Full Orchestra

SKU: HL.4491288

Score and Parts. Composed by Henry Mancini. Henry Mancini Concert Library. Latin. Conductor Score (Full Score) and Parts. Published by Hal Leonard (HL.4491288).

UPC: 884088953195. 10.5x14 inches.

Performa nce time - ca. 3:00

(Latin Dance Tunes for the String Orchestra (Cello & Bass)). Composed by Victor López and Bob Phillips. Orchestra. For Cello & Bass. Book; String Orchestra Collection. Latin; Multicultural; World. 48 pages. Published by Alfred Music

(Latin Dance Tunes for the String Orchestra (Rhythm Section)). Composed by Victor López and Bob Phillips. Orchestra. For Rhythm Section. Book; String Orchestra Collection. Latin; Multicultural; World. 32 pages. Published by Alfred Music

(Latin Dance Tunes for the String Orchestra (Viola)). Composed by Victor López and Bob Phillips. Orchestra. For Viola. Book; String Orchestra Collection. Latin; Multicultural; World. 48 pages. Published by Alfred Music

(As recorded by Bruno Mars). Composed by Philip Lawrence, Bruno Mars, Ari Levine, and Phredley Brown. Arranged by Victor L�³pez. Orchestra. Full Orchestra; Part(s); Score. Pop Intermediate Full Orchestra. Latin; Pop. Grade 3. 250 pages. Published by Alfred Music

Deluxe Score. Composed by Henry Mancini. Henry Mancini Concert Library. 12 pages. Published by Hal Leonard

Orchestra - Grade 0.5

SKU: AP.46698S

Composed by Victor Lopez. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Very Beginning String Orchestra. Latin; Light Concert. Score. 8 pages. Duration 1:30. Belwin Music #00-46698S. Published by Belwin Music (AP.46698S).

UPC: 038081537184. English.

Intended to introduce young players to Latin music style, this cheerful and energized composition is guaranteed to be a success as you tour the Caribbean. In addition to being solidly scored, the catchy melody and Latin hand percussion will definitely make this piece---full of spice and sun, and originally written by Victor López---a hit at your earliest concert. Whether you are celebrating Cinco de Mayo or looking for a change of pace, you can't go wrong with Fiesta Time! (1:30).

Orchestra - Grade 1

SKU: AP.38478S

Composed by Doug Spata. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Latin; Light Concert. Score. 8 pages. Highland/Etling #00-38478S. Published by Highland/Etling (AP.38478S).

UPC: 038081431642. English.

The sunny, Latin style shines brightly in this all-pizzicato piece. Easy rhythms on the D and A strings, back-and-forth melodies, and breezy tunes that pass between the sections make this a fantastic and fun selection that your ensemble will love to play. Also a great way to introduce simple dynamics, repeats, and multiple endings, this piece includes optional claves and cabasa parts to add to the Latin flavor. This title is available in MakeMusic Cloud.

Orchestra

SKU: LO.30-2872H

Composed by Greg Gilpin. Arranged by Paul Langford. Conductor's score. Concert. Orchestral score and parts. Heritage Music Press #30/2872H. Published by Heritage Music Press (LO.30-2872H).

UPC: 000308132595.

Writt en to premiere at the 2012 Generations Together in Music concert at Carnegie Hall, this gorgeous original piece features emotive and dramatic choral writing that spans the full gamut of dynamics and expression. The traditional Latin text is set with rich vocal harmonies and accompanied by a distinctly melodic recurring piano theme. A pronunciation guide for the Latin text is included. Instrumentation: Fl, Ob, Cl, Bsn, 2 Perc, Timp, Pno, Harp, 2 Vln, Vla, Cello, Bass.

Composed by Brian West. Arranged by Ralph Hultgren. For full orchestra or string orchestra. Brolga Music Young Orchestra Series. Grade 2. Score and set of parts. Duration 1:45. Published by Brolga Music Publishing Company

Orchestra - Grade 0.5

SKU: AP.45816S

Composed by Victor Lopez. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Very Beginning String Orchestra. Latin; Light Concert; Multicultural. Score. 8 pages. Duration 1:40. Belwin Music #00-45816S. Published by Belwin Music (AP.45816S).

UPC: 038081523262. English.

Take a tour of the Caribbean and feel the percussive breeze of the islands with Caribbean Breeze by Victor López. This easy Latin piece will be a guaranteed winner for your next multicultural performance. (1:40) This title is available in MakeMusic Cloud.

Orchestra - Grade 2.5

SKU: AP.38496S

Composed by Deborah Baker Monday. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Latin; Multicultural. Score. 16 pages. Highland/Etling #00-38496S. Published by Highland/Etling (AP.38496S).

UPC: 038081436821. English.

Long live the conquistadors! The adventure, excitement, and romance of this historic time are once again brought to life with a pulsing Latin undercurrent that never stops. The Coda gives the listener and performer the feeling of victory and glory---a suitable finish!

By Cathy Morris. For orchestra. Orchestra. Grade 4. Score and set of parts. Duration 4 minutes, 30 seconds. Published by The FJH Music Company Inc

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra - Grade 2.5

SKU: AP.46686S

Based on Joy to the World. Arranged by Victor Lopez. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Christmas; Latin; Sacred; Traditional; Winter. Score. 8 pages. Belwin Music #00-46686S. Published by Belwin Music (AP.46686S).

UPC: 038081533322. English. Traditional.

A Joyful Christmas is based on the popular Christmas carol Joy to the World. Victor López has masterfully written an arrangement that has a Latin flavor and will delight audiences. The piece effectively presents an original rhythmic style, and the use of expanded harmonies will certainly give your winter holiday concert a refreshing touch.

Orchestra - Grade 3

SKU: AP.49937S

Composed by Kirt Mosier. Performance Music Ensemble; String Orchestra. Highland/Etling String Orchestra. Latin. Score. Duration 3:40. Highland/Etling #00-49937S. Published by Highland/Etling (AP.49937S).

ISBN 9781470662295. UPC: 038081579498. English.

Tango Traicionero, by Kirt Mosier, means treacherous tango. The tango is a Latin dance that first developed in Buenos Aires, Argentina, in the mid-19th century. Imagine a gathering of bohemian nomads and workers having a dance party in the streets. There is a natural tension in this tango which mirrors the intoxicating nighttime atmosphere. All orchestra sections work together to perform slides and shifts between notes of the melodic figures to add intrigue to the sound. A lively middle section builds to a key change and recapitulation. The work culminates with tense chords to an exciting finish. (3:40).

Concert Band; Orchestra - Grade 2.5

SKU: AP.49123

Composed by Steve Hodges. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Young Symphonic. Latin. Score and Part(s). 153 pages. Duration 2:18. Alfred Music #00-49123. Published by Alfred Music (AP.49123).

UPC: 038081563817. English.

This version of Flamingo Road by Steve Hodges is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Flamingo Road is a Latin-inspired piece that starts in the fast lane and never lets up! Featuring an active percussion section and some catchy themes, each section of the band will take a turn in the driver's seat. Stay in your lane! (2:18)

Percussion Accompaniment Track Downloads:
with click
without click This title is available in MakeMusic Cloud.

Orchestra (Solo Bar, Coro SATB (divisi), Big Band (S-/A-Sax, A-Sax, 2 T-Sax, Bar-Sax, BClt, 5 Tr, 4 Trb, Pfte, Git, Cb, Perc, [2 Fl, 2 Clt])) - Level 4

SKU: CA.2801003

Composed by Wolfram Buchenberg. Vocal score. Duration 32 minutes. Carus Verlag #2801003. Published by Carus Verlag (CA.2801003).

ISBN 9790007296629. Latin.

An absolutely thrilling setting of the mass, influenced by Latin jazz, for large chorus, big band, and baritone. The composer takes as his theme people's deep-seated fear and its overcoming through faith. Suitable for concert or equally for liturgical performance

Orchestra (0.2.0.0/2.0.0.0,str)

SKU: TM.06337SET

Composed by Wolfgang Amadeus Mozart. Set Type: D. Set of parts. Lucks Music Library #A1791. Published by Lucks Music Library (TM.06337SET).

Org in set. Vocal Score I in Latin and includes Domine Salvam. Vocal Score II in Latin and English, but does not contain Domine Salvam. Clothbound score.

Concert Band; Orchestra - Grade 2.5

SKU: AP.49123S

Composed by Steve Hodges. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Young Symphonic. Latin. Score. 20 pages. Duration 2:18. Alfred Music #00-49123S. Published by Alfred Music (AP.49123S).

UPC: 038081563824. English.

This version of Flamingo Road by Steve Hodges is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Flamingo Road is a Latin-inspired piece that starts in the fast lane and never lets up! Featuring an active percussion section and some catchy themes, each section of the band will take a turn in the driver's seat. Stay in your lane! (2:18)

Percussion Accompaniment Track Downloads:
with click
without click This title is available in MakeMusic Cloud.

Orchestra (0.2.0.0/2.0.0.0,str)

SKU: TM.06337SC

Composed by Wolfgang Amadeus Mozart. Score. Lucks Music Library #A1791. Published by Lucks Music Library (TM.06337SC).

Org in set. Vocal Score I in Latin and includes Domine Salvam. Vocal Score II in Latin and English, but does not contain Domine Salvam. Clothbound score.

Graner Festmesse. By Franz Liszt. Arranged by Imre Sulyok. (Study Score). Schott. 228 pages. Published by Eulenburg.

Orchestra - Grade 2

SKU: AP.36010S

Arranged by Deborah Baker Monday. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Christmas; Latin; Novelty; Secular; Winter. Score. 8 pages. Highland/Etling #00-36010S. Published by Highland/Etling (AP.36010S).

UPC: 038081416397. English.

As the title suggests, this fun piece adds a Latin flavor to a holiday favorite. The middle section even recalls the folk tune La Bamba. We Wish You a Merry Christmas appears in all instrument groups, and a variety of rhythm patterns provide interest to the accompaniment figures in this unique arrangement.

Orchestra

SKU: FG.042-08246-1

Composed by Uuno Klami. Score. Published by Fennica Gehrman (FG.042-08246-1).

ISBN 979-0-042-08246-1.

Sea Pictures is a work in which Klami's impressionist's music is at its most popular and accessible. Each of the six pieces is an irresistible depiction of sea life, from the Foggy Morning of the opening, via the exotic Latin charm of Capitain Scrapuchinat through to the expansive and rhythmic Force 3 which concludes the work.

Chamber Orchestra; Orchestra; String Orchestra (Study Score)

SKU: HL.48024880

Study Score. Composed by James Macmillan. Boosey & Hawkes Scores/Books. Classical. Softcover. 80 pages. Duration 900 seconds. Boosey & Hawkes #M060136009. Published by Boosey & Hawkes (HL.48024880).

ISBN 9781784545154. UPC: 840126918670. 7.25x10.25x0.319 inches.

This publication presents under one cover various short works for sundry orchestral scorings. Larghetto for Orchestra is MacMillan's orchestration (2017) of his celebrated Miserere for a cappella mixed choir (2009), a setting in Latin of Psalm 51, 'Have mercy upon me, O God, according to thy great mercy', the penitential text famously set in the 17th century by Gregorio Allegri. The Larghetto orchestration was commissioned by the Pittsburgh Symphony Orchestra in celebration of Manfred Honeck's 10th Anniversary as Music Director. Memoire imperiale is one of a number of variations on General John Reids march tune Old Gaul commissioned from Scottish composers to mark the centenary in 1994 of the Faculty of Music at Edinburgh University. The Faculty was established following a bequest by General Reid (1721-1807), a former law student at the University and a renowned flute player and composer of marches for the BritishArmy, and he asked that an annual concert be organised at which one or more of his compositions be played. Composed in 2012 for the Britten Sinfonia, One is a monody in which a single line is passed around the instruments, painting it with different colours as it emerges and develops. Lasting only a few minutes, its singularity is maintained until blossoming in the lastfew bars. For Sonny (2011, orch 2013) and Ein Lamplein verlosch (2018, orch 2019) are short, private memorial tributes originally for string quartet and here rescored for string orchestra. Hirta was composed in 2016 as part of Deccas The Lost Songs of St Kilda project. Nearly a century ago, the last 36 residents were evacuated from the most remote part of the British Isles, St Kilda, an isolated archipelago off the beautiful and rugged western coast of Scotland. After 86 years, the music of St Kilda was rediscovered, recorded in a Scottish care home by Trevor Morrison, an elderly man who had been taught piano by an inhabitant of St Kilda. The songs were 'reimagined' for the Decca album by various.