Par BORSARELLO FREDERIC. harm. A. Bernaud / Niveau : Débutant / méthode - études / Etude / Violoncelle et Piano ou 2 Violoncelles

Par BORSARELLO FREDERIC. harm. A. Bernaud / Niveau : Assez Facile / méthode - études / Etude / Violoncelle et Piano ou 2 Violoncelles

Par BORSARELLO FREDERIC. harm. A. Bernaud / Niveau : Difficile / classique / Répertoire / Violoncelle et Piano

Les 21 miniatures pour violoncelle et piano de Mikis Theodorakis, basées sur un de ses fameux cycles de chansons, sont une déclaration d'amour à sa patrie à l'?est de l'Egée?, c'est-à-dire aux îles Chios, Lesbos et Ikaria. Ces pièces pleines de charme app / Violoncelle Et Piano / niveau : Avancé / Partition

'La nouveauté de la forme, modulations sélectionnés, tonalité des couleurs étranges, l'utilisation de rythmes complètement inattendues', c'est ainsi que Camille Saint-Saëns a salué le travail début d'une jeune collègue et continua: 'Par-dessus tout un charme qui entoure l'ensemble des travaux et rend la masse d'auditeurs en moyenne accepter les audaces les plus surprenants comme quelque chose de tout à fait naturel. La Sonate pour violon de Gabriel Fauré (1845 1924) était, en effet, une composition extraordinaire qui, en même temps, a ouvert la voie à l'oeuvre de l'un des compositeurs français les plus importants de la fin du 19e siècle et au début du 20e siècle: il était particulièrement avec des chants et de la musique de piano qu'il pouvait gagner le coeur du public. Dans les années 1870, Fauré a écrit trois chansons qui ont été initialement pas destiné à être une unité, mais ont ensuite été assemblés sous le numéro d'opus 7. La première chanson est 'Après un rêve', un romantique, le chant extatique qui, comme un 'Chanson sans paroles' de Mendelssohn, est parfait pour faire de la musique avec un instrument soliste accompagné. / Violoncelle Et Piano

18 Recital Pieces in First Position for Cello and Piano or Two Celli. The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the 'Early” Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The 'Cello Recital Album”, Volume 1 (BA 8994), can be used as a supplement to the 'Early Start on the Cello” method, Volumes 1 and 2 (BA 8996 and BA 8997). Collections of recital pieces for the cello: - Charming collections of easy pieces in first position - Each cello part is supported by a piano accompaniment for student performances - Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. - The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method. - A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students. / Recueil / Violoncelle et Piano

Best of Cello Classics' contains 15 popular performance pieces for cello and piano from four centuries. The Baroque works also contain a continuous bass part. Apart from standard works and 'classics' such as the famous sonatas by Breval (C major), de Fesch (D minor), Vivaldi (E minor) or Saint-Saëns' 'The Swan' from 'The Carnival of Animals', this volume also contains lesser known works, like Recercada primera by Ortiz, sonatas by Cirri and Romberg, as well as some charming little character pieces by Lee, Goltermann, Nölck and Trowell. The majority of the works can, for the most part, be played in the first four positions. Some pieces containing a few notes in the neck positions are nevertheless easily playable as well. / Violoncelle Et Piano

Par BEETHOVEN LUDWIG VAN. Andante con Variazioni by Beethoven is a theme and variations written originally for mandolin and keyboard in 1796. It is arranged here for cello and piano by cellist Steven Isserlis and is a work full of charm and humour with a touch of pathos in the minor variation. It shows the young Beethoven at his most elegant.  / Instrumental Music / Répertoire / Violoncelle et Piano

Accompagnement De Piano. Par SENAILLE JEAN-BAPTISTE. Harmoniseees Pour Violoncelle Avec Accompagnement De Piano/ Répertoire / Violoncelle et Accompagnement Piano

Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano

Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most substantial of the composer?s earliest surviving works and is a welcome addition to the repertoire of romantic British cello music. Within Dyson?s small yet distinguished output, it merits recognition both as a significant instrumental score in its own right, and as a precursor of a corpus of scores expertly written for solo or ensemble strings. Evident throughout this work is Dyson?s appealing and characteristic strain of melody and harmony, both recognisably English and distinctly personal. / Date parution : 2021-11-03/ Répertoire / Violoncelle et Piano

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed 'in the style of Bach? some two centuries later. Nevertheless, the Concerto has been a success and is today often performed and studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French, English and Italian. / Violoncelle Et Piano

Amantis zweite Jazz-Sonate zeigt eine moderne Seele in Sonatenhauptsatzform: Eckuinox beginnt mit einer schnellen Kadenz des Solocellos und geht über in einen groovigen Ritt bis zum Ende. Rhythmische und 'kantable' Teile sind in der Klavier- und Cellostimme zu identifizieren, die wiederholten Elemente zu variieren und dabei mit verschiedenen Strichen und Akzenten zu experimentieren. Pulcinellas Geheimnis ist ein Tango, der auf dem Pergolesi/Strawinsky-Thema beruht, das mit dem bekanntesten Charakter der neapolitanischen Volkstradition verbunden ist. Das Thema ist die ganze Zeit über verborgen, bis zu dem Moment im ¾-Takt, wo es dann tatsächlich neu harmonisiert zum Vorschein kommt. Dawn - Dämmerung ist der Soundtrack zum Neuanfang. Ceci n'est pas une fugue - Dies ist keine Fuge beinhaltet eine (Art) Doppelfuge über einen Blues und das berühmte 'königliche Thema', inspiriert von der Entstehungsgeschichte des Musikalischen Opfers von J.S. Bach. / Violoncelle Et Piano

Last Night of the Proms 'A sans que cela mars - impensable! 'Pomp and Circumstance militaire Mars n 1', avec sa section du milieu, le 'Land of Hope and Glory 'hymne comme par Edward Elgar (1857-1934), appartient à la finale de l'événement musical de Londres comme le Mars Radetzky habituellement joué que la dernière pièce de Concert du Nouvel An de l'Orchestre philharmonique de Vienne. La renommée et la popularité des quatre autres marches militaires composées par Elgar entre 1901 et 1907 fade en comparaison de cet hymne secret national de Grande-Bretagne (bien que fortement concurrencé par 'Rule, Britannia!). Il est, en effet, une pièce tout aussi vibrant et accrocheur de la musique, et la mélodie entraînante au milieu vient de devenir un classique 'touché'. Merci à la présente édition, tous ceux qui n'ont pas un grand orchestre symphonique à la maison peuvent maintenant jouer ce mois de mars réveiller par eux-mêmes. / Violoncelle Et Piano

Arrangements de facile a moyen concu pour faire ressortir lesqualites remarquable du violoncelle. Ce qui comprend les chansons folk, les dances et le travails par Debussy, Chopin et Brahms. Partition de violoncelle a part. / Violoncelle Et Piano / 160 pages / Partition