Orchestral Score. Composed by John Powell. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
John Powell. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. 412 pages. Omni
Music
Publishers #OMNI 50792.
Published by Omni Music
Publishers
Orchestral Score. Composed by John Powell. Sheet music. Study score. Compose...(+)
Orchestral Score.
Composed by
John Powell. Sheet music.
Study score. Composed
2014
(2021). 404 pages. Omni
Music
Publishing #OMNI 50799.
Published by Omni Music
Publishing
Crazy Train Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2-3 SKU: AP.49070S Composed by Bob Daisley, Ozzy Osbour...(+)
Orchestra - Grade 2-3
SKU: AP.49070S
Composed by Bob Daisley,
Ozzy Osbourne, and Randy
Rhoads. Arranged by Mark
Wood. Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score. Duration
5:30. Alfred Music
#00-49070S. Published by
Alfred Music (AP.49070S).
ISBN 9781470647933.
UPC: 038081567150.
English.
This
multi-level piece
includes a full set of
parts for grade 2 as well
as a full set for grade 3
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
Crazy Train was
co-written by one of Mark
Wood's main influences
and favorite guitar
players, Randy Rhoads, a
neo-classical rock guitar
player. When Wood
discovered him, Rhoads
was fully entrenched in
the standard rock/blues
style, yet had wonderful
control of the flourish
and esthetic of classical
music in his playing. The
influence was perfect for
Mark Wood, who was an
up-and-coming rock
violinist at the time.
For string orchestra with
optional rock rhythm
section parts.
(5:30)
Orchestra - Grade 2-3 SKU: AP.49070 Composed by Bob Daisley, Ozzy Osbourn...(+)
Orchestra - Grade 2-3
SKU: AP.49070
Composed by Bob Daisley,
Ozzy Osbourne, and Randy
Rhoads. Arranged by Mark
Wood. Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop;
Pop/Rock; Radio; Rock.
Score and Part(s).
Duration 5:30. Alfred
Music #00-49070.
Published by Alfred Music
(AP.49070).
ISBN
9781470647926. UPC:
038081567143.
English.
This
multi-level piece
includes a full set of
parts for grade 2 as well
as a full set for grade 3
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
Crazy Train was
co-written by one of Mark
Wood's main influences
and favorite guitar
players, Randy Rhoads, a
neo-classical rock guitar
player. When Wood
discovered him, Rhoads
was fully entrenched in
the standard rock/blues
style, yet had wonderful
control of the flourish
and esthetic of classical
music in his playing. The
influence was perfect for
Mark Wood, who was an
up-and-coming rock
violinist at the time.
For string orchestra with
optional rock rhythm
section parts.
(5:30)
Train to Denali Orchestre SATB, Orchestre [Conducteur] Gusthold Music
Orchestra SKU: SU.25100530 For Orchestra. Composed by Eli Evans. O...(+)
Orchestra
SKU:
SU.25100530
For
Orchestra. Composed
by Eli Evans. Orchestra.
Full Score. Gusthold
Music Publisher
#25100530. Published by
Gusthold Music Publisher
(SU.25100530).
Full size score
(11x17)The composer's
answer to Ravel's
Bolero.2,1 222; 4331;
timp, 3perc, hp; stgs
Duration: 8’30
Composed: 2020 Published
by: Gusthold Music
Publisher Performance
materials available on
rental:.
Lips Are Movin' Orchestre [Conducteur] - Débutant Alfred Publishing
Orchestra - Grade 1.5 SKU: AP.44790S Composed by Kevin Kadish and Meghan ...(+)
Orchestra - Grade 1.5
SKU: AP.44790S
Composed by Kevin Kadish
and Meghan Trainor.
Arranged by Michael
Story. Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Pop. Score. 8
pages. Duration 1:50.
Alfred Music #00-44790S.
Published by Alfred Music
(AP.44790S).
UPC:
038081515403.
English.
Singer/son
gwriter Meghan Trainor is
one of today's hottest
stars. Here is her catchy
hit, Lips Are Movin', in
a very playable
arrangement for your
young string orchestra by
Michael Story. This one
is pure fun! It is a
great piece to reinforce
the use of high and low
second fingers for your
violinists and violists.
(1:50).
Made You Look Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49920S Composed by Luis Federico Vindver, M...(+)
Orchestra - Grade 2.5
SKU: AP.49920S
Composed by Luis Federico
Vindver, Meghan Trainor,
and Sean Douglas.
Arranged by Chris M.
Bernotas. Performance
Music Ensemble; Single
Titles; String Orchestra.
Pop Intermediate String
Orchestra. Country; Pop;
Radio. Score. Duration
2:20. Alfred Music
#00-49920S. Published by
Alfred Music (AP.49920S).
ISBN 9781470662196.
UPC: 038081579399.
English.
Made You
Look is a smash hit
performed by the GRAMMY
Award winning
singer/songwriter Meghan
Trainor. This terrific
song, arranged by Chris
M. Bernotas, is full of
energy and spirit! The
infectious melody will
have your audience
dancing in the aisles.
(2:20).
Orchestra - Grade 2.5 SKU: AP.49920 Composed by Luis Federico Vindver, Me...(+)
Orchestra - Grade 2.5
SKU: AP.49920
Composed by Luis Federico
Vindver, Meghan Trainor,
and Sean Douglas.
Arranged by Chris M.
Bernotas. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Country; Pop;
Radio. Score and Part(s).
Duration 2:20. Alfred
Music #00-49920.
Published by Alfred Music
(AP.49920).
ISBN
9781470662189. UPC:
038081579382.
English.
Made You
Look is a smash hit
performed by the GRAMMY
Award winning
singer/songwriter Meghan
Trainor. This terrific
song, arranged by Chris
M. Bernotas, is full of
energy and spirit! The
infectious melody will
have your audience
dancing in the aisles.
(2:20).
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level:
3.5 (grade 3.5).
Conductor Score and
Parts. 322 pages.
Published by Alfred
Publishing.
(Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs. ...(+)
(Featuring: Opening
Overture / Mine Escape /
Pirates vs. Natives vs.
Heroes vs. Chickens /
Transfiguration /
Fetching the Boys).
Composed by John Powell.
Arranged by Douglas E.
Wagner. Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Movie. Grade
3. 214 pages. Published
by Alfred Music
Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs...(+)
Featuring: Opening
Overture / Mine Escape /
Pirates vs. Natives vs.
Heroes vs. Chickens /
Transfiguration /
Fetching the Boys.
Composed by John Powell.
Arranged by Douglas E.
Wagner. Full Orchestra;
Score. Pop Concert Full
Orchestra. Movie. 24
pages. Published by
Alfred Music (AP.44807S).
Composed by Larry Shackley. For alto saxophone, tenor saxophone, 2 trumpets, 2 t...(+)
Composed by Larry
Shackley. For alto
saxophone, tenor
saxophone, 2 trumpets, 2
trombones, rhythm, piano.
Sacred Anthem, Christ the
King, General, Lent,
Thanksgiving.
Instrumental score and
parts. Lorenz Publishing
Company #30/3179L.
Published by Lorenz
Publishing Company
Orchestra SKU: SU.27040180 For Orchestra. Composed by Gregory J. H...(+)
Orchestra
SKU:
SU.27040180
For
Orchestra. Composed
by Gregory J. Hutter.
Orchestra. Full Score.
Subito Music Corporation
#27040180. Published by
Subito Music Corporation
(SU.27040180).
Conductor's
scoreElectric Traction is
the second offering in a
trilogy of urban-inspired
symphonic works, and was
initially inspired while
traveling from Chicago
through Northern Indiana
via an electric
interurban commuter
railway. Train sounds are
to some degree depicted
musically—which is
demonstrated throughout
by the spinning out of
various motoric and
textural devices at a
very high rate of
speed.2,1,2,1,2,1,2,1;
4331; timp, 3 perc, hp,
pno/cel; stgs Duration:
6'30 Composed: 2002
Published by: Hutter
Music Performance
materials available on
rental only:.
Composed by John Powell. Arranged by Sean O'Loughlin. For Orchestra, Full Orc...(+)
Composed by John Powell.
Arranged by Sean
O'Loughlin.
For Orchestra, Full
Orchestra (Score and
Parts).
HL Full Orchestra. Grade
4.
Published by Hal Leonard
Full orchestra SKU: LO.30-3192L Composed by Deborah Craig-Claar. Arranged...(+)
Full orchestra
SKU:
LO.30-3192L
Composed
by Deborah Craig-Claar.
Arranged by Mark Hayes.
Choral. Sacred Anthem,
Eastertide. Orchestral
score and CD with
printable parts. Lorenz
Publishing Company
#30/3192L. Published by
Lorenz Publishing Company
(LO.30-3192L).
UPC:
000308140576.
Openi
ng with the scene at
Easter dawn, this piece
builds dramatically in
intensity until the
strains of the beloved
EASTER HYMN burst through
with optional
congregational
participation. It is
equally effective when
performed with
Mark’s keyboard
accompaniment, orchestra,
or brass and timpani. The
instrumental ensemble
includes a score and CD
with printable parts for
2 Flutes, Oboe, 2
Clarinets, Bassoon (sub
Bass Clarinet), 2 Horns
(sub 2 Alto Saxes), 3
Trumpets, 2 Trombones
(sub 2 Tenor Saxes),
Tuba, 2 Percussion,
Timpani, Harp, Piano, 2
Violins, Viola, Cello,
Bass, and Keyboard String
Reduction.
Orchestra - Grade 3.5 SKU: AP.43781 From Fourteen Songs, Opus 34, N...(+)
Orchestra - Grade 3.5
SKU: AP.43781
From Fourteen
Songs, Opus 34, No.
14. Composed by
Sergei Rachmaninoff.
Arranged by Douglas E.
Wagner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
20th Century; Masterwork
Arrangement; Romantic.
Score and Part(s). 130
pages. Duration 6:15.
Belwin Music #00-43781.
Published by Belwin Music
(AP.43781).
UPC:
038081504926.
English.
The
calming strains of this
incredibly beautiful
music have been
thoughtfully and
carefully scored in this
string arrangement. The
composer's full
orchestration has been
pared down to its basic
elements, leaving a work
that will captivate and
entrance your audiences.
Not only for concert
programming, this work
also makes a superb
choice in your contest
program. (6:15).
Orchestra - Grade 3.5 SKU: AP.43781S From Fourteen Songs, Opus 34, ...(+)
Orchestra - Grade 3.5
SKU: AP.43781S
From Fourteen
Songs, Opus 34, No.
14. Composed by
Sergei Rachmaninoff.
Arranged by Douglas E.
Wagner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
20th Century; Masterwork
Arrangement; Romantic.
Score. 12 pages. Duration
6:15. Belwin Music
#00-43781S. Published by
Belwin Music (AP.43781S).
UPC: 038081504933.
English.
The
calming strains of this
incredibly beautiful
music have been
thoughtfully and
carefully scored in this
string arrangement. The
composer's full
orchestration has been
pared down to its basic
elements, leaving a work
that will captivate and
entrance your audiences.
Not only for concert
programming, this work
also makes a superb
choice in your contest
program. (6:15).
(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Ar...(+)
(Concerto No. 1 for
Marimba, Strings and
Percussion). Composed by
Gillingham. Arranged by
Nathan Daughtrey. For
Soloist(s) with String
Orchestra (Solo Marimba
Percussion 1 (xylophone,
bells, chimes) Percussion
2 (brake drum, cowbell,
shaker, suspended cymbal,
crash cymbals, temple
blocks, triangle)
Percussion 3 (4 toms,
crash cymbals, bass drum,
suspended cymbal, tam
tam, hi hat) Violin I
Violin II). Medium
difficult. Orchestra
score only. Duration
16:30. Published by C.
Alan Publications
By Peter Ilyich Tchaikovsky. Arranged by Robert Longfield. (Score and Parts). M...(+)
By Peter Ilyich
Tchaikovsky. Arranged by
Robert Longfield. (Score
and Parts). MusicWorks
Grade 2. Concert Band.
Score and full set of
parts. Published by Hal
Leonard.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Orchestra (Study Score) SKU: HL.48024144 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.48024144
Study Score.
Composed by Aram Ilyich
Khachaturian. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Boosey & Hawkes
#M060129995. Published by
Boosey & Hawkes
(HL.48024144).
ISBN
9781784540845. UPC:
888680712136.
5.25x7.5x0.259
inches.
30-minute
suite for orchestral with
female chorus from
Khachaturian's celebrated
ballet, Spartacus (1955).
Scene 9 presents the
culmination of the drama,
to music strongly
reminiscent of
Khachaturian's Cello
Concerto: Spartacus
– among
treacherous pirates
– faces the
apparent collapse of the
rebellion, and his death
is followed by a powerful
yet relatively restrained
Requiem with chorus,
followed by a stirring
apotheosis. Performance
materials available on
hire. Suitable for
advanced standard
performers.
Orchestra SKU: SU.27040170 For Orchestra. Composed by Gregory J. H...(+)
Orchestra
SKU:
SU.27040170
For
Orchestra. Composed
by Gregory J. Hutter.
Orchestra. Full Score.
Subito Music Corporation
#27040170. Published by
Subito Music Corporation
(SU.27040170).
Conductor's
scoreUrban Collision
completes a trilogy of
city-inspired orchestral
works; the title of the
work refers to the
complex urban
counterpoint—or
the colliding of
city-sonic events from
traffic sounds, to
elevated trains and
jackhammers.2,1 2,1 2,1
2,1; 4331; timp, 3 perc,
hp, pno; stgs Duration:
7:30 Composed: 2003
Published by: Hutter
Music Performance
materials available on
rental only:.
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Joachim
Linckelmann. Carus
digital: Extra digital
products. Full Score. MWV
A 14. Duration 145
minutes. Carus Verlag
#4012950. Published by
Carus Verlag
(CA.4012950).
ISBN
9790007254650.
German/English.
Men
delssohn's St. Paul with
just seven instead of the
usual 18 wind
instruments? Thanks to
this arrangement for
chamber orchestra, a
performance with smaller
forces is now possible,
and presents an
attractive alternative
for performing
Mendelssohn's first
oratorio - not only in
times of Corona. For it
is often considerations
of space, a limited
budget, or the size of
the chorus which call for
flexibility in
scoring. The
arrangement is based on
the Carus Urtext edition.
By reducing the symphonic
wind and brass in
particular, the volume of
sound is more restrained,
but nevertheless the
symphonic character and a
wide dynamic range are
retained. All the vocal
parts (soloists and
chorus) are identical
with the original
version, so that the
vocal scores, choral
scores, and practice aids
of the existing Carus
edition can still be
used.
Major
oratorio can also be
performed by smaller
choirs Wind and brass
parts of the original
version reduced to just
seven single instruments
vocal scores and
choral scores from the
original version can be
used carus plus: the
work (original version)
is available in carus
music, the Choir Coach,
and in the Carus Choir
Coach (Audio only)
series. . Score
available separately -
see item CA.4012900.
(Senior
Edition). Composed by
Traditional. Arranged by
Julie Lyonn Lieberman.
Solo or Ensemble. Apex
String Orchestra. Score
and set of parts. Kendor
Music Inc #9996.
Published by Kendor Music
Inc (KN.9996).
UPC:
822795099966.
This
popular Celtic melody has
been framed in an
unforgettable and lively
interplay of parts. For
the classically trained,
Celtic music is the most
appealing crossover into
world styles for string
players. Handed down
through many generations
of fiddlers by ear, this
tune is extremely popular
in Irish fiddle circles.
Available in SmartMusic.
The Junior (grade 2) and
Senior (grade 4) editions
of this arrangement
interlock to create a
multi-level edition
that's perfect for
all-district concerts and
festivals. An
interlocking score can be
downloaded for free
here.
Cumberland Cross Orchestre [Conducteur et Parties séparées] - Facile Belwin
Composed by Carl Strommen. Orchestra. Full Orchestra; Part(s); Score. Belwin Int...(+)
Composed by Carl
Strommen. Orchestra. Full
Orchestra; Part(s);
Score. Belwin
Intermediate Full
Orchestra. Grade 2.5. 202
pages. Published by
Belwin Music
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.