Concert Band - Grade 2.5 SKU: AP.BD00797C Arranged by James D. Ployhar. C...(+)
Concert Band - Grade 2.5
SKU: AP.BD00797C
Arranged by James D.
Ployhar. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Christmas; Sacred;
Traditional; Winter.
Score. 16 pages. Belwin
Music #00-BD00797C.
Published by Belwin Music
(AP.BD00797C).
UPC:
038081437071. English.
Traditional.
This
tuneful French Christmas
carol has retained
popularity from year to
year. This charming
arrangement captures the
melodic excitement that
makes this theme so
popular with carolers
each holiday season.
Chimes play a prominent
part in this setting
along with chime-like
effects in the woodwinds
and brass. We hope this
delightful carol will
help you capture the mood
and spirit of the holiday
season.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125256-140 A Tone Poem fo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125256-140
A Tone Poem for Wind
Orchestra. Composed
by Satoshi Yagisawa.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2012. 28 pages.
De Haske Publications
#DHP 1125256-140.
Published by De Haske
Publications
(BT.DHP-1125256-140).
9x12 inches.
English-German-French-Dut
ch.
Like the
Eagle, We Soar and
Rise was commissioned
by Yuying Secondary
School Concert Band and
Yuying Alumni Association
for the 2010 centenary of
the school’s
foundation. The piece was
named by a friend of the
composer named Steven
Phua, who originally
suggested commissioning a
new piece to Satoshi
Yagisawa. The piece
furthermore takes its
name from the text of the
Yuying Secondary School
song.This composition is
based on three different
concepts: the first one
demonstrates ‘The
founders’ passion
for education’;
the second concept
illustrates
‘Hardship in war
time’; the third
one ‘To the
future’ describes
the inner strength people
find to overcome
struggles. Thispiece
concludes with a fanfare,
which is the sound of
hope that leads to a
brighter future in a
positive direction.The
world premiere of this
piece was conducted by
Faizal Bin Othman, who is
one of the leading
educators in Singapore,
and was performed by the
Yuying Secondary School
Concert Band.
Like the
Eagle, We Soar and
Rise is geschreven in
opdracht van de Yuying
Secondary School Concert
Band en de Yuying Alumni
Association, ter
gelegenheid van het
honderdjarig bestaan van
de school in 2010. Het
werk kreeg zijnnaam van
een vriend van de
componist, Steven Phua,
van wie in eerste
instantie het voorstel
kwam een nieuw werk bij
Satoshi Yagisawa in
opdracht te geven. De
titel is gebaseerd op de
tekst van het schoollied
van de Yuying
SecondarySchool. De
compositie is gestoeld op
drie verschillende
gegevens: het eerste
weerspiegelt de liefde
voor onderwijs van de
oprichters destijds, het
tweede behelst de
ontberingen in
oorlogstijd, en het derde
betreft de kijk op
detoekomst -waarbij de
innerlijke kracht van
mensen helpt
moeilijkheden te
overwinnen. Het werk
eindigt met een fanfare:
de klank van hoop die vol
optimisme een betere
toekomst verkondigt. De
wereldpremière werd
uitgevoerd door de
YuyingSecondary School
Concert Band, onder
leiding van Faizal Bin
Othman, een van de meest
gerenommeerde
muziekpedagogen in
Singapore.
Like
the Eagle, We Soar and
Rise war ein
Kompositionsauftrag des
Blasorchesters der Yuying
Secondary School und des
Yuying-Alumni-Verbandes
(Singapur). Anlass des
Auftrags war das
hundertjährige
Jubiläum der
Schulgründung im Jahr
2010. Der Werktitel
stammt von einem Freund
des Komponisten namens
Steven Phua, der auch die
Idee hatte, ein neues
Stück von Satoshi
Yagiswa schreiben zu
lassen. Außerdem
bezieht sich der Titel
auf den Text des
Schulliedes.Dieses Werk
basiert auf drei
unterschiedlichen
Konzepten: Das erste
spiegelt die Leidenschaft
der Gründer für das
Lehren wider; das zweite
Konzept beschreibt die
Not in Kriegszeiten; das
dritte Konzept mit dem
TitelTo the Future“
(zur Zukunft hingewandt)
handelt von der inneren
Stärke, die Menschen
entwickeln, um
Schwierigkeiten zu
überwinden. Das Werk
endet mit einer Fanfare,
die der Hoffnung auf eine
bessere Zukunft Klang
verleiht.Die Weltpremiere
von Like the Eagle, We
Soar and Rise wurde
von Faizal Bin Othman,
einem der führenden
Lehrbeauftragten von
Singapur, dirigiert. Es
spielte das Blasorchester
der Yuying Secondary
School.
La movimentata
storia di un istituto
scolastico in occasione
dei festeggiamenti per il
suo centenario, ha spinto
Satoshi Yagisawa a
comporre questo brano
basandosi su tre idee ben
distinte: la passione per
lo studio, la sofferenza
durante i periodi di
guerra e la speranza in
un futuro migliore,
simboleggiato dalla
fanfara finale.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0830001-010 With vocal sco...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0830001-010
With vocal score in
English and Dutch.
Composed by Jan de Haan.
Christmas Collection.
Christmas. Set (Score &
Parts). Composed 1983. De
Haske Publications #DHP
0830001-010. Published by
De Haske Publications
(BT.DHP-0830001-010).
Christmas
Fantasy is a
fantastic medley by Jan
de Haan which features
some of the best-known
songs from the Christmas
season. Includes: Es
ist ein Ros' entsprungen
- O Little Town of
Bethlehem - Once in Royal
David's City - Hark!The
Herald Angel's Sing - God
Rest Ye Merry
Gentlemen and Good
King Wenceslas.
English and Dutch choral
parts are also availble
for this
work.
Deze
fantasie over
kerstliederen werd voor
het eerst uitgevoerd in
1983 door het Hope
College Choir, Holland
Community Choral, orkest
en orgel tijdens een
concert en televisie
opname in het Amerikaanse
Holland-Michigan.
Tegelijkertijdmaakte Jan
de Haan een transcriptie
voor ha/fa/bra waardoor
het werk zowel
instrumentaal als met
koor (SATB) en/of orgel
ad libitum uitvoerbaar
is.Jan de Haan maakte in
Christmas Fantasy
gebruik van de liederen:
Esist ein Ros’
entsprungen, O Little
Town of Bethlehem, Once
in Royal David’s
City, The Herald Angels
Sing, God Rest Ye Merry
Getlemen en Good
King Wenceslas.
Koorpartijen zijn
verkrijgbaar in het
Nederlands en
Engels.
Die
feierliche und
stimmungsvolle
Christmas Fantasy
hat im Laufe der Jahre
nichts von ihrer
Attraktivität
verloren. Das Medley aus
einigen der bekanntesten
Weihnachtslieder der
Weit, z.B. Es ist ein
Ros' entsprungen - O
Little Town ofBethlehem -
Once in Royal David's
City - Hark! The Herald
Angel's Sing - God Rest
Ye Merry Gentlemen
und Good King
Wenceslas, von Jan de
Haan gewohnt meisterhaft
gesetzt, kann mit oder
ohne Orgelbegleitung
aufgeführt
werden.Zusätzlich
enthalten sind
Chorstimmen auf Englisch
und
Holländisch.
Choral
Score. Composed by
Christian Bruhn. This
edition: Saddle
stitching. Sheet music.
Choral. Classical.
Octavo. 24 pages.
Duration 50'. Schott
Music #ED22470-01.
Published by Schott Music
(HL.49045235).
ISBN
9781495072505. German.
Author: James
Kruess.
This
children's musical is an
ecological 'lesson'.
Christian Bruhn (composer
of 'Hey, hey Wicki',
'Heidi', and many more)
set the eponymous book by
James Kruss to music.
Lying on his cloud and
flying over the country,
Florian not only sees the
beauty of nature, but he
also learns how human
carelessness, stupidity
and greed end in
destruction and war. The
musical ends in a kind of
appeal: 'Man has to
remain, but we hope that
his doings will be better
in future!'.
Composed
by Dan Welcher. Spiral.
Large Score. With
Standard notation.
Duration 10 minutes.
Theodore Presser Company
#466-00047. Published by
Theodore Presser Company
(PR.466000470).
UPC:
680160099405. 11 x 17
inches.
This is the
second incarnation of a
work I first composed in
1994 for symphonic wind
ensemble. The earlier
version was intended to
be the summation of
three-part suite, each
part being named for a
different national park
in the Western United
States. This orchestral
version, commissioned in
1999 by the Utah Symphony
and dedicated to the
memory of Aaron Copland,
is more than a re-scoring
of the earlier piece; it
is a re-thinking of all
its elements. Zion is a
place with unrivaled
natural grandeur, being a
sort of huge box canyon
in which the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both his
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of
triumph.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Jonathan Del Mar. This
edition: urtext edition.
Paperback. Score, Set of
parts. Opus 1.
Baerenreiter
Verlag #BA10943_00.
Published
by Baerenreiter Verlag
(Solo Version (Printed Edition)). By Sergei Rachmaninoff (1873-1943). Arranged b...(+)
(Solo Version (Printed
Edition)). By Sergei
Rachmaninoff (1873-1943).
Arranged by Peng-Peng
Gong. LKM Music. Hal
Leonard #X410103.
Published by Hal Leonard
Composed by Traditional.
Arranged by Erica
Donahoe. Fas. Full score.
Duration 2 minutes, 19
seconds. Carl Fischer
Music #FAS140F. Published
by Carl Fischer Music
(CF.FAS140F).
ISBN
9781491165225. UPC:
680160924134. Key: E
minor.
Carol of the
Bells is a holiday tune
that my students request
year after year,
particularly my beginning
players. I wrote this
arrangement with the goal
of creating something
that was well within the
reach of beginning
players--with simple
notes and rhythms, and in
a range where they could
produce good tone and
intonation. The addition
of We Three Kings makes
it a little more
interesting for the
player and the listener.
I hope your students
enjoy this
arrangement!
Chorus for St.
Michael's Day.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Nun Ist Das Heil
Und Die Kraft (Kubik).
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 1.
Composed circa 1740. BWV
50. 4 pages. Duration 5
minutes. Carus Verlag #CV
31.050/61. Published by
Carus Verlag
(CA.3105061).
ISBN
9790007206260. Key: D
major. Language:
German/English.
Com
posed in the late period,
around 1740 A lively
discussion about the
choral movement Nun ist
das Heil und die Kraft
has been carried on, in
which not only all
previous assumptions have
been called into
question-including Bach's
authorship-but also show
how little we know about
the history of this
magnificent movement.
Even though there is
little to refute the 1982
presumption that the work
was handed down in the
form of an arrangement,
the question remains open
concerning the identity
of the arranger, as well
as the alleged form of
the original design.
Therefore it seemed
appropriate to forego any
attempts at
reconstruction. Rather,
for the present new
edition the music has
been critically examined
and commented upon based
on the surviving copy
from Bach's
circle.
SATB chorus SKU: HH.HH563-CHS Composed by Emma Brown. Choral score. Editi...(+)
SATB chorus
SKU:
HH.HH563-CHS
Composed
by Emma Brown. Choral
score. Edition HH Music
Publishers #HH563-CHS.
Published by Edition HH
Music Publishers
(HH.HH563-CHS).
ISBN
9790708185789.
This
simple,four-part setting
of the introit 'Rorate
Caeli' captures both the
hope and the intimacy
traditionally associated
with Advent. With its
haunting, cascading
phrases, it is a valuable
addition to the Advent
repertoire. The text is
the introit for the
fourth Sunday of Advent
and can be sung
liturgically. This short
composition would also
make a beautiful
contribution to an Advent
or a Christmas concert,
its warm harmonies
leading the listener from
the darkness of Advent to
the spirit of
Christmas.
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094809-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy
SKU:
BT.DHP-1094809-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Book
Only. Composed 2009. 24
pages. De Haske
Publications #DHP
1094809-401. Published by
De Haske Publications
(BT.DHP-1094809-401).
ISBN 9789043132688.
9x12 inches.
English.
ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente.
Arranged by Tom Gerou. For Piano. Book; Method/Instruction; Piano - Alfred's Bas...(+)
Arranged by Tom Gerou.
For Piano. Book;
Method/Instruction; Piano
- Alfred's Basic Piano
Course. Alfred's Basic
Piano Library. Children;
Contemporary Christian.
24 pages. Published by
Alfred Music
By C.J. Adams / J. Williams. For SATB choir with optional Violin. Scripture Refe...(+)
By C.J. Adams / J.
Williams. For SATB choir
with optional Violin.
Scripture References:
Mark 14:12-26 -- Matthew
26:26-27. Sacred,
Communion. Choir. 12
pages
Full orchestra SKU: LO.30-3537L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3537L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. CD with
printable parts. Lorenz
Publishing Company
#30/3537L. Published by
Lorenz Publishing Company
(LO.30-3537L).
UPC:
000308148930.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!