| Tea for Tubas 4 Tubas BrassWorks4
By Cea. For Tuba Quartet (EETT) (2 Euphoniums, 2 Tubas). Published by BrassWorks...(+)
By Cea. For Tuba Quartet
(EETT) (2 Euphoniums, 2
Tubas). Published by
BrassWorks4
$17.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compatible Duets for Winds 2 Tubas (duo) Carl Fischer
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(31 Duets That Can Be
Played by Any Combination
of Wind Instruments). By
Larry Clark. For Tuba. 48
pages. Published by Carl
Fischer
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Just for Two Easy 2 Tubas (duo) Eighth Note Publications
Arranged by David Marlatt. For 2 Tubas. Duet or Duo; Mixed Instruments - Flexibl...(+)
Arranged by David
Marlatt. For 2 Tubas.
Duet or Duo; Mixed
Instruments - Flexible
Instrumentation; Part(s).
Eighth Note Publications.
20 pages. Published by
Eighth Note Publications
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 12 Beginning Duets for Tubas 2 Tubas (duo) [Conducteur et Parties séparées] Cherry Classics
Tuba Jazz Duets - Early Elementary SKU: CY.CC3164 Composed by Randy Aldcr...(+)
Tuba Jazz Duets - Early
Elementary SKU:
CY.CC3164 Composed by
Randy Aldcroft.
Classical. Score and
Parts. Cherry Classics
#CC3164. Published by
Cherry Classics
(CY.CC3164). ISBN
9790530111345. 8.5 x 11
in inches. Randy
Aldcroft has written a
great series of Twelve
Beginning Jazz Duets for
Tubas in easy keys with
moderate range. The Duets
are two pages each and
are perfectly suited for
two students or teacher
and student. Mr. Aldcroft
covers a variety of
different styles in these
Duets: Blues Bossa Nova
Dixieland Jazz Waltz Rock
Bebop Soft Shoe Minor
Blues Jazz Ballad Mixed
rhythms These Duets are a
great way to learn Jazz
styles in preparation for
more serious study. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Pink Panther 4 Tubas - Intermédiaire Kendor Music Inc.
By Henry Mancini. Arranged by Krush. For 2 baritones and 2 tubas. Baritone-Tuba ...(+)
By Henry Mancini.
Arranged by Krush. For 2
baritones and 2 tubas.
Baritone-Tuba Quartet.
Level: Grade 4. Published
by Kendor Music Inc.
$10.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Steal Away 4 Tubas Cimarron Music Press
By African American Spiritual. Arranged by R. Geese. Quartet. For tuba quartet (...(+)
By African American
Spiritual. Arranged by R.
Geese. Quartet. For tuba
quartet (EETT)
$17.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tuba Duets for Teacher and Student 2 Tubas (duo)
Composed by Kenneth D. Friedrich. For tuba duet. Level 4 (student), Level 5 (tea...(+)
Composed by Kenneth D.
Friedrich. For tuba duet.
Level 4 (student), Level
5 (teacher). Published by
Kenneth D. Friedrich
$14.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Forest of Arden Orchestre d'harmonie [Conducteur] - Intermédiaire G and M Brand Music Publishers
Concert band (Flute 1/Piccolo, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, ...(+)
Concert band (Flute
1/Piccolo, Flute 2, Oboe
1/2, Bb Clarinet 1, Bb
Clarinet 2, Bb Clarinet
3, Eb Alto Clarinet
(optional), Bb Bass
Clarinet, Bassoon 1/2,
Alto Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Cornet 1,
Bb Cornet 2, Bb Cornet 3,
Bb Trumpet 1/2, Ho) -
grade 4 SKU:
CN.S11042 Composed by
George Lloyd. Band Music.
Score only. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.S11042).
This symphonic
sketch for concert band
is packed full different
motives thrown around the
ensemble hinting at the
programmatic leitmotifs
of Wagner. Every section
of the ensemble gets a
workout in this
delightful 10-minute
work.
A Symphonic
Sketch for Concert Band.
The resurgence of
interest in George
Lloyd's music must give
us faith that such talent
will ultimately prevail
against sometimes unhappy
circumstances. Lloyd was
Cornish and showed
precocious gifts at an
early age - he had
completed his first
symphony by the age of
nineteen. During the
1930s he completed two
operas, one of which -
The Serf - was produced
at Covent Garden in 1938.
He was set for a
glittering career as a
composer. The Second
World War intervened and
he was invalidad out of
the Navy in a
shell-shocked state, and
having written very
little serious music
since 1937 went to
Switzerland to
recuperate, looked after
by his wife, Nancy.
Painfully, he began
writing again -
symphonies Nos. 4 and 5 -
and then returned to
England. He needed to
earn a living and he set
up a mushroom farm in
Dorset. But slowly he
began to compose again
and drafted more
symphonies in short
score. By this time he
was virtually unknown -
despite being considered
the equal of Walton,
Britten, and other young
stars of English music
some 30 years earlier.
Lloyd decided to embark
on a series of recordings
of his symphonies, and
slowly popular acclaim
enabled him to regain his
position. The Forest of
Arden was written in 1987
as a result of a
commission by the
Solihull Youth Wind Band.
Although Lloyd's music
feels instinctively
written one should not be
misled - it is carefully
crafted, but the craft
and structure are always
subordinated to create a
flow with a strongly
melodic content. Instead
of two or three themes,
The Forest of Arden
contains an abundance of
ideas which can be
described in two groups.
The first group contains
the opening rhythmic
motif, quickly developed
into a short rising
quaver passage in the
woodwinds, and later then
a chromatic ostinato bass
- only 8 bars at this
stage but later expanded.
The second group is broad
and expansive, initially
based on intervals of
rising fifths introduced
by euphonium, tubas, and
baritone saxophone,
immediately echoed by
horns. Low brass and
winds expand the theme
into rising sixths and
octaves. There is a hint
of development, bit this
is arrested as the music
moves to a piu tranquillo
section introduced by the
alto saxophone which
further develops the
rising sixth theme. There
follows a true
development of the
opening material,
starting with the
ostinato bass and
gradually passing through
different tonal centers
until the rising fifths
of the second theme group
are heralded - fortissimo
and poco piu largamente
shortly before the end.
The structure is almost
Wagnerian (albeit on a
much smaller scale), with
themes being used as
leitmotifs, but this is
music which, even within
the space of ten minutes
is conceived on a grand
design. $15.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Blue Horizons [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Chimes, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Crash Cymbals,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3 and more. - Grade
5 SKU: CF.SPS85F
Composed by Jeremy
Martin. Sws. Sps. Full
score. 44 pages. Duration
7 minutes, 8 seconds.
Carl Fischer Music
#SPS85F. Published by
Carl Fischer Music
(CF.SPS85F). ISBN
9781491156438. UPC:
680160914975. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy. Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jeannette, Isabella Orchestre d'harmonie [Conducteur] - Débutant Manhattan Beach Music
By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable f...(+)
By Traditional French
Carol. Arranged by
William Ryden. Concert
band. Suitable for
elementary and middle
school bands. Christmas.
Grade 1. Conductor Full
Score. Duration 1:45.
Published by Manhattan
Beach Music
$12.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| My World in Motion, Book 1 (NFMC) Piano seul [Partition] - Débutant FJH
By Elizabeth W. Greenleaf. For Piano. Composers In Focus. This original collecti...(+)
By Elizabeth W.
Greenleaf. For Piano.
Composers In Focus. This
original collection of
eight charming songs
portrays a myriad of
delightful childhood
scenes. Students will
especially love the
accessibility of these
five-finger melodies.
Wonderful teacher duets
are provided to encourage
inspired, ensemble
playing. Contents
include: The Donkey;
Tubas on Parade; The Cold
North Wind; Gentle Rain;
Square Dance Tune;
Drifting on a Calm River;
Ring the Town Bells;
Maple Leaves in the Wind.
Level: Early Elementary.
Book. Published by The
FJH Music Company, Inc.
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Noel Night Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.024-4242-01 (O Holy Night). Arrange...(+)
Concert band - Grade 2
SKU:
CL.024-4242-01 (O
Holy Night). Arranged
by Robert W. Smith. Young
Concert Band. Rising Band
Series for Developing
Bands! Audio recording
available separately
(item CL.WFR380). Extra
full score. Composed
2013. Duration 3 minutes,
16 seconds. C.L.
Barnhouse #024-4242-01.
Published by C.L.
Barnhouse
(CL.024-4242-01).
Based on the
beautiful carol O Holy
Night, this setting by
Robert W. Smith allows
the developing band to
present a strong musical
statement at the holiday
concert. Melody is
featured throughout the
band including the tubas
and low woodwinds. An
exceptional arrangement
with rich teaching
opportunities! $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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