(Pro Vocal Men's Edition Volume 25). By John Lennon, Paul McCartney, and The Beatles. Pro Vocal. Book with CD. 40 pages. Published by Hal Leonard

(Pro Vocal Women's Edition Volume 45). Pro Vocal. Softcover with CD. 40 pages. Published by Hal Leonard

Oratorio in two parts (Dresden 1742). Critical Edition. Composed by Johann Adolf Hasse. Edited by Gaetano Pitarresi. Napoli e l’Europa (Naples and Europe). Classical. Vocal Score. Ut Orpheus #NAP 13R. Published by Ut Orpheus

Oratorio in two parts (Napoli 1717). Critical Edition. Composed by Alessandro Scarlatti. Edited by Gaetano Pitarresi. Napoli e l’Europa (Naples and Europe). Classical. Vocal Score. Ut Orpheus #NAP 12R. Published by Ut Orpheus

(from Alfred, Konig der Angelsachsen, Hob. XXX:5). Composed by Franz Joseph Haydn (1732-1809). Edited by Anton Gabmayer. For STB chorus and orchestra. Full score. Published by Edition HH Music Publishers

Composed by August Bergt. For SAB choir. Choral score. Published by Edition Musica Rinata

Composed by August Bergt. For SAB choir, organ. Score. Published by Edition Musica Rinata

(Volume 2). For Choral (Unison/2-Part Teacher Edition). Methodology Chorals. Published by Hal Leonard

(Pro Vocal Men's Edition Volume 49). Pro Vocal. Softcover with CD. 40 pages. Published by Hal Leonard

(TH BR)

SKU: HL.49041852

Einfuhrung und Kommentar. Composed by Otto Nicolai. Edited by Kurt Pahlen. This edition: Paperback/Soft Cover. Paperback. Edition Schott. Text book/libretto. 282 pages. Schott Music #SP 8009. Published by Schott Music (HL.49041852).

ISBN 9783795780098. German.

Otto Nicolais Oper Die lustigen Weiber von Windsor ist eine der zahlreichen Vertonungen von William Shakespeares Sujet, der Komodie The merry widows of Windsor, und ist zusammen mit Verdis Falstaff diejenige, die sich an den Opernhausern durchgesetzt hat. Anders als Verdi und sein Textdichter Arrigo Boito halten sich Nicolai und der Librettist H.S. Mosenthal eng an die Vorlage und belassen die Buhnenhandlung im Kleinstadtmilieu. Es entstand eine Oper, die in ihrer quellenden, glucklichen Musik, in der Elastizitat des Orchsters, in der Pracht ihrer Erfindung bluht.Dieses Buch enthalt neben dem Textbuch einfuhrende Kommentare von Kurt Pahlen. Er begleitet das musikalische und aussere wie innere dramatische Geschehen der Oper mit Hinweisen zu kompositorischer Struktur und Sinnzusammenhang. Eine kurze Inhaltsangabe und ein Abriss der Entstehungsgeschichte stellen das Werk in einen Zusammenhang mit dem Gesamtschaffen des Komponisten und seiner Biographie und bieten eine umfassende, reich illustrierte Einfuhrung.

By Dvorak Antonin. Czech title: Koncert pro violoncello a orchestr h moll op. 104. Published by Praha (Czech import).

(Easy Guitar TAB DVD). For Guitar. This edition: Easy Guitar TAB. Artist/Personality; DVD; Guitar Method or Supplement; Guitar TAB; Play-Along. Ultimate Easy Play-Along. Pop/Rock; Rock. Published by Alfred Music

(A beginner book for cello). By Kathy Blackwell; David Blackwell. For cello, with CD. Cello. Cello Time. Cello Time. Method book and CD. 40 pages. Published by Oxford University Press

(A beginner book for viola). By Kathy and David Blackwell. For viola, with CD. Viola. Viola Time. Viola Time. Method book and CD. 40 pages. Published by Oxford University Press

String Quartet

SKU: PR.16400222S

Composed by Dan Welcher. Full score (study). With Standard notation. Duration 11 minutes. Theodore Presser Company #164-00222S. Published by Theodore Presser Company (PR.16400222S).

UPC: 680160037841.

This work follows my Quartet No. 1 by five years. In terms of style and aesthetic aim, however, it seems light years away. Where the first work, a 28-minute, four-movement piece, took aim at cosmic conflicts and heroic resolutions, the present work is intended as a kind of divertissment. Harbor Music lasts a mere eleven minutes, is cast in a single movement with six sections, and should leave both performers and listeners with a feeling of good humor and affection.   The title comes from my experience as a guest in the magnificent city of Sydney, Australia. One of its most attractive features is its unique system of ferry boats: the city is laid out around a large, multi-channeled harbor, with destinations more easily approached by water than by land. Consequently, inhabitants of Sydney get around on small, people-friendly boats that come and go from the central docks at Circular Quay. During a week's visit in 1991, I must have boarded these boats at least a dozen times, always bound for a new location - the resort town of Manley, or the Zoo at Taronga Park, or the shopping district at Darling Harbour.   In casting about for a form for my second string quartet, a kind of loose rondo came to mind. Each new destination would be approached from the same starting-out point (although there are subtle variations in the repeating theme; it's always in a new key, and the texture is never the same). The result, I hope, is a sense of constant new information presented with introductory frames of a more familiar nature.   The embarkation theme, which begins the piece, is a sort of bi-tonal fanfare in which the violins are in G major and the viola and cello are in B-flat major. It is bold, eager, and forward-looking. The first voyage maintains this bi-tonality, beginning as a 9/8 due for second violin and viola in a kind of rocking motion -much as a boat produces when reaching the deeper water in the harbor. A sweet, nostalgic theme emerges over this rocking accompaniment. This music is developed somewhat, then transforms quickly into a much faster and lighter episode, filled with rising and falling scales (again, in differing keys). A scherzando interlude in short notes and changing meters provides contrast, and the episode ends with a reprise of the scales.   The second embarkation follows, this time in A major/C major. It leads quickly into a very warm and slow theme, in wide-leaping intervals for the viola. This section is interrupted twice by solo cadenzas for the cello, suggesting distant boat-horns in major thirds. The end of the episode becomes a transition, with boat-horns leading into the final appearance of the embarkation music, this time in trills and tremolos instead of sharply accented chords. The nostalgic theme of the first episode makes a final appearance, serving now as a coda. The rocking motion continues, in a lullaby fashion, leaving us drowsy and satisfied on our homeward journey.   Harbor Music was written for the Cavani Quartet, and is dedicated to Richard J. Bogomolny. Commissioned by his employees at First National Supermarkets as a gift, it represents a thank you from many of the people (including this composer) who have benefitted from his vision and generosity. An ardent advocate of chamber music (and a cellist himself), Mr. Bogomolny has for many years been Chairman of the Board of Chamber Music America. -- Dan Welcher.

SATB vocal soli, SATB choir, 2 oboes, 2 trumpets, timpani, 2 violins, viola, cello, basso continuo

SKU: CA.5032909

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. 1x 50.329/21 oboe 1, 1x 50.329/22 oboe 2, 1x 50.329/31 clarino 1, 1x 50.329/32 clarino 2, 1x 50.329/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Francisci Seraphici Mh 826. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1803. MH 826. 64 pages. Duration 45 minutes. Carus Verlag #CV 50.329/09. Published by Carus Verlag (CA.5032909).

ISBN 9790007223922. Key: D major. Language: Latin.

Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day (Missa sub titulo Sanctae Theresiae, 50.328). Both Masses are impressive because of their size and their unusually large instrumental forces. Score and parts available separately - see item CA.5032900.

SATB choir - Easy

SKU: WD.080689498770

Dawn of Love's Pure Light. Composed by Kenna Turner West, Dale Mathews & Steve W. Mauldin. Arranged by Steve W. Mauldin. Choral, cantatas. Simply Word. Bulletins (100-pak). Duration 39 minutes. Word Music #080689498770. Published by Word Music (WD.080689498770).

UPC: 080689498770.

From the creative team that brought you the best-selling musical, Joy, Unspeakable Joy!... Kenna Turner West, Dale Mathews and Steve W. Mauldin...comes another uplifting, worshipful and inspiring seasonal musical for your Christmas choir. O Night Divine compels the listener to celebrate the joyful, glorious birth of our Lord and Savior. It encourages us to offer our highest praise to the One known by such magnificent names as Wonderful Counselor, Mighty God, and Everlasting Father. And it invites us to come to the manger, bow down, and worship the King of Kings. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!
O Night Divine features inspired, new Christmas songs from Kenna West, threaded together by three powerful, well-known songs, such as
A Christmas Alleluia, made popular by Chris Tomlin; Ring the Bells, made popular by artists Travis Cottrell and Big Daddy Weave; and Hope Was Born This Night, popularized by Sidewalk Prophets. All of the songs are woven together with threads of a rich narration and the colorful, many-faceted arrangements and orchestrations of Steve W. Mauldin. O Night Divine, the perfect musical for your choir this Christmas!

Song Titles: Ring the Bells * Gloria (Emmanuel has Come) * Carol Hymn Medley (Come, Thou Long-Expected Jesus with O Come, O Come, Emmanuel) * The Time has Come * Have You Heard the News * A Christmas Alleluia * O Night Divine with A Christmas Alleluia * Finale with Hope Was Born This Night and Ring the Bells (Reprise).

Arban. Composed by Jean- Baptiste Arban. Edited by Michael Roylance. Perfect. Book. Carl Fischer #O5553. Published by Carl Fischer

By Dean Martin, Frank Sinatra, and Sammy Davis, Jr.. Piano/Vocal/Guitar Artist Songbook. Softcover. 80 pages. Published by Hal Leonard