Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha

By Greg Gilpin. For TTBB choir, Descant, piano. Concert, Graduation. Octavo. Published by Heritage Music Press. (15/2457H)

By Elizabeth Alexander. For flute, oboe and piano. Community Chorus, High School Chorus, Concert Music, Church Choir-Anthem. Seasonal-Spring, Graduation, Courage. Moderate. Set of parts. Text language: English. Duration 6 minutes. Published by Seafarer Press

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

Chamber Music harp

SKU: CF.H84

Composed by Marcel Tournier. Edited by Carl Swanson. Collection - Score. Carl Fischer Music #H84. Published by Carl Fischer Music (CF.H84).

ISBN 9781491165539. UPC: 680160924530.

Marce l Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. Over his long career, he added a significant catalogue of very beautiful works to the harp repertoire. Many of his solo works, almost one hundred, have been consistently in print since they were first published. But in recent years harpist Carl Swanson has discovered a treasure trove of pieces by Tournier heretofore unknown and unpublished. These include the Déchiffrages in this edition, as well as songs set for voice, harp, and string quartet, and ensemble arrangements of some of his most beloved works.All of the works that Carl Swanson found were in manuscript only. With the help of the great harpist Catherine Michel, he has put these pieces into playable form, and they are being published for the very first time. He and Catherine often had to re-notate passages to show clearly how they could be played, adding fingerings and musical nuances, tempos, pedals, and pedal diagrams.Tournier wrote these pieces when he was in his 20s, and before he became the impressionistic composer those familiar with his work know so well. They are written in the late nineteenth-century romantic style that was being taught at that time at the Paris Conservatory. They are beautiful short, intermediate level pieces by a first rate composer, and add much needed repertoire to that level of playing.
Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. He graduated from the Paris Conservatory with a first prize in harp in 1899. He also studied composition there and won a second prize in the prestigious Prix de Rome competition, as well as a first prize in the Rossini competition, another major composition competition of the day. From 1912 to 1948 he taught the harp class at the Paris Conservatory. But composition, and almost entirely, composition for the harp, was the main focus of his life. His published works, including many works for solo harp, a few for harp and other instruments, and several songs, number around one hundred pieces.In 2019, while researching Tournier for my edition MARCEL TOURNIER: 10 Pieces for Solo Harp, I discovered that there was a significant list of pieces by this composer that had never been published and were not included on any inventory of his music. Principal on this list were his déchiffrages (pronounced day-she-frahge, like the second syllable in the word garage).The word déchiffrage means sight-reading exercise, and that was their original purpose. Tournier numbered and dated these pieces, with dates ranging from 1900 to 1910, indicating that they were in all likelihood written for Alphonse Hasselmans’ class at the Paris Conservatory. Tournier was probably told how long to make each one, and how difficult. They range in length from two to four pages, with only one in the whole series extending to five, and from thirty to fifty-five measures, with only one extending to eight-five. The level of difficulty for the whole series is intermediate, with some at the easier end, and others at the middle or upper end.We don’t know if they were intended to test students trying to enter the harp class, or if they were used to test students in the class as they played their exams. The fact that they were never published means that students had to not only sight read them, but sight read them in manuscript form!I worked from digital images of the original manuscripts, which are in the private music library of a harpist in France. She had twenty-seven of these pieces, and this edition is the second in a series of three that will publish, for the first time, all of the ones that I have found thus far. The manuscripts themselves consist of little more than notes on the page: no pedals written in, no fingerings, few if any musical nuances and tempo markings, and no clear indication as to which hand plays which notes. These would have been difficult to sight read indeed! My collaborator Catherine Michel and I added musical nuances, fingerings, pedals and pedal diagrams, and tempo indications to put them into their current condition.At the time these were written, Tournier would have been in his twenties, having just graduated from the harp class himself (1899), and might still have been in the composition class. These are the earliest known pieces that he wrote, and they were written at the very beginning of a cultural revolution and upheaval in Paris that was to completely and profoundly alter musical composition. Tournier himself would eventually be caught up in this new way of composing. But not yet.All of the déchiffrages are written in the late romantic style that was being taught at that time at the Paris Conservatory. Each one is built on a clear musical idea, and the variety over the whole series makes them wonderful to listen to as well as to learn. They are also great technical lessons for intermediate level players.The obvious question is: Why didn’t Tournier publish these pieces, and why didn’t he list them on his own inventory of his music? Actually, four of them were published, with small changes, as his collection Four Preludes, Op. 16. These came from the ones that will be in volume three of this series from Carl Fischer. His first large piece, Theme and Variations, was published in 1908, and his two best known and frequently played pieces, Féerie and Au Matin, followed in 1912 and 1913 respectively. We can only speculate because there is so much still unknown about Tournier and about these unpublished pieces. He may have looked at them, fresh out of school as he was, as simply a way to make some quick money. The first several pieces that he did publish are much longer than any of the déchiffrages. So it could be that, because of their shorter length, as well as the earlier musical style that he was moving away from, he chose not to publish any more of them. We may never know the full story. But all these years later, more than a century after they were composed, we can listen to them for their own merits, and not measured against whatever else was going on at the time. The numbers on these pieces are the ones that Tournier assigned to them, and the gaps between some of the numbers suggest that there are perhaps thirty or more of these pieces still to be found, if they still exist. They will, in all likelihood, be found, as these were, in private collections of harp music, not in institutional libraries. We can only hope that more of them will be located in years to come.—Carl SwansonGlossary of French Musical TermsTournier was very precise about how he wanted his pieces played, and carefully communicated this with many musical indications. He used standard Italian words, but also used French words and phrases, and occasionally mixed both together. It is extremely important to observe and understand everything that he put on the page.Here is a list of the French words and phrases found in the pieces in this edition, with their translation.bien chanté well sung, melodiousdécidé firm, resolutediminu peu à peu becoming softer little by littleen diminuant becoming softeren riten. slowing downen se perdant dying awayGaiement gayly, lightlygracieusement gracefully, elegantlyLéger light, quickLent slowmarquez le chant emphasize the melodyModéré at a moderate tempopeu à peu animé more lively, little by littleplus lent slowerRetenu held backsans lenteur without slownesssans retinir without slowing downsec drily, abruptlysoutenu sustained, heldtrès arpegé very arpeggiatedTrès Modéré Very moderate tempoTrès peu retenu slightly held backTrès soutenu very sustainedun peu retenu slightly held back.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

By Mark Weeg. For Fiddle & Violin. Solos. Fiddle Tunes. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 88 pages. Published by Mel Bay Publications, Inc.

Band concert band - Grade 4.5

SKU: CF.SPS71

Composed by Carl Strommen. Set of Score and Parts. With Standard notation. 2+16+4+8+8+8+4+4+2+4+4+4+ 4+6+6+6+4+4+4+4+6+6+6+6+4 +8+3+2+12+2+4+28 pages. Duration 6 minutes, 26 seconds. Carl Fischer Music #SPS71. Published by Carl Fischer Music (CF.SPS71).

ISBN 9781491143544. UPC: 680160901043. Key: G minor.

Nordanvind is a tour de force symphonic rhapsody that is built on three Scandinavian folk songs. Composer Carl Strommen has composed these Viking-influenced melodies into a concert setting that brings out all of the history of the Scandinavian people. The piece is at times bold and aggressive, at other times beautiful. Carl employs all of the instrumental colors of the concert band to create a new work for more advanced ensembles.
Modern Scandinavians are descendants of the Vikings, an adventuresome people who were known for their love of the sea, their naval prowess, and as fierce fighters . The Scandinavian Vikings were warriors from Denmark, Norway, and Sweden who traded, raided and settled in various parts of Europe, Russia, the North Atlantic islands, and the northeastern coast of North America .Starting around 1850, over one million Swedes left their homeland for the United States in search of religious freedom and open farm land . Augustana College was founded in 1860 by graduates of Swedish universities and is located on the Mississippi River in Rock Island, Illinois . Home of the “Vikings,” Augustana College is the oldest Swedish- American institution of higher learning in the United States . This powerful and lively piece takes inspiration from Swedish history and from Swedish folk songs and hymns .Havsdrake (Dragon of the Sea)The Nordanvind or “North Wind” blows a cold wind during a journey of a group of courageous Viking rowers . The “Dragon-ship” or long ships designed for raiding and war was a sophisticated, fast ship able to navigate in very shallow water . To musically portray these magnificent seafaring vessels, the director is encouraged to use an Ocean Drum (or a rain stick) during the introduction . Wind players may consider blowing air through their instruments to suggest the North wind . Adding men’s voices to accompany the haunting low brass and percussive “rower” sounds can be helpful in creating the dark and ominous portrayal of Viking adventurers .Slangpolska efter Byss - KalleIn Sweden, a “polska” is a partner dance where the dancers spin each other (släng in Swedish “to sling or toss”) . Slangpolska efter Byss - Kalle is attributed to Byss-Kalle, who was a notable Swedish folk musician, specifically a nyckelharpa player . Slangpolska efter Byss - Kalle is a traditional “polska” dance song most often played on the Nyckelharpa or keyed fiddle and is commonly heard in pubs and at festive events throughout Sweden . Approximately 10,000 nyckelharpa players live in Sweden today, and the Swedish and the American Nyckelharpa Associations are dedicated to this Swedish National instrument . The director is encouraged to share video and audio examples of the nyckelharpa playing the original Slangpolska efter Byss - Kalle .Tryggare Kan Ingen Vara (Children of the Heavenly Father)Tryggare Kan Ingen Vara Is a traditional Swedish melody, possibly of German roots, and was believed to be arranged as a hymn by the Swedish hymn writer, Karolina Wilhelmina Sandell-Berg (1832–1903) . As a daughter of a Swedish Lutheran minister, she began writing poems as a teenager and is said to have written over 1,700 different texts . There are two different accounts as to the inspiration for this hymn . The first story is that Lina (as she was called) wrote the hymn to honor her father and to say thank you to him for raising her and protecting her . A second belief is of her witnessing the tragic death of her father . She and her father were on a boat, when a wave threw her father overboard . It was said that the profound effect of watching her father drown is what caused Lina to write the text to this hymn . Although this is a treasured song to people of Swedish descent everywhere, it speaks to all people about a father tending and nourishing his children, and protecting them from evil .SPS71FThe Augustana College Concert BandFounded in 1874, the Augustana Band program is one of the oldest continuously active collegiate band programs in the country . The Concert Band is one of two bands on campus and was formed more than thirty years ago . The Concert Band attracts students of every skill level and from a wide variety of majors . Students in the ensemble play a large part in choosing their music for performance, which include works from the standard repertoire, orchestral transcriptions, and the latest compositions from leading composers .Rick Jaeschke began his musical career as a clarinet player in the 1st US Army Band . He received a Bachelor of Music degree from Susquehanna University, a Masters of Music from James Madison University, and a doctorate from Columbia University in New York . He was also fortunate to study conducting with Donald Hunsburger and with Frederick Fennell .Dr . Jaeschke taught band and choir at Great Mills High School in Southern Maryland, and for fifteen years, he was the district Music Supervisor in Armonk, New York, where he taught high school concert and jazz bands, beginning band, and music technology . During that time, the music program flourished, and the high school band consistently received Gold Medals in the New York State Festivals, as well as in national, and international festivals . As a clarinet and saxophone player, Dr . Jaeschke performed in the New York metropolitan area with the Rockland Symphony Orchestra, the Putnam Symphony Orchestra, Fine Arts Symphony Orchestra, and served as the concert master for the Hudson Valley Wind Symphony .For several years, Dr . Jaeschke served as the Fine Arts Coordinator for the District 204 schools in Naperville, IL, a district selected as One of the Best 100 Schools in America for Music . Currently, Dr . Jaeschke is an Associate Professor at Augustana College where he teaches music and music education courses, and directs the Concert Band . He has served on various educational boards, is a National edTPA scorer, and has presented at state, national and international music conferences . He lives with his family in Bettendorf Iowa, and enjoys any opportunity to explore the open water in his sea kayak .

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

By Martha Mier. For Piano. Piano Collection. Level: Late Elementary (grade 2). Book. 16 pages. Published by Alfred Publishing.

By Jane Smisor Bastien. (Bastien Supplementary Books). Bastien Piano. Solo Collections. Music Book. Published by Neil A. Kjos Music Company.

SKU: GI.G-298252

Composed by Garwood Whaley. Music Education. Book. 96 pages. GIA Publications #298252. Published by GIA Publications (GI.G-298252).

ISBN 9781574635041. UPC: 888680951559.

This publication combines book 1 and 2 of this innovative, popular method. It provides a highly organized, systematic approach to reading and understanding rhythm for the beginning-intermediate percussionist. Basic rhythm patterns including counting system and foot-taping indications are introduced on each page in 8-measure studies followed by a short solo serving as a page summary and motivational tool for students. Volume 2 continues, adding flams, drags, roll studies, syncopation, and 8th & 16th note triplets. Both books conclude with a graduation solo suitable for concert performance. Book 2 also includes a graduation duet and technique builders to develop strength, flexibility and control. Great as a band-method supplement or stand-alone method.

By Johann Sobeck. Winds. For solo clarinet, flute, oboe, horn, and bassoon (wind quintet) or clarinet and piano. This edition: Facsimile Editions. Showpiece for the clarinet.. Romantic. Piano score and parts. Published by Rosewood Publications (RW.RFE-67). Piano score and parts. Romantic.

Choral SAB choir, keyboard, soprano voice

SKU: CF.CM8650

Composed by Ruth Elaine Schram. Carl Fischer Performance Series For Chorus. Part. With Standard notation. Carl Fischer Music #CM8650. Published by Carl Fischer Music (CF.CM8650).

ISBN 9780825842740. UPC: 798408042745. 6.875 X 10.5 inches.

A heartwarming song of appreciation to educators everywhere, with a text by the composer, this gentle, reflective selection will be the highlight of spring and graduation concerts. More than a song of inspiration and self-assurance, it is a hymn to the often un-sung heroes of the school process: the teachers, who instill the values and provide the tools for young people to pursue their dreams with courage and optimism. Available in three versions, including a 2-part setting (with text adjustments) appropriate for elementary age singers.

Choral SAB chorus - early intermediate

SKU: XC.1801012

Composed by Pinkzebra. Arranged by Pinkzebra. Octavo. Pinkzebra #1801012. Published by Pinkzebra (XC.1801012).

9 x 12 inches.

This inspirational song about believing in yourself and finding the courage to follow your dreams is perfect for graduation ceremonies and concert programs. Styled like a pop ballad, the contemporary vocal style and the straightforward harmonies are sure to hit the mark for your choir. Easy to prepare, and wonderful to sing! The accompaniment MP3 download includes both a fully produced version and a piano-only version. Instrumental parts are available for a live band and part-dominant MP3 practice tracks are available in a multi-user bundle to share with your whole choir.

Choral SSA chorus - early intermediate

SKU: XC.1801013

Composed by Pinkzebra. Arranged by Pinkzebra. Octavo. Pinkzebra #1801013. Published by Pinkzebra (XC.1801013).

9 x 12 inches.

This inspirational song about believing in yourself and finding the courage to follow your dreams is perfect for graduation ceremonies and concert programs. Styled like a pop ballad, the contemporary vocal style and the straightforward harmonies are sure to hit the mark for your choir. Easy to prepare, and wonderful to sing! The accompaniment MP3 download includes both a fully produced version and a piano-only version. Instrumental parts are available for a live band and part-dominant MP3 practice tracks are available in a multi-user bundle to share with your whole choir.

Choral (SSA Choir)

SKU: HL.192555

From Newsies. Composed by Alan Menken. Arranged by Mac Huff. Broadway Choral. Broadway, Disney. Octavo. 12 pages. Published by Hal Leonard (HL.192555).

UPC: 888680637101. 6.75x10.5 inches.

Now available in an SSA voicing. This lovely duet is one of the new songs in the Broadway musical Newsies, transformed here into a beautiful choral piece that speaks movingly about finding the courage to seek your dreams. Wonderful for graduation and many other concert programs!

Choral SATB chorus - early intermediate

SKU: XC.1801011

Composed by Pinkzebra. Arranged by Pinkzebra. Octavo. Pinkzebra #1801011. Published by Pinkzebra (XC.1801011).

9 x 12 inches.

This inspirational song about believing in yourself and finding the courage to follow your dreams is perfect for graduation ceremonies and concert programs. Styled like a pop ballad, the contemporary vocal style and the straightforward harmonies are sure to hit the mark for your choir. Easy to prepare, and wonderful to sing! The accompaniment MP3 download includes both a fully produced version and a piano-only version. Instrumental parts are available for a live band and part-dominant MP3 practice tracks are available in a multi-user bundle to share with your whole choir.

Arranged by Dan Coates. Songbook for voice, easy piano and guitar (chords only). 144 pages. Published by Alfred Publishing.

By Various. E-Z Play Today. Softcover. Big note notation. 880 pages. Published by Hal Leonard

Flute

SKU: M7.APUE-516063

Student Method Book 2. Composed by Karen North. Sheet music. 104 pages. MDS (Music Distribution Services) #APUE 516063. Published by MDS (Music Distribution Services) (M7.APUE-516063).

ISBN 9781875516063.

This is the second method book in The Young Flute Player series and it's packed with a huge amount of repertoire! The music includes everything from Baroque masterpieces by Bach to Ragtime music by Joplin. There are also traditional folk tunes, exercises, studies, festive music and a section of longer concert pieces. The progressive units introduce new material gradually, and the exercises and scales are directly related to the pieces. Words are included for some of the song tunes to assist with understanding breathing and phrasing. Italian words for style and tempo are illustrated with fun cartoon pictures to help students remember the meaning of terms. To help students practise, there are FREE YOUTUBE recordings for every piece, as well piano backing tracks and duet recordings. The Young Flute Player also features: Easy-to-read fingering charts for every note of the flute Manuscript paper Practice charts Scales charts Theory reference section Music puzzles Graduation Certificate - FREE download from website www.theyoungfluteplayer.c om.

By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Medium to difficult. Duration 20:00. Published by C. Alan Publications