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Phantom Of The Opera A.L.Webber E-Z Play Today 251
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Phantom Of The Opera A.L.Webber E-Z Play Today 251
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Hal Leonard
9 chansons d'une des comédies musicales des plus aimés de tous les temps / Org...
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9 chansons d'une des comédies musicales des plus aimés de tous les temps / Orgue / Partition
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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
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Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...
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Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
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Septimus Angelus For Organ Solo (MAINTZ PHILIPP)
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Septimus Angelus For Organ Solo (MAINTZ PHILIPP)
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Barenreiter
Symphonic Observations About Albrecht Dürer'S Apocalypse. Par MAINTZ PHILIPP. T...
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Symphonic Observations About Albrecht Dürer'S Apocalypse. Par MAINTZ PHILIPP. The doomsday visions of Albrecht Dürer's woodcut series 'Apocalypse with Pictures” have inspired many composers to create musical representations of the pictured events. With 'septimus angelus', Philipp Maintz follows in this tradition. However he abandons the pattern of a primarily pictorial reinterpretation of these artworks, concentrating instead on the wealth of their structural mysteries. In the Foreword of the score, organist Bernhard Buttmann writes: 'Both the organist and the audience are seen as subjects of the musical happening and become its focal point. Just as Dürer's richness of detail will only reveal itself after lengthy, meditative observation, Philipp Maintz' 'septimus angelus” requires an unbiased, open-minded, and perpetually fresh listening process that should correspond to a colorful interpretation with an openness to new sound experiments. The performer faces the challenging task of incorporating a wealth of precious details into the musical development as a whole, while offering ever-changing ways of musical illumination from multiple perspectives.” / Date parution : 2019-08-30/ Répertoire / Orgue
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Organist At The Church La Madeleine: Trois Pièces Pour Grand Orgue (1890) / Messe De Mariage. Cinq Pièces Pour Orgue (1891)
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Organist At The Church La Madeleine: Trois Pièces Pour Grand Orgue (1890) / Messe De Mariage. Cinq Pièces Pour Orgue (1891)
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Barenreiter
During his tenure at 'La Madeleine? in Paris, Théodore Dubois composed a large ...
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During his tenure at 'La Madeleine? in Paris, Théodore Dubois composed a large number of organ works.Volume III, together with the already published Volumes II and IV, brings our first complete Urtext edition of this body of music to a close. It contains 'Trois Pièces? (Praeludium-grave, Adoratio et Vox Angelica, Hosannah) and the well-known and frequently performed wedding piece 'Messe de Mariage? (Entrée du Cortège, Bénédiction nuptiale, Offertoire, Invocation, Laus Deo [Sortie]).Like the two previous volumes, this volume contains many facsimile pages, a Critical Commentary (Fr/Eng/Ger), a catalogue of sources and a detailed Foreword that sheds light on the composer's life, instrument-specific issues and performance practice.- First complete Urtext edition of Théodore Dubois' organ works- Based on the latest research findings- Suitable for church worship and concert performance- Detailed Foreword, Critical Commentary (Fr/Eng/Ger) and facsimile pages / Orgue
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
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Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
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Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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4 Pieces (COCKER NORMAN)
11.50
4 Pieces (COCKER NORMAN)
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Stainer and Bell
Par COCKER NORMAN. Angelus; Trio; Interlude and Paean The reissue of four pieces...
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Par COCKER NORMAN. Angelus; Trio; Interlude and Paean The reissue of four pieces by Norman Cocker, celebrated organist of Manchester Cathedral in the inter-war period, further extends Stainer & Bell's library of English Cathedral music that also includes the complete solo works of Basil Harwood and pieces by Darke, Hollins and Bairstow. Detailed registrations by Henry Ley, himself a noted performer and Music Director of Eton College from 1926 to 1945, are of historical interest. Angelus, Trio and Interlude offer episodes of quiet reflection. Paean breaks the mood with flowing, euphonious counterpoint in ceremonial style./ Recueil / Orgue
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Music From Solemn Moments
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Kevin Mayhew
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The Essential Book Of Wedding Music
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Kevin Mayhew
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The Essential Book Of Wedding Music
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Kevin Mayhew
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Essential Book Of Funeral Music For Organ
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Essential Book Of Funeral Music For Organ
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Kevin Mayhew
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Best-Loved Organ Music Band 1
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Best-Loved Organ Music Band 1
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Kevin Mayhew
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The Oxford Book Of Christmas Organ Music (GOWER ROBERT)
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The Oxford Book Of Christmas Organ Music (GOWER ROBERT)
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Oxford University Press
Par GOWER ROBERT. Ce volume est une collection de 37 des meilleurs morceaux pour...
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Par GOWER ROBERT. Ce volume est une collection de 37 des meilleurs morceaux pour une utilisation à des services de Carol, les services de Noël, et des concerts de Noël. Il comprend un certain nombre de passionnantes nouvelles pièces sur des airs établis (de Andrew Carter, Gerre Hancock, et David Willcocks, entre autres), ainsi que d'excellentes nouvelles modalités de morceaux populaires de Noël./ Recueil / Orgue
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The Essential Organist For Manuals
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The Essential Organist For Manuals
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Kevin Mayhew
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Best-Loved Organ Music Book 1
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Kevin Mayhew
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The Essential Organist
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The Essential Organist
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Kevin Mayhew
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