(A Medley Including Oh Happy Day, Dancing in the Street and Ode to Joy) Edited b...(+)
(A Medley Including Oh
Happy Day, Dancing in the
Street and Ode to Joy)
Edited by Bob Dingley,
composed by Edwin R.
Hawkins, arranged by Pete
Schmutte. Octavo for SATB
choir and piano
accompaniment (with
optional guitar, bass and
drums). With chord names.
Series: Pop choral octavo
(SATB). 16 pages.
Published by Alfred
Publishing.
Composed
by George Frideric
Handel. Edited by
Christine Martin.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Handel. German title: Ode
For St.Cecilia'S Day.
Innovative practice aids,
Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
Composed 1739. HWV 76.
Duration 50 minutes.
Carus Verlag #CV
10.372/19. Published by
Carus Verlag
(CA.1037219).
ISBN
9790007133795. Language:
English. Text: Dryden,
John. Text: John
Dryden.
During the
late 17th century English
musicians celebrated each
year on 22 November the
feast of St. Cecilia, the
patron saint of music,
with special concerts and
church services. With his
Ode for St. Cecilia's Day
Handel rejuvenated the
tradition of this
festival on St. Cecilia's
Day in 1732. This
so-called little St.
Cecilia Ode is a
musically joyful
glorification of the
power of music: two
festive choruses frame
five charming arias in
each of which a solo
instrument is used for
contrasting effect in the
baroque manner. Handel
allows the soloists a
wealth of freedom to
improvise and to display
their skills. This is
especially the case for
the organ, which was his
favorite instrument.
Score and parts available
separately - see item
CA.1037200.
Composed by Traditional. Arranged by Vicki Hancock Wright. Christian, Christma...(+)
Composed by Traditional.
Arranged by Vicki Hancock
Wright. Christian,
Christmas,
Children. Octavo.
Celebrating
Grace #810050. Published
by
Celebrating Grace
A Foolish Man Chorale SATB SATB, Piano [Octavo] Hope Publishing Company
By Joel Raney and J. Williams. For SATB choir with optional rhythm instruments. ...(+)
By Joel Raney and J.
Williams. For SATB choir
with optional rhythm
instruments. Choral
music. General,
Worshiping, Sacred.
Choral octavo. 12 pages.
Published by Hope
Publishing Company
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1726.
BWV 32. 4 pages. Duration
24 minutes. Carus Verlag
#CV 31.032/12. Published
by Carus Verlag
(CA.3103212).
ISBN
9790007042516. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1726. BWV
32. 4 pages. Duration 24
minutes. Carus Verlag #CV
31.032/13. Published by
Carus Verlag
(CA.3103213).
ISBN
9790007042523. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu, mein
Verlangen. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1726. BWV 32. 2
pages. Duration 24
minutes. Carus Verlag #CV
31.032/05. Published by
Carus Verlag
(CA.3103205).
ISBN
9790007042493. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score
available separately -
see item CA.3103200.