Grade 3 SKU: CL.026-3950-01 Composed by Peter Ilyich Tchaikovsky. Arrange...(+)
Grade 3
SKU:
CL.026-3950-01
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Huckeby. Concert Band.
Build-A-Band. Extra full
score. Composed 2010.
Duration 4 minutes, 9
seconds. C.L. Barnhouse
#026-3950-01. Published
by C.L. Barnhouse
(CL.026-3950-01).
Adapted for the
Barnhouse Build-A-Band
Series from the original
band arrangement of the
same title, Themes from
the Nutcracker is a
perfect selection for any
holiday concert. This
splendid arrangement
includes an introduction
based on the Overture and
the main themes from the
March, the Arabian Dance
and the Russian Dance.
Playable by any
instrumentation as long
as the five basic parts
are covered, it's very
playable and sure to be
the hit of any holiday
concert!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Themes from the Nutcracker Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Ed Huckeby. For concert ban...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Ed Huckeby.
For concert band. This
edition: Build-A-Band
edition. Build-A-Band
Series. Grade 3. Score
and set of parts.
Composed 2010. Duration 4
minutes, 9 seconds.
Published by C.L.
Barnhouse
Concert Band SKU: BT.NNS9790261723282 Composed by Ramin Djawadi. Arranged...(+)
Concert Band
SKU:
BT.NNS9790261723282
Composed by Ramin
Djawadi. Arranged by Lars
Erik Gudim.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2024. Norsk Noteservice
#NNS9790261723282.
Published by Norsk
Noteservice
(BT.NNS9790261723282).
Score Only Concert Band (Score) - Grade 2 SKU: HL.4005456 Composed by Joh...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4005456
Composed
by John Williams.
Arranged by Johnnie
Vinson. Discovery Plus
Concert Band. Movies.
Softcover. Published by
Hal Leonard (HL.4005456).
UPC: 888680734367.
9.0x12.0x0.058
inches.
Featuring a
blend of exciting new
themes along with
familiar favorites from
earlier Star Wars movies,
here is a great-sounding
medley for young
players.
(A Medley of Circus March Themes). Arranged by Douglas E. Wagner. Concert Band. ...(+)
(A Medley of Circus March
Themes). Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band. Belwin Concert
Band. Form: March. Grade
3. Score only. 36 pages.
Published by Belwin Music
Wind Band; Concert Band SKU: YM.GTW01101388 New Sounds in Brass. C...(+)
Wind Band; Concert Band
SKU:
YM.GTW01101388
New
Sounds in Brass.
Composed by Joe Hisaishi.
Arranged by Takashi
Hoshide. Studio Ghibli.
New Sounds in Brass. Set
of Score & Part. Yamaha
Music Media #GTW01101388.
Published by Yamaha Music
Media (YM.GTW01101388).
ISBN 9784636110005.
8.75 x 12
inches.
The
ultimate full score
medley of beautiful
melodies from the Studio
Ghibli film Princess
Mononoke (1997, dir.
Hayao Miyazaki), arranged
for concert band in the
series: New Sounds in
Brass (NSB). Grade 3;
Duration: approx.8'50;
Composed by Joe Hisaishi;
Arranged by Takashi
Hoshide. Arranger Takashi
Hoshide says, I have
selected beautiful
melodies from the
soundtrack of 'Princess
Mononoke' (1997, directed
by Hayao Miyazaki) and
arranged them into a
medley. What can be said
about these songs as a
whole is that they
combine a grand
continental scale with
the delicacy that
reflects Japanese
emotions. Since there are
no upbeat songs in this
selection, I had to work
hard on the arrangement,
but this allowed for
creating contrasts and
transitions between each
scene in the performance.
'Ashitaka Sekki (English
title: The Legend of
Ashitaka)' - 'Sekki'
means a story that is not
recorded but passed down
orally. In this anime,
this can be considered a
sub-main theme. The song
starts with a feeling
that the story is about
to begin and, once the
theme kicks in, aim for a
grand performance to
convey its scale.
'Encounter' - This is the
music that plays during
the scene where the
protagonist Ashitaka
meets San. Interestingly,
the motif of the main
theme 'Princess Mononoke'
is used in this melody.
Here, let's pursue the
shifts in the timbre of
individual phrases,
creating a beautiful and
aesthetic soundscape.
'Princess Mononoke' -
This is the main title of
the anime. The melody
line is carried by horns
and trumpets.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496.
Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
Da Vinci Sketches Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Erik Morales. Arranged by Erik Morales. Concert Band/Wind Ensemble. FJH Conce...(+)
By Erik Morales. Arranged
by Erik Morales. Concert
Band/Wind Ensemble. FJH
Concert Band. This theme
builds through
ever-changing textures as
it climaxes in a massive
percussion break before
moving to the lyrical
second theme,
representing the Mona
Lisa. The opening theme
returns in a new setting
as the piece comes to a
stunning conclusion.
Consider this one
strongly! Score for this
title: B1211S. Extra part
for this title: B1211P.
Concert Band. Level:
Grade 3. Score and Set of
Parts. Published by The
FJH Music Company Inc.
By Danny Elfman. Arranged by Michael Brown. Score and full set of parts. Young B...(+)
By Danny Elfman. Arranged
by Michael Brown. Score
and full set of parts.
Young Band (Concert
Band). Grade 3. Size 9x12
inches. Published by Hal
Leonard.
(Score) - Grade 3 SKU: HL.4000868 Composed by John Williams. Arranged by ...(+)
(Score) - Grade 3
SKU:
HL.4000868
Composed
by John Williams.
Arranged by Jay Bocook.
Young Concert Band. 36
pages. Published by Hal
Leonard (HL.4000868).
UPC: 888680631048.
9x12
inches.
Featuring
marvelous new themes from
“Harry Potter and
the Sorcerer's
Stone,” the
beautiful “Theme
from A.I.” and the
powerful main title from
“The
Patriot,” here is a
medley of the best recent
film work from master
composer John Williams.
Jay Bocook brings it to
the concert band stage
with finesse and
style.
Catchy Song Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.47404 From The LEGO Movie 2: The Sec...(+)
Concert Band - Grade 2
SKU: AP.47404
From The LEGO Movie
2: The Second
Part. Composed by
Alaya High, Dillon
Francis, James Rushent,
and Jon Lajoie. Arranged
by Michael Story. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Young Band. Movie;
Pop. Score and Part(s).
128 pages. Duration 1:45.
Alfred Music #00-47404.
Published by Alfred Music
(AP.47404).
UPC:
038081549330.
English.
This main
title song is a new
imaginative adventure for
the citizens of
Bricksburg. An upbeat and
driving melody is
interrupted with a
melodic statement and
concludes with the
initial theme. Repetitive
phrases for winds and
percussion will
facilitate learning. The
key is careful attention
to the articulations. The
iconic Everything Is
Awesome (Awesome
Remixxx!!!) (00-43090) is
also available. Program
both for a feel-good mini
suite. (1:45).
Catchy Song Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.47404S From The LEGO Movie 2: The Se...(+)
Concert Band - Grade 2
SKU: AP.47404S
From The LEGO Movie
2: The Second
Part. Composed by
Alaya High, Dillon
Francis, James Rushent,
and Jon Lajoie. Arranged
by Michael Story. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Young Band. Movie;
Pop. Score. 12 pages.
Duration 1:45. Alfred
Music #00-47404S.
Published by Alfred Music
(AP.47404S).
UPC:
038081549347.
English.
This main
title song is a new
imaginative adventure for
the citizens of
Bricksburg. An upbeat and
driving melody is
interrupted with a
melodic statement and
concludes with the
initial theme. Repetitive
phrases for winds and
percussion will
facilitate learning. The
key is careful attention
to the articulations. The
iconic Everything Is
Awesome (Awesome
Remixxx!!!) (00-43090) is
also available. Program
both for a feel-good mini
suite. (1:45).
The Wild Westerns! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Arranged by Michael Story. For Concert Band. Concert Band. Pop Young Band. Level...(+)
Arranged by Michael
Story. For Concert Band.
Concert Band. Pop Young
Band. Level: 2 (Easy)
(grade 2). Conductor
Score and Parts. 254
pages. Published by
Alfred Publishing.
Cartoon Carnival (Medley) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Arranged by Jack Bullock. Arr. Jack Bullock. For Concert Band. Concert Band. Pop...(+)
Arranged by Jack Bullock.
Arr. Jack Bullock. For
Concert Band. Concert
Band. Pop Symphonic Band.
Novelty; TV. Level: 4
(Medium) (grade 4).
Conductor Score and
Parts. 358 pages.
Published by Alfred
Publishing.
Arranged by Jack Bullock. For Concert Band. Concert Band. Pop Symphonic Band. TV...(+)
Arranged by Jack Bullock.
For Concert Band. Concert
Band. Pop Symphonic Band.
TV. Level: 4 (Medium)
(grade 4). Conductor
Score. 24 pages.
Published by Alfred
Publishing.
Soaring with John Williams Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By John Williams. Arranged by Robert W. Smith. For Concert Band. Concert Band. P...(+)
By John Williams.
Arranged by Robert W.
Smith. For Concert Band.
Concert Band. Pop
Symphonic Band. Movie.
Level: 4 (Medium) (grade
4). Conductor Score and
Parts. 249 pages.
Published by Alfred
Publishing.
By John Williams. Arranged by Robert W. Smith. For Concert Band. Concert Band. P...(+)
By John Williams.
Arranged by Robert W.
Smith. For Concert Band.
Concert Band. Pop
Symphonic Band. Movie.
Level: 4 (Medium) (grade
4). Conductor Score. 52
pages. Published by
Alfred Publishing.
Halloween Theme Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.50063S Composed by John Carpenter. Arran...(+)
Concert Band - Grade 2.5
SKU: AP.50063S
Composed by John
Carpenter. Arranged by
Michael Story. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Young Band. Fall;
Halloween; Movie; Pop.
Score. Duration 2:00.
Alfred Music #00-50063S.
Published by Alfred Music
(AP.50063S).
ISBN
9781470652449. UPC:
038081574912.
English.
This
timeless theme from the
Halloween franchise is
one of the creepiest
tunes ever written. This
accessible arrangement by
Michael Story maintains
all of the eerie feeling
of the original while
staying in 4/4.
(2:00).