Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Norah Jones. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Performed by Norah Jones.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 80 pages.
Published by Hal Leonard.
Contents:
In The Morning
; Long Way Home
; What Am I To You
; Sunrise
; Carnival Town
; Toes
; Creepin' In
; Don't Miss You At All
; The Prettiest Thing
; Those Sweet Words
; Be Here To Love Me
; Above Ground
; Humble Me.
By Mormon Tabernacle Choir. By Gus Levene and Marvin Fisher. Arranged by Ryan Mu...(+)
By Mormon Tabernacle
Choir. By Gus Levene and
Marvin Fisher. Arranged
by Ryan Murphy. Shawnee
Press. Octavo. 20 pages.
Published by Shawnee
Press (HL.35030917).
(incorporating Jingle
Bells). Composed by
James Pierpont. Arranged
by Lois Brownsey and
Marti Lunn Lantz. Choral.
Christmas Secular,
Concert, Holiday. Octavo.
16 pages. Published by
Shawnee Press
(HL.35028239).
Jingle
Bells takes on a
funky '70s/'80s-feel
complete with the choir
playing sleigh bells! A
fun new take on a
favorite holiday tune.
Add some choreography for
a great finish to your
concert or encore
selection! Available:
3-Part Mixed; 2-Part;
StudioTrax CD.
To Those Who Dream Orchestre d'harmonie - Intermédiaire Daehn Publications
Grade 3 SKU: CL.LDP-7332-01 Fanfare and Processional. Composed by ...(+)
Grade 3
SKU:
CL.LDP-7332-01
Fanfare and
Processional.
Composed by Daehn.
Concert Band. Extra full
score. Composed 2019.
Daehn Publications
#LDP-7332-01. Published
by Daehn Publications
(CL.LDP-7332-01).
To Those Who
Dream: Fanfare and
Processional is a stately
ceremonial work from the
pen of beloved composer
Larry Daehn. Commissioned
by the New Glarus, Wisc.
High School Band, where
the composer taught for
many years, this piece is
based on poems and essays
written by band members.
This fanfare and
processional has drama,
nobility, enthusiasm, and
warmth, and could be
performed at graduation
events, memorial
concerts, or at festival.
Everybody picks their own
dream!
Trumpet Solo with Piano Accompaniment - 1-2 SKU: KN.10308 Composed by Var...(+)
Trumpet Solo with Piano
Accompaniment - 1-2
SKU: KN.10308
Composed by Various.
Edited by Carl Strommen.
Arranged by Jason
Chapman. Solo Collection.
Trumpet Solo. Kendor
Music Inc #10308.
Published by Kendor Music
Inc (KN.10308).
UPC:
822795103083.
Desig
ned for a first contest
or recital performance,
this grade 1-2
collections contain 14
pieces that have been
carefully edited by
trumpet specialist Jason
Chapman, and edited by
Carl Strommen. The free
downloadable piano
accompaniment MP3s will
be an invaluable tool for
students. Piano
accompaniment book sold
separately (#10309).
Available in
SmartMusic.
Conten
ts: Hunter's Chorus
(Weber); Country Gardens
(traditional); Simple
Gifts (traditional);
Drink To Me Only With
Thine Eyes (Mellish);
Believe Me, If All Those
Endearing Young Charms
(traditional); Jasmine
Flower (traditional);
Tenting On The Old
Campground (Kittredge);
The Sandman
(traditional); Musette
(Bach); If With All Your
Hearts (Mendelsohn); Ave
Verum Corpus (Mozart);
'Tis The Last Rose Of
Summer (traditional);
Fireproof Polka
(Strauss); Swanee River
(Foster).
Famine Song Chorale SATB SATB A Cappella [Octavo] - Intermédiaire Santa Barbara Music Publishing
By VIDA. Arranged by Matthew Culloton. For SATB choir, a cappella. Matthew and M...(+)
By VIDA. Arranged by
Matthew Culloton. For
SATB choir, a cappella.
Matthew and Michael
Culloton Choral Series.
General, Multicultural.
Medium. Octavo. Published
by Santa Barbara Music
Publishing
SKU: LO.99-1778L An Easter cantata for SATB Choir, Two Narrators and O...(+)
SKU: LO.99-1778L
An Easter cantata for
SATB Choir, Two Narrators
and Optional
Orchestra. Composed
by John Purifoy. Choral,
cantatas. Holy Week,
Eastertide, Sacred. Bulk
performance CDs. Lorenz
Publishing Company
#99/1778L. Published by
Lorenz Publishing Company
(LO.99-1778L).
UPC:
000308092820.
The
agony and angst of the
stirring events of Holy
Week textually and
musically evolve into the
jubilant celebration of
the risen Christ in this
moving portrayal of the
most significant event in
all Christendom. The
remarkable beauty and
sensitivity of John
Purifoy's music deftly
captures the extreme
pathos contained in the
story's darkest shadows
as well as the
exhilarating excitement
created by the risen
Christ. ...out of the
shadows of darkness,
Jesus triumphed ...out of
the shadows of death,
Jesus rose ...out of the
shadows of the
crucifixion, we are all
reborn This inspirational
presentation will be
especially welcomed and
successfully performed by
choirs of limited
resources while being
equally effective and
satisfying to those
choirs blessed with an
abundance of talent.
Famine Song Chorale SSAA SSAA A Cappella [Octavo] Santa Barbara Music Publishing
By VIDA; Matthew Culloton. For SSAA choir, a cappella. Matthew and Michael Cullo...(+)
By VIDA; Matthew
Culloton. For SSAA choir,
a cappella. Matthew and
Michael Culloton Choral
Series. Concert. Octavo.
Published by Santa
Barbara Music Publishing
SKU: LO.99-1777L An Easter cantata for SATB Choir, Two Narrators and O...(+)
SKU: LO.99-1777L
An Easter cantata for
SATB Choir, Two Narrators
and Optional
Orchestra. Composed
by John Purifoy. Choral,
cantatas. Holy Week,
Eastertide, Sacred.
Accompaniment CD. Lorenz
Publishing Company
#99/1777L. Published by
Lorenz Publishing Company
(LO.99-1777L).
UPC:
000308092813.
The
agony and angst of the
stirring events of Holy
Week textually and
musically evolve into the
jubilant celebration of
the risen Christ in this
moving portrayal of the
most significant event in
all Christendom. The
remarkable beauty and
sensitivity of John
Purifoy's music deftly
captures the extreme
pathos contained in the
story's darkest shadows
as well as the
exhilarating excitement
created by the risen
Christ. ...out of the
shadows of darkness,
Jesus triumphed ...out of
the shadows of death,
Jesus rose ...out of the
shadows of the
crucifixion, we are all
reborn This inspirational
presentation will be
especially welcomed and
successfully performed by
choirs of limited
resources while being
equally effective and
satisfying to those
choirs blessed with an
abundance of talent.
Organ - advanced SKU: HL.49018084 Pathetique. Composed by Enjott S...(+)
Organ - advanced
SKU:
HL.49018084
Pathetique.
Composed by Enjott
Schneider. This edition:
Saddle stitching. Sheet
music. Organ Collection.
Naturlich denkt man beim
Titel Orgelsinfonie Nr. 9
Pathetique von Enjott
Schneider an ein anderes
Werk mit diesem Beinamen:
an Tschaikowskys Sinfonie
Nr. 6. Und das ist kein
Zufall: Der Komponist
sieht sein Orgelwerk als
Hommage an diese grosse
Schwester. Composed 2009.
52 pages. Schott Music
#ED20670. Published by
Schott Music
(HL.49018084).
ISBN
9790001168687. UPC:
884088531089.
9.0x12.0x0.218
inches.
One of the
first things that comes
to one's mind when
reading the title of
Organ Symphony No. 9
'Pathetique' by Enjott
Schneider is another work
with this epithet:
Tchaikovsky's Symphony
No. 6. And that is no
coincidence: The composer
regards his organ work as
an homage to this 'elder
sister'. While
Tchaikovsky, in a secret
programme, made out his
own life to be a struggle
and long ordeal to the
point of his suspected
suicide, Enjott Schneider
presents those hours as
the ultimate tale of woe
in which Jesus had well
and truly become human,
fatefully bearing the
pain and misery of all
people. 'Gethsemane',
'Geiselung: Ecce homo',
'Golgatha' and
'Grablegung': Maria
Magdalena' are the names
of the stages and
movements. The Greek word
'pathos' means 'strong
emotion, feeling, passion
or suffering' - in
Schneider's Organ
Symphony No. 9, this
comes true, musically, in
his inner conflict,
struggle, wrestling with
his fate, cruelty of the
crucifixion and deathly
silence.
Percussion and 1 or more inst. (18 sound bowls, toy piano and further instrument...(+)
Percussion and 1 or more
inst. (18 sound bowls,
toy piano and further
instruments)
SKU:
BR.EB-9227
Composed
by Nicolaus A. Huber.
Solo instruments; Folder.
Edition Breitkopf.
World premiere: Castle
Kaisheim-Leitheim, June
23, 2013
Music
post-1945; New music
(post-2000). Score.
Composed 2012. 28 pages.
Duration 13'. Breitkopf
and Haertel #EB 9227.
Published by Breitkopf
and Haertel (BR.EB-9227).
ISBN 9790004184912.
10.5 x 14
inches.
Erosfragmen
te , ein Stuck fur einen
Schlagzeugsolisten,
gehort zu meiner
Sehnsuchtstrilogie mit
Pothos (fur Schlagzeug
solo) und Himeros (fur
Schlagzeug, Harfe und
Zuspielungen). Pothos,
Himeros und Eros sind
nach einer griechischen
Mythoserzahlung Sohne des
dusteren Zephiros. Eros
ist die Energie
schlechthin, das Streben
nach dem Vollkommenen,
nach dem Guten und
Schonen, wie Platon
Sokrates sagen lasst.
Eros ist ein Helfer auf
dem Erkenntnisweg.
Erosfragmente ist fur 18
Klangschalen, Toy Piano
und wenige andere
Instrumente geschrieben.
Am besten gibt ein Zitat
des Stringtheoretikers
Juan Malceda die inneren
Faszinationen und
Anziehungskrafte in
meinem Stuck wieder: ,,Es
ist wie bei einem See.
Die Oberflache sieht
glatt aus, Insekten
laufen darauf. Aber
mikroskopisch gibt es
keine Oberflache, da
wackeln nur Molekule; und
daraus geht die
Oberflache hervor.
(Suddeutsche Zeitung, 27.
Juli 2012, S. 18).
Klangschalen haben es in
sich! Je nach Schlagel
und Lautstarke des
Anschlags entfalten sie
die verschiedenartigsten
Klange und
Nachhalldauern, manchmal
bis zu einer Minute.
Dagegen fallt der Klang
des benutzten 25-tonigen
Toy Pianos rasch ab, ist
sozusagen ein
Gegenmodell. Bis auf zwei
Ausnahmen sollen alle
Klangschalen
weiterklingen durfen.
Daraus ergibt sich die
stets sich verandernde,
vibrierende Harmonik der
Klanggestalt-Oberflache.
In mehreren Schichten
bilden Molekule
Oberflachen, die wieder
als Molekule Oberflachen
bilden, die wieder ...
Herausfordernde
Klangmelodien und
irisierende Klangwolken,
die da auf den Horer
zukommen, benotigen
naturlich die Empathie
des Laufers. Nicht nur
die Metallschalen und
Klangstabe schwingen,
alles schwingt und auch
unser Korper schwingt auf
den vielschichtigsten
Ebenen. Schwingungen
umschwingen uns aber
auch. Die Vernunft, die
in unseren Korpern liegt,
braucht immer wieder den
Eros nach der Schonheit
von Musik. Fragmente
haben offene Enden. Die
Anschlagsrhythmik und die
resultierenden
Klangdauern sind gezahmt
in einer Massstabstruktur
von 57x21 Einheiten. Jede
Einheit ist durch
metrische
Impulsgliederungen
aufladbar. Die Nachklange
bleiben die
Daueranarchisten. Eros
selbst hat kein Wesen, er
ist die Energie. In
,,Erosfragmente hat er
kompositorisch gerichtete
Abstrahlungen und man
braucht nochmal Eros, um
etwas entstehen zu
lassen. Sonst kriegen
auch Insekten nasse
Fusse. (Nicolaus A.
Huber, 2012) Bibliography
: ,,Es gibt Dinge, die
sind richtig, aber sie
ruhen. Nicolaus A. Huber
im Gesprach mit Michael
Struck-Schloen, in:
MusikTexte, Heft 154
(August 2017), pp.
31-37.
World
premiere: Castle
Kaisheim-Leitheim, June
23, 2013.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Eldorado Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1206260-140 Composed by Thi...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1206260-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2020. 39
pages. De Haske
Publications #DHP
1206260-140. Published by
De Haske Publications
(BT.DHP-1206260-140).
English-German-French-
Dutch.
The myth of
El Dorado (“the
golden oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn’t
bring back nearly as much
gold as they expected, if
any at all.
Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of
theirEldorado-themed
festival in 2019.
De mythe van El
Dorado (de man van goud)
is het verhaal van een
machtig opperhoofd die
zichzelf met goudpoeder
bedekte voordat hij ging
baden in een heilig meer
waar hij ook kostbare
voorwerpen aan de goden
offerde. Deze mythe werd
al snel bekend bij de
Spaanse conquistadores en
vormde de aanzet tot vele
expedities, hoewel de
veroveraars niet met
grote hoeveelheden goud
terugkwamen, zoals ze
hadden gehoopt.
Eldorado is een
mysterieus, dynamisch
werk dat het verhaal van
de gouden man verklankt,
alsmede de Europese
expedities die op touw
werden gezet. Met een
vleugje exotische
invloeden is de muziek
gevarieerd en rijk aan
schakeringen. Het werk
werd geschreven in
opdrachtvan de Franse
culturele organisatie
Lille 3000 als onderdeel
van het thematische
programma Eldorado in
2019.
Der Mythos
von El Dorado (der
Goldene“) handelt
von einem mächtigen
Herrscher, der sich vor
dem Baden in einem
heiligen See mit
Goldstaub bedeckte und
als Opfergaben an die
Götter kostbare
Gegenstände in den See
warf. Der Mythos sprach
sich bald bei den
spanischen Eroberern
herum und war der Grund
für zahlreiche
Expeditionen doch sie
fanden nicht annähernd
so viel Gold, wie sie
erhofft hatten.
Eldorado ist ein
geheimnisvolles und
dynamisches Werk, das den
Mythos des goldenen
Mannes“ und die
daraus resultierenden
Expeditionen der
Europäer darstellt.
Durch ethnische
Anklänge ist die Musik
sehr abwechslungsreich.
Dieses Stück wurde vom
französischen
Kulturverein Lille3000
für den
Themenschwerpunkt
Eldorado“ im Jahr
2019 in Auftrag gegeben.
Eldorado Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1206260-010 Composed by Thi...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1206260-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2020.
De Haske Publications
#DHP 1206260-010.
Published by De Haske
Publications
(BT.DHP-1206260-010).
English-German-French-
Dutch.
The myth of
El Dorado (“the
golden oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn’t
bring back nearly as much
gold as they expected, if
any at all.
Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of
theirEldorado-themed
festival in 2019.
De mythe van El
Dorado (de man van goud)
is het verhaal van een
machtig opperhoofd die
zichzelf met goudpoeder
bedekte voordat hij ging
baden in een heilig meer
waar hij ook kostbare
voorwerpen aan de goden
offerde. Deze mythe werd
al snel bekend bij de
Spaanse conquistadores en
vormde de aanzet tot vele
expedities, hoewel de
veroveraars niet met
grote hoeveelheden goud
terugkwamen, zoals ze
hadden gehoopt.
Eldorado is een
mysterieus, dynamisch
werk dat het verhaal van
de gouden man verklankt,
alsmede de Europese
expedities die op touw
werden gezet. Met een
vleugje exotische
invloeden is de muziek
gevarieerd en rijk aan
schakeringen. Het werk
werd geschreven in
opdrachtvan de Franse
culturele organisatie
Lille 3000 als onderdeel
van het thematische
programma Eldorado in
2019.
Der Mythos
von El Dorado (der
Goldene“) handelt
von einem mächtigen
Herrscher, der sich vor
dem Baden in einem
heiligen See mit
Goldstaub bedeckte und
als Opfergaben an die
Götter kostbare
Gegenstände in den See
warf. Der Mythos sprach
sich bald bei den
spanischen Eroberern
herum und war der Grund
für zahlreiche
Expeditionen doch sie
fanden nicht annähernd
so viel Gold, wie sie
erhofft hatten.
Eldorado ist ein
geheimnisvolles und
dynamisches Werk, das den
Mythos des goldenen
Mannes“ und die
daraus resultierenden
Expeditionen der
Europäer darstellt.
Durch ethnische
Anklänge ist die Musik
sehr abwechslungsreich.
Dieses Stück wurde vom
französischen
Kulturverein Lille3000
für den
Themenschwerpunkt
Eldorado“ im Jahr
2019 in Auftrag gegeben.