On the road again - Lavilliers, Bernard (Collection CrocK'MusiC) Arrangement Piano - 3 + feuillet pour paroles - niveau : Moyen / Piano/Vocal/Guitare (PVG)

Par BRUNNING JOHN. I Live Again by John Brunning. Arranged for voice and piano. / Vocal Music / Répertoire / Voix et Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's 'Aida') * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My Eng / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Spartito Piano, Voce di Let's Twist Again / Pop & rock / Recueil / Chant et Piano

There is something for everyone in this collection of Isabelle Aboulker's most beautiful melodies: the passionate vocalises of Je t'aime, composed for the fiery Patricia Petitbon, sit alongside limpid fables by La Fontaine (The Crow and the Fox, The Lion in Old Age and more), while the unnerving eeriness of the merchant of souls in Au Marché de Saint-Paul contrasts with the light humour of the Savoir-vivre cycle, and the melancholy accents of Lettre d'amour make way for the irresistible charm of L'Inconstante. Isabelle's prosodic clarity and voluptuous focus on the evocative power of words speak of a deep attachment to the legacy of French song composers. In turn impetuous or melancholy, this thrilling music knows how to aim straight for the heart. Au marché Saint-Paul, j'irai ' I Am Off to the Market Day Chanson de la côte ' Song of the Coast Cheeky Little Tunes from Flaubert's Dictionary of Received Ideas Cher Pierre que je ne reverrai plus ici' ' Dear Pierre, Whom I Shall not See Here Again' Escale à Rio ' Stopover in Rio Je t'aime ' I love you L'Archet ' The Bow L'Inconstante ' The Inconstant One La Cigale et la fourmi ' The Grasshopper and the Ant La Femme noyée ' The Drowned Wife La Jeune Veuve ' The Young Widow La Princesse au petit pois ' The Princess and the Pea Le Corbeau et le renard ' The Crow and the Fox Le Lièvre et les grenouilles ' The Hare and the Frogs Le Lion devenu vieux ' The Lion in Old Age Le Loup et l'agneau ' The Wolf and the Lamb Le Loup et le chien ' The Wolf and the Dog Les Animaux malades de la peste ' The Plague-Stricken Animals Lettre d'amour ' Love-Letter Petites mélodies impertinentes, extraits du 'Dictionnaire des idées reçues' de Flaubert ' Savoir vivre et usages mondains ' Guide to Fine Etiquette and Wordly Manners Tenir ' Holding

This souvenir folio features full-color photos from the stunning production as well as piano/vocal arrangements of 9 songs, including: All I Ask of You - Angel of Music - Masquerade - The Music of the Night - The Phantom of the Opera - The Point of No Return - Prima Donna - Think of Me - Wishing You Were Somehow Here Again. / Chant Et Piano

Par SMOLKO JOANNA. Soixante du compositeur américain Stephen Collins Foster (1826-1864) des chansons plus appréciées dans les arrangements originaux du compositeur pour piano avec cordes de guitare ajouté. Les textes ont été révisées pour capturer le prévue Foster esprit, éliminant les paroles obsolètes ou répréhensibles. Une introduction détaillée par le musicologue Steven Saunders décrit les traditions qui entourent les chansons populaires du XIXe siècle et la biographie de Foster. Les chansons Foster connues comme les courses de football, Oh Susanna et Jeanie with the Light Brown Hair sont inclus, avec un certain nombre de pièces qui ont été popularisée par les enregistrements contemporains tels que sommeiller My Darling et Hard Times Come Again No More. Chansons jamais incluses dans les collections publiées, comme The Voice of par Gone Days, tourner pas loin et Willie nous ont manqué vous, fournissent des chanteurs l'occasion de se familiariser avec les nouveaux titres. La collection montre la gamme de Foster comme auteur de chansons de salon, ballades comiques, airs de la guerre civile et religieuse hymne... / Niveau : Débutant / American - Songbooks / Recueil / Chant et Piano

20 RomancesInstrument : medium (low) voice and pianoNombre de Pages : 104Content : My Guardian, My Angel, My Friend - A Tear Hangs There op. 6/4 - None But The Lonely Heart op. 6/6 - Rest You Now, O My Heart op. 25/1 - No Answer Now op 28/5 - Don Juan's Serenade op. 38/1 - At The Ball op. 38/3 - O, Could You But for One Short Hour op. 38/4 - The Love of One Dead op. 38/5 - Pimpinella op. 38/6 - O Sleep, Unhappy Friend op. 47/4 - I Greet You All, You Woods and Forests op. 47/5 - On Golden Meadows Now op. 57/2 - Bravery op. 60/11 - The Stars Looked Tenderly upon Us op. 60/12 - I Opened My Window op. 63/2 - The Lights Were Being Dimmed op. 63/5 - Night op. 73/2 - Now the Sun's Departed op. 73/4 - Ah! Once Again All Alone op. 73/6 - Appendix

Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Barenreiter is successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a slightly lower-priced and lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a singer’s life. Following the publication of Don Giovanni K. 527 (BA 4553-93) and Cosi fan tutte (BA 4606-93) this is now the third vocal score we are publishing in a hardback version. It is based on the respective volume of the ”New Mozart Edition” edited by Daniel Heartz (NMA II/5/11). This vocal score contains an appendix with markings and amendments for the premiere performance in Munich as well as the 1786 Vienna revision. Suggestions for cadenzas and the embellishment of fermatas in the vocal parts have been rendered as footnotes. / Date parution : 2020-07-03/ Répertoire / Chant et Piano

Par HENSEL FANNY. ?This oratorio is the third of three church works composed in rapid succession on 1831; its scoring is more abundant than that of the cantatas composed prior to it: there are five- to eight-part choruses and the orchestra is expanded to include three trombones. Once again Fanny Hensel-Mendelssohn looks back in musical history, this time to the pre-Baroque era, and adds a new dimension to her own compositional language by doing so. At times modal harmonies create an ?archaic? atmosphere for the biblical texts. Performance material available on hire. ? / Date parution : 2023-05-06/ Répertoire / Chant et Piano

Description Stephen Sondheim: Into The Woods - Vocal Score Into the Woods blends various familiar fairy tales with an original story of a childless baker and his wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a Songlist A Very Nice Prince A Very Nice Prince (Reprise) Act I Finale - Part I Act I Finale - Part II Act I Finale - Part III Act I Finale - Part IV Act I Opening - Part I Act I Opening - Part II Act I Opening - Part IIA Act I Opening - Part III Act I Opening - Part IV Act I Opening - Part V Act I Opening - Part VI Act I Opening - Part VII Act I Opening - Part VIII Act II Finale - Part I Act II Finale - Part II Act II Finale - Part III Act II Finale - Part IV Act II Opening - Part I Act II Opening - Part II Act II Opening - Part III Act II Opening - Part IV Act II Opening - Part IX Act II Opening - Part V Act II Opening - Part VI Act II Opening - Part VII Act II Opening - Part VIII Act II Opening - Part X After Plan (Underscore) Agony Agony Playoff (Underscore) Agony Reprise Any Moment - Part I Any Moment - Part II Arms Of A Princess Attack Of The Birds (Underscore) Bakers Reprise Cinderella At The Grave Cinderella Coming From The Ball (Underscore) Cinderella Coming From The Ball Again (Underscore) Cow Death (Underscore) Cues 18A Fanfare (Underscore) First Midnight Giants In The Sky Grandmother's House (Underscore) Hello Little Girl I Guess This Is Goodbye I Know Things Now It Takes Two Jack's Mother (Underscore) Lament Last Midnight Maybe They're Magic Moments In The Woods No More No One Is Alone - Part I No One Is Alone - Part II On The Steps Of The Palace Rapunzel Rapunzel Hair Pull (Underscore) Second Midnight Stay With Me The Potion (Underscore) Underscore 12B Underscore 13A Underscore 18 Underscore 9A Your Fault

The present reduction derives from the critical edition of the score, just published in this catalog. La Griselda, was composed and performed in Venice, in the spring of 1735, for the occasion of the Ascensiontide fair (Sensa). The task of adapting the libretto by Apostolo Zeno to the particular exigencies of the production was assigned to a young writer of comedies attached to the company led by Giuseppe Imer: Carlo Goldoni. The latter immortalized in his Mémoires his meeting with Vivaldi and the composer's inseparable prima donna, the contralto Anna Giraud, confessing to having been forced against his will to 'assassinate? Zeno's drama at the composer's whim. La Griselda was favourably received by the audience at the San Samuele theatre, remained the sole opera by Vivaldi to be staged at a theatre owned by the powerful Grimani family. The present edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Voix Et Piano