For Trumpet Trio and Band (Full Score and Parts). By Walter Alan Finlayson. Concert band/stage band. For Piccolo, Flute, Oboe, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Cornet I, Cornet II, Cornet III, Horn, Tenor I, Tenor II, Tenor III, Baritone (Bass Clef), Double Bass, Drums, Timpani, Bells. Classical. Score and parts. 20 pages. Published by Theodore Presser Company.

By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet, harmonica. Play-Along series with accompaniment CD. One of the greatest contributers to the Great American Songbook, Cole Porter. Play-Along Categories: Artists, Standards. Level: intermediate, advanced. Book with 2 CDs. Published by Jamey Aebersold Jazz.

Performed by The White Stripes. Play It Like It Is (Authentic note-for-note transcriptions). With notes and tablature. Size 9x12 inches. 56 pages. Published by Cherry Lane Music.

Oboe

SKU: SU.94010762

For Oboe. Composed by James Lee III. Woodwinds, Oboe/Piccolo. Score. Subito Music Corporation #94010762. Published by Subito Music Corporation (SU.94010762).

Dedicated to Titus Underwood, Principal Oboe, Nashville Symphony OrchestraOboe Duration: 5' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.

Performed by Various. Arranged by Jeff Arnold. Guitar Solo. Softcover. With notes and tablature. Size 9x12 inches. 56 pages. Published by Hal Leonard.

By Various. Big Note Songbook (Easy arrangements with large, easy to read notation). Size 9x12 inches. 128 pages. Published by Hal Leonard.

Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. Published by Hal Leonard.

(5 Pieces for Band - Full Score and Parts). By Arthur Frackenpohl (1923-). Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet III, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Te. Score and Set of Parts. Standard notation. 14 pages. Duration 8 minutes. Published by Theodore Presser Company

(Inspiring Hymn Settings for the Solo Pianist). By Jason Webb. Sacred. Performance CD. Published by Lillenas Publishing Company

Accompaniment CDs Bass Songs. Performed by Various. Boosey and Hawkes Voice. CD only. Size 9x12 inches. 8 pages. Published by Boosey and Hawkes.

Tenor - Accompaniment CD. Arranged by Joan Frey Boytim. Vocal Collection. CD only. Size 9x12 inches. Published by Hal Leonard.

Composed by Carl Sigman. Songbook for voice, piano and guitar (chords only). 191 pages. Published by Music Sales.

Baritone Edition. Composed by Various. Edited by Richard Walters. Vocal Collection. Standards. Softcover. 160 pages. Published by Hal Leonard

Performed by Herb Ohta. By Jim Beloff. Fretted. Book and CD package. Size 9x12 inches. 48 pages. Published by Flea Market Music, Inc.

(25 Songs in English for Classical Voice With a CD of Piano Accomp). Edited by Richard Walters. Vocal Collection. Softcover with CD. 72 pages. Published by Hal Leonard

Choral SATB choir, piano

SKU: PR.312419280

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280).

ISBN 9781491137925. UPC: 680160692613.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

(for Vocalists and C Instruments). By Various. For Vocal, C Instruments. Jazz Transcriptions. Softcover. Published by Hal Leonard

The Vocal Library Low Voice. Composed by Various. Edited by Richard Walters. Vocal Collection. Play Along. Softcover Audio Online. 56 pages. Published by Hal Leonard

Transcontinental Music Folios. Size 8.5x11 inches. 308 pages. Published by Transcontinental Music Publications.

For Piano. Composed by Vincent Persichetti (1915- 1987). Contemporary. Solo Part. With Standard Notation. Composed 1926. 8 pages. Duration 2 minutes, 30 seconds. Theodore Presser Company #160-00224. Published by Theodore Presser Company

(The Beginner Singing Method). Arranged by Pam Wedgwood. For Voice. This edition: Piano Accompaniments. Book; Method/Instruction; Vocal Method. Faber Edition: It's Never Too Late. Elementary; Late Elementary. Published by Faber Music