SKU: HL.50513382

SKU: FG.042-08763-3

ISBN 979-0-042-08763-3.

The Wedding March was composed for Adolf Paul's play 'The Language of the Birds' in 1911. It is anything but a traditional wedding march, being highly colourful and more in the nature of chamber music.

SKU: BR.PB-5432

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

SKU: HL.49009618

ISBN 9790200211283. UPC: 073999354379. 5.25x7.5x0.213 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: HL.48031009

UPC: 884088941703.

SKU: HL.49027996

ISBN 9790001022491.

The suite from the cycle 'Ploner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is caused by the different instrumentation of the four movements which, how-ever, takes into consideration the conditions of school practice.

SKU: HL.49029084

ISBN 9790001029346.

SKU: GH.CG-6117S

SKU: HL.49029214

ISBN 9790001025690.

SKU: BA.BA07304

ISBN 9790006486984. 29.5 x 20.8 cm inches.

Print on demand (POD).

SKU: HL.49028979

ISBN 9790001028615.

SKU: HL.49002099

ISBN 9790001022460. UPC: 884088054267. 9.0x12.0x0.228 inches.

This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings. The 'Tanz der Holzpuppen', a foxtrot, is suitable as encore showing the humorous musician Hindemith who, in 1920, wrote to the Schott publishing house with a wink: 'Can you also make use of foxtrots, Bos-tons, rags and other kitsch? Whenever I cannot think of decent music, I write such stuff.'.

SKU: HL.49041082

ISBN 9790204000517.

SKU: HL.49028767

ISBN 9790001128537. 8.25x11.75x0.035 inches.

SKU: GH.CG-6117P

In arrangement for wind orchestra by Stig Gustafson.

SKU: HL.49004876

ISBN 9790001051880. UPC: 884088040314. 5.5x7.5x0.378 inches.

SKU: RM.ROUG07766-BA

ISBN 9790231077667.

SKU: AP.38419S

UPC: 038081439617. English.

Very true to the original yet arranged for string orchestra, this is sure to become a classic. Celebrate the bicentennial of the victory of the Russian army over Napoleon's army with the most recognized themes of the 1812 Overture: the opening hymn, God Preserve Thy People, the Marseillaise, and God Save the Czar.

SKU: GH.CG-5976

In arrangement for symphonic wind band by Stig Gustafsson.