The Peacock Moment Clarinette et Piano [Set de Parties séparées] Faber Music Limited
Clarinet and Piano. Composed by Anders Hillborg (1954-). Masterworks; Sol...(+)
Clarinet and
Piano. Composed by
Anders Hillborg (1954-).
Masterworks; Solo; Solo
Small Ensembles; Woodwind
- B-flat Clarinet Solo.
Faber Edition. 20th
Century; Masterwork.
Part(s). Faber Music
#12-0571539904. Published
by Faber Music
(AP.12-0571539904).
Clarinet and Piano - very difficult SKU: BT.DHP-1165740-401 For Solo B...(+)
Clarinet and Piano - very
difficult
SKU:
BT.DHP-1165740-401
For Solo Bb Clarinet
and Piano. Composed
by Jan Van der Roost. De
Haske Clarinet Series.
Book and Part(s).
Composed 2016. 36 pages.
De Haske Publications
#DHP 1165740-401.
Published by De Haske
Publications
(BT.DHP-1165740-401).
Clarinet; Piano Accompaniment (Clarinet/Piano) SKU: HL.48025033 In Mem...(+)
Clarinet; Piano
Accompaniment
(Clarinet/Piano)
SKU:
HL.48025033
In
Memory of the
Reichspogromnacht
November 9,1938 Clarinet
in B-. Composed by
Ursula Mamlok.
Windependence Chamber
Ensemble. Classical.
Softcover. 12 pages. Bote
& Bock #M202536056.
Published by Bote & Bock
(HL.48025033).
ISBN
9783793143024. UPC:
196288019978.
The
Shoa never was a theme in
the works of Ursula
Mamlok - with the
exception of Ruckblick
for saxophone and piano
which she wrote in 2002
on commission of the
Temple University in
memory of Kristallnacht.
The contrast between slow
and fast movements is
much moreelaborate than
in her other works from
that period, with the
fast movements appearing
somewhat driven while the
piano part for a
fewmoments adopts an
otherwise unknown
severity. Near the end of
the third movement,
cantabile and fleeting
gestures are suddenly
pushed toward each other.
The first fast movement
arises from the
destruction of attempted
cantability. The Elegy
(2nd movement) dies away
with a four-fold reminder
of its initial motif, the
last attempt remaining
fragmentary. The fourth
movement Lament concludes
with a figure that
returns to its beginning.
In addition to the
original version with
alto saxophone, versions
with bass clarinet or for
clarinet in Bb are
available.
Clarinet and piano SKU: BR.MN-9259 Composed by Ernst Widmer. Edited by Em...(+)
Clarinet and piano
SKU: BR.MN-9259
Composed by Ernst Widmer.
Edited by Emmy
Henz-Diemand and H
Koitka. Solo instruments;
Softcover. Musikverlag
Nepomuk. Music post-1945.
Score. Composed 1979/80.
48 pages. Duration 22'.
Breitkopf and Haertel #MN
9259. Published by
Breitkopf and Haertel
(BR.MN-9259).
ISBN
9790004790380. 9 x 12
inches.
Ein
ausserst spannendes und
brillantes Werk. Formal
geht der Komponist von
der traditionellen
Konzertform aus,
inhaltlich baut er auf
brasilianischen
Volksmusikmotiven auf.
Witz, Spielfreude, aber
auch klangliche
Subtilitat zeichnen
dieses anspruchsvolle
Werk aus. Der letzte Satz
enthalt szenische
Momente, die humorvoll
ein ,,ausser Kontrolle
geratenes Zusammenspiel
der beiden Interpreten
schildern.
Clarinet and piano SKU: P2.30010 Composed by Ernesto Cavallini. Chamber m...(+)
Clarinet and piano
SKU: P2.30010
Composed by Ernesto
Cavallini. Chamber music.
Published by Potenza
Music (P2.30010).
Ernesto
Cavallini based his
Second Duo on themes from
Donizetti's opera Lucrece
Borgia. it is a true Duo,
with a virtuosic piano
part that matches that of
the clarinet. While it is
one of Cavallini's less
well-known works, this
piece is full of
wonderful musical moments
and would make a great
addition to your next
recital.
Clarinet and Piano. Performed by Scott Joplin. By Scott Joplin. Arranged by Marc...(+)
Clarinet and Piano.
Performed by Scott
Joplin. By Scott Joplin.
Arranged by Marcel G.
Frank. (Clarinet).
Woodwind Solo. Size 9x12
inches. 12 pages.
Published by Marks.
Clarinet and piano SKU: P2.30137 Composed by Brain Balmages. Solo music, ...(+)
Clarinet and piano
SKU: P2.30137
Composed by Brain
Balmages. Solo music,
20th century. Published
by Potenza Music
(P2.30137).
Dream Sonatina
(2011) was commissioned
by Marguerite Levin,
former principal clarinet
of the Baltimore Opera
Orchestra and professor
of clarinet at Towson
University in Baltimore,
MD. Marguerite asked me
to reflect on recent
experiences encompassing
my 30s. Easily, those
experiences are wrapped
around my two children,
who were both born in
this same decade. The
piece, written in three
movements, captures some
of the unique moments of
early childhood. The
first movement, Daydream,
portrays a sleepy, yet
active little one trying
to interact with the new
world around him. The
second movement, Sweet
Dreams, captures the
peace and tranquility of
two little boys sleeping
in their beds after a fun
and crazy day. The final
movement, Bad Dreams, is
a more aggressive
movement that paints a
picture of the occasional
night terror that
children sometimes
experience. While it is
sinister in nature, it
also strikes a balance
with a lighter playful
quality as these dreams
are never truly
threatening. Dream
Sonatina was premiered on
October 9, 2011 in
Carnegie Hall (Weill
Recital Hall) by
Marguerite Levin
(clarinet) and R. Timothy
McReynolds (piano).