140 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 2
SKU:
BT.DHP-1165682-140
For Bb Trumpet (or Bb
Flugel Horn) and Concert
Band. Composed by Jan
de Haan. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2016. De
Haske Publications #DHP
1165682-140. Published by
De Haske Publications
(BT.DHP-1165682-140).
English-German-French-
Dutch.
Belvedere
is a beautiful solo
for trumpet or flugel
horn and is partly taken
from City Scapes,
a concert work that was
inspired by Central Park
in New York City. The
title Belvedere
refers to
‘Belvedere
Castle’, erected
in 1869, and radiates the
peaceful atmosphere of
this place.
Belvedere
is een prachtig solostuk
voor trompet of bugel dat
afkomstig is uit City
Scapes, een
concertwerk dat is ge
nspireerd op Central Park
in New York City. De
titel Belvedere
verwijst naar het
Belvedere Castle, een
kasteel dat er in 1869
werd gebouwd de muziek
verklankt de rust die
deze plek uitstraalt.
Belvedere
ist ein wunderschönes
Solostück für
Trompete oder
Flügelhorn. Es handelt
sich um einen Teil aus
dem Konzertstück
City Scapes, das
vom Central Park in New
York City inspiriert
wurde. Der Titel
Belvedere verweist
auf das 1869 errichtete
Schloss Belvedere
Castle“ und
spiegelt die friedliche
Atmosphäre dieses
Ortes wider.
Belvedere
è una bella
composizione per tromba
sola o flicorno soprano
mutuata da City
Scapes, brano
ispirato a Central Park,
New York. In questo caso
il compositore si è
ispirato al Castello di
Belvedere, situato a sud
del centro storico di
Vienna.
Orchestra small setting: speaker, soloists and SSATTB choir, flute, bassoon, tru...(+)
Orchestra small setting:
speaker, soloists and
SSATTB choir, flute,
bassoon, trumpet in C,
violin, viola, cello,
organ; orchestra version:
speaker, soloists and
SSATTB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns,
trumpet in C, harp ad
lib, 2 violins,
SKU:
CA.1037811
Christmas cantata.
Composed by Ferenc
Farkas. Edited by Andras
Farkas. Ein Krippenspiel.
Orchesterfassung. Sacred
vocal music, Christmas.
Single Part, Violin.
Composed 1970. 4 pages.
Duration 21 minutes.
Carus Verlag #CV
10.378/11. Published by
Carus Verlag
(CA.1037811).
ISBN
9790007190910. Language:
German/English/French.
I wrote this
Christmas cantata from
Koroshegy at the request
of the Council of the
Komitat Somogy. When I
visited the still
unrenovated little church
at Koroshegy about ten
years ago I had no idea
that this beautiful
Gothic building would one
day be the scene of the
world premiere of one of
my works. - The cantata
is founded on four
pillars: four organ soli
which could be described
as ritornelli, followed
by four a cappella
choruses with the same
melody but different
harmonizations. These are
settings of the four
verses of In Epiphaniam
by Janus Pannonius, the
most renowned Hungarian
poet and humanist of the
Renaissance. Between
these pillars I have
introduced movements for
choir or for soloists
based on Hungarian folk
tunes and Christmas songs
from Transylvania and the
Komitat Somogy: songs of
the shepherds, angels and
wise men, and, after a
pastorale for organ, a
large scale mixed-voice
chorus intoning Ez
karacsony ejszakajan
[Holy Night]. A narrator
introduces the individual
numbers with passages
from the Christmas story.
An organ postlude
concludes the work.
(Ferenc Farkas) This work
may be performed in
German, English, French
or Hungarian language.
Score and part available
separately - see item
CA.1037800.
Orchestra small setting: speaker, soloists and SSATTB choir, flute, bassoon, tru...(+)
Orchestra small setting:
speaker, soloists and
SSATTB choir, flute,
bassoon, trumpet in C,
violin, viola, cello,
organ; orchestra version:
speaker, soloists and
SSATTB choir, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 2 horns,
trumpet in C, harp ad
lib, 2 violins,
SKU:
CA.1037805
Christmas cantata.
Composed by Ferenc
Farkas. Edited by Andras
Farkas. Ein Krippenspiel.
Orchesterfassung. Sacred
vocal music, Christmas.
Choral Score. Composed
1970. 12 pages. Duration
21 minutes. Carus Verlag
#CV 10.378/05. Published
by Carus Verlag
(CA.1037805).
ISBN
9790007110819. Language:
German/English/French.
I wrote this
Christmas cantata from
Koroshegy at the request
of the Council of the
Komitat Somogy. When I
visited the still
unrenovated little church
at Koroshegy about ten
years ago I had no idea
that this beautiful
Gothic building would one
day be the scene of the
world premiere of one of
my works. - The cantata
is founded on four
pillars: four organ soli
which could be described
as ritornelli, followed
by four a cappella
choruses with the same
melody but different
harmonizations. These are
settings of the four
verses of In Epiphaniam
by Janus Pannonius, the
most renowned Hungarian
poet and humanist of the
Renaissance. Between
these pillars I have
introduced movements for
choir or for soloists
based on Hungarian folk
tunes and Christmas songs
from Transylvania and the
Komitat Somogy: songs of
the shepherds, angels and
wise men, and, after a
pastorale for organ, a
large scale mixed-voice
chorus intoning Ez
karacsony ejszakajan
[Holy Night]. A narrator
introduces the individual
numbers with passages
from the Christmas story.
An organ postlude
concludes the work.
(Ferenc Farkas) This work
may be performed in
German, English, French
or Hungarian language.
Score available
separately - see item
CA.1037800.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
1x 27.060/21 flute 1, 1x
27.060/22 flute 2, 1x
27.060/23 English horn 1,
1x 27.060/24 English horn
2, 5x 27.060/31 trumpet
1, 2 and trombones, 1x
27.060/42 harp. Harmony
parts. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Set of Orchestra
Parts. Composed 1856. Op.
4. Duration 45 minutes.
Carus Verlag #CV
27.060/09. Published by
Carus Verlag
(CA.2706009).
ISBN
9790007199777. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
parts available
separately - see item
CA.2706000.
Rosa Gallica Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1206227-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1206227-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2020. 29 pages.
De Haske Publications
#DHP 1206227-140.
Published by De Haske
Publications
(BT.DHP-1206227-140).
English-German-French-
Dutch.
Rosa
Gallica has been
written to commemorate
the centenary of the
First World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa
Gallica (French
rose), the composer
wishes to emphasize the
poetic image of the rose.
The stem represents the
years gone by such as
those taken up by the
First World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty and symbolises
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
anddramatic new work by
Jacob de Haan.
Rosa
Gallica is geschreven
ter gelegenheid van de
honderdjarige herdenking
van de Eerste
Wereldoorlog. Het werk
gaat met name over
Frankrijk, waar een groot
deel van de strijd zich
afspeelde. Met de titel
Rosa Gallica
(Franse roos) wilde de
componist de poëtische
symboliek van de roos
benadrukken. De stengel
staat voor het
verstrijken van de jaren,
een dramatische periode
die de Eerste
Wereldoorlog besloeg. De
doornen verwijzen naar de
oorlogen, conflicten en
de pijn van slachtoffers.
De bloem van de roos
vormt het beeld van
schoonheid en
symboliseert het
openstaan voor een
vreedzame wereld. De
compositie presenteert
het Frankrijk van eind
19e eeuw, geeftdaarna een
belangrijke rol in het
hart van de Eerste
Wereldoorlog weer tot de
jaren nadien. Een
spectaculair en
dramatisch nieuw werk van
Jacob de Haan.
Rosa
Gallica wurde zum
Gedenken an den
hundertsten Jahrestag des
Ersten Weltkriegs
geschrieben. In diesem
Werk steht Frankreich im
Mittelpunkt, da ein
Großteil der Kämpfe
dort stattfand. Mit dem
Titel Rosa Gallica
(Französische
Rose“) möchte
der Komponist das
poetische Bild einer Rose
hervorheben. Der Stamm
steht für die
vergangenen Jahre wie sie
der Erste Weltkrieg mit
sich brachte und die
Dornen verweisen auf den
Konflikt und den Schmerz,
den die Opfer erdulden
mussten. Die Rose selbst
steht für die
Schönheit und
symbolisiert die
Möglichkeit einer
friedlichen Welt. Das
Stück beschreibt
Frankreich vom Ende des
19. Jahrhunderts über
seine Rolle im Zentrumdes
Ersten Weltkriegs bis in
die Zeiten danach. Dies
ist ein großartiges
und dramatisches neues
Werk von Jacob de Haan.
Rosa Gallica Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1206227-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1206227-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2020. De
Haske Publications #DHP
1206227-010. Published by
De Haske Publications
(BT.DHP-1206227-010).
English-German-French-
Dutch.
Rosa
Gallica has been
written to commemorate
the centenary of the
First World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa
Gallica (French
rose), the composer
wishes to emphasize the
poetic image of the rose.
The stem represents the
years gone by such as
those taken up by the
First World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty and symbolises
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
anddramatic new work by
Jacob de Haan.
Rosa
Gallica is geschreven
ter gelegenheid van de
honderdjarige herdenking
van de Eerste
Wereldoorlog. Het werk
gaat met name over
Frankrijk, waar een groot
deel van de strijd zich
afspeelde. Met de titel
Rosa Gallica
(Franse roos) wilde de
componist de poëtische
symboliek van de roos
benadrukken. De stengel
staat voor het
verstrijken van de jaren,
een dramatische periode
die de Eerste
Wereldoorlog besloeg. De
doornen verwijzen naar de
oorlogen, conflicten en
de pijn van slachtoffers.
De bloem van de roos
vormt het beeld van
schoonheid en
symboliseert het
openstaan voor een
vreedzame wereld. De
compositie presenteert
het Frankrijk van eind
19e eeuw, geeftdaarna een
belangrijke rol in het
hart van de Eerste
Wereldoorlog weer tot de
jaren nadien. Een
spectaculair en
dramatisch nieuw werk van
Jacob de Haan.
Rosa
Gallica wurde zum
Gedenken an den
hundertsten Jahrestag des
Ersten Weltkriegs
geschrieben. In diesem
Werk steht Frankreich im
Mittelpunkt, da ein
Großteil der Kämpfe
dort stattfand. Mit dem
Titel Rosa Gallica
(Französische
Rose“) möchte
der Komponist das
poetische Bild einer Rose
hervorheben. Der Stamm
steht für die
vergangenen Jahre wie sie
der Erste Weltkrieg mit
sich brachte und die
Dornen verweisen auf den
Konflikt und den Schmerz,
den die Opfer erdulden
mussten. Die Rose selbst
steht für die
Schönheit und
symbolisiert die
Möglichkeit einer
friedlichen Welt. Das
Stück beschreibt
Frankreich vom Ende des
19. Jahrhunderts über
seine Rolle im Zentrumdes
Ersten Weltkriegs bis in
die Zeiten danach. Dies
ist ein großartiges
und dramatisches neues
Werk von Jacob de Haan.
Guitar SKU: BT.VOLMB160 Composed by Greg Horne. Book with CD. Volonte e C...(+)
Guitar
SKU:
BT.VOLMB160
Composed
by Greg Horne. Book with
CD. Volonte e Co
#VOLMB160. Published by
Volonte e Co
(BT.VOLMB160).
ISBN
9788863881578.
French.
This
book is perfect for
guitarists who have
learnt the basics and
ready to take it to the
next level. Beginning
with a brief reminder on
standard music reading
and Tabs, this method
will help you progress in
the followingareas:
grooves, special
techniques, theory,
improvisation and
alternate compositions.
It approaches a large
variety of styles, such
as acoustic funk, New
Orleans style, gypsy
swing, Celtic style,
bluegrass, Cajun music
andmore.
You will
learn to play the most
used Guitar pieces
working major chords,
triads and pentatonic
scales. Greg
Horne makes learning
the fascinating concepts
of Guitar possible whilst
engaging different
stylesandalternative
scales.
Tirol Terra Fortis Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094734-010.
Published by De Haske
Publications
(BT.DHP-1094734-010).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
™.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.
Tirol Terra Fortis Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2009. 40
pages. De Haske
Publications #DHP
1094734-140. Published by
De Haske Publications
(BT.DHP-1094734-140).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
™.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.
Guitar SKU: BT.VOLMB161 Composed by Greg Horne. Book with CD. Volonte e C...(+)
Guitar
SKU:
BT.VOLMB161
Composed
by Greg Horne. Book with
CD. Volonte e Co
#VOLMB161. Published by
Volonte e Co
(BT.VOLMB161).
ISBN
9788863881585.
French.
The last
volume of this superb
series dedicated to the
acoustic Guitar begins
with exercises enabling
development in style and
precision. Techniques
such percussive riffing,
right hand damping,
slaps, tapping, slap
harmoniesand tremolos are
studied. You will broaden
your knowledge of Celtic
music, blues,
improvisation,
alternative scales and
also learn to play
worldwide music styles
such as reggae, African
music, Brazilian, norteno
music and a mix
ofeverything.
These methods are very
important for
intermediate and advanced
guitarists and equally
include a study of more
that 10 alternative
scales and teach how to
analyse, contrast and
voice movement.
Everyguitarist,average to
professional will find
material to improve their
acoustic Guitar
playing.
English Horn; Piano SKU: HL.49018735 Piano Reduction with Solo Part(+)
English Horn; Piano
SKU: HL.49018735
Piano Reduction with
Solo Part. Composed
by Wolfgang-Andreas
Schultz. Edition Schott.
Contemporary. Softcover.
Composed 2011. 62 pages.
Schott Music #AST9287.
Published by Schott Music
(HL.49018735).
UPC:
884088657062.
9.0x12.0x0.192
inches.
The
composition
'Abendlandisches Lied' by
Wolfgang-Andreas Schutz
follows Georg Trakl's
poem of the same title.
The two-part piece for
cor anglais and orchestra
begins with a fantasia.
In the following fugue,
the cor anglais presents
three themes which
musically represent the
three epochs of the
Occident. A twelve-note
chord symbol of the
decline and fall forms
the climax. Afterwards
the melody of an Old
French love song from
around 1190 can be heard
as a symbol of
resurrection.
Concert Band (Score and Parts) - Grade 5 SKU: HL.44012758 Composed by Phi...(+)
Concert Band (Score and
Parts) - Grade 5
SKU:
HL.44012758
Composed
by Philip Sparke. Anglo
Music Concert Band. Folk,
Japanese. Softcover.
Composed 2015. De Haske
Publications #AMP443010.
Published by De Haske
Publications
(HL.44012758).
To hear a
recording of this piece,
please visit the Hal
Leonard MGB Concert Band
page at
https://www.youtube.com/c
hannel/UCeHzOLTDBDG2pZX6f
YtaxSw
Based on
the traditional Japanese
tune
â??Suiryo-Bushi,â?
Reflections on an Old
Japanese Folk Song
opens with two
contrasting statements of
the melody - first
sparsely presented by the
woodwinds and then in a
harmonized version played
by the full band. This is
followed by a lively
section based on
pentatonic melodies that
characterize the folk
tune. The following
slower variation first
centers around a
plaintive English horn
melody made up of
sections of the original
tune, and later presents
the opening phrases of
â??Suiryo-Bushiâ?
against an intensely
florid accompaniment. The
final section is in the
form of a scherzo that
eventually forms the
accompaniment to a final
presentation of the folk
tune. Duration: 8:30.
Game Over Trompette, Piano - Facile De Haske Publications
Trumpet and Piano - early intermediate SKU: BT.DHP-1206262-401 Composed b...(+)
Trumpet and Piano - early
intermediate
SKU:
BT.DHP-1206262-401
Composed by Jan
Hadermann. De Haske
Trumpet Series. Book and
Part(s). Composed 2020. 8
pages. De Haske
Publications #DHP
1206262-401. Published by
De Haske Publications
(BT.DHP-1206262-401).
ISBN 9789043159166.
English-German-French-Dut
ch.
Game
Over for trumpet
(optionally cornet or
flugelhorn) with piano
accompaniment is a lively
composition with a
playful character. The
range of the solo part is
limited to one and a half
octaves, making Game
Over an ideal
performance or test piece
for young musicians. The
composition is further
enhanced by the
rhythmically appealing
piano accompaniment. The
work was written by Jan
Hadermann as an optional
piece for his
grandson’s trumpet
exam, to whom Game
Over is also
dedicated.
Game Over
voor trompet (optioneel
kornet of bugel) en
pianobegeleiding is een
compositie met een
levendig, speels
karakter. De omvang van
de solopartij is beperkt
tot anderhalf octaaf,
waarmee Game Over
voor jonge muzikanten een
ideaal stuk is om tijdens
een uitvoering of op een
examen te spelen. De
aantrekkelijke ritmische
pianobegeleiding biedt
daarbij de nodige
ondersteuning. Jan
Hadermann schreef Game
Over als keuzewerk
voor het trompetexamen
van zijn kleinzoon, en
droeg het tevens aan hem
op.
Game
Over für Trompete
(wahlweise Kornett oder
Flügelhorn) und
Klavierbegleitung ist
eine Komposition von
lebhaftem, spielerischem
Charakter. Der Solopart
umfasst nur einen relativ
begrenzten Tonumfang von
anderthalb Oktaven:
dadurch ist Game
Over ein ideales
Vortrags- oder
Prüfungsstück
für junge Musiker,
dessen Wirkung durch die
rhythmisch attraktive
Klavierbegleitung noch
unterstützt wird. Jan
Hadermann komponierte das
Werk als Wahlstück
für das
Trompetenexamen seines
Enkels, dem es auch
gewidmet
ist.
A Man's Destiny Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1195826-010 Yn Ieren en Si...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1195826-010
Yn Ieren en Sinen.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1195826-010. Published by
De Haske Publications
(BT.DHP-1195826-010).
English-German-French-
Dutch.
A
Man’s Destiny
has the Frisian line
‘Yn Ieren en
Sinen’
(‘with much
conviction’) as
its subtitle. The work
was commissioned by CMV
Harmonie Sneek (based in
Friesland, The
Netherlands) to
acknowledge their 95th
anniversary. The composer
based this work on the
life of a former member
of the band, who played
flugelhorn in the
ensemble until the age of
86. Their favourite piece
of music,
‘Canon’ by
Thomas Tallis, provided a
great deal of musical
inspiration for this
characteristic and
versatile
work.
A
Man’s Destiny
heeft als ondertitel de
Friese regel ‘Yn
Ieren en Sinen’
(vanuit volle
overtuiging) meegekregen.
Het werk is geschreven in
opdracht van de CMV
Harmonie Sneek ter
gelegenheid van haar
95-jarig jubileum. De
componist baseerde de
compositie op het leven
van een oud-lid van de
vereniging een man die
tot zijn 86e jaar de
bugel bespeelde. Diens
lievelingslied,
‘Tallis’
Canon’ van Thomas
Tallis, is dan ook de
muzikale inspiratiebron
geweest voor dit
karakteristieke en
veelzijdige
werk.
A
Man’s Destiny
hat den friesischen
Ausspruch Yn Ieren en
Sinen“ (mit
großer Überzeugung)
als Untertitel. Das Werk
wurde von der CMV
Harmonie Sneek (aus
Friesland in den
Niederlanden)
anlässlich ihres
95-jährigen Bestehens
in Auftrag gegeben. Der
Komponist widmete sich in
diesem Werk dem Leben
eines ehemaligen
Orchestermitglieds, das
bis zum Alter von 86
Jahren in dem Ensemble
Flügelhorn gespielt
hat. Sein
Lieblingsstück
Canon“ von Thomas
Tallis diente als
wichtige musikalische
Inspirationsquelle für
diese charakteristische
und vielseitige
Komposition.
A Man's Destiny Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1195826-140 Yn Ieren en Si...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1195826-140
Yn Ieren en Sinen.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2019. 43 pages.
De Haske Publications
#DHP 1195826-140.
Published by De Haske
Publications
(BT.DHP-1195826-140).
English-German-French-
Dutch.
A
Man’s Destiny
has the Frisian line
‘Yn Ieren en
Sinen’
(‘with much
conviction’) as
its subtitle. The work
was commissioned by CMV
Harmonie Sneek (based in
Friesland, The
Netherlands) to
acknowledge their 95th
anniversary. The composer
based this work on the
life of a former member
of the band, who played
flugelhorn in the
ensemble until the age of
86. Their favourite piece
of music,
‘Canon’ by
Thomas Tallis, provided a
great deal of musical
inspiration for this
characteristic and
versatile
work.
A
Man’s Destiny
heeft als ondertitel de
Friese regel ‘Yn
Ieren en Sinen’
(vanuit volle
overtuiging) meegekregen.
Het werk is geschreven in
opdracht van de CMV
Harmonie Sneek ter
gelegenheid van haar
95-jarig jubileum. De
componist baseerde de
compositie op het leven
van een oud-lid van de
vereniging een man die
tot zijn 86e jaar de
bugel bespeelde. Diens
lievelingslied,
‘Tallis’
Canon’ van Thomas
Tallis, is dan ook de
muzikale inspiratiebron
geweest voor dit
karakteristieke en
veelzijdige
werk.
A
Man’s Destiny
hat den friesischen
Ausspruch Yn Ieren en
Sinen“ (mit
großer Überzeugung)
als Untertitel. Das Werk
wurde von der CMV
Harmonie Sneek (aus
Friesland in den
Niederlanden)
anlässlich ihres
95-jährigen Bestehens
in Auftrag gegeben. Der
Komponist widmete sich in
diesem Werk dem Leben
eines ehemaligen
Orchestermitglieds, das
bis zum Alter von 86
Jahren in dem Ensemble
Flügelhorn gespielt
hat. Sein
Lieblingsstück
Canon“ von Thomas
Tallis diente als
wichtige musikalische
Inspirationsquelle für
diese charakteristische
und vielseitige
Komposition.
Composed
by Gabriel Faure. Edited
by Denis Rouger. Single
Part, horns 1 and 2.
Composed 1887. Op. 50. 4
pages. Duration 5
minutes. Carus Verlag
#1040231. Published by
Carus Verlag
(CA.1040231).
ISBN
9790007311315. Key: F
sharp minor. French.
Text:
Montesquiou-Fezenzac,
Robert de.
62 Traditional Pieces
for Descant (Soprano)
Recorder. Edition
Schott. Classical,
English, Folk. Softcover
Audio Online. 44 pages.
Schott Music #ED13567D.
Published by Schott Music
(HL.49046427).
ISBN
9781847614988. UPC:
840126920970.
9.0x12.0x0.199
inches.
'English
Folk Tunes for Descant
Recorder' is a collection
of 62 arrangements for
descant recorder, of
traditional tunes
including a range of
styles such as Ballads,
Hornpipes, Jigs and more.
Experienced recorder
player and co-author of
the Baroque Recorder
Anthology series, and Fun
and Games with the
Recorder series amongst
others, Peter Bowman
provides notes on all of
the styles covered, as
well as individual
pieces. The volume is
accompanied bya recording
of all tunes performed by
Kathryn Bennetts. German
and French translations
of all texts are
available as pdf
downloads from the Schott
Music website as well as
MP3 play-along tracks.
Suitable for players of
grades 3-8.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violoncello. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Cello. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/14. Published by
Carus Verlag
(CA.2706014).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 2. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 2. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/12. Published
by Carus Verlag
(CA.2706012).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 1. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 1. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/11. Published
by Carus Verlag
(CA.2706011).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Viola. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Viola. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/13. Published by
Carus Verlag
(CA.2706013).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.