By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Violins/2 Violas/Violoncello/Basses (Violoncello/Contrabass/O rgan)). This edition: Paperback, Urtext edition. Replaces BA 4002-90. Psalm 109. Piano reduction. Language: Latin. HWV 232. 93 pages. Duration 40 minutes. Published by Baerenreiter Verlag

Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon)

SKU: HL.49019927

Sleepers Wake. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Choral. Softcover. 12 pages. Schott Music #ED21773-01. Published by Schott Music (HL.49019927).

ISBN 9790001196956. German.

With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!

Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon)

SKU: HL.49044071

Sleepers Wake. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. 8 pages. Schott Music #ED21773-11. Published by Schott Music (HL.49044071).

ISBN 9790001199063. German.

With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!

(Je Ne Fus Jamais Si Aise). Composed by Linda Spevacek. For SATB choir (a cappella) (with optional recorder, continuo (cello, digital keyboard), hand drum, tambourine, finger cymbals). Christmas, Concert. Octavo. Text language: French. Published by Heritage Music Press

Composed by Johann Pachelbel (1653-1706). Sacred, Baroque. Choir and piano part. 16 pages. Published by Editions a Coeur Joie (CJ.A112200103).

Composed by Michael Haydn (1737-1806). Edited by Martin Banner. For SATB choir and keyboard. Octavo. 19 pages. Published by Alliance Music Publications

Composed by Michael Haydn (1737-1806). Edited by Martin Banner. For SATB choir, 2 horns in G, 2 violins, cello, double bass and continuo. Full score and instrumental parts. Published by Alliance Music Publications

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112714

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Cello/Double Bass. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/14. Published by Carus Verlag (CA.3112714).

ISBN 9790007048891. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116315

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. 2 violoncellos. Sacred vocal music, End of the church year. Single Part, 2 Cellos. Composed 1715. BWV 163. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.163/15. Published by Carus Verlag (CA.3116315).

ISBN 9790007208998. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101815

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Holy Week. Single Part, Cello/Double Bass. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/15. Published by Carus Verlag (CA.3101815).

ISBN 9790007204884. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909805

Zum Osterfest Christ lag in Todes Banden. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Christ Lag In Todes. Sacred vocal music, Missa brevis in Latin, Easter and Eastertide. Choral Score. Composed 1720. TVWV 9:3. 12 pages. Duration 10 minutes. Carus Verlag #CV 39.098/05. Published by Carus Verlag (CA.3909805).

ISBN 9790007162122. Language: Latin.

Telemann's Missa brevis on the Easter chorale Christ lag in Todes Banden is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score available separately - see item CA.3909800.

By George Frideric Handel (1685-1759). Arranged by Clifford Bartlett. For SATB choir and orchestra (2 oboes, 2 bassoon, 3 trumpets, timpani, strings, continuo). Orchestral. Classic Choral Works. Miscellaneous. Cello/bass/bassoon Part. 16 pages

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116314

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, End of the church year. Single Part, basso continuo. Composed 1715. BWV 163. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.163/14. Published by Carus Verlag (CA.3116314).

ISBN 9790007208981. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

SATB/SATB choir, 2 oboes, oboe d'amore, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3105014

Chorus for St. Michael's Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Nun Ist Das Heil Und Die Kraft (U.Wolf). Sacred vocal music, Cantatas, Special days, Psalms. Single Part, Cello/Double Bass. Composed circa 1740. BWV 50. 2 pages. Duration 5 minutes. Carus Verlag #CV 31.050/14. Published by Carus Verlag (CA.3105014).

ISBN 9790007043100. Key: D major. Language: German/English.

Com posed in the late period, around 1740 A lively discussion about the choral movement Nun ist das Heil und die Kraft has been carried on, in which not only all previous assumptions have been called into question - including Bach's authorship - but also show how little we know about the history of this magnificent movement. Even though there is little to refute the 1982 presumption that the work was handed down in the form of an arrangement, the question remains open concerning the identity of the arranger, as well as the alleged form of the original design. Therefore it seemed appropriate to forego any attempts at reconstruct-ion. Rather, for the present new edition the music has been critically examined and commented upon based on the surviving copy from Bach's circle. Score and part available separately - see item CA.3105000.

SATB/SATB choir, 2 oboes, oboe d'amore, 3 trumpets, timpani, 2 violin, viola, basso continuo - Level 5

SKU: CA.3105064

Chorus for St. Michael's Day. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Nun Ist Das Heil Und Die Kraft (Kubik). Sacred vocal music, Cantatas, Special days. Single Part, Cello/Double Bass. Composed circa 1740. BWV 50. 4 pages. Duration 5 minutes. Carus Verlag #CV 31.050/64. Published by Carus Verlag (CA.3105064).

ISBN 9790007206291. Key: D major. Language: German/English.

Com posed in the late period, around 1740 A lively discussion about the choral movement Nun ist das Heil und die Kraft has been carried on, in which not only all previous assumptions have been called into question-including Bach's authorship-but also show how little we know about the history of this magnificent movement. Even though there is little to refute the 1982 presumption that the work was handed down in the form of an arrangement, the question remains open concerning the identity of the arranger, as well as the alleged form of the original design. Therefore it seemed appropriate to forego any attempts at reconstruction. Rather, for the present new edition the music has been critically examined and commented upon based on the surviving copy from Bach's circle.

Score available separately - see item CA.3105050.

(zum Osterfest Christ lag in Todes Banden ). Composed by Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. For SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]. This edition: Paperbound. Stuttgart Urtext Edition. German title: Missa brevis uber Christ lag in Todes. Missa brevis in Latin, Easter and Eastertide. Full score. Language: Latin. Composed 1720. TVWV 9:3. Duration 10 minutes. Published by Carus Verlag

SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo

SKU: CA.5523219

Composed by George Frideric Handel. Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Composed 1707. HWV 232. Duration 45 minutes. Carus Verlag #CV 55.232/19. Published by Carus Verlag (CA.5523219).

ISBN 9790007097233. Language: Latin.

Dixit Dominus is not only Handel's first important church work, but it also exceeds the scope and design of both of his other Latin psalm settings. Although the exact time and occasion for the first performance is not clear, today the universality of this work make it ideal for use in festive worship services or in concerts. With Dixit Dominus Handel's complete Latin psalm settings are now available from Carus-Verlag in critical editions. Score and parts available separately - see item CA.5523200.

5 soprano voice solos, alto voice solo, 2 tenor voice solos, 3 bass voice solos, SATB choir, solo violin, 2 violins, violetta all'unisono/viola, basso continuo (harpsichord, cello, double bass) (5Soprano Voice Solo, Alto Voice Solo, 2 Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, V-solo, 2 V, Violetta all'unisono, Va, Continuo (harpisc., Vc, double bass))

SKU: BA.BA07799

Musikalisches Drama. Composed by Georg Philipp Telemann. Edited by Ulf Grapenthin and Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 50. Hamburg 1726. Edition of selected works, Score. Composed 1726. VWV 21. Baerenreiter Verlag #BA07799_00. Published by Baerenreiter Verlag (BA.BA07799).

ISBN 9790006498109. 33 x 26 cm inches. Language: German. Preface: Wolfgang Hirschmann.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo

SKU: CA.5523205

Composed by George Frideric Handel. Edited by Wolfgang Gersthofer. This edition: urtext. Stuttgart Urtext Edition: Handel. Dixit Dominus (Psalm 109). Innovative practice aids, Sacred vocal music, Psalms, Latin. Choral Score. Composed 1707. HWV 232. Duration 45 minutes. Carus Verlag #CV 55.232/05. Published by Carus Verlag (CA.5523205).

ISBN 9790007128876. Language: Latin.

Dixit Dominus is not only Handel's first important church work, but it also exceeds the scope and design of both of his other Latin psalm settings. Although the exact time and occasion for the first performance is not clear, today the universality of this work make it ideal for use in festive worship services or in concerts. With Dixit Dominus Handel's complete Latin psalm settings are now available from Carus-Verlag in critical editions. Score available separately - see item CA.5523200.

By J. P. Sweelinck. Arranged by John Rutter. For SSATB choir, a cappella/with ensemble (Instrument 1 in C or Bb, Instrument 2 in C or Bb, Instrument 3 shown in alto and tenor clef, and for Horn in F, Instrument 4 shown in tenor and bass clef), Instrument 5 in bass clef, continuo bass (for cello and optional double bass), organ continuo). This edition: OCCO33. Mixed Voices. Oxford Choral Classics Octavos. Christmas Choral Leaflet. Vocal score. 12 pages. Duration 3'

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100214

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1724. BWV 2. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.002/14. Published by Carus Verlag (CA.3100214).

ISBN 9790007041373. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon)

SKU: HL.49044087

Sleepers Wake. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. 12 pages. Schott Music #ED21773-10. Published by Schott Music (HL.49044087).

ISBN 9790001196963. German.

With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!

Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon)

SKU: HL.49044056

Sleepers Wake. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Choral. Softcover. 32 pages. Schott Music #ED21773. Published by Schott Music (HL.49044056).

ISBN 9790001196208. 9.0x12.0x0.123 inches. German.

With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!

Composed by Michael Haydn (1737-1806). Edited by Martin Banner. Octavo. Alliance Music Publications #AMP 1103. Published by Alliance Music Publications

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116319

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, End of the church year. Set of Orchestra Parts. Composed 1715. BWV 163. Duration 18 minutes. Carus Verlag #CV 31.163/19. Published by Carus Verlag (CA.3116319).

ISBN 9790007141219. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and parts available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116349

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, End of the church year. Single Part, Organ. Composed 1715. BWV 163. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.163/49. Published by Carus Verlag (CA.3116349).

ISBN 9790007209001. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116312

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, End of the church year. Single Part, Violin 2. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/12. Published by Carus Verlag (CA.3116312).

ISBN 9790007208967. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116311

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, End of the church year. Single Part, Violin 1. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/11. Published by Carus Verlag (CA.3116311).

ISBN 9790007208950. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116313

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, End of the church year. Single Part, Viola. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/13. Published by Carus Verlag (CA.3116313).

ISBN 9790007208974. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.