Method and Rehearsal Guide for Lux Aurumque (Eric Whitacre). Composed by ...(+)
Method and Rehearsal
Guide for Lux Aurumque
(Eric Whitacre).
Composed by James Jordan
/ Jason Vodicka. Music
Learning Theory (MLT).
Music Education. 258
pages. Published by GIA
Publications (GI.G-9063).
Curtain Up! Trios Trio de Flûtes: 3 flûtes [Partition + CD] - Facile Universal Edition
6 Easy to Intermediate Arrangements. Composed by Thomas Morley / Claude L...(+)
6 Easy to Intermediate
Arrangements.
Composed by Thomas Morley
/ Claude Le Jeune /
Edvard Hagerup Grieg /
Daniel Friderici / Johann
Hermann Schein. Arranged
by Barbara Gisler-Haase.
Score, parts and CD. 28
pages. Universal Edition
#UE36691. Published by
Universal Edition
(PR.UE036691).
SKU: CA.6001100 Modern and Contemporary Music. Edited by Jon Laukv...(+)
SKU: CA.6001100
Modern and
Contemporary Music.
Edited by Jon Laukvik.
Buch-Reihen bei Carus:
Historical Performance
practice on keyboard
instruments. Book. Carus
Verlag #6001100.
Published by Carus Verlag
(CA.6001100).
English.
Now
finally in English too:
The third part of the
organ method Historical
Performance Practice in
Organ Playing follows on
from part two with
contributions by Guy
Bovet (on Jehan Alain),
Hans-Ola Ericsson, Anders
Ekenberg, Markus
Rupprecht (Olivier
Messiaen), Hans Fagius
(Maurice Durufle), Jeremy
Filsell (Marcel Dupre),
Bernhard Haas (Arnold
Schonberg, Ernst Krenek,
John Cage, Gyorgy Ligeti,
and others, plus the
latest developments) and
Armin Schoof
(neoclassicism). As in
the first two parts of
the organ method, here
too a representative
selection of composers is
discussed. Alongside
mainly personal
recollections (e.g. from
Hans Fagius) there are
analytical essays
(including by Jeremy
Filsell). Bernhard Haas
has organised one section
of his text as an
introduction to the
playing techniques and
aesthetics of new music,
beginning with pieces
which are easy to play.
This English edition
contains new chapters by
Kevin Bowyer (The
Development of New Organ
Music in Britain /
Contemporary Organ Music
in North America).
Laukvik's organ
method Historical
Performance Practice in
Organ Playing has now
become established as a
standard work. It is
aimed at organists who
want to incorporate the
latest thinking on
historical performance
practice into their
interpretations of works.
The three volumes provide
a practical introduction
in a detailed, scholarly
and comprehensible form,
by giving organists as
precise a picture of the
interpretative traditions
and aims of previous and
modern/ contemporary eras
as possible. The editions
are aimed not only at
organists, but also at
organ teachers who are
looking for a manual to
use in their
teaching.
By Anton Bruckner (1824-1896). Edited by Robert Maria Haas. Arranged by Ludwig B...(+)
By Anton Bruckner
(1824-1896). Edited by
Robert Maria Haas.
Arranged by Ludwig
Berberich. Choir and
piano. For Soprano voice,
Alto voice, Tenor voice,
and Bass voice (Soli),
SATB Choir, Piano. This
edition: Paperback. Mass,
Liturgical, Choral,
Original Wo. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
Choir a cappella or with instrumentsn SKU: HL.49025754 Liedprogramm de...(+)
Choir a cappella or with
instrumentsn
SKU:
HL.49025754
Liedprogramm des
deutschen
Sangerbundes.
Composed by Stuttgarter.
This edition: Saddle
stitching. Sheet music.
Schott Chorverlag (Choral
Music). Choral Score. 20
pages. Schott Music #C
43566. Published by
Schott Music
(HL.49025754).
ISBN
9790001012836.
German.
Zum 14.
Deutschen
Sangerbundesfest vom
2.-5. August 1956 in
Stuttgart.
Percussion solo SKU: BR.KM-2409 Composed by Nicolaus A. Huber. Solo instr...(+)
Percussion solo
SKU:
BR.KM-2409
Composed
by Nicolaus A. Huber.
Solo instruments; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Freiburg,
October 25, 1989. Music
post-1945; New music
(post-2000). Performance
score. Composed 1989. 30
pages. Duration 19'.
Breitkopf and Haertel #KM
2409. Published by
Breitkopf and Haertel
(BR.KM-2409).
ISBN
9790004501818. 11 x 14
inches.
..., und
selten larmetDer Schall
durchs offne Feld,
......, die Lufte
wehenDie Zweig und Aste
durch ... (Friedrich
Holderlin: Der
Herbst)Eine insistierende
herbstliche
Klanglandschaft,
Ausgangspunkt fur
,,Herbstfestival. Es war
schwer, in die
rhythmischen Verwebungen
der ausserst leisen
Ereignisse einzudringen,
vor allem eines davon als
,,Anfang zu bestimmen.
Ich versuchte mit der
Stoppuhr kunstliche
Zeitausschnitte zu
markieren, um die
enthaltene Polyphonie
besser studieren zu
konnen. Aber Struktur und
Erlebnisart dieser
Herbstklange deckten sich
uberhaupt nicht mit
meinen kompositorischen
Wiedergabebedurfnissen.
Die auf mich zukommende
Klangnatur musste in eine
Musiklandschaft von
Fellen, Holzern, Metallen
und klangerzeugenden
Bewegungen transformiert
werden.Das Stuck ist wie
ein Gedicht in Zeilen
aufgegliedert. Die
Zeilenketten sind so
angelegt, dass trotz
logischer Folge der
Farbsets sozusagen ins
Unubersichtliche gezahlt
wird. Aufgrund der
Nichtproportionalitat von
Zeilenlange und
Ereignisdichte pro Zeile
entsteht aus der sich
steigernden Pressung eine
polyphone
Ineinanderschiebung, die
sich auf ihrem Hohepunkt
zugleich aus Poly- in
Monochromie gewandelt
hat. Aus solcher
Fluiditat wachst die
neunzehnminutige
Crescendostruktur der
Komposition. Sie lasst
Entfernung in eigenartig
erlebbare Musik-Nahe
umschlagen. Die
Komposition verzichtet
auf aufruttelnde Reklame
fur ihre Klangereignisse.
Sie braucht offenes,
entspannt-aufmerksames,
zulassendes Horen.Die
Sagen, die der Erde sich
entfernen,Vom Geiste, der
gewesen ist und
wiederkehret,Sie kehren
zu den Menschen sich, und
vieles lernenWir aus der
Zeit, die eilends sich
verzehret.(Friedrich
Holderlin: Der
Herbst)(Nicolaus A.
Huber,
1989)CDs:Schlagquartett
KolnCD BV HAAST
9407Schlagquartett
KolnPolmic 023 CD
No.5Bibliography:Huber,
Nicolaus A.: Die Zeit ist
buchstabengenau und
allbarmherzig. Zu
Holderlin in meinen
Kompositionen, in:
Dissonanz, Heft 76,
August 2002, pp. 4-13,
und Heft 77, Oktober
2002, pp. 4-15.Le temps
est litteral et
misericordieux. La place
de Friedrich Holderlin
dans mes compositions,
in: Dissonance, Heft 76,
August 2002, S. 4-13, und
Heft 77, Oktober 2002,
pp. 4-15.ders.: THIRTY
ARE BETTER THAN ONE (A.
Warhol), in: Neue Musik
und andere Kunste, hrsg.
von Jorn Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 50),
Mainz u.a.: Schott 2010,
pp. 220-235.Reinhold,
Steffen: Herbstmusik. Wie
die Natur durch die Musik
spricht, in: Musik &
Bildung 48 (2016), Heft
3, S. 50-55.
(nach dem Violinkonzert). By Ludwig van Beethoven (1770-1827). Edited by Jonatha...(+)
(nach dem Violinkonzert).
By Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar.
Arranged by Martin
Schelhaas. Piano and
orchestra. For 2 pianos.
This edition: Urtext
edition. Mit
Urtext-Stimme und
eingerichteter Stimme von
Yuriko Murakami. Solo
part and piano reduction.
Opus 61. 64/53/53 pages.
Published by Baerenreiter
Verlag
Piano, Vocal and Guitar SKU: HL.14030399 Music Sales America. Educational...(+)
Piano, Vocal and Guitar
SKU: HL.14030399
Music Sales America.
Educational Tool. Book
[Binded]. 448 pages.
Edition Wilhelm Hansen
#WH30455. Published by
Edition Wilhelm Hansen
(HL.14030399).
ISBN
9788759810514.
Danish.
The school
song book - The new
school song book -
Tradition and innovation
from ballad to rap. Over
400 songs divided into:
Morning, evening, years,
Denmark, life, play, rap
... Per Norgard, Alberte,
Ib Norholm, Rockers By
Choice, Carl Nielsen,
Niels Lan Doky, Fuzzy,
Pelle
Gudmundsen-Holmgreen, MC
Einar, Sebastian, John
Hoybye, Benita Haastrup,
MC Clemens, Morten
Kaersa, Bent Lorentzen,
Lars H.U.G., Bo Holten,
Aske Bentzon, Marilyn
Mazur, Mads Vinding, Kurt
Larsen, Otto Mortensen,
Sven Gyldmark, Pierre
Dorge, Chris Minh Doky,
Jan Rordam, Finn
Jorgensen, Stevie Wonder,
The Beatles, Paul Simon
and many more.