Awakening... Orchestre d'harmonie - Intermédiaire Boosey and Hawkes
Concert Band (Score & Parts) - Grade 4 SKU: HL.48022566 Composed by Dana ...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.48022566
Composed
by Dana Wilson.
Windependence Master
Level. Concert, Festival.
Softcover. Boosey &
Hawkes #M051662913.
Published by Boosey &
Hawkes (HL.48022566).
UPC: 884088677732.
9x12
inches.
Beginning
with silence and
gradually building
throughout to a powerful
and dramatic close, this
distinctive work from
Dana Wilson explores the
various facets of the
word
“awakening”
as it applies to the
waking of an individual,
a day, or possibly even a
philosophical idea.
Wonderfully imaginative,
Awakening... makes
use of striking colors
and sonic devices
including surrounding the
audience with percussion
near the climatic finish.
Duration: 5:00 (Grade
4)
Recorded by
the Ithaca College Wind
Ensemble – Stephen
Peterson,
conductor
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Arranged by John Robert Poe. For Piano. The FJH Piano Teaching Library. Contents...(+)
Arranged by John Robert
Poe. For Piano. The FJH
Piano Teaching Library.
Contents include: The
Huron Carol; Wake up,
Pierre, Awaken; The Holly
and the Ivy; I Saw Three
Ships; Melchior and
Balthazar; Joseph
Dearest, Joseph Mine;
While Shepherds Watched
Their Flocks. Christmas.
Level: Late Elementary.
Book. Published by The
FJH Music Company, Inc.
A lullaby to awaken you?. Composed by Barbara Heller. This edition: Saddle ...(+)
A lullaby to awaken you?.
Composed by Barbara
Heller.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Composed
1989.
16 pages. Duration
7'. Schott
Music #VLB149. Published
by
Schott Music
Choral (SAB Choir) SKU: HL.1104111 Composed by Philip M. Hayden. Shawnee ...(+)
Choral (SAB Choir)
SKU: HL.1104111
Composed by Philip M.
Hayden. Shawnee Sacred.
General Worship, Sacred.
Octavo. 8 pages. Duration
150 seconds. Published by
Shawnee Press
(HL.1104111).
ISBN
9781705176832. UPC:
196288101918.
6.75x10.5x0.019 inches.
Psalm 108:2, Psalm
57.
Delightfully
retro, here's a joyful
opening for a
traditional/transitional
worship gathering. The
theme is tossed back and
forth between the voices
before joining together
in affirmations of the
greatness of God. A
driving piano
accompaniment holds it
all together with
style!
Violin and harp (Violin & Harp) SKU: HL.49018713 A lullaby to awaken y...(+)
Violin and harp (Violin &
Harp)
SKU:
HL.49018713
A
lullaby to awaken
you?. Composed by
Barbara Heller. Edited by
Marianne Boettcher. This
edition: Saddle
stitching. Sheet music.
String. Composed 2006. 16
pages. Duration 8'.
Schott Music #ED20806.
Published by Schott Music
(HL.49018713).
ISBN
9790001171830.
9.0x12.0x0.064
inches.
In this
composition Barbara
Heller uses the song
Lalai created in Tehran
in 1973. It is a song of
resistance against the
Shah regime and is about
a mother who sings a
lullaby to her child and
tells the story of its
father. Based on this
song, Barbara Heller
composed the duo 'Lalai,
Schlaflied zum
Wachwerden?' for violin
(violoncello) and piano
in 1989 - in memory of 50
Iranian women who were
murdered under the regime
of Khomeini. The
composition is also
available for violin and
harp now.
Composed
by Sherry Blevins.
Hinshaw Music. Octavo.
Hinshaw Music #HMC2736.
Published by Hinshaw
Music (HL.1434050).
UPC:
196288203513.
In
recent years, our
addiction to our devices
has negatively impacted
our ability to focus and
to connect with each
other. The first part of
â??Awakenâ? explores
the dangers associated
with overuse of these
devices. It includes
knocking sounds
symbolizing our needed
wake-up calls, along with
optional staging
suggestions using
illuminated devices on
stage or pantomime. The
second part of the piece
offers solutions,
including experiencing
nature, finding our
passions, and connecting
with each other. It ends
with a powerful statement
to â??make a difference
and share the light in
you.â? This piece
makes a powerful
statement while bringing
to light an important
issue of our time.
(CME Conductor's Choice). By Mark Patterson. For Choral (SATB). Conductor's Choi...(+)
(CME Conductor's Choice).
By Mark Patterson. For
Choral (SATB).
Conductor's Choice. 8
pages. Boosey and Hawkes
#M051479498. Published by
Boosey and Hawkes
By Richard Strauss. For medium voice, piano. 1.Red Roses(Rote Rosen);2.The Awake...(+)
By Richard Strauss. For
medium voice, piano.
1.Red Roses(Rote
Rosen);2.The Awakened
Rose(Die erwachte
Rose);3.Meeting(Begegnung
).Published for the first
time(Eng-Ger). Published
by C.F. Peters.
Cosmic Awakenings Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 3 SKU: CL.011-4980-01 Composed by Shaffer. Young Concert Band. Extr...(+)
Grade 3
SKU:
CL.011-4980-01
Composed by Shaffer.
Young Concert Band. Extra
full score. C.L.
Barnhouse #011-4980-01.
Published by C.L.
Barnhouse
(CL.011-4980-01).
Picture the
beginning of the cosmos
in music -
energy…searing
dissonance…beautyâ
€¦rhythmic diversity
– David
Shaffer’s Cosmic
Awakenings has it all!
This bold, expressive and
innovative work makes an
exciting addition to your
next concert, and keep
your performers motivated
from rehearsal to
performance. An
extraordinary achievable
composition with exciting
parts for all players.
Sure to be a hit with
musicians and audiences
alike!
Cosmic Awakenings Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.011-4980-00 Composed by Shaffer. Young Concert Band. Scor...(+)
Grade 3
SKU:
CL.011-4980-00
Composed by Shaffer.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #011-4980-00.
Published by C.L.
Barnhouse
(CL.011-4980-00).
Picture the
beginning of the cosmos
in music -
energy…searing
dissonance…beautyâ
€¦rhythmic diversity
– David
Shaffer’s Cosmic
Awakenings has it all!
This bold, expressive and
innovative work makes an
exciting addition to your
next concert, and keep
your performers motivated
from rehearsal to
performance. An
extraordinary achievable
composition with exciting
parts for all players.
Sure to be a hit with
musicians and audiences
alike!
Discovery Level 2.
Composed by Cristi Cary
Miller. Discovery Choral.
Concert. CD. Duration 130
seconds. Published by Hal
Leonard (HL.226543).
UPC: 888680674946.
5.0x5.0x0.185
inches.
This work
bounds away with spirit
and energy, embracing the
force of nature portrayed
in the Anne Bronte poem.
This selection will
showcase middle and high
school developing
choruses at their best in
festival and contest
programming.
Choir SKU: WD.080689532238 Composed by Daniel Semsen. Arranged by Daniel ...(+)
Choir
SKU:
WD.080689532238
Composed by Daniel
Semsen. Arranged by
Daniel Semsen. Choral.
Sacred Anthem,
Eastertide, General.
Octavo. Word Music
#080689532238. Published
by Word Music
(WD.080689532238).
UPC:
080689532238.
Open
your Easter service with
this lively, upbeat
arrangement of the Phil
Wickham favorite,
Your Love Awakens
Me. Arranged and
orchestrated by Daniel
Semsen, this anthem
energetically declares
how we’re awakened
by the great and powerful
love of Christ…a
love that conquered sin
and death, and woke up
our spirits to be alive
in Him and with Him!
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.R10230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.S11230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..