Maximizing Student Performance: Assessment in Orchestra by Wendy Barden. For orchestra. Maximizing Student Performance. Book A,1. Book. Published by Neil A. Kjos Music Company

(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). By Bob Phillips, Peter Boonshaft, and Robert Sheldon. Orchestra. For Conductor's Score. Method/Instruction; Score; String Orchestra Method/Supplement. Sound Innovations. 208 pages. Published by Alfred Music Publishing

Orchestra (Score)

SKU: HL.132289

Chopin National Edition Vol. XVe. Composed by Frederic Chopin. Edited by Jan Ekier. PWM. Classical. Book [Softcover]. Polskie Wydawnictwo Muzyczne #51600012. Published by Polskie Wydawnictwo Muzyczne (HL.132289).

ISBN 9788392036524. UPC: 884088971236. 9.25x12.0x0.277 inches.

The historical version of the score is what Chopin agreed to have published, for various reasons, but it is contaminated by involvement of foreign editorial input. The performance full score 00132241 or its 2 piano reduction 00132132242 are practical editions that are considered more authoritative for performance. The National Edition of the Works of Fryderyk Chopin Published by PWM Exclusively Distributed by Hal Leonard Corporation Co-Editors Jan Ekier and Pawel Kaminski The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology. The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort. The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume. The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the harmonic legato (a performance technique often used by Chopin and now forgotten). About the National Edition Full Introduction to the Polish National Edition of the Works of Fryderyk Chopin.

(Orchestra)

SKU: BA.BA11902

Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Score. Opus 43. Baerenreiter Verlag #BA11902_00. Published by Baerenreiter Verlag (BA.BA11902).

ISBN 9790006573417. 32.5 x 25.5 cm inches.

Beethoven composed the ballet music “Die Geschöpfe des Prometheus” during 1800–01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet was initially quite successful, with almost thirty continuous performances, it did not enjoy a sustained performance tradition. Its overture, however, was a different matter: considered almost a symphonic movement in terms of orchestration, style and structure, it was often performed on its own even during Beethoven’s lifetime.

In general, previous editions of this overture relied on the first print as the main source. However, the authenticity of this source cannot be convincingly proven. For this new edition, Beethoven specialist Jonathan Del Mar incorporates various manuscript sources, including a set of parts from 1803/4 that has never been considered before. In this way, numerous discrepancies could be clarified.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(study score). By Ludwig van Beethoven (1770-1827). Edited by Peter Hauschild. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages

Orchestra - Intermediate

SKU: LO.765762213302

Composed by David Winkler. Allegis. Orchestration, enhanced CD. Lillenas Publishing Company #765762213302. Published by Lillenas Publishing Company (LO.765762213302).

UPC: 765762213302.

The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that fits the needs of any size group, from eight players (minimum) to a full orchestra. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. Three accompaniment options (piano, live rhythm section, or recorded rhythm tracks).Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, (incl. opt parts), plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax); Part 8 – Tbn (Bari TC).

By Georges Bizet (1838-1875). Edited by Robert Didion. For Orchestra (Study Score). Study Score. Softcover. 64 pages. Hal Leonard #ETP1544. Published by Hal Leonard

Composed by Michael Lawrence. For orchestra. Allegis. Medium. Orchestration, enhanced CD. Lillenas Publishing Company #765762212909. Published by Lillenas Publishing Company

Composed by David Shipps. For orchestra. Allegis. Medium. Orchestration, enhanced CD. Lillenas Publishing Company #765762213104. Published by Lillenas Publishing Company

Composed by Robert Lowry. Arranged by Tom Payne and Ed Hogan. For orchestra. Allegis. Sacred, hymn. Medium. Score and CD with printable parts and accompaniment tracks. 15 pages. Lillenas Publishing Company #765762213005. Published by Lillenas Publishing Company

Composed by Loreta Fin. Performance Music Ensemble; Single Titles; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Score and Part(s). Duration 2:15. Alfred Music #76-49875. Published by Alfred Music

By Marc-Antoine Charpentier. Arranged by Vernon Leidig. Music by Marc-Antoine Charpentier / arr. Vernon Leidig. For Full Orchestra. Full Orchestra. Full Orchestra. Level: 2 (grade 2). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

(Orchestra)

SKU: BA.BA11903

Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Score. Opus 84. Baerenreiter Verlag #BA11903_00. Published by Baerenreiter Verlag (BA.BA11903).

ISBN 9790006573783. 32.5 x 25.5 cm inches.

Beethovenâ €™s incidental music op. 84 was written in 1809 for a performance of Goethe’s drama “Egmont” at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe’s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage.

For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(study score). By Ludwig van Beethoven (1770-1827). For orchestra. Breitkopf Full Scores. Parts, Urtext. 112 pages

Orchestra (Flutes (2) (Picc), Oboes (2), 2Musettes, Bassoons (2), Horns (2), Strings, Basso continuo)

SKU: BA.BA08893

Comédie-ballet in three Acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: urtext edition. Paperback. Symphonies. Score, anthology. RCT 51. Baerenreiter Verlag #BA08893_00. Published by Baerenreiter Verlag (BA.BA08893).

ISBN 9790006567560. 33 x 24.3 cm inches. Text: Duplat de Monticourt, Pierre-Jacques.

Thi s edition unites all the purely instrumental parts of Rameau’s comdie-ballet “Les Paladins” for performance as a suite in the concert hall.

In view of the wealth of the work’s musical treasures and the stylistic innovations – similar to the “Borades” – the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this stage work not being performed again until well into the 20th century. The story that the comdie-ballet tells is based on a fable by La Fontaine, “Le Petit chien qui secoue de l’argent et des pierreries” (i.e. “The little dog who shakes silver and stones”). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opra.

This critical edition is based on the corresponding volume issued in the series “Opera omnia Rameau” (BA 8870-01). Since “Les Paladins” remained unpublished during Rameau’s lifetime and was also not included in the “Œuvres complètes”, this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians.

The orchestral parts are available on hire.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings)

SKU: BA.BA05522

For performance material see BA 5601-5603. Composed by Franz Schubert. Edited by Arnold Feil and Christa Landon. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series V, Volume 1. Complete edition, Score, anthology. No. 1-3. Baerenreiter Verlag #BA05522_00. Published by Baerenreiter Verlag (BA.BA05522).

ISBN 9790006472178. 33 x 26 cm inches.

For performance material refer to BA 5601-5603.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 3trombone, timpani, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA05542

For performance material see BA 5647. Composed by Franz Schubert. Edited by Werner Aderhold. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series V, Volume 3. Complete edition, Score. D 759, No. 7. Baerenreiter Verlag #BA05542_00. Published by Baerenreiter Verlag (BA.BA05542).

ISBN 9790006497058. 33 x 26 cm inches. Key: B minor.

For performance material refer to BA 5601-5603.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Soli SATB, Coro SATB, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb, [Org]) - Level 3

SKU: CA.4012950

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Felix Bartholdy Mendelssohn. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. MWV A 14. Duration 145 minutes. Carus Verlag #4012950. Published by Carus Verlag (CA.4012950).

ISBN 9790007254650. German/English.

Men delssohn's St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an attractive alternative for performing Mendelssohn's first oratorio - not only in times of Corona. For it is often considerations of space, a limited budget, or the size of the chorus which call for flexibility in scoring.
The arrangement is based on the Carus Urtext edition. By reducing the symphonic wind and brass in particular, the volume of sound is more restrained, but nevertheless the symphonic character and a wide dynamic range are retained. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal scores, choral scores, and practice aids of the existing Carus edition can still be used.

Major oratorio can also be performed by smaller choirs
Wind and brass parts of the original version reduced to just seven single instruments
vocal scores and choral scores from the original version can be used
carus plus: the work (original version) is available in carus music, the Choir Coach, and in the Carus Choir Coach (Audio only) series.
. Score available separately - see item CA.4012900.

Chamber orchestra (Orchestra)

SKU: BA.BA10974

Composed by Franz Joseph Haydn. Edited by Carl-Gabriel Stellan Mörner. This edition: urtext edition. Stapled. Score. Hob. I:46. Duration 19 minutes. Baerenreiter Verlag #BA10974_00. Published by Baerenreiter Verlag (BA.BA10974).

ISBN 9790006522767. 31 x 24.3 cm inches. Key: B-flat major. Language: German/English. Preface: Andreas Friesenhagen.

Haydn ’s “Sturm und Drang” symphonies along with the London and the Paris symphonies belong to his most popular works today. The “Sturm und Drang” works contain not only masterpieces such as the already published “Farewell-Symphony� �€ and the “Maria Theresia” symphony but also gems such as the recently published “La Passione” symphony (2013) and now the Symphony in B major No. 46.

The publication of this symphony represents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions, operas and symphonic works. The Symphony in B major is based on the Henle Complete Edition of the “Works of Joseph Haydn” and is published with a full score and large format performing material on sale.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA08833

Composed by Ludwig van Beethoven. Edited by Helga Lühning. This edition: urtext edition. Stapled. Score. Composed 1806. No. 3. Baerenreiter Verlag #BA08833_00. Published by Baerenreiter Verlag (BA.BA08833).

ISBN 9790006566594. 31 x 24.3 cm inches. Preface: Luhning, Helga.

Of the four overtures that Beethoven composed for his only opera, the “Leonore Overture” No. 3 is the most popular. The first reviewer found fault with it for its “incessant dissonances and overblown fluttering of the violins” (Wiener Theater-Zeitung, 1806), but it soon became famous as “one of the most imposing, difficult, yet richest and strangest of compositions” (Allgemeine Musikalische Zeitung, 1810). This version of the “Leonore Overture” quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.

The editor has devoted herself to the complex genesis of the various “Leonore Overture” versions, in particular the question whether the trumpet call in measures 272–277 and 294–299 should be played by one or two instruments. The edition is based on the Complete Edition of the “Works of Ludwig van Beethoven” issued by the G. Henle publishing company.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Orchestra)

SKU: BA.BA04555-02

Composed by Wolfgang Amadeus Mozart. Edited by Günter Haußwald and Wolfgang Plath. This edition: complete edition, urtext edition. Half-leather binding. New Mozart Edition (NMA) IV/12/1. Complete edition, Score, anthology. K. 63, K. 99 863a), K. 62, K. 100 (62a). Baerenreiter Verlag #BA04555_02. Published by Baerenreiter Verlag (BA.BA04555-02).

ISBN 9790006547159. 34 x 27 cm inches. Preface: Haußwald, Günter / Plath, Wolfgang.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(study score). By Ludwig van Beethoven (1770-1827). Edited by Clive Brown. For orchestra. Breitkopf Full Scores. Parts, Urtext. 120 pages

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob Phillips and Daryl Silberman. Book; CD; Play-Along; String Orchestra Collection. Rock. 48 pages. Published by Alfred Music (AP.40742).

Orchestra - Intermediate

SKU: LO.765762213401

Composed by Ed Hogan. Allegis. Orchestration, enhanced CD. Lillenas Publishing Company #765762213401. Published by Lillenas Publishing Company (LO.765762213401).

UPC: 765762213401.

The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that can be played with a mix of players, but includes everything the large church orchestra needs, as well. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. With three accompaniment options (piano, live rhythm section, or recorded rhythm tracks) this series fits the needs of any size group, from eight players to a full orchestra. Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, optional instrumental parts, capo guitar parts, and rhythm/piano accompaniment, plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax).

Orchestra - Intermediate

SKU: LO.765762192508

Composed by Billy Payne. Allegis. Orchestration, enhanced CD. Lillenas Publishing Company #765762192508. Published by Lillenas Publishing Company (LO.765762192508).

UPC: 765762192508.

The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that can be played with a mix of players, but includes everything the large church orchestra needs, as well. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. With three accompaniment options (piano, live rhythm section, or recorded rhythm tracks) this series fits the needs of any size group, from eight players to a full orchestra. Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, optional instrumental parts, capo guitar parts, and rhythm/piano accompaniment, plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax).

Orchestra - Intermediate

SKU: LO.765762191808

Composed by Ed Hogan. Allegis. Orchestration, enhanced CD. Lillenas Publishing Company #765762191808. Published by Lillenas Publishing Company (LO.765762191808).

UPC: 765762191808.

The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that can be played with a mix of players, but includes everything the large church orchestra needs, as well. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. With three accompaniment options (piano, live rhythm section, or recorded rhythm tracks) this series fits the needs of any size group, from eight players to a full orchestra. Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, optional instrumental parts, capo guitar parts, and rhythm/piano accompaniment, plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax).