Arias for Mezzo-Soprano - Volume 3. (Book/CD with Full Orchestra Accompaniments)...(+)
Arias for Mezzo-Soprano -
Volume 3. (Book/CD with
Full Orchestra
Accompaniments). By
Various. For voice solo
and piano accompaniment.
Cantelopera. Opera and
Play Along. Difficulty:
difficult. Collection and
accompaniment CD. Vocal
melody, piano reduction,
lyrics and introductory
text. 64 pages. Ricordi
#R139099. Published by
Ricordi
Vocal and Piano SKU: HL.50493464 Per Voce E Pianoforte. Composed b...(+)
Vocal and Piano
SKU:
HL.50493464
Per
Voce E Pianoforte.
Composed by Giuseppe
Verdi. MGB. Opera or
Operetta. Score Only.
Composed 1984. Ricordi
#NR109906. Published by
Ricordi (HL.50493464).
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-334-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-334-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2012.
Anglo Music Press #AMP
334-010. Published by
Anglo Music Press
(BT.AMP-334-010).
9x12
inches.
English-German-French-Dut
ch.
The title of
this work refers to the
Tall Ship Race, in which
large sailing ships
annually appear at
various European
destinations. The work
consists of a slow
introduction, which
describes the majestic
sailing ships; and a
faster section
(Vivo), which
begins in the style of a
sea shanty. Now the ship
is under full sail, and
we hear a reprise of
material from the
introduction to bring the
piece to a close.
Der Titel
des Werkes bezieht sich
auf das Tall Ship
Race, bei dem sich
jährlich große
Segelschiffe an
verschiedenen Orten in
Europa messen. Das Werk
besteht aus einer
langsamen Einleitung,
welche den
majestätischen Segler
beschreibt, und einem
schnelleren Abschnitt
(Vivo), der im
Stile eines
Seemannsliedes beginnt.
Im Mittelteil fährt
das Schiff_x001F_ schon
unter vollen Segeln,
bevor Motive aus der
Einleitung wieder
aufgenommen werden, um
das Stück zu
beenden.
Il
titolo del brano evoca la
Tall Ship Race, una gara
velistica che si tiene
ogni anno in diverse
localit in Europa. Il
brano si compone di una
lenta introduzione che
rappresenta la maestosit
delle imbarcazioni e che
precede una sezione
veloce (vivo), scritta
nello stile di una
canzone di marinai. Un
passaggio centrale vede
le imbarcazioni allineate
prima della partenza, in
seguito i temi del primo
movimento sono
ripresentati e concludono
la composizione.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-334-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-334-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 40 pages.
Anglo Music Press #AMP
334-140. Published by
Anglo Music Press
(BT.AMP-334-140).
9x12
inches.
English-German-French-Dut
ch.
The title of
this work refers to the
Tall Ship Race, in which
large sailing ships
annually appear at
various European
destinations. The work
consists of a slow
introduction, which
describes the majestic
sailing ships; and a
faster section
(Vivo), which
begins in the style of a
sea shanty. Now the ship
is under full sail, and
we hear a reprise of
material from the
introduction to bring the
piece to a close.
Der Titel
des Werkes bezieht sich
auf das Tall Ship
Race, bei dem sich
jährlich große
Segelschiffe an
verschiedenen Orten in
Europa messen. Das Werk
besteht aus einer
langsamen Einleitung,
welche den
majestätischen Segler
beschreibt, und einem
schnelleren Abschnitt
(Vivo), der im
Stile eines
Seemannsliedes beginnt.
Im Mittelteil fährt
das Schiff_x001F_ schon
unter vollen Segeln,
bevor Motive aus der
Einleitung wieder
aufgenommen werden, um
das Stück zu
beenden.
Il
titolo del brano evoca la
Tall Ship Race, una gara
velistica che si tiene
ogni anno in diverse
localit in Europa. Il
brano si compone di una
lenta introduzione che
rappresenta la maestosit
delle imbarcazioni e che
precede una sezione
veloce (vivo), scritta
nello stile di una
canzone di marinai. Un
passaggio centrale vede
le imbarcazioni allineate
prima della partenza, in
seguito i temi del primo
movimento sono
ripresentati e concludono
la composizione.
Critical Edition
Hardcover. Composed
by Karol Szymanowski.
PWM. Classical.
Hardcover. 60 pages.
Polskie Wydawnictwo
Muzyczne #9267030.
Published by Polskie
Wydawnictwo Muzyczne
(HL.370494).
ISBN
9781705147009. UPC:
840126994025.
The
First String Quartet in C
major, Op. 37, was
written in the autumn of
1917 and earned
Szymanowski the first
prize in a competition
organized by the Ministry
of Religious and in a
competition organized by
the Ministry of Religious
and Educational Affairs
in January 1922. The
First String Quartet is
notable for its clar and
simple construction. The
first movement is in the
formof a sonata allegro;
the Andantino semplice
(in modo iuna canzone) in
the middle is a cross
between ternary and
variation form. The final
Scherzando alla burlesca
also keeps to the form of
a sonata allegro. The
combinations and
proportions of formal
factors and the treatment
of thematic material
betray a fairly
conventional adoption of
classical models.
Similarly, the expressive
and structural use of
melodic material shows a
respect for traditional
norms. Szymanowski
created, in other works
from the same period, his
own individual type of
melodic line, which was
strongly expressive and
achieved its effect
chiefly by its tonal
qualieties; nevertheless
in this Quartet he
returns to a fluid,
cantilena-like,
symmetrically shaped
melodic line, which runs
along in broad phrases of
a concentrated,
reflective character.
Melody becomes the chief
factor in the development
of the form, both in
thematic usage and in the
application of a more
polyphonic texture.
Harmonic and tonal means
are considerably
simplified in the Quartet
[]. Most of the writing
is linear, or horizontal,
with individual treatment
of each part, the
parallel continuation of
the four sound planes,
almost a matter of
principle. The functions
of the particular
instruments in realizing
these planes are
constantly changing,which
accounts for the even
greater variedy of
tone-colour. The decision
to forego experiment with
forms and sonorities is
reflectedin the overall
approach to musical
expression. The
predominant atmosphere of
restrained emotion, quiet
lyricism and serenity is
strongly suggestive of
classical aestetic
models. (Based on Zofia
Helman Commentary on
Szymanowski Complete
Edition, Vol. B6) (II)
The ''Second String
Quartet'' represents an
interesting attempt to
revert to classical form
coupled with the new
harmonic and tonal
vocabulary worked out
previously in the
''Slopiewnie'', ''Stabat
Mater'' and ''Mazurkas''.
It was also the first
time the composer had
used folk elements in the
framework of a major
classical form. The
''Second String Quartet''
is in a special category
among Szymanowski's
works. Though it dates
from the composer was
still occupied with folk
music, it nevertheless
shows him returning to
classical models, but at
the same time using an
aesthetic of subjective
expression, which gives
the work its own
individual stamp. The
''Second String Quartet''
synthesis of the various
directions in which
Szymanowski was
attempting to develop.
The sonority and texture
used in the first.