3-Part Choir

SKU: HL.48188368

J'aurai Grand Tort. Leduc. Softcover. Heugel & Cie #HE32459. Published by Heugel & Cie (HL.48188368).

Anonym Maitre Duos Trios Renaissance Pj391 J'aurai Grand Tort 3 Part.

3-Part Choir

SKU: HL.48188197

J'ai Dormi Matinee. Composed by Mathieu Gascongne. Leduc. Softcover. Heugel & Cie #HE32238. Published by Heugel & Cie (HL.48188197).

Gascongne Duos Trios Renaissance Pj260 J'ai Dormi Matinee (Agnel) 3pt.

Composed by Mykola D. Leontovich / Peter J. Wilhousky. Arranged by Steve Kupferschmid. Peter J. Wilhousky. Octavo. Duration 1 minute, 50 seconds. BriLee Music #BL953. Published by BriLee Music (CF.BL953).

By M. Leontovich/P. J. Wilhousky. Arranged by Peter J. Wilhousky. For SSA A Cappella. Published by Carl Fischer.

By J. Paul Williams and Michael Barrett. For Choral. Shawnee Press. Choral, Bass/Percussion, Tracks, Christmas, Epiphany, Youth Choirs and Sacred. 8 pages. Shawnee Press #D5477. Published by Shawnee Press

By James Pierpont. Arranged by Jeff Funk. For Choir. (TBB). Choral Octavo. Novelty; Secular, Christmas. Level: Moderate (grade 3). Choral Octavo. 12 pages. Published by Alfred Publishing.

(Ocho Kandelikas). By Flory Jagoda. Arranged by J.A. Kawarsky. (SSA). TRANSCONTINENTAL MUSIC CHORAL. Jewish. 20 pages. Published by Transcontinental Music Publications.

(Vancouver 2010 CTV Olympic Theme Song). Arranged by Mark A. Brymer. SAB. Pop Choral Series. 12 pages. Published by Hal Leonard

Composed by J. William Greene. Choral. Sacred Anthem, Eastertide, General. Octavo. Sacred Music Press #10/5201S. Published by Sacred Music Press

By Francisco J. Nunez. (SSA). In High Voice. Size 6.8x10.5 inches. 14 pages. Published by Boosey & Hawkes.

By Joseph M. Martin. Words by J. Paul Williams. For SSA Choir. Sheet Music. Published by Harold Flammer Music.

By Francisco J. Nunez. (SSA DIVISI). In High Voice. 8 pages. Published by Boosey and Hawkes.

SSA Choir

SKU: HL.14013394

Composed by J Groocock. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV252412. Published by Music Sales (HL.14013394).

STB choir, viola or cello, and organ - Early Intermediate Composed by J. Christopher Pardini. All Saints/All Souls, Funeral, 21st Century. Score and instrument part. MorningStar Music Publishers #50-7085. Published by MorningStar Music Publishers

Lyrics by J. Paul Williams, music by Joseph M. Martin. Octavo for TTB choir and piano accompaniment. Series: New Directions Choral Series, Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Mykola D. Leontovich / Peter J. Wilhousky. Arranged by Steve Kupferschmid. Octavo. 8 pages. Duration 1 minute, 50 seconds. BriLee Music #BL00928. Published by BriLee Music (CF.BL928).

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

By John Jacob Niles, Folk Song. Arranged by J.J. Niles, J Standley. (SSA). Choral. Size 6.7x10.5 inches. 8 pages. Published by G Schirmer, Inc.

By Francis Scott Key, music by John Stafford Smith. Arranged by Russell L. Robinson. For Choir. (3-Part Mixed, a cappella). Choral Octavo. Patriotic, Americana. Level: Moderate (grade III). Choral Octavo. 8 pages. Published by Alfred Publishing.

By Shania Twain And R.J. Lange. Arranged by Teena Chinn. For Choir. (SAB (3-part Mixed)). Choral Octavo. Pop Choral Series. Level: Moderate (grade 3). Choral Octavo. 20 pages. Published by Alfred Publishing.

Composed by Georges Brassens, Alain Langree. Collection. Secular. Choir part. 160 pages. Published by Editions a Coeur Joie (CJ.A135300725).

Composed by Andre J. Thomas. For 3-part mixed choir and piano. Spiritual. Octavo. Heritage Music Press #15/3303H. Published by Heritage Music Press

3-part equal voices, cantor, assembly, keyboard accompaniment

SKU: GI.G-008336

Composed by Paul M. French. Eastertide, Easter 4 A. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #008336. Published by GIA Publications (GI.G-008336).

UPC: 641151083360. English. Text by Alan J. Hommerding.

By Thomas J. Porter. For 3-part mixed choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2374H)

By Haven Gillespie, music by J. Fred Coots. Arranged by Russell L. Robinson. For Choir. (3-Part Mixed). Choral Octavo. Secular, Christmas. Level: Moderate (grade III). Choral Octavo. 12 pages. Published by Alfred Publishing.

Choral (3-Part Mixed choir)

SKU: HL.35028776

Composed by J. de Lau Lusignan and Paul Lacome. Arranged by Jill Gallina. Choral. Christmas, Concert, French, Holiday. Octavo. 12 pages. Published by Shawnee Press (HL.35028776).

ISBN 9781480308954. UPC: 884088875626. 6.75x10.5 inches.

This bright and joyful French tune is a favorite for many a choir and is newly arranged for mixed voices in all levels as well as for women's voices. The lyrics are in French and English, making it a fresh and stand-out choice for your holiday concert.

By C. Marianne J. Fisher / Arr. Naylor. Arranged by David R. Naylor. Text: C. Marianne J. Fisher. For SSA Choir. Level: Medium. Duration 2:30. Published by Jackman Music Corporation.