Composed by David Leisner (1953-). Score and part(s). With Standard notation. Co...(+)
Composed by David Leisner
(1953-). Score and
part(s). With Standard
notation. Composed
13-Aug. 28 pages.
Duration 9 minutes, 30
seconds. Theodore Presser
Company #144-40716.
Published by Theodore
Presser Company
(PR.144407160).
SATB choir, Unison SKU: GH.CG-7197 Composed by Mats Eden. Play demo (spel...(+)
SATB choir, Unison
SKU: GH.CG-7197
Composed by Mats Eden.
Play demo
(spelanvisningar). With
Language: Swedish.
Gehrmans Musikforlag #CG
7197. Published by
Gehrmans Musikforlag
(GH.CG-7197).
SATB Choir, Orchestra (Study Score) SKU: HL.14026108 Composed by Zbigniew...(+)
SATB Choir, Orchestra
(Study Score)
SKU:
HL.14026108
Composed
by Zbigniew Preisner.
Music Sales America.
Post-1900. Sheet Music,
Score. With Text
language: Greek / Latin /
Polish. Chester Music
#CH61497. Published by
Chester Music
(HL.14026108).
UPC:
884088811266. 0.408
inches.
Composer's
Note Once, we had a joint
conception to create a
concert telling a life
story. The premiere was
planned to take place on
the Acropolis in Athens.
It was intended to be a
large event, a hybrid of
a mystery play and an
opera. Krzysztof
Kieslowski would be the
director, Krzysztof
Piesiewicz was
responsible for the
script, and I was
planning to compose the
music. We thought it
might be the first of a
series of musical
performances, to be
developed in various
interesting places around
the world in the next few
years. But it was life
that authored a different
ending: Krzysztof
Kieslowski died in March
of 1996. The first part
of Requiem for My Friend
is meant as a farewell to
Krzysztof Kieslowski. I
dedicate this music to
him. Zbigniew
Preisner.
Trumpet SKU: M7.AHW-303 Composed by Ben Paisner. Arranged by Ed Polcer. S...(+)
Trumpet
SKU:
M7.AHW-303
Composed
by Ben Paisner. Arranged
by Ed Polcer. Sheet
music. Performance book.
58 pages. Charles Colin
Corp. #AHW 303. Published
by Charles Colin Corp.
(M7.AHW-303).
English.
From
the famous David Gornston
Trumpet Library. These
swing studies from the
forties are a compilation
of favorite etudes by Ben
Paisner. His phrasing and
interpretation
exemplifies the period to
a T. They are among the
dozens written for the
David Gornston
Library.
Composed by
Michael Boo. Folio. Cps.
Set of Score and Parts.
1+8+8+4+8+8+2+2+4+4+2+2+8
+8+4+4+6+6+3+2+1+2+1+1+1+
4+4+2+20 pages. Duration
3 minutes, 16 seconds.
Carl Fischer Music
#CPS244. Published by
Carl Fischer Music
(CF.CPS244).
ISBN
9781491157985. UPC:
680160916580. 9 x 12
inches.
On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Donat be
concerned if you donat
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isnat essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isnat critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes donat sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Don't be
concerned if you don't
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn't essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isn't critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes don't sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft.Don’t be
concerned if you
don’t have some of
the lower voice color
instruments such as bass
clarinet, baritone
saxophone, and/or
bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn’t
essential as it doubles
tuba, but a lack or
scarcity of bass trombone
and/or tuba isn’t
critical if you do have
those other low
woodwinds.The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being
slurred.When the accented
whole notes surrounded by
rests are played, be sure
they are held out for a
full four counts. Save
the crescendo for m. 19
and quickly drop back
down in volume at m. 21.
At m. 31, the whole notes
do not crescendo to the
same ff volume as the
melody. Those parts are
to save their crescendo
for m. 35. Pay attention
to the instruments that
do not diminuendo at m.
39.In the slower section
after m. 41, be careful
that the diminuendos on
the half notes
don’t sag in pitch
as the notes get softer.
Trumpets and horns at m.
49 must not play their
notes as accents. Give
particular attention to
the diminuendos in the
melody at m. 56, so that
they fade out as the
volume of the other
instruments grows.The
accented notes at mm. 85
and 86 should each be
heard through the volume
of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece.
Composed
by Michael Boo. Sws. Cps.
Full score. 20 pages.
Duration 3 minutes, 16
seconds. Carl Fischer
Music #CPS244F. Published
by Carl Fischer Music
(CF.CPS244F).
ISBN
9781491157992. UPC:
680160916597. 9 x 12
inches.
On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Donat be
concerned if you donat
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isnat essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isnat critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes donat sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Don't be
concerned if you don't
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn't essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isn't critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes don't sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft.Don’t be
concerned if you
don’t have some of
the lower voice color
instruments such as bass
clarinet, baritone
saxophone, and/or
bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn’t
essential as it doubles
tuba, but a lack or
scarcity of bass trombone
and/or tuba isn’t
critical if you do have
those other low
woodwinds.The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being
slurred.When the accented
whole notes surrounded by
rests are played, be sure
they are held out for a
full four counts. Save
the crescendo for m. 19
and quickly drop back
down in volume at m. 21.
At m. 31, the whole notes
do not crescendo to the
same ff volume as the
melody. Those parts are
to save their crescendo
for m. 35. Pay attention
to the instruments that
do not diminuendo at m.
39.In the slower section
after m. 41, be careful
that the diminuendos on
the half notes
don’t sag in pitch
as the notes get softer.
Trumpets and horns at m.
49 must not play their
notes as accents. Give
particular attention to
the diminuendos in the
melody at m. 56, so that
they fade out as the
volume of the other
instruments grows.The
accented notes at mm. 85
and 86 should each be
heard through the volume
of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece.
A Tribute to Disney Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Arranged by Atsuhiro Isozaki. Young Concert Band. TV-Film- Musical-Show. Set (S...(+)
Arranged by Atsuhiro
Isozaki.
Young Concert Band.
TV-Film-
Musical-Show. Set (Score
and
Parts). Composed 2001.
Hal
Leonard #0860-01-010 DHE.
Published by Hal Leonard
Arranged by Atsuhiro Isozaki. Young Concert Band. TV-Film- Musical-Show. Score ...(+)
Arranged by Atsuhiro
Isozaki.
Young Concert Band.
TV-Film-
Musical-Show. Score Only.
Composed 2001. Hal
Leonard
#0860-01-140 DHE.
Published
by Hal Leonard
Tale Spin Theme (Spin It!) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
From Walt Disney's The Disney Afternoon. Arranged by Peter Kleine Schaars. Pet...(+)
From Walt Disney's The
Disney
Afternoon. Arranged by
Peter
Kleine Schaars. Peter's
Popular Collection.
TV-Film-
Musical-Show. Set (Score
and
Parts). Composed 2003.
Hal
Leonard #1100-04-010 DHE.
Published by Hal Leonard
Tale Spin Theme (Spin It!) Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
From Walt Disney's The Disney Afternoon. Arranged by Peter Kleine Schaa...(+)
From Walt Disney's
The Disney
Afternoon. Arranged by
Peter
Kleine Schaars.
Peter's
Popular Collection.
TV-Film-
Musical-Show. Set (Score
&
Parts). Composed 2003.
Hal
Leonard #1100-04-030 DHE.
Published by Hal Leonard
Medley. Arranged
by Eiji Suzuki. New
Sounds for Concert Band.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185977-010. Published by
De Haske Publications
(BT.DHP-1185977-010).
Who
doesn’t like the
bad guys in the movies?
We all know they will
lose in the end, but
maybe we’re
rooting for them a
little. Enjoy this
Disney Villains
medley!
Hebben
we niet allemaal een zwak
voor de slechteriken in
de tekenfilm? We weten
dat ze uiteindelijk aan
het kortste eind zullen
trekken, maar we voelen
vaak ook heimelijk met ze
mee! Reden genoeg om een
heuse slechterikenmedley
te maken. Geniet van deze
Disney Villains
Medley!
Wer
mag nicht die Bösen im
Film? Wir alle wissen,
dass sie am Ende
verlieren werden, aber
wir hegen dennoch auch
ein wenig Sympathie
für sie! Grund genug,
ein echtes Medley der
Bösen“ zu
erstellen. Viel Spaß
mit dem Disney
Villains
Medley!
A chi non
piacciono i cattivi nei
film? Sappiamo tutti che
alla fine perderanno, ma
comunque ci piace avere
per loro una sorta di
comprensione! Un motivo
sufficiente per mettere
insieme un medley del
cattivo. Godetevi quindi
il Disney Villains
Medley ossia il
medley dei personaggi
cattivi di Disney!
Choral (Audio Sampler) SKU: HL.160869 Audio Sampler. Recorded Prom...(+)
Choral (Audio Sampler)
SKU: HL.160869
Audio Sampler.
Recorded Promo -
Stockable. Disney,
Musicals. Audio File.
Published by Hal Leonard
(HL.160869).
UPC:
888680625238.
9.0x12.0x0.377
inches.
The jungle
is jumpin' with jazz in
this exciting Disney
classic! Adapted for
young performers from the
beloved Disney film and
the works of Rudyard
Kipling, this musical
includes all your
favorite Disney tunes,
including “The Bare
Necessities†and
“I Wan'na Be Like
You.†With colorful
characters and that
toe-tapping jungle
rhythm, The Jungle Book
KIDS is sure to be a
crowd-pleaser for all
ages. The audio sampler
includes a complete
description of all the
Broadway Junior ShowKit
components, details on
how to order and other
important information
regarding your
performance. Go to the
Disney's The Jungle Book
KIDS show page See other
Broadway Junior
collections.
Piano/Vocal/Guitar SKU: HL.256650 Composed by Various. Piano/Vocal/Guitar...(+)
Piano/Vocal/Guitar
SKU: HL.256650
Composed by Various.
Piano/Vocal/Guitar
Songbook. Children,
Disney, Movies.
Softcover. 288 pages.
Published by Hal Leonard
(HL.256650).
ISBN
9781540015303. UPC:
888680723699.
9.0x12.0x0.78
inches.
This
updated 7th edition
coffee table collection
is a Disney lover's dream
come true! It is a guided
tour through the many
legendary years of Disney
music. The book begins
with an extensive musical
history of Disney,
followed by beautiful
piano/vocal arrangements
of 70 Disney classics.
Printed on deluxe stock
with more than 100
stunning full-color
illustrations
accompanying the text and
music, this book is a
keepsake to treasure for
years to come! Songs
include:
Bibbidi-Bobbidi-Boo (from
Cinderella) * Circle of
Life (from The Lion King)
* Evermore (from Beauty
and the Beast) * How Far
I'll Go (from Moana) * I
See the Light (from
Tangled) * Let It Go
(from Frozen) * Under the
Sea (from The Little
Mermaid) * When You Wish
Upon a Star (from
Pinocchio) * You've Got a
Friend in Me (from Toy
Story) * and more.
Two Worlds Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
From Walt Disney Pictures' TARZAN. Composed by Phil Collins. Arranged b...(+)
From Walt Disney
Pictures'
TARZAN. Composed by Phil
Collins. Arranged by
Takashi
Hoshide.
TV-Film-Musical-
Show. Score Only.
Composed
2000. Hal Leonard
#0603-00-
140 DHE. Published by Hal
Leonard
Clarinet - easy SKU: BT.DHP-1196092-404 Kleine Werke aus großen Kin...(+)
Clarinet - easy
SKU:
BT.DHP-1196092-404
Kleine Werke aus
großen Kinohits.
Yamaha BläserKlasse
Solo.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2019. 28 pages.
De Haske Publications
#DHP 1196092-404.
Published by De Haske
Publications
(BT.DHP-1196092-404).
ISBN 9789043156721.
German.
Die
Unterhaltungsfilme aus
der Produktion von Walt
Disney Pictures,
insbesondere die
Zeichentrickfilme,
prägen bis heute ganze
Generationen von Kindern
und Jugendlichen. Nicht
wegzudenken ist dabei die
Musik, die nicht nur in
den Filmen selbst zu
hören ist, sondern
unter anderem auch den
Grundstein für mehrere
große Musical-Erfolge
gelegt hat. In
BläserKlasse
Disney sind 14 der
berühmtesten Melodien
aus Walt-Disney-Filmen
versammelt. Die Ausgabe
ist als ergänzendes
Spielmaterial für
Klarinettenschüler
konzipiert, die ihr
Instrument in
Bläserklassen
erlernen. Die
Solo-Arrangements sind
genau auf den
Lernfortschritt in der
BläserKlassen-Methode
Essential Elements
abgestimmt, da zu jedem
einzelnen Song angegeben
ist, ab welcher Lektion
der Methode er sich
eignet. Für das
authentische
Disney-Feeling sorgen die
stilechten Begleitungen,
die online im MP3-Format
abgerufen werden
können.
Choral (SATB) SKU: HL.279345 (Choral Medley). Composed by Various....(+)
Choral (SATB)
SKU:
HL.279345
(Choral
Medley). Composed by
Various. Arranged by Alan
Billingsley. Disney
Choral. Ballad, Classics,
Disney, Medley, Movies,
Pop, Rock, Show Choir.
Octavo. Duration 375
seconds. Published by Hal
Leonard (HL.279345).
UPC: 888680755942.
6.75x10.5x0.062
inches.
Show your
mettle and embrace your
inner hero with this
medley of Disney songs of
bravery and adventure.
Whatever the task, your
choirs will be up to it
as they are taught
lessons of valor as only
Disney movies can.
Includes: How Far I'll
Go, Touch the Sky,
Reflection, When Will My
Life Begin? and Zero to
Hero.
Trumpet - easy SKU: BT.DHP-1196094-404 Kleine Werke aus groÃ?en Kinoh...(+)
Trumpet - easy
SKU:
BT.DHP-1196094-404
Kleine Werke aus
groÃ?en Kinohits.
Yamaha BläserKlasse
Solo.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2019. 28 pages.
De Haske Publications
#DHP 1196094-404.
Published by De Haske
Publications
(BT.DHP-1196094-404).
ISBN 9789043156745.
German.
Die
Unterhaltungsfilme aus
der Produktion von Walt
Disney Pictures,
insbesondere die
Zeichentrickfilme,
prägen bis heute ganze
Generationen von Kindern
und Jugendlichen. Nicht
wegzudenken ist dabei die
Musik, die nicht nur in
den Filmen selbst zu
hören ist, sondern
unter anderem auch den
Grundstein für mehrere
groÃ?e Musical-Erfolge
gelegt hat. In
BläserKlasse
Disney sind 14 der
berühmtesten Melodien
aus Walt-Disney-Filmen
versammelt. Die Ausgabe
ist als ergänzendes
Spielmaterial für
Trompetenschüler
konzipiert, die ihr
Instrument in
Bläserklassen
erlernen. Die
Solo-Arrangements sind
genau auf den
Lernfortschritt in der
BläserKlassen-Methode
Essential Elements
abgestimmt, da zu jedem
einzelnen Song angegeben
ist, ab welcher Lektion
der Methode er sich
eignet. Für das
authentische
Disney-Feeling sorgen die
stilechten Begleitungen,
die online im MP3-Format
abgerufen werden
können.
From Walt Disney's The Disney Afternoon. Arranged by Peter Kleine Schaars. Pet...(+)
From Walt Disney's The
Disney
Afternoon. Arranged by
Peter
Kleine Schaars. Peter's
Popular Collection.
TV-Film-
Musical-Show. Set (Score
and
Parts). Composed 2003.
Hal
Leonard #1100-04-020 DHE.
Published by Hal Leonard
Horn - easy SKU: BT.DHP-1196095-404 Kleine Werke aus groÃ?en Kinohits...(+)
Horn - easy
SKU:
BT.DHP-1196095-404
Kleine Werke aus
groÃ?en Kinohits.
Yamaha BläserKlasse
Solo.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2019. 28 pages.
De Haske Publications
#DHP 1196095-404.
Published by De Haske
Publications
(BT.DHP-1196095-404).
ISBN 9789043156752.
German.
Die
Unterhaltungsfilme aus
der Produktion von Walt
Disney Pictures,
insbesondere die
Zeichentrickfilme,
prägen bis heute ganze
Generationen von Kindern
und Jugendlichen. Nicht
wegzudenken ist dabei die
Musik, die nicht nur in
den Filmen selbst zu
hören ist, sondern
unter anderem auch den
Grundstein für mehrere
groÃ?e Musical-Erfolge
gelegt hat. In
BläserKlasse
Disney sind 14 der
berühmtesten Melodien
aus Walt-Disney-Filmen
versammelt. Die Ausgabe
ist als ergänzendes
Spielmaterial für
Hornschüler
konzipiert, die ihr
Instrument in
Bläserklassen
erlernen. Die
Solo-Arrangements sind
genau auf den
Lernfortschritt in der
BläserKlassen-Methode
Essential Elements
abgestimmt, da zu jedem
einzelnen Song angegeben
ist, ab welcher Lektion
der Methode er sich
eignet. Für das
authentische
Disney-Feeling sorgen die
stilechten Begleitungen,
die online im MP3-Format
abgerufen werden
können.
Alto Saxophone - easy SKU: BT.DHP-1196093-404 Kleine Werke aus groÃ?e...(+)
Alto Saxophone - easy
SKU:
BT.DHP-1196093-404
Kleine Werke aus
groÃ?en Kinohits.
Yamaha BläserKlasse
Solo.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2019. 28 pages.
De Haske Publications
#DHP 1196093-404.
Published by De Haske
Publications
(BT.DHP-1196093-404).
ISBN 9789043156738.
German.
Die
Unterhaltungsfilme aus
der Produktion von Walt
Disney Pictures,
insbesondere die
Zeichentrickfilme,
prägen bis heute ganze
Generationen von Kindern
und Jugendlichen. Nicht
wegzudenken ist dabei die
Musik, die nicht nur in
den Filmen selbst zu
hören ist, sondern
unter anderem auch den
Grundstein für mehrere
groÃ?e Musical-Erfolge
gelegt hat. In
BläserKlasse
Disney sind 14 der
berühmtesten Melodien
aus Walt-Disney-Filmen
versammelt. Die Ausgabe
ist als ergänzendes
Spielmaterial für
Altsaxophonschüler
konzipiert, die ihr
Instrument in
Bläserklassen
erlernen. Die
Solo-Arrangements sind
genau auf den
Lernfortschritt in der
BläserKlassen-Methode
Essential Elements
abgestimmt, da zu jedem
einzelnen Song angegeben
ist, ab welcher Lektion
der Methode er sich
eignet. Für das
authentische
Disney-Feeling sorgen die
stilechten Begleitungen,
die online im MP3-Format
abgerufen werden
können.
From Walt Disney's The Disney Afternoon. Arranged by Peter Kleine Schaars. Pet...(+)
From Walt Disney's The
Disney
Afternoon. Arranged by
Peter
Kleine Schaars. Peter's
Popular Collection.
TV-Film-
Musical-Show. Score Only.
Composed 2003. Hal
Leonard
#1100-04-130 DHE.
Published
by Hal Leonard
From Walt Disney's The Disney Afternoon. Arranged by Peter Kleine Schaars. Pet...(+)
From Walt Disney's The
Disney
Afternoon. Arranged by
Peter
Kleine Schaars. Peter's
Popular Collection.
TV-Film-
Musical-Show. Score Only.
Composed 2003. Hal
Leonard
#1100-04-120 DHE.
Published
by Hal Leonard
Choral (ShowTrax CD) SKU: HL.267806 (Choral Medley). Composed by V...(+)
Choral (ShowTrax CD)
SKU: HL.267806
(Choral Medley).
Composed by Various.
Arranged by Alan
Billingsley. Disney
Choral. Ballad, Classics,
Disney, Medley, Movies,
Pop, Rock, Show Choir.
CD. Duration 375 seconds.
Published by Hal Leonard
(HL.267806).
UPC:
888680735142.
5.0x5.0x0.115
inches.
Show your
mettle and embrace your
inner hero with this
medley of Disney songs of
bravery and adventure.
Whatever the task, your
choirs will be up to it
as they are taught
lessons of valor as only
Disney movies can.
Includes: How Far I'll
Go, Touch the Sky,
Reflection, When Will My
Life Begin? and Zero to
Hero.
Trombone - easy SKU: BT.DHP-1196096-404 Kleine Werke aus groÃ?en Kino...(+)
Trombone - easy
SKU:
BT.DHP-1196096-404
Kleine Werke aus
groÃ?en Kinohits.
Yamaha BläserKlasse
Solo.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2019. 28 pages.
De Haske Publications
#DHP 1196096-404.
Published by De Haske
Publications
(BT.DHP-1196096-404).
ISBN 9789043156769.
German.
Die
Unterhaltungsfilme aus
der Produktion von Walt
Disney Pictures,
insbesondere die
Zeichentrickfilme,
prägen bis heute ganze
Generationen von Kindern
und Jugendlichen. Nicht
wegzudenken ist dabei die
Musik, die nicht nur in
den Filmen selbst zu
hören ist, sondern
unter anderem auch den
Grundstein für mehrere
groÃ?e Musical-Erfolge
gelegt hat. In
BläserKlasse
Disney sind 14 der
berühmtesten Melodien
aus Walt-Disney-Filmen
versammelt. Die Ausgabe
ist als ergänzendes
Spielmaterial für
Posaunenschüler
konzipiert, die ihr
Instrument in
Bläserklassen
erlernen. Die
Solo-Arrangements sind
genau auf den
Lernfortschritt in der
BläserKlassen-Methode
Essential Elements
abgestimmt, da zu jedem
einzelnen Song angegeben
ist, ab welcher Lektion
der Methode er sich
eignet. Für das
authentische
Disney-Feeling sorgen die
stilechten Begleitungen,
die online im MP3-Format
abgerufen werden
können.
Flute - easy SKU: BT.DHP-1196091-404 Kleine Werke aus groÃ?en Kinohit...(+)
Flute - easy
SKU:
BT.DHP-1196091-404
Kleine Werke aus
groÃ?en Kinohits.
Yamaha BläserKlasse
Solo.
TV-Film-Musical-Show.
Book with Online Audio.
Composed 2019. 28 pages.
De Haske Publications
#DHP 1196091-404.
Published by De Haske
Publications
(BT.DHP-1196091-404).
ISBN 9789043156714.
German.
Die
Unterhaltungsfilme aus
der Produktion von Walt
Disney Pictures,
insbesondere die
Zeichentrickfilme,
prägen bis heute ganze
Generationen von Kindern
und Jugendlichen. Nicht
wegzudenken ist dabei die
Musik, die nicht nur in
den Filmen selbst zu
hören ist, sondern
unter anderem auch den
Grundstein für mehrere
groÃ?e Musical-Erfolge
gelegt hat. In
BläserKlasse
Disney sind 14 der
berühmtesten Melodien
aus Walt-Disney-Filmen
versammelt. Die Ausgabe
ist als ergänzendes
Spielmaterial für
Flötenschüler
konzipiert, die ihr
Instrument in
Bläserklassen
erlernen. Die
Solo-Arrangements sind
genau auf den
Lernfortschritt in der
BläserKlassen-Methode
Essential Elements
abgestimmt, da zu jedem
einzelnen Song angegeben
ist, ab welcher Lektion
der Methode er sich
eignet. Für das
authentische
Disney-Feeling sorgen die
stilechten Begleitungen,
die online im MP3-Format
abgerufen werden
können.
Four Pieces Guitare [Partie seule] Theodore Presser Co.
(For Solo Guitar). By David Leisner (1953-). For guitar solo. Premiered by Benja...(+)
(For Solo Guitar). By
David Leisner (1953-).
For guitar solo.
Premiered by Benjamin
Verdery, 1986.
Contemporary. Solo part.
Standard notation. 20
pages. Duration 15
minutes. Published by
Theodore Presser Company