(As performed by Pink and Nate Ruess). Composed by Nate Reuss, Alecia Moore, ...(+)
(As performed by Pink and
Nate Ruess). Composed by
Nate Reuss, Alecia Moore,
and Jeff Bhasker [Pink].
Arranged by Patrick
Roszell.
Concert Band. Concert
Band;
Part(s); Score;
SmartMusic.
Pop Young Band. Pop.
Grade
2. 126 pages. Published
by
Alfred Music
Some Nights Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
(As performed by fun.). By Nate Reuss, Jeff Bhasker, Andrew Dost, and Jack Anton...(+)
(As performed by fun.).
By Nate Reuss, Jeff
Bhasker, Andrew Dost, and
Jack Antonoff [fun.].
Arranged by Patrick
Roszell. Concert Band.
Concert Band; Part(s);
Score. Pop Beginning
Band. Pop. Grade 1. 130
pages. Published by
Alfred Music
Some Nights Orchestre d'harmonie - Débutant Alfred Publishing
(As performed by fun.). Composed by Nate Reuss, Jeff Bhasker, Andrew Dost, and J...(+)
(As performed by fun.).
Composed by Nate Reuss,
Jeff Bhasker, Andrew
Dost, and Jack Antonoff
[fun.]. Arranged by
Patrick Roszell. Concert
Band. Concert Band;
Score; SmartMusic. Pop
Beginning Band. Pop.
Grade 1. 16 pages.
Published by Alfred Music
SKU: BR.BHM-297 Erweiterte Spieltechniken in der Musik von Helmut Lach...(+)
SKU: BR.BHM-297
Erweiterte
Spieltechniken in der
Musik von Helmut
Lachenmann. Composed
by Maciej Walczak and
Matthias Hermann.
Breitkopf New Media.
Helmut Lachenmann is
no doubt the composer
who, since the late
1960s, has opened the
door the most widely to a
new sound world in the
technique of composition
for classical
instruments. Not only
that: he has also
consistently explored new
territories i. Music
post-1945; New music
(post-2000). New Media.
Breitkopf and Haertel
#BHM 297. Published by
Breitkopf and Haertel
(BR.BHM-297).
ISBN
9783765102974. 9 x 12
inches.
Helmut
Lachenmann is no doubt
the composer who, since
the late 1960s, has
opened the door the most
widely to a new sound
world in the technique of
composition for classical
instruments. Not only
that: he has also
consistently explored new
territories in his scores
with respect to the
notation of the new
sounds and performing
techniques. At the
Stuttgart
Musikhochschule, Matthias
Hermann, himself a
composer and conductor,
has recorded in short
video films all the
expanded performance
techniques that are
essential to Lachenmann's
scores. The CD-ROM
programmed by Maceij
Walczak is completely
bilingual
(German-English) and
offers film (with sound),
notation and a detailed
explanation. All symbols
and notational forms are
systematically arranged
according to the
instrument. In addition,
the CD-ROM contains two
conversations in which
Lachenmann expressed his
views on the project in
great detail in 2009 and
2010. The transcript of
these texts is also
available in English on
the CD-ROM. Basso
continuo komponiert von
Friedrich II. dem Grossen
(1712-1786) Konig von
Preussen von 1740 bis
1786. Der konigliche
Komponist stellt in den
vier jetzt erstmals
vorgelegten Sonaten seine
Qualitaten voll und ganz
unter Beweis. Insgesamt
zeichnen sich die Werke
durch Erfindungskraft,
Konnen und Stilvielfalt
aus. In Schloss Sanssouci
entstanden offenkundig
Adagios voller Emotionen
und brillante
Allegro-Satze, die
belegen, uber welch
virtuose Fahigkeiten der
Quantz-Schuler verfugte.
Die Herausgeberin auch
als Interpretin eine
erwiesene Expertin der
Musik von Quantz und
Friedrich dem Grossen hat
die Sonaten auf CD
eingespielt. basso
continuo composed by
Frederick II known as the
Great (1712-1786) King of
Prussia from 1740 to
1786. In the four sonatas
presented here for the
first time, the royal
composer can lay
uncontested claim to an
above-average talent. The
works stand out for their
imaginative power, their
skill and their stylistic
variety. The grand rooms
of Sanssouci Palace must
have been filled with
heartfelt Adagios and
brilliant Allegros that
confirmed the virtuoso
flute technique of the
Quantz pupil. The sonatas
were recently recorded on
CD (Hungaroton) by the
editor who, as a
performer, is a
recognized expert on the
music of J. J. Quantz and
Frederick the Great.
Flute/recorder and orchestra SKU: BR.PB-5397 Urtext. Composed by J...(+)
Flute/recorder and
orchestra
SKU:
BR.PB-5397
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Breig.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). The
Urtext new edition
presented here is based
above all on the original
parts of Bach's Overture
(Suite) No. 2 in B minor
BWV 1067presented in the
Staatsbibliothek zu
Berlin, Preussischer
Kulturbesitz. Suite; Solo
concerto; Baroque. Full
score. 28 pages. Duration
24'. Breitkopf and
Haertel #PB 5397.
Published by Breitkopf
and Haertel (BR.PB-5397).
ISBN 9790004211311. 10
x 12.5 inches.
The
Urtext new edition
presented here is based
above all on the original
parts of Bach's Overture
(Suite) No. 2 in B minor
BWV 1067 presented in the
Staatsbibliothek zu
Berlin, Preussischer
Kulturbesitz.The copies
made by Christian
Friedrich Penzel (parts
1755c, score 1760c),
which are also located
there, were consulted for
purposes to use these
sources for this
edition.When the
concertante flute and the
first violin play in
unison, the performance
instructions and
expression marks are
often not identical in
the score. In this
edition, the markings
missing in one instrument
were borrowed from the
other, albeit designated
as additions so that
performers are free to
adjust their parts at
will.In his arrangement
for flute and harpsichord
(piano), Werner Breig has
consistently opted for
the elegance and
lightness of the original
version for flute,
strings and continuo.
Wherever it was difficult
to adapt the string part
of the famous B minor
Suite to the piano, he
followed the precept that
less is more and showed
his true mastery as an
arranger by leaving
things out. The flute
part, however, has
remained unchanged, which
allows this new edition
for flute and harpsichord
(piano) to be used for
studying and rehearsing
the piece in its original
setting.
The
Urtext new edition
presented here is based
above all on the original
parts of Bach's Overture
(Suite) No. 2 in B minor
BWV 1067 presented in the
Staatsbibliothek zu
Berlin, Preussischer
Kulturbesitz.
(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer B...(+)
(Manuscrit autographe,
1702). By Bernardo
Pasquini (1637-1710).
Edited by Emer Buckley.
For Harpsichord solo.
This edition: Facsimile.
Collection Dominantes.
Score. 264 pages.
Published by Anne Fuzeau
Productions - France
Harpsichord solo SKU: FZ.5920 Manuscrit autographe, 1702. Composed...(+)
Harpsichord solo
SKU:
FZ.5920
Manuscrit
autographe, 1702.
Composed by Bernardo
Pasquini. Edited by Emer
Buckley. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5920).
ISBN
9790230659208. 23.50 x
31.50 cm
inches.
This
facsimile of the
manuscript by Bernardo
Pasquini is part of our
Dominantes collection.
Sonate per gravecembalo
composte del Sig.
Bernardo Pasquini e
scritte di sua mano in
questo libro. A. D. 1702.
Aprile. The keyboard
works of Pasquini:
manuscript of Berlin,
second party.
Presentation by Emer
Buckley: Commentary of
the score - Corrections
and suggestions - Index.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Berlin,
Preussischer
Kulturbesitz,
Musikabteilung mit
Mendelssohn-Archiv
(Germany). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Epistlesonata.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Mozart. German title:
Kirchensonate In C Zur
Kronungsmesse. Set of
Orchestra Parts. KV 329.
Duration 4 minutes. Carus
Verlag #CV 51.329/19.
Published by Carus Verlag
(CA.5132919).
ISBN
9790007138417. Key: C
major. Language: all
languages.
The
autograph of the Epistle
Sonata KV 329 was
obtained in the Mozart
commemorative year of
1991 from the
Staatsbibliothek zu
Berlin-Preussischer
Kulturbesitz. The present
new edition is the first
critical edition which is
based on the autograph.
Score and parts available
separately - see item
CA.5132900.