Orchestra (Full Score) SKU: HL.14043216 Orchestra Full Score. Comp...(+)
Orchestra (Full Score)
SKU: HL.14043216
Orchestra Full
Score. Composed by
Michael Nyman. Music
Sales America. Classical,
Contemporary. Softcover.
160 pages. Chester Music
#CH60952. Published by
Chester Music
(HL.14043216).
ISBN
9781783056200.
English.
Mic
hael Nyman's
Musique A Grande
Vitesse
(MGV)
translates as ‘high
speed music’ and
was commissioned by the
Festival de Lille for the
inauguration of the TGV
North EuropeanParis-Lille
line in 1993.
This
piece of sheet music runs
continuously, but was
conceived as an abstract,
imaginary journey; or
rather five
inter-connected journeys,
each ending with a slow,
mainly stepwise melody
which isonly heard in its
'genuine' form when the
piece reaches its
destination.
Thematic
'transformation' is a key
to MGV
as a whole. Throughout
the piece ideas -
rhythmic, melodic,
harmonic, motivic,
textural -constantly
change their identity as
they pass through
different musical
'environments'.
The opening bars
establish both a
recurrent rhythmic
principle - 9, 11, or
13-beat rhythmic cycles
heard against a regular 8
- and aharmonic process -
chord sequences (mainly
over C and E) which have
the note E in common.
(Coincidentally,
MGV
begins in C and ends in
E). A later scalic,
syncopated figure (again
first heard over C, E and
A)begins the second
section, featuring Brass,
in D flat.
The
topography of
MGV
should be experienced
without reference to
planning, description or
timetables. Its tempo
changes and unpredictable
slowings downbear no
logical relation to the
high speed of the
Paris-Lille journey,
while the temptation to
treat
MGV as a
concerto grosso, with the
Michael Nyman
band as the ripeno, was
resisted: more suitably
theband (amplified in
live performance) lays
down the tracks on which
MGV
runs.
Final Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
final version 1910
Symphony; Romantic;
Late-romantic. Set of
parts. 1674 pages.
Duration 54'. Breitkopf
and Haertel #OB 5631-60.
Published by Breitkopf
and Haertel
(BR.OB-5631-60).
ISBN
9790004343661. 10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 200 pages.
Duration 54'. Breitkopf
and Haertel #PB 5631.
Published by Breitkopf
and Haertel (BR.PB-5631).
ISBN 9790004215289.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Linen.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 212 pages.
Duration 54'. Breitkopf
and Haertel #PB 5661.
Published by Breitkopf
and Haertel (BR.PB-5661).
ISBN 9790004215982.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Pirate's Code Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2 SKU: AP.43833S Composed by Steven J. Campbell. Music ...(+)
Orchestra - Grade 2
SKU: AP.43833S
Composed by Steven J.
Campbell. Music Prodigy;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 12
pages. Duration 2:20.
Highland/Etling
#00-43833S. Published by
Highland/Etling
(AP.43833S).
UPC:
038081497051.
English.
Explore
the pirate's code! Set in
G major, this piece is
full of driving,
staccato, dark melodies
while including sections
of beautiful, legato
melodies that will
challenge students to
change gears. Your land
loving young orchestra
will beg to play it again
and again! (2:20) This
title is available in
Music Prodigy.
Orchestra (Score) SKU: HL.49005353 Study Score. Composed by Hans W...(+)
Orchestra (Score)
SKU:
HL.49005353
Study
Score. Composed by
Hans Werner Henze. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1962. 100 pages.
Duration 18'. Schott
Music #ED5029. Published
by Schott Music
(HL.49005353).
ISBN
9790001057646. UPC:
884088085544.
8.25x11.75x0.334
inches.
Like my
oratorio Novae de
infinito laudes, this
work, too, has been
influenced by the human
world and the scenery of
Rome, indeed, perhaps
even by the greater
hardness of the roman
language compared to that
of Naples. The first four
notes of the subsidiary
theme of the second
movement which appears
for the first time in bar
36 are borrowed from the
song My own, my own from
the second act of my
opera Elegy for Young
Lovers; they appear again
and again in various
forms, even in the second
and third movements.-
Hans Werner Henze.
Composed by Doug Spata.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 124 pages.
Duration 2:00.
Highland/Etling
#00-41257. Published by
Highland/Etling
(AP.41257).
UPC:
038081480633.
English.
In this
sunny, playful piece, the
notes and rhythms are
basic, but there are
great counting challenges
and a minor key middle
section that offers a
nice contrast. Young
players will find this
accessible and look
forward to playing the
joyful melodies and
sparkling accompaniments
again and again. (2:00)
This title is available
in MakeMusic Cloud.
Composed by Doug Spata.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 12
pages. Duration 2:00.
Highland/Etling
#00-41257S. Published by
Highland/Etling
(AP.41257S).
UPC:
038081480640.
English.
In this
sunny, playful piece, the
notes and rhythms are
basic, but there are
great counting challenges
and a minor key middle
section that offers a
nice contrast. Young
players will find this
accessible and look
forward to playing the
joyful melodies and
sparkling accompaniments
again and again. (2:00)
This title is available
in MakeMusic Cloud.
Vicoli in ombra Orchestre SATB, Orchestre [Conducteur] Fennica Gehrman
Orchestra SKU: FG.55011-132-5 Composed by Kai Nieminen. Score. Published ...(+)
Orchestra
SKU:
FG.55011-132-5
Composed by Kai Nieminen.
Score. Published by
Fennica Gehrman
(FG.55011-132-5).
ISBN
979-0-55011-132-5.
Nieminen's first work for
orchestra, Vicoli in
ombra, looks ahead to the
world of his flute
concerto Palomar. The
orchestral writing is
again limpid and airy and
the music exudes a sense
of serenity, calm and
enjoyment of the mood of
the moment.
Orchestra SKU: BT.PWM8821 Composed by Mieczyslaw Karlowicz. Classical. Sc...(+)
Orchestra
SKU:
BT.PWM8821
Composed
by Mieczyslaw Karlowicz.
Classical. Score Only.
248 pages. Polskie
Wydawnictwo Muzyczne
#PWM8821. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM8821).
Work on this
piece began in the spring
of 1899 durng Kar owiczs
studies in Berlin and he
finished it after
graduating and returning
home in June 1902. Its
premiere took place on
March 21, 1903 in Berlin,
and the Polish premiere
on April 7, 1903 in Lviv.
The symphony has a
classic, four-movement
structure, but in terms
of architecture it is
much closer to symphonic
poems. It consists of the
movements: 1. Andante.
Allegro 2. Andante non
troppo 3. Vivace 4.
Allegro maestoso. ''In
terms of orchestration
and instrumentation
technique it represents
Kar owiczs early,
academic period. The
composer still used
double wind enriched with
piccolo flute, unlike in
his later orchestral
works the symphonic
poems. The orchestration
of the work indicates
that the composer was
guided by Tchaikovskys
symphonic model. Kar
owicz here still
willingly operates with
various sound blocks of
entire instrumental
groups, treating them in
a choral manner, with
tight chordal pillars''
(Leszek Polony). Before
the Polish premiere the
composer gave a
comprehensive literary
programme of the work in
the Lviv newspaper S owo
Polskie, in which he
referred to each
consecutive movement of
the Symphony. In his last
words he wrote, ''We hear
a hymn of revival, at
first quiet and sweet,
then wider and wider, and
fuller. Already the time
has come; to hear the
fanfare. Only one more
step! And although the
spirits fall again in
doubt, we hear a powerful
and solemn hymn of
rebirth.''.
Full orchestra SKU: LO.30-3365L Composed by David Lantz. Arranged by Mary...(+)
Full orchestra
SKU:
LO.30-3365L
Composed
by David Lantz. Arranged
by Mary McDonald. Choral.
Sacred Anthem, Christmas.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3365L. Published by
Lorenz Publishing Company
(LO.30-3365L).
UPC:
000308144437.
The
beauty of Susan
Boersma’s lyrics
inspired this glorious
ballad. Mary
McDonald’s
powerful music and Ed
Hogan’s brilliant
orchestration complete
this perfect selection
for Christmas worship and
concerts.
Dances Of Transylvania Orchestre [Conducteur d'étude / Miniature] EMB (Editio Musica Budapest)
Orchestra (Study Score) SKU: HL.50510086 Score. Composed by Bela B...(+)
Orchestra (Study Score)
SKU: HL.50510086
Score. Composed by
Bela Bartok. 20th
Century. EMB. Pocket
score. 26 pages. Duration
5'. Editio Musica
Budapest #Z40071.
Published by Editio
Musica Budapest
(HL.50510086).
ISBN
9790080400715. UPC:
073999621211.
5.5x8.0x0.091 inches.
Hungarian, English,
German. Bela
Bartok.
'Dances of
Transylvania is the
orchestral version of
'Sonatina' (1915). In
Sonatina, Bartok had
arranged Romanian
instrumental (chiefly
bagpipe) music. The three
movements of the work,
'Bagpipers', 'Bear Dance'
and 'Finale' comprise
five melodies. Bartok
explained that each of
the two melodies of the
first movement had been
played by two pipers, the
second by a peasant
violinist using the lower
strings of the instrument
to reproduce the sounds
of a bear, and the two
melodies of the 'Finale'
again by two violinists.
In the orchestral version
Bartok was out to
reproduce the original
sonority created by the
peasants.' (HCD 32505
Bartok New Series Vol. 5,
Virag Buky).
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Late-romantic.
Set of parts. 1076 pages.
Duration 55'. Breitkopf
and Haertel #OB 5634-60.
Published by Breitkopf
and Haertel
(BR.OB-5634-60).
ISBN
9790004345085. 10.5 x 14
inches.
Of all his
symphonies, Mahler gave
the Fourth, his favorite
and problem child, his
most particular
attention. The Heavenly
Life, a humoresque
composed in 1892 for
soprano and piano, which
he already wanted to use
in the final movement of
the Third Symphony under
the title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
Composed by David Lantz. Arranged by Mary McDonald. Choral. Sacred Anthem, Chri...(+)
Composed by David Lantz.
Arranged by Mary
McDonald. Choral. Sacred
Anthem, Christmas.
Orchestral score and
parts. Lorenz Publishing
Company #30/3364L.
Published by Lorenz
Publishing Company
(LO.30-3364L).
Orchestra SKU: BR.SON-633 Composed by Jean Sibelius. Orchestra; Linen. Co...(+)
Orchestra
SKU:
BR.SON-633
Composed
by Jean Sibelius.
Orchestra; Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
156 pages. Breitkopf and
Haertel #SON 633.
Published by Breitkopf
and Haertel (BR.SON-633).
ISBN 9790004803684. 10
x 12.5
inches.
Symphony,
symphonic poem, fantasy,
or something else
entirely different? For a
long time while working
on the Sixth Symphony,
Sibelius was not certain
what his new orchestral
work was now about to
become or what to call
it. He had to interrupt
work on the symphony time
and again during the
Finnish civil war and
because of financial
difficulties that forced
him to earn a living with
little things. So, it is
not surprising that many
small ideas for other
works repeatedly
culminated in the Sixth.
In a letter to a friend,
he describes his early
ideas for the work: The
6th symphony is wild and
turbulent in character.
Gloomy with pastoral
contrasts. Probably in 4
movements with a
conclusion growing into a
dark orchestral shower in
which the main theme
drowns. The editor Kai
Lindberg now presents the
definitive version within
the context of the
Sibelius Complete
Edition.
Orchestra SKU: BT.EMBZ40071 Composed by Bela Bartok. EMB Study Scores. Bo...(+)
Orchestra
SKU:
BT.EMBZ40071
Composed
by Bela Bartok. EMB Study
Scores. Book Only.
Composed 1985. 28 pages.
Editio Musica Budapest
#EMBZ40071. Published by
Editio Musica Budapest
(BT.EMBZ40071).
English-German-Hungari
an.
'Dances of
Transylvania is the
orchestral version of
'Sonatina' (1915). In
Sonatina, Bartók had
arranged Romanian
instrumental (chiefly
bagpipe) music. The three
movements of the work,
'Bagpipers', 'Bear Dance'
and 'Finale' comprise
five melodies. Bartók
explained that each of
the two melodies of the
first movement had been
played by two pipers, the
second by a peasant
violinist using the lower
strings of the instrument
to reproduce the sounds
of a bear, and the two
melodies of the 'Finale'
again by two violinists.
In the orchestral version
Bartók was out to
reproduce the original
sonority created by the
peasants.' (HCD 32505
Bartók New Series Vol.
5, Virág Büky).
Orchestra SKU: SU.94010400 For Orchestra. Composed by James Lee II...(+)
Orchestra
SKU:
SU.94010400
For
Orchestra. Composed
by James Lee III.
Orchestra. Study Score.
Subito Music Corporation
#94010400. Published by
Subito Music Corporation
(SU.94010400).
2,1 2,1 2,1
2,1; 4331; timp, perc(3),
cel, hp; stgs Duration:
11' Composed: 2013
Published by: Subito
Music Publishing
Performance materials
available on rental:
Alas! Babylon’s
Final Sunset is
another installment in my
series of works that
musically comment on the
biblical books of Daniel
and Revelation. The
principal source of
inspiration for this
works comes from the 18th
chapter of the book of
Revelation. This chapter
states that the career of
Babylon the Great is
finally coming to an end.
The music begins with a
mysterious pianissimo
tremolo accompanied by
tam-tam and bass drum.
The initial flourishes in
the oboes and English
horn serve as the
principal motive of
warning. As the music
continues, there are
varying degrees of
agitation among the
strings and woodwinds.
Throughout the work there
are rhythmic motives in
the brass, percussion,
and various woodwind
instruments that sing and
speak Babylon is Fallen
in triple meter. As the
tutti ensemble arrives at
a climax, the orchestral
texture becomes thinner
and slightly transparent.
As the music continues,
the opening motive
returns in the oboes,
however the counterpoint
produces a series of solo
laments. These passages
are intended to provide
picturesque images of
these words: And the
voice of harpers, and
musicians, and of pipers,
and trumpeters, shall be
heard no more at all in
thee; and no craftsman,
of whatsoever craft he
be, shall be found any
more in thee; and the
sound of a millstone
shall be heard no more at
all in thee; And the
light of a candle shall
shine no more at all in
thee. and the voice of
the bridegroom and of the
bride shall be heard no
more at all in thee: for
thy merchants were the
great men of the earth;
for by thy sorceries were
all nations deceived. And
in her was found the
blood of prophets, and of
saints, and of all that
were slain upon the
earth. Rev. 18:22-24 The
following passages
musically comment on the
historical career of
Babylon with a sense of
her impending
destruction. The series
of laments transforms
into the more emphatic
rhythmic motive Babylon
is Fallen. The orchestral
texture begins to become
more condense, once
again, with the initial
flourishes of, but with
notable variations.
Finally, the celesta,
harp, oboes, English
horn, and strings sing
profundities that are
finally transformed into
a minor mode tonality
that fades away with the
ringing of the tam-tam.
Babylon has finally seen
her last sunset.
Orchestra (Study Score) SKU: HL.49046988 Lyric Trilogy After Maurice M...(+)
Orchestra (Study Score)
SKU: HL.49046988
Lyric Trilogy After
Maurice Maeterlinck Study
Score, French.
Composed by Aribert
Reimann. Edition Schott.
Classical. Softcover. 280
pages. Duration 5400
seconds. Schott Music
#ED23491. Published by
Schott Music
(HL.49046988).
ISBN
9781705174333. UPC:
842819115281.
8.25x11.75x0.695
inches.
SYNOPSIS
Aribert Reimann's
'Trilogie lyrique' is
based on three plays by
Maurice Maeterlinck: In
L'Intruse, a family is
sitting at the table with
their blind grandfather.
They are waiting for the
doctor to arrive and tend
to his daughter who is
lying ill in bed after
having given birth: her
new-born son has not yet
made a single sound. The
old man senses that
something is wrong due to
the uneasy atmosphere in
the room. Who is sitting
in our midst? he asks. He
is the only one who
cansee the presence of
death. Interieur: Once
again a family is
gathered round the table
in the evening, but this
time we observe the
action from outside,
looking through the
window with the
grandfather and a
stranger: no sound can be
heard. Outside the house,
the stranger reports that
the eldest daughter has
drowned and that he has
pulled her out of the
river. Although the
corpse is already being
carried through the
village to the family,
the grandfather cannot
bring himself to destroy
this idyll. La Mort de
Tintagiles: The young
Tintagiles is told a
story about a mysterious
castle and the aged queen
who has all potential
heirsto the throne
murdered. His siblings
sense that Tintagiles has
been summoned to the
castle to be murdered,
but nobody openly
expresses this fact. It
is the sinister
messengers of death from
the interludes, now
visible as the queens
servants, who ful?l her
demand and snatch the
sleeping boy from his
sisters'arms. Commentary
'In comparison with his
Medea for example with
its stormy outbreaks of
emotion and violence,
Reimann's score is worked
in an impressive
refinement of sound. It
begins with rumbling,
hesitating and expressive
music in the first
section, demanding highly
ingenious sound effects
from the lower strings
including tapping and
faltering glissandos in
its noisy expression of
mortal fear. Inthe second
part, the woodwind
formation plays at times
almost in chamber music
fashion and is then
suddenly painfully
shrill. The third part
luxuriates and rages in
its rich, full
orchestration. The manner
in which Reimann displays
his mastery in textural
shading, the invention of
sounds welling up and
fading away, the rhythmic
and melodic capacity of
suffering and the music's
inner violence are all
utterly
compelling.'(Wolfgang
Schreiber, Opernwelt,
November 2017).
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5559-07
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Study Score. 208 pages.
Duration 44'. Breitkopf
and Haertel #PB 5559-07.
Published by Breitkopf
and Haertel
(BR.PB-5559-07).
ISBN
9790004213698. 6.5 x 9
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Orchestra SKU: HL.48187636 Composed by Wolfgang Amadeus Mozart. Leduc. Cl...(+)
Orchestra
SKU:
HL.48187636
Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
Study Score. Heugel & Cie
#HE31429. Published by
Heugel & Cie
(HL.48187636).
This is the
miniature study score of
his Concerto for Piano
No.23 in A major KV488,
one of Mozart's most
popular and successful
concertos, not least for
the wistful but loaded
mood and sublime melody.
Completesd in 1946 and
likely performed in
Vienna shortly after, it
is calm and then
vivacious and see Mozart
again impressing his
mastery of orchestration
and compostion..
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213048
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Part(s). LudwigMasters
Publications #36-A213048.
Published by
LudwigMasters
Publications
(AP.36-A213048).
ISBN
9798892705271. UPC:
659359875526.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Michael
Stegemann. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 78,
No. 3. Baerenreiter
Verlag #BA07896.
Published by Baerenreiter
Verlag (BA.BA07896).
Cello; Orchestra (Study Score) SKU: HL.48024646 Cello and Orchestra St...(+)
Cello; Orchestra (Study
Score)
SKU:
HL.48024646
Cello
and Orchestra Study
Score. Composed by
Sergei Prokofiev. Boosey
& Hawkes Chamber Music.
Classical, Russian.
Softcover. 104 pages.
Duration 2100 seconds.
Boosey & Hawkes
#M060134852. Published by
Boosey & Hawkes
(HL.48024646).
ISBN
9781784544041. UPC:
888680949105.
7.25x10.25x0.363
inches.
New
edition, with preface by
Gerard McBurney. The work
was composed in 1933-38
for one of the greatest
cellists of the 20th
century, Gregor
Piatigorsky. McBurney
explains that, somehow
this concerto had come to
seem jinxed to the
composer. And when, in
1947, he heard it in
Moscow once again, this
time played by the young
Mstislav Rostropovich, he
decided to recast it
(albeit using much of the
same material) as an
entirely new piece, the
Sinfonia Concertante, op
125. The earlier version
never entirely
disappeared, however,
with a scattering of
cellists always
preferring it to the
later one. And in recent
years, it has found new
favor and new champions,
its spectacularly
difficult cello writing
and virtuosic orchestral
effects offering a
brilliance, pungency and
fascination all of their
own..
Orchestra (FULL SCORE) SKU: HL.263038 For Orchestra. Composed by J...(+)
Orchestra (FULL SCORE)
SKU: HL.263038
For Orchestra.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2017.
162 pages. Chester Music
#CH87131. Published by
Chester Music
(HL.263038).
UPC:
888680952907.
12.0x16.5x0.565
inches.
“Over
the years my orchestral
music has become simpler
and more expansive.
Clouds of Forgetting,
Clouds of Unknowing
(1991-95) contains four
different musical
textures. In the White
Silence (1998) has three.
For Lou Harrison (2002)
reduces this to just two.
In Dark Waves (2007), I
finally got to one. When
I first heard that piece
I began to wonder if I
could sustain a similar
sound for a longer span
of time. The result is
Become Ocean, a
meditation on the vast,
deep and mysterious tides
of existence. The title
is borrowed from a
mesostic verse that John
Cage wrote in honor of
Lou Harrison's birthday.
Likening Harrison's music
to a river in delta, Cage
writes: Listening to it
we become ocean. Life on
this earth first emerged
from the sea. And as the
polar ice melts and sea
level rises, we humans
find ourselves facing the
prospect that once again
we may quite literally
become ocean.†John
Luther Adams.
Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
Alan Menken. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. Omni Music
Publishing
#OMNI 50796. Published by
Omni
Music Publishing
Orchestra SKU: HL.14023201 Composed by Erik Norby. Music Sales America. C...(+)
Orchestra
SKU:
HL.14023201
Composed
by Erik Norby. Music
Sales America. Classical.
Score. Composed 2002. 48
pages. Edition Wilhelm
Hansen #WH29353.
Published by Edition
Wilhelm Hansen
(HL.14023201).
ISBN
9788759860250.
International (more than
one
language).
Orchestr
ation: 3(pic)(2afl).+
pic.3+ca.3+bcl.3+cbn/6.4.
4.1/timp.perc/hp/pf/str
THE RAINBOW SNAKE is an
Indian legend about how
the rainbow came into
being. It is said that a
snake heard the Indians
grieving over a very long
drought and the
unfruitfulness of the
land, so it wound itself
into a ball and wasthrown
high into the air. It
unwound itself again and
grew longer and longer
until b And since then -
every time it rains while
the sun is shining - the
snake has stretched its
supple body across the
sky.