SKU: VD.ED95268

ISBN 9790202002681. 11.69 x 8.26 inches.

SKU: AP.36-52720600

ISBN 9781429126267. UPC: 679360613795. English.

This volume continues the development of playing skills found in Book 1 and progresses to more complex rhythms, left-hand finger patterns and techniques, bowing techniques, and preparation for shifting. Book 2 introduces students to: long and controlled bow strokes, slurred legato and staccato bow strokes, string-crossing slurs, and producing dynamic contrasts; new rhythmic patterns including dotted notes, triplets, sixteenth notes, swinging eighth notes, and syncopated rhythms; new time signatures including 6/8 and 3/8, along with cut time for cello/bass; and major and minor left-hand string patterns, extended fingerings, and beginning octave harmonics and shifting. Online audio available.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: GH.WC6016

ISBN 9790070037495. A4 inches. Text: Hjalmar Gullberg.

SKU: CA.1223905

ISBN 9790007098889. Language: German.

The first impression from playing through it: exciting! A composition for children's choir that is demanding in every respect. Nicolai's hymn is transformed by a modern, truly original musical language.(Musica Sacra 6/2000). Score available separately - see item CA.1223900.

SKU: KN.8907

UPC: 822795089073.

This wonderful medley of three traditional Australian songs in contrasting styles is scored with 2nd Violin and viola playing the same part and cello and bass together on their part. Interesting program notes about the songs are provided in the score. Duration 2:30.

SKU: BR.OB-15129-26

In Cooperation with G. Henle Verlag

ISBN 9790004342084. 10 x 12.5 inches.

Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.

with parts for horn in F and Eb major.